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Early Sound Installations
In the early 1980s, several artists such as Satoshi Ashikawa and Hiroshi Yoshimura, who were pioneers during the early days of Japanese sound art, began to display their works at exhibitions. Ashikawa, who passed away at the young at the age of 30, worked at Art Vivant, a store affiliated with the Seibu Museum of Art in Tokyo, and was one of the first to introduce materials and records of environmental and experimental music from outside of Japan. Artists began coming to Art Vivant to see Ashika…
Path of the Wind
Edition of 200 copies. The unprocessed field recordings of Eisuke Yanagisawa were made all around Japan (2014-17) using Aeolian Harps (a stringed wind harp). On his fourth solo record since 2009, Path of the Wind includes seven tracks with a run time of over forty minutes, each named after their location or single subject as titled. Kyoto-based Yanagisawa is an ethnographer and filmmaker as well. "The Aeolian Harp (also called Wind Harp) is a string instrument that is played by natural wind. It …
Befreit die Maschinen
The promise has for a very long time been that machines will free us from idle labor. They are to take the drudgery away from us so that we can turn our attention to the beautiful, pleasant and sublime things. And music machines have long carried with them the promise that they would enable everyone to make music. Any music that can be conceived and dreamed should be able to be sounded. But neither are people working less today, nor has the fascination with true virtuosity disappeared. On the co…
Weltuntergang
*Limited Edition of 200 copies.* Autopsia is a cult art project dealing with music and visual production. Its art practice began in London in the late 1970s and continued during the 1980s in the art centers of the former Yugoslavia. Since 1990, Autopsia has acted from Prague, Czech Republic. Above all Autopsia is not concerned with music. What is Autopsia? Art? Theory? Framing? Projection? Gaze? Autopsia is language is image is sound. Autopsia is atombstone on the grave of time. Autopsia is arch…
The Sounds of Sound Sculpture
Tip! In 1973, the Sound Sculpture Show took place at the Vancouver Art Gallery. An LP audio catalogue (with a booklet) of the exhibition, entitled “The Sounds of Sound Sculpture”, was released in 1975 under the supervision of the Canadian sound sculptor John Grayson and US composer David Rosenboom. Grayson had edited an important early book on the field, “Sound Sculpture”. The LP included rare takes of Rosenboom and Grayson, amongst others, playing famous pieces by pioneering sound sculptors inc…
Our/s Bouture(s)
Anne Gillis (Paris) is a composer and performer since the eighties, Paul Abbott (Antwerp ) is a musician, drummer, writer, and Seymour Wright (London) is a saxophonist and writer. In 2021, during Covid restrictions, the trio of Anne Gillis and XT (Paul Abbott and Seymour Wright) developed a piece remotely together for Café Oto online radio broadcast program. A one-hour piece titled “Our/s Bouture(s)” was ‘broadcast’ on 1 June 2021 to online audience, and we present a complete program with carefu…
Ring Road Ring
**in process of stocking** "This album features sound recordings of the low-level vibrations pulsing through the megastructure that is the Coventry Ring Road. Built between the 1950s and 70s, it was a key part of the plan to rebuild Coventry after the devastation of World war II. The Ring Road was intended to keep traffic out of the city centre and form the basis for a radical vision of a modern pedestrian-focussed city. However, politics, economics and the contingencies of history combined to p…
Down But Defiant Yet/Acceptance Is Not Respect
Fourth Dimension collects a couple of immense, previously CD-only albums into one neat package from Ramleh/Broken Flag's Gary Mundy, operating under his Kleistwahr handle. 'Down But Defiant Yet' and 'Acceptance is Not Respect' were originally released in 2017 and 2018 and were created with a more spiritual intent than previous works. Essentially, we get blasts of cinematic, ominous black psychedelic sound that channels elements of krautrock into harsh, brutal yet cleansing elegiac noise.
