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At Grm
Shelter Press and INA grm are pleased and moved to present two previously unreleased recordings of Peter Rehberg, two live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette. On 22 July 2021, Peter Rehberg passed away, leaving a great emptiness in his wake. Many initiatives have already celebrated or will soon celebrate his memory and the titanic work he put at the service of so many artists - a whole musical community, in fact - throu…
Orchid Mantis / Breach
Breach, by American composer Olivia Block, engages in a dialogue between field recordings and synthesised sounds, creating a vibrant plea for wild spaces that face an ever-growing threat to their survival from human activities. The work is based on recordings collected in the San Ignacio lagoon in the Mexican part of Southern California. This lagoon is known as a breeding ground for eastern Pacific grey whales. With the help of precise electronics, the music unfolds like a drift, depicting the s…
Ni Envers ni Endroit que Cette Roche Brûlante (Pour Georgia O’Keeffe) / Recurrence.Expansion
Félicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that ev…
Statistique Synthetique / Teum (The Silvery Slit)
The Third release on GRM's new "Portraits GRM" series, an offshoot of "Recollection GRM" geared towards more recent commissions for the pioneering French experimental outfit
Senderos de Luz Y Sombras
A 16-channel piece inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary.
Space As An Instrument
** Gatefold sleeve, Obi ** One of the universal experiences of life on Earth is staring, neck craned, at the cosmos. The vastness of one's internal life meets the vastness of space, and in that moment those perspectives fuse in a state of wonder and curiosity. Space As An Instrument, the new album by French artist and musician Félicia Atkinson, invites listeners to explore the phantasmic landscapes created in such transformative encounters, when the mind is open and receptive to its environment.…
Ston Elaióna
John Also Bennett’s Ston Elaióna forms an elegantly rigorous world of electroacoustic sonority, bridging the expanse of time with the immediacies of environment and happening in the here and now: a profound sonic mediation on the countless dimensions unlocked by life in Greece.
Entrance
Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project’s most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestu…
E (LP)
Introducing her highly anticipated new LP, "E," Australia-born, Seattle-bred, and New York-based, pianist/singer Eliana Glass invites listeners into a world shaped by her childhood memories and musical evolution, inspired by Annette Peacock, Carla Bley, Jeann Lee and Emahoy Tsegué-Maryam Guèbrou
Shadows Lifted from Invisible Hands
Tip! Shadows Lifted from Invisible Hands is an autobiographical record, comprised of four songs that James Hoff refers to as ambient media. Each track is composed from sources drawn from his own involuntary aural landscape, specifically musical earworms and tinnitus frequencies. Neither sound nor a daydream, the earworm (or stuck song) emblematizes music as a commercial form—immediate, ubiquitous, and persistent. Likewise, tinnitus is inaudible and unscrupulous, manifesting across a spectrum of …
The Concert
When Latifa Echakhch was tuning the concept for her presentation at the Swiss Pavilion duringthe 59th Venice Art Biennale, she wondered how it might be possible to alter her visitors’perception of time. She invited Berlin-based drummer and composer Alexandre Babel to comeup with a response to her silent exhibition, held inside a striking multi-room building designedby Bruno Giacometti and originally intended for the display of classical art. Babel assembled fieldrecordings captured at the Pavili…
Sept duos pour guitare acoustique & piano préparé
Sept duos pour guitar acoustique et piano préparé is the second duo recording from Stephen O’Malley and Anthony Pateras. Their first together, Rêve Noir (2018), took an electro-acoustic scalpel to a 2011 duo concert for electric guitar and piano, using Revox and digital treatments to twist and smear gig documentation into ghostly echoes and fractured drones. Here, in contrast, the music is entirely acoustic and presented as it was performed, without overdubs. Both players’ choices of instruments…
Aunes
Aunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country…
Swamps/Things
Over the last decade, Kassel Jaeger, the moniker of the Paris-based composer, writer / theorist, producer, and director of the Groupe de Recherches Musicales (GRM), François Bonnet, has meticulously sculpted a body of multidisciplinary work that rests at the forefront contemporary electronic and electroacoustic practice. He will release his new album ‘Swamp/Things’ on Shelter-Press.
Rigorously experimental without sacrificing the intimacies of self, his efforts as a composer and musician extend …
Image Langage
*In process of stocking* 'Felicia Atkinson’s music always puts the listener somewhere in particular. There are two categories of place that are important to Image Language: the house and the landscape. Inside and outside, different ways of orienting a body towards the world. They are in dialogue, insofar as in the places Atkinson made this record—Leman Lake, during a residency at La Becque in Switzerland, and at her home on the wild coast of Normandy—the landscape is what is waiting for you when…
Shifted in Dreams
Franco-Swiss composer François J. Bonnet, aka Kassel Jaeger, returns to Shelter Press with his new solo album, Shifted in Dreams. Over the years, Bonnet has been working closely with Shelter Press on different projects, whether as a musician (Zauberberg, Swamps / Things), a theorist (The Music To Come) or as Director of parisian institution INA GRM (SPECTRES, Recollection GRM, Portraits GRM). The common axis of all these actions is the exploration of the deep causes of music, its own potential a…
Halos of Preception
"'Halos of Perception' was inspired by Lerkenfeldt's encounter with a member of Cave Clan, an Australian "urban exploration" group who probe abandoned forts, drains, bunkers and tunnels, searching out places that most people ignore or purposefully avoid. Her friend would travel underground to visit a small room and read alone by candlelight, prompting Lerkenfeldt to consider how sound travels through concrete tunnels, and how people used to put on underground shows. She recreates this nervous at…
Deathstar
Since 2017, Deathstar has been a project about the microphone — in Marina Rosenfeld’s hands, a void, a mirror, an unruly instrument of transformation and mediation. This music is heard in traces, through thickly amplified silences punctuated by momentary eruptions of noise or a voice at the threshold of intelligibility. The sculpture at the center of the action—a plexiglas orb housing a 7-microphone array originally installed as part of an exhibition the artist mounted at Portikus, in Frankfurt …
Trances
Trances, Jules Reidy’s follow-up to the celebrated Music by Jules ReidyMixed by James GinzburgMastered by Stephan MathieuArtwork by Florian & Michael QuistrebertPhotograph by Camille BlakeDesign and art direction by Bartolomé Sanson (2022), takes place in between states, tracing a kind of restless movement in search of—or is it away from?—a center. The twelve tracks shift between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its explora…
Requiem in the Sun / Re-Musick / Demise Symphonika
This is the first in a series of various compilations to come with a focus on the 80’s japanese Minimal/Synth/Wave and electronica. While Japan is very known for the Japanese Noise (almost as Germany is known for NDW (Neue Deutsche Welle) or 70’s Kraut (Progressive).Electronic Music this aspect of the 80’s Japanese Music Culture still seems to be less explored and exposed to the interested listeners. In the early 80’s you had several outstanding labels such as Vanity releasing great artist…