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1993 release ** "Linea d'ombra is the CD from more than twenty years ago with which the author inaugurated his personal journey as an interpreter-composer on the border between the languages ​​of jazz, classical music and rock. At the time, Roberto Verti wrote about it in the presentation of the CD: “A musician with a cult background who moves between the moods of the new age and the high craftsmanship of the academy, between the La Scala scene and minimal, jazz; plays with flutes and combines t…

1993 release ** "The trio setting of tuba and non-traditional percussion and Eskelin's compositions leave an uncluttered canvas free of many of the standard traps of head-solo-head without disolving into the total formlessness of much "avant garde" jazz. The musicians (Ellery Eskelin  - tenor, Joe Daley - tuba, and Arto Tuncboyaciyan - percussion) respond to the setting with some beautifully executed improvisations. At the center of the trio, Eskelin's thick tenor sound - a seemingly impossible …

1992 release  ** "The 3rd and final album by Les Granules. The pieces on this album are recorded in real time and without overlays. Each of the composed or improvised pieces was subsequently the subject of serious alterations by collage. Slight differences in pulsation, tuning, and subtle shifts from one beat to another, from one type of sound recording to another, were highlighted rather than hidden, producing the effect of a mosaic or quilt. " Jean Derome: flutes, alto sax, calls, drum machine…

1991 release ** "Electroacoustic chamber music. In the booklet Mikael Tosti is credited playing electroacoustic violin as well as Ko de Regt, obukano and Henrik Jespersen, electroacoustic saxophone."

1990 release ** "Rova Saxophone Quartet’s 1990 recording of music composed by Steve Adams, Fred Frith, Henry Kaiser, Larry Ochs and Jon Raskin. With music by Rova, Henry Kaiser (g), and Fred Frith, this was an outgrowth of a successful local concert series. It’s one of the few sax quartet albums that utilizes studio and sampling technology as an artistic tool."

1989 release (RARE) ** "The acRID acME [of] P16.D4 might be the most well known work, no doubt due to the unique approach taken for the first segment: in 1987, the P16.D4 dredged recordings from the 1981 punk incarnation and placed them in a completely different context. As a result, "Maba 4. 12." and "Rotting Outscratched" reveal their initial forms, the former with the occasionally perceptible fragment of punk thrash sipping out unscathed from the abused tapes, and the latter allowing a hint o…

2025 stock ** Erdem Helvagioglu first broke through to the international audience with his Walk Through the Bazaar...a collection of sounds from the bazaar in Istanbul that he worked to create an emotional tour. On this record the listener is presented with the performer, on live guitar with live electronics and processing. This kind of work is straight up 'new music' and has strong affinities to the downtown, improvised and modern classical currents that are being played throughout the capitals…

1990 release **

1991 release ** "The singer's vocal style is characterized by an enormous vocal range and a particularly accentuated use of the voice as an instrument (cf. Scat or Bop vocals). The constant change of intonations and phrasing as well as different timbres, the mixture of cantilènes and squeaking or cooing noises with overtone singing creates a confusingly diverse sound world of strong tension, which always comes into its own not only in solo performances, but also in ensemble playing, without domi…

1998 release ** "This is a change of pace for West Coast musician Steuart Leibig, who is joined here by saxophonist Vinny Golia and drummer Billy Mintz for a mix of Leibig compositions and thoroughly improvised numbers. Leibig leaves his violin at home, instead focusing on contrabass guitars, while Golia muscles his way on baritone and soprano saxophones. The composed pieces are loose constructs; a different course from the leader's earlier penchant for densely layered colors. If the disc has a …

1991 release **

1990 release ** "For fans of that particular brand of noisy avant-gardism for which Robert Christgau coined the term "skronk," guitarist/violinist Fred Frith and saxophonist Tim Hodgkinson need no introduction. Charter members of the 1970s avant rock outfit Henry Cow, each has spent a lot of time making unspeakable noises with his instrument, and often those noises have been unspeakably glorious. This collection of live recordings -- all of them taken from live gigs around England in May of 1990…

1995 release ** "This engaging little slab reflects a 1995 recording date between Evan Parker's saxophones, Antonello Salis' piano and accordion, and Mauro Orselli's drums and cymbals. Featuring nine variously timed improvisations, this works simply because of the sheer delight and will of the performers. Here, texture means nothing, tonality means nothing, listening means nothing. The reason for being, the raison d'être, if you will, is simply action and reaction and more action. This is consci…

