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So excited and honored to finally release the vinyl document of my realization of John Cage’s Rozart Mix. Back in the extremely strange year of 2020, I was approached by Wave Farm and John Cage Trust to stage a performance of this seldomly performed piece that Cage wrote for Alvin Lucier. The piece is comprised of 88 tape loops (one for each key of a piano), spliced together with multiple non-musical sounds played back on 12 reel to reel machines.
In January 2021 I spent a wonderful and intense …
Big Tip! *300 copies limited edition* Delphine Dora was nearing the end of a three-day prepared piano residency when a technician stepped in to tune her grand piano for her final performance. He removed the objects from the strings and fixed the pitch, leaving Dora with a freshly tuned instrument. Mesmerised by its new sound, she proceeded to switch on her recorder and pour out her soul, channeling, in her own words, “something greater than myself”. The result is some of the most unusual but ele…
Black Vinyl edition. There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? …
Second album. Lunar psychedelic improvisations. Features Timo van Luijk (zither, flute, keys, tape) and Kirs Vanderstraeten (percussion). "Two more side long pieces from these two. The first side is a scuttling crab moving in and out of focus. It's great, but the second side is utterly fantastic. A lot of percussion and drones, as well as flute sounds, etc, with a touch of faux Orientalism. Enough that bits of the music could be seen as an alternative soundtrack to Apocalypse Now!. (And I mean t…
2023 Repress American composer and multi-instrumentalist Alvin Curran has remained one of the great emblems of experimental music for the last half-century. In 1966, along with Frederic Rzewski and Richard Teitelbaum, Curran co-founded Musica Elettronica Viva, a seminal gesture in collective free improvisation. In the early '70s, his solo work would become a crucial bridge between minimalist traditions on both sides of the Atlantic. Canti E Vedute Del Giardino Magnetico, Curran's solo debut, was…
Soon after their 1978 debut on the Brian Eno-produced No New York, a compilation that defined the No Wave scene, James Chance’s group Contortions had already evolved— getting sharper, tighter and just plain faster. Despite the loss of keyboardist Adele Bertei and bassist Geoge Scott (who refused to sign a new contract demanded by Chance and his then partner, band manager Anya Phillips) Contortions were firing on all cylinders, and their first full-length album, 1979’s Buy, is a marvel of hot-wir…
3LP edition. Remastered A classic within the vast Celer catalogue - one of their finest. Originally issued by the Infraction label in 2008, 'Discourses of the Withered' sees the light of day once more via Will Long's own Two Acorns label, complete with a beautiful remaster from Stephan Mathieu. The album, like much of Celer's work, offers a refuge from the fast pace of modern life. The glacial ebb and flow, and swells of lush strings slows the heart rate and creates a place for introspection, pe…
Originally released on CD in 2009, Engaged Touches has been expanded from the original recordings for a 3LP edition, spanning 5 sides of vinyl, and a 3CD edition of the same expanded version, as well as the original single disc version. All have been remastered by Stephan Mathieu for this special limited edition.
After the not-quite-reissue of 'Prince of Parrot Shooters/The Aqueducts of Cannel Island', wide-eyed mystic and tireless searcher of the netherworld Spencer Clark returns to the Discrepant fold with 'Barbados Wild Horses' under his Monopoly Child Star Searchers moniker. Recorded while Clark was living in the Canary Island's by Tupperware and Lagoss' Dani Tupper, 'Barbados Wild Horses' brims with insular romanticism and escapist bliss, with sunkissed synth-lines interwoven around his trademark ha…
Imagine a world in which you are permitted, by a warlock, to go back in time to use an advanced yet primitive submarine to investigate the deepest waters in and around Japan, for the first time in human history. You are not permitted, but two Japanese scientists were allowed on such an aquatic adventure!
Mega-Tip! Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint.
The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage…
Matthew Mullane is a Chicago multi-instrumentalist performing under the guise of Fabric. Here we have a fine suite of compositions which embark on a voyage through darkness of night and the brightness of day. Washed-out dark colors and static pulses sweep across your stereo painting a portrait of intense yearning and determination. Recorded over the course of a year, Matthew has constructed a multi-dimensional organism of sound that has perplexing depth and astounding detail. The album reveals n…
*2023 stock* Utterly engrossing, sometimes terrifying second album from Reines d'Angleterre - a collaboration between the mighty Ghedalia Tazartes and "electronic botanists" èlg and Jo aka Opéra Mort. LP version, limited to 500 copies. Bo 'Weavil is totally psyched to have the opportunity to release the second album by Reines d'Angleterre -- this time, a thoroughly studio affair. Reines d'Angleterre is a fascinating collaboration between avant-outsider musician Ghédalia Tazartès and two electron…
Mike and Cara Gangloff’s "Black Ribbon of Death, Silver Thread of Life" is the third in a series of loosely connected melodic investigations released by Mike Gangloff over the past two years. All three were recorded around the Gangloff home in rural Floyd County, Virginia, and were engineered by Joseph Dejarnette (Carolina Chocolate Drops, Bruce Greene, Curtis Eller). And all three feature the far-reaching improvisation familiar from Gangloff’s work with the old-time stringbandBlack Twig Pickers…
"Sealed, original copies of this wonderful 1986 private-press home-studio Electronic Music outing, direct from the artist. While reissues and contemporary efforts unquestionably dominate the the current landscape of recorded music, among its more fascinating and rarely mentioned objects, are warehouse finds. These records, due to lack of demand upon their initial release, have lingered for decades on shelves and pallets, in closets and under beds, waiting for a new generation of sonic explorers…
Charles Ives composed nearly 200 songs throughout his life. Wiley Hitchcock, in the thorough introduction to his 2004 critical edition 129 Songs, described the Ives song canon as the contents of a kind of scrapbook or commonplace book or chapbook, or even a desk drawer. Into such a receptacle Ives tossed irregularly, if not casually, his reactions Ñin the form of songsÑto memories, personalities, places, events, discoveries, ideas, visions, and fantasies in his life.' Whether popular tale or per…
*2024 stock* Originally released in 2010 on cassette by Medusa. Second cassette edition released in 2011 by Hanson Records. LP edition released in 2015 by The Trilogy Tapes.
James Tenney, for almost the entirety of his career, was one of the great, unsung giants of the American musical avant-garde - an artist’s artist, whose towering contribution and influence was everywhere - equal to Feldman and Cage, but who, like Nancarrow and Partch before him, was a maverick - radical to the core, refusing to play by the rules, and thus suffered at that fate’s all too predictable hand. Since his death in 2006, his legacy in devoted hands, recognition has slowly begun to grow, …
Just Asked whether he would describe his music as “Sound for the sake of sound,” James Tenney (1934–2006) replied, “It’s sound for the sake of perceptual insight—some kind of perceptual revelation.” This release aptly demonstrates Tenney’s deep exploratory fascination with the nature and potentialities of aural perception. His attraction to these topics was simultaneously intellectual and sensuous, and its musical products at once invite both sustained reflection and the most immediate of corpor…