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Vinyl actualization of a Gary Wilson album originally released on CD in 2008. The second of Feeding Tube's Wilson retrievals (following 2011's Forgotten Lovers, FTR 065LP), the label considers this the most solid of Gary's post-revival albums. While it goes in a slightly different musical direction than the deranged porn-lounge inventions of You Think You Really Know Me (the classic '77 LP, heisted in toto by Beck during his Odelay phase), the naif-ache of the lyrics and the music's laid-back…
*In process of stocking* Swedish saxophonist Mats Gustafsson might have a separate discography for his solo records. He's investigated the possibilities of unaccompanied reed music from almost every angle. Presented with the opportunity to make a new solo record under the isolation of the pandemic, Gustafsson returned to a project he'd conceptualized but never realized: the playing-card pieces of Peter Brötzmann. Although these Fluxus-like prompts are better known through the two card sets the G…
Mats Gustaffson and the Fire! Orchestra return with an album recorded in the company of Jim O'Rourke entitled Echoes and to be released on 14 April 2023 by Rune Grammofon. For the 14th anniversary the Fire! Orchestra presents itself with a gigantic line-up of 43 elements. Within the big band we also find the confirmation of singer Mariam Wallentin, as well as the addition of the voices of David Sandström and Joe McPhee (also present as tenor sax).
Echoes is a new chapter within the discography o…
From 1960 to the present day, from Georges Arvanitas to Laetitia Shériff, or from Manu Dibango to "Mama" Béa Tékielski, everyone has wanted to include François Jeanneau in their team at some point. This, his first album under his own name, was recorded for Jef Gilson’s Palm label in 1975, a few months after ‘’Watch Devil Go’’ by Thollot, with more or less the same cast: Jeanneau on saxophone, Jenny-Clark on double bass and percussion, Lubat replaces Thollot on drums and Michel Grailler is added …
Albert Ayler's 1969 album New Grass has been misunderstood from the day of its release. The album finds Ayler experimenting with soul music and digging back into his R&B roots (he started his career playing saxophone with Chicago bluesman Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers and Ayler himself. As if predicting the divisiveness of the record to follow, A…
On the cover: This is a really packed, special issue of Maggot Brain, with the feature cover story a comprehensive interview by celebrated writer Sasha Frere-Jones with essayist Lucy Sante (who's written for every issue of MB since the start), on the occasion of her awesome memoir about transitioning, I Heard Her Call My Name. Inside: Phill Niblock: A tribute to the genius musician, filmmaker, label head, and generous promoter of ecstatic sound, by Steve Silverstein. Tresa Leigh: An in-depth fea…
Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike McGonigal: 100+ pages packed with phenomenal content -- art, music, literature, unpublished archival material, and more -- with a simple promise to only exist on the printed page. On The Cover: Unpublished Joe Dilworth photo of My Bloody Valentine, from sessions for their Isn't Anything record. My Bloody Valentine: Revelatory, unpublished interview excerpts from hours of tapes with Kevin Shields by editor Mike M…
"On the cover: Grace Jones by Tamara Palmer: Palmer delves into the entire history of this remarkable artist, who will naturally deliver us a stunning cover image. Jones is even more of a one-of-a-kind musician and persona than most of us realize, so we're extra excited to feature her on the cover of this issue. Deep Archival Dives With Living Luminaries -- PULP: Peeling back the onion of time, we are graced with a fine selection of ephemera and rare images from the forthcoming Hat + Beard book …
Capturing two exceptional concerts at London's Cafe OTO in 2021 & 2022, in the launch of a new quartet expanding the longstanding trio of N.O. Moore on electric guitar, John Edwards on double bass and Eddie Prévost on drums, with Alan Wilkinson on baritone & alto saxophones, and for one performance on each night, tenor saxophonist Nathaniel Catchpole joining.