New zine dedicated to Coil: the esoteric music project pursued by Jhonn Balance and Peter Christopherson.  Issue 3 of the ongoing zine dedicated to researching the importance of Coil. A5, perfect bound, 72 pages. Contents Singularities of Art and Natureby John Coulthart “There’s a Man Laying Down in a Grave Somewhere” Poem for Jhonn Balanceby Joseph Breitman "Shadows only exist when the spotlight is on"An Interview with Mead McLean “In Perpetual Motion”:The Coil Manifesto as Theory in Practiceby…

1990 release **

1988 release ** "This is what you get when you put three nutcases like Tony Bevan, Greg Kingston, and Matt Lewis in a room together with their instruments and a case full of toys to play with and turn the tape machine on. Actually, it was recorded live in 1988, so there was the concert's respectability to hold them back somewhat, but not much. This is free improvisation completely realized, articulated, and cacophonously executed in front of a live audience by a group of musical troublemakers wh…

For the last couple of years Jazz In Britain’s output has largely consisted of CDs around the 75 minute mark, either single, 2 or even 3 disc releases. However, we have quite a lot of items in our archives which come up well short of the magic 75 minutes but, in our opinion, are well worthy of release.  With this in mind, we have decided to launch a ‘budget’ series of releases which will come in gatefold digisleeves with simple artwork and no booklet. CDs and downloads will both be at the same p…

1990 release ** "Swedish drummer Bengt Berger made one masterpiece, "Bitter Funeral Beer", an astonishing world jazz album beyond category, that is as hypnotizing as it is guaranteed to move you to tears as well. On Beches Brew, he combines it all, great compositions, with great influences from Indian traditional music, alternated with more or less interesting Scandinavian folk, silly beer brawl songs and boppish pieces. The band consists of Thomas Gustafsson on soprano and tenor saxophones, Jon…

1990 release ** ""In illo tempore" composed 1979 and recorded June 3-4, 1983 at WDR, Köln, Germany. "Je vis - Je meurs" composed 1979-80 and recorded November 15-16, 1984 at WDR, Köln, Germany. "Nomos protos" composed 1986-87 for piano, flute, clarinet, trumpet, horn, posaune, percussion, two violins, bratsche, cello and double bass. Recorded April 23, 1988 at Nedeltschev Sound-Studio."

*In process of stocking* "There was this large, abandoned, cylindrical metal object, maybe an oil tank. In 2009, several people cam to the site and made some noise. They were Otomo Yoshihide, Ryu Hankil, Yuen Cheewai, Yan Jun, Sachiko M, Yang Ge, Xian Qiang, Hong Qile, Gogo J, Olivier Heux and Junyuan. The sounds chosen are refreshingly non-obvious, no fist-banging on the interior walls. There are soft clocks and drips as well as a number of sustained sounds–whistling, moaning, keening–that don’…

yan jun: voiceaxel dörner: trumpet recorded 3rd of january 2017 in berlinmixed by yan junmastered by axel dörner sind

2025 stock ** "The quirky acoustic trio of German improvisers Udo Schindler on clarinet, saxophone, cornet, and Euphonium, Johannes Ollinger on acoustic guitar and toys, and Dine Doneff on double bass, waterphone, and toys, the odd instrumentation adding surprising textures and disorienting angles to really fine dialog, technically, melodically, and eccentrically. Two preformances are captured, one at Pollat Pavillon in Munich, Germany in 2015, the other from Schindler's own Salon fur Klang+Kuns…

2025 stock **

2025 stock ** "Live recordings from Pöllat-Pavillion in Munich, Germany in 2015 from this seriously fun spontaneous collective improvising trio of Udo Schindler on reeds, cornet, euphonium, and monophonic analogue synthesizer, Philipp Kolb on trumpet, tuba and live electronics, and Sebastiano Tramontana on trombone, voice and whistling; expect the unexpected! "

1989 release (RARE) ** "Recorded in 1983 in Nessa's Acme studio in Chicago, Procession of the Great Ancestry is among Wadada Leo Smith's most obscure, but ultimately most satisfying, recordings. Featuring Kahil El'Zabar, Louis Myers, Joe Fonda, John Powell, Mchaka Uba, and Bobby Naughton, this was the first album to showcase Smith's expansive vision, which included all forms of black music -- from the myriad languages of jazz to gutbucket blues, reggae, and various African folk musics as well as…

1996 release ** "The recording debut of Affinity finds the quartet (Joe Rosenberg on soprano, tenor saxophonist Rob Sudduth, bassist Michael Silverman and drummer Bobby Lurie) exploring nine Rosenberg originals and Eric Dolphy's "Hat & Beard." The music is essentially free bop, with strong solos from the two saxophonists, alert interplay from Silverman and Lurie, and an attractive group sound. This music rewards repeated listenings and acts as a strong beginning to this important if underrated b…

1989 release **

2009 release **

Statische Musen is the follow-up project to Hematic Sunsets, operated by Hamburg musician Asmus Tietchens.

