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OEK is a collection of six pieces. The name is a reference to the Tuvan word for yurt, or quite simply to the idea of home. The pieces are constructed using very simple material -- scales built from tetrachords and suspensions, that blend together the intervals of the chromatic field. This abstract material is tempered, in turn, by the sounds of the instruments.Adam McCartney born in Limerick, 1987. Currently lives in Vienna. Studied composition and music theory with K. Lang, J. Godfrey, B. Lang…
“Exceptional UK jazz” Gilles Peterson (BBC Worldwide)
“A wonderfully expressive group who have a superbly fresh sense of tone and timing” – Dusty Groove Chicago
The second album by this critically acclaimed jazz quintet from Leeds continues to mature in their newest offering “ENOS” File under UK Modal/Melodic jazz.
A unique pianist and composer, Thelonious Monk (1917-1982) is one of the greatest jazz legends of all time. Thelonious is surrounded by his legendary quartet featuring Charlie Rouse (tenor saxophone), Larry Gales ( double bass) and Ben Riley (drums). First ever official release of this lost ORTF recording performed live in Paris at Studio 104, Maison de la Radio. Remastered from original tapes in high resolution.
Helsinki funk legends Kuja Orchestra is back with a new line-up and new set of tight grooves. Latin, soul, blues and disco-funk melt with african and oriental influences.
Transversales Disques proudly presents the first official LP reissue of "Deserted Palace", studio album written & performed by Jean Michel Jarre in 1972, during his work experience at G.R.M. (Groupe de Recherches Musicales). In 1971, an order was placed with producer Francis Dreyfus to provide sound for public places such as airports and libraries. He decided to pass the project on to Jean-Michel, who had recently been signed by his record company.These fifteen tracks are made with only two synt…
2025 stock 2013 repress, black vinyl. "1968 debut album from the king of the psychedelic bayou -- the hypnotic, mystical and powerful sound of the swamp coming to life. As he became Dr. John (real name Mac Rebennack), it was his LA session work with musicians like Sonny & Cher, Canned Heat, and Zappa that allowed him to start conjuring up his visions of guitar psych-pop to walk alongside his authentic New Orleans upbringing. While Gris Gris contains moments that make it a type stamped symbol of …
Nothing short of a revelation, the Italian composer Angelo Petronella reemerges after nearly a decade and a half of silence with “Habitat”, a stunning 5CD career spanning box set of works composed between 1981 and 2022. Comprising 27 tracks at the borders of radical musique concrète and electroacustic invention, guided by deft and subtle hand over the decades into total, immersive sound environments - each informing what has been heard and yet to be heard - its totality places Petronella in the …
*Limited edition of 300 copies* Beautiful, haunting and sombre, this 2LP presents the entire recording from Henning Christiansen’s Heinrich von Kleist tribute at Rene Block’s Rosenfest festival, Berlin, 1984. The Reality is a Ghost in My Mind (LP1) is a work that unfolds patiently with a mix of field recordings; wind, bird song and the sound of snow being crushed underfoot all unite in a foreboding atmosphere. IN Penthesilea Höhle (LP2) features electronic treatments to the original field record…
Blues Creation’s seminal album, "Demon & Eleven Children," stands as a landmark of Japanese rock history, pioneering the proto-metal genre from the East. Released on August 25, 1971 by Denon, this album marks Blues Creation’s first full-length venture into original songwriting and showcases the explosive creative energy of guitarist and bandleader Kazuo Takeda.
Featuring a transformed lineup—including Hiromi Osawa on vocals, Masashi Saeki on bass, and Masayuki Higuchi on drums—the band evolved f…
Aleksandra Ionowa (1899–1980) was a Finnish-Russian artist, mystic, and largely self-taught pianist whose music feels like a transmission from another realm.
Misha Panfilov, the Estonian composer whose name has become synonymous with space-age exotica and cinematic soundscapes, withdraws once more into the solitude of his studio and emerges with To Blue From Grey In May – a profound meditation on sound, time, and seasonal transformation. Recorded amid the ever-changing light and shadows of Tallinn between March and May 2025, this new album stands as a testament to complete immersion in the creative process. Here, Panfilov threads himself into the ver…
First CD edition. Remastered from the original master tapes. OBI Strip, Twelve pages booklet with exclusive pictures and liner notes. After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M. This concert was recorded in 1977 at the Paris MIX festival (Théatr…
Announcing Blue Voice, a playful yet unsettling 7-inch by Luke Calzonetti built from distorted cartoon voice-over outtakes — warped, abstract tone-poems that teeter between humor, chaos, and sonic sabotage. Pressed on white vinyl with a blue Pantone sleeve.
By far the most rock-oriented of Fairport Convention's early albums, this debut was recorded before Sandy Denny joined the band (Judy Dyble handles the female vocals). Unjustly overlooked by listeners who consider the band's pre-Denny output insignificant, this is a fine folk-rock effort that takes far more inspiration from West Coast '60s sounds than traditional British folk. Fairport's chief strengths at this early juncture were the group's interpretations, particularly in the harmony vocals, …
Sandy Denny's haunting, ethereal vocals gave Fairport a big boost on her debut with the group. A more folk-based album than their initial effort, What We Did on Our Holidays is divided between original material and a few well-chosen covers. This contains several of their greatest moments: Denny's "Fotheringay," Richard Thompson's "Meet on the Ledge," the obscure Joni Mitchell composition "Eastern Rain," the traditional "She Moves Through the Fair," and their version of Bob Dylan's "I'll Keep It …
Simon Balestrazzi's new solo effort calls for the ear to linger on things shrouded in fog, sounds meandering between vision and reality. Highlighted by the mysterious shots by Adriano Zanni you can now enter an awkward soundworld where nothing can be traced anymore. "Scomparire", to disappear, Vanishing. Pretending to vanish in a thick fog, never to be found again. The detachment from one’s identity. Leaving behind the constant paranoia of what is real and what is not. Leaving behind everything:…
*200 copies limited edition* "Desert Smell", a precious collaborative album by Fabio Orsi and Massimo Amato, is fundamentally centred on suffused and dreamy ambient atmospheres, with inserts of ethereal female voice, suspended notes of reverberated piano, echoes in reverse, breaths of synthetic woodwinds, floating and enveloping pads, fragments of abstract sounds, sequencer phrases sometimes kept soberly in the background, and sometimes reminding of cosmic memories brought more energetically to …
The London based singer and keyboard player Dominic Appleton, known since the early eighties for his musical activity in the post punk/dream pop band Breathless, and perhaps even more for his vocal contributions to the legendary This Mortal Coil project on 4AD, joins forces with the Milanese producer and sound artist Matteo Uggeri, active from 1993 behind several projects spanning from industrial to post-rock and ambient soundscapes, known for collaborating with artists such as Maurizio Bianchi,…
London Conversation is the first album by John Martyn, released on Island Records in 1967. Largely self-penned, the album is much more folk oriented than his blues/jazz tinged later releases. Recording was completed by 9 August and the album was released when Martyn was 19 in October 1967. The album reputedly cost £158 to record. The cover photo was taken by Barry Wentzel on the roof of Island Records boss Chris Blackwell's flat in Cromwell Road, London.