"Launch show for the quartet to mark the release of new CD 'EMPoWered' on Brooklyn's 577 Records. Edwards, Moore and Prévost have comprise…
1994 release ** Packaged in oversize cardboard sleeve. A four-artist compilation of electronica experimentation, this album includes pieces by Randy Grief, Art Simon, Contact with a Curve and Jocelyn Robert.
2006 release ** Packaged in oversize cardboard sleeve. "DeK (Die Entartene Kunst, i.e. Degenerate Art) is a group of ""contemporary improvisation"", understood as Instant Composition, in the best European and non-European radical tradition (from Nuova Consonanza to AMM, to Buthc Morris). The ensemble, open, hosts numerous musicians, who alternate from time to time. The core group is made up of Massimo Daolio, Margaret Leitgeb, Davide Negrini, Andrea Bini, Paolo Boschi, Alessandro Verdecchia. In …
2014 release ** "UltraUltra-red, 10 hypotheses on 10 preliminary theses on militant sound investigation is a CD+booklet, the final act of a workshop. The 6 month process led to the creation of a database of sound-fields and texts-recorded tracks developed to build 10 sound pieces/hypotheses by 10 young artists. The publication is the first Italian translation of the important manifesto/source text 10 preliminary theses on militant sound investigation by the american collective Ultra-red, further…
1993 release ** Limited edition of 1000 hand-numbered copies packaged in A5 portfolio with prints. "The concept behind 'jeux de terre' (earth plays) was of a journey through an imaginary world of insects. insects that had not been identified yet - as you can now read in english for the first time. 'insects, go for food or discovery, warzone, life purpose at the insect dimension' as girard explains it. the sound on this disc is less beat oriented than later vromb releases, but nevertheless it is …
2006 release ** Limited edition of 500 hand-numbered copies packaged in special 7" sleeve. "Amongst English Men finds Mark Wastell alone, brooding magnificently in the bottom octave of a superbly recorded Steinway grand piano until his Tilburyesque clangs are eventually lost in a haze of tam tam harmonics and mournful strokes on a tubular bell. It’s deceptively simple to describe but remarkably subtle and compelling to listen to, impeccably mixed and mastered by Graham Halliwell."
2012 release ** CD packaged in A5 booklet. "Awesome Solar Ipse label debut recordings! “Season Two” is the second work of the duo Ninni Morgia – Marcello Magliocchi after the acclaimed “Sound Gates” (LP Ultramarine, 2011). The new album consists in 8 tracks of elegant improv-free jazz. It seems like a mix of Jimi Hendrix and Sonny Sharrock with the blinded lightness of Keiji Haino, all fused with the personal texture of the drums and the percussions which sound as an extension of human soul’s vi…
2006 release ** Oversized cardboard sleeve. "Square rhythms, flashes of punk-hardcore (almost deviated rock & roll at times, as in "Part 1"), modulated feedback, more than distorted voices (but never invasive), magmatic stasis, dissonances: this is the recipe of Two Dead Bodies, which will be appreciated both by fans of those who today go crazy for Liars and Wolf Eyes, or by those who nostalgically remember God or the schizoid metal of Naked City."
2008 release ** Comes in a folded A2-poster sleeve. "The Belgian label Consouling Sounds, which specializes in guitar drone and has already released, among other things, the fantastic remix LP by N entitled "Bergen: Skizzen + Notiz" (Bergen: Sketches + Notes), has released the CD "Magnetic Fields & Zero Dimension Planes," a compilation that can confidently be described as a current overview of the genre. The opening track is a highlight, as "Amsterdam 2 Uhr Nachts" is the first sign of life from…
2007 release ** Limited edition of 199 hand numbered copies with unique paste-on covers plus 16-page A5 booklet. "Together with Museo Della Tortura (although the cover just says M.B. + M.D.T.) Maurizio Bianchi made seven tracks, 'psalmodian', which on the cover is explained as an 'experimental way how to interpret the psalms'. All pieces are about psalm 63, which is when King David was alone in the desert and God was still with him. This desolation is captured quite well in the music. Sometimes …