CD digipack  ‘Reet’ is a lost treasure of late 1960s folk/psych-folk. The only album she ever put to tape, with clear pure voice and guitar. luckily recorded by Andres Raudsepp in 1969. Reet will be loved in the same breath as Sibylle Baier, Vashti Bunyan, Molly Drake & Bridget st John. Reet Hendrikson deserves wider listening and we hope this reissue will help . Reet Hendrikson was born in Estonia only months before the “great escape” into exile in 1944. Brought up and educated in Sweden, she w…

Huge Tip! Original released in 1971 by the Black Artist Group group's own label “Universal Justice Records” this album has for years been an impossible to find/listen to album, and this is its first reissue ever. Ofamfa by The Children Of The Sun, a band led by poet/musicien Ajule/aka Bruce Rutlin is a heady mix of poetry/jazz/political songs/ and a document of a comunity avent. The BAG group being about all the arts theater and dance. The original liner notes by Ajule are great Insight in to th…

1995 release ** The “Hardcore Chambermusic” album is a music publishing phenomena that has taken Switzerland by storm, in which Koch-Schütz-Studer sampled and compressed hundreds of pieces of music from sources as diverse as Bela Bartok and Luciano Berio to Public Enemy and Bob Marley to create something revolutionary and altogether new."

2003 release ** "A lesser-known set from the Art Ensemble Of Chicago – a CD originally packaged with an Italian magazine, now presented here on its own! The performance is from 1997 – and the group features Lester Bowie on trumpet, Roscoe Mitchell on reeds, Malachi Favors on bass and percussion, and Don Moye on assorted percussion – all in a style that shows all the relaxed, confident modes of the group in their mature years. The ensemble's almost more compelling here than on some of their bette…

1992 release (RARE) **  Aurel Stroe: L'Enfant et le Diable (Voix, instruments, percussions)Camille Roy: Discontinuo (Violoncelle, piano)Jean-BaptisteDevillers: Ucello le poil (Voix, percussions, instruments) Ensemble Aleph

1992 release **  Luciano Berio: DuettiBruno Maderna: WidmungGyörgy Kurtag: Eight Duos Maryvonne Le Dizès (Violin)Christophe Poiget (Violin)Michel Cerutti (Cymbalum)Alain Damiens (Conductor)

1993 release ** "A selection of live recordings from the These Records shop, London."

1993 release (RARE) ** "Three stunning tunes featuring some of the best improvisers in the world today, all of them written -- yes, written -- by trombonist Albert Mangelsdorf. Interestingly, with a band this diverse and dimensionally articulate, the composer has come up with a program addressing each of the band's particular strengths. The title track, clocking in at over 21 minutes, is a study in the spatial relationship of tonalities. Even so, with its slow unwinding passages -- and interesti…

1991 release (VERY RARE) ** Rarely performed Italian contemporary compositions for guitar by Bruno Maderna, Goffredo Petrassi, Franco Margola, Carlo Mosso, Lorenzo Ferrero, Gilberto Bosco, Heitor Villa Lobos, Giulio Castagnoli, Fabio Vacchi, Daniele Bertotto, Davide Ficco.

1995 release ** "Years ago there was a concert with the Zug percussionist Beat Föllmi in a factory in Cham that was supposed to be demolished, which was recorded on a CD with the title “unorthodox approach”. It was all about free improvisation and an extensive and unusual set of sound instruments: the most powerful piece was a gong over two meters in diameter. Today – 1996 – the same percussionist titles his latest recording “orthodox approach”. The change from “unorthodox” to “orthodox” is not …

Long before he carved his dual legend as both popular jazz-funkster and the ultimate peripatetic guest soloist, beloved by fusion and straight-ahead fans alike, tenor saxophonist Dick Morrissey had been one of the UK’s brightest and best modern jazzmen. During the 1960s his regular quartet explored very nearly every aspect of the jazz genre, from down home blues to the fringes of the avant-garde, as is displayed in these previously unreleased radio recordings from 1967. Over two fascinating sets…