Phantasmagoria
Phantasmagoria is a landmark release from Japan’s legendary noise collective C.C.C.C. Originally unleashed in the early '90s, this album represents the group’s masterful balance between overwhelming sonic force and hypnotic, psychedelic intensity.
Led by Hiroshi Hasegawa and fortified by the presence of Mayuko Hino, C.C.C.C. blended the raw power of Japanese harsh noise with elements of cosmic electronic music, creating a sound that resonates with the crushing density of Merzbow, the ecstatic di…
Music for Gallery
This special edition is added a CDR Music for Exhibition Space No.1 composed by Kuniharu Akiyama. Two descriptions High and Chic Fair and Oct. 26, 1963 were on envelope of original tape. But detail of the event is unknown.Several tapes that were discovered at Aki Takahashi's house and audio sources that have been put on hold until now are being released collectively. The time periods and contents of the sounds vary, and most of the detailed data are not known. Nevertheless, the contents are all …
Obscure Tape Music Of Japan Vol. 26: Meikai no Heso
A collection of small tape music pieces by the legendary composer and pianist Yuji Takahashi. All of them are premiere release on disc.tr.1 Meikai no Heso (The Umbilicus of Limbo, 1963) It is also known as Window to Antonin Artaud, or The Umbilicus of Limbo. it was performed in a version of tape and instruments - poetry reading of the French poet Antonin Artaud, which was modified on the tape, and bass instruments as well as percussion instruments. This is a live recording of Musicians Group: Ne…
Atemporal Activity
'A piece that will continue to be talked about in the vast catalogue of Italian industrial/noise artist M.B. (Maurizio Bianchi), 2016, new domestic release.
Industrial~Noise~Electronic~Ambient, an ambient piece that demonstrates a depressive worldview in all directions, but it is full of M.B. taste that continues to suffer quietly. Twisted ambience, a historical invention of M.B.'s. A universal industrial classic. A destructive force that is more like an ever-expanding electronic cell than noise…
Unaffected Mixes ±
A collection of unreleased mixes by R.N.A. Organism, a unit representing the postpunk era in Japan that is gaining momentum for reevaluation. The unit's only LP, "R.N.A.O Meets P.O.P.O" (Vanity 0006, 1980), featured supercheap alternative-dub with various gadgets against a backdrop of urban aphorism and electrominimalism. Their sound has been described as "Japan's original mutant pop" mainly overseas, and their reissue of Vanity's work has been a hot topic.
In 2020, they released "Unaffected Mix…
Apocrypha
Molecule Plane, a project by Yuki Ohtsuka specializing in inducing the dissimilation of the acoustic space itself through sustained tonal layering and associated complex textural transformations, is pleased to announce the release of its new album on Shrine.jp.Yuki Ohtsuka is an electronic musician and mastering engineer living in Kyoto. He studied electroacoustic music composition, acousmonium performance, and sound technology at Osaka University of Arts, where he also completed his master's de…
Second Concept
* 2020 Stock * Jinya Disc presents a double live album initially recorded to cassette tape by Yoshihiro Tanabe, a student of Takayanagi Juku on November 25, 1979 at jazz club Taro, Tokyo. The album includes 12 tracks performed by Masayuki Takayanagi - Guitar, Kenji Kosei - Electric Piano, Hiroshi Yamazaki - Drums, and Yasuhito Mori - Bass. Initial copies came with a limited edition bonus disk by a trio version of the group containing a mono version of "Froggy Day" recorded on May 27, 1979.
The …
Dislocation (断層)
Jinya Disc presents Dislocation (断層) by Masayuki Takayanagi. Recorded at Aketa no Mise, December 26, 1983. Produced by Jinya Disc. Artwork – Yoko Hase, Artwork, Design – Studio Zap Inc., Drums – Hiroshi Yamazaki, Guitar – Masayuki Takayanagi, Liner Notes – 斉藤安則, Mastered By – ALM Records, Piano – Fumio Yasuda.
Live at Freedom 1971
Jinya Disc presents Live at freedom by New Directions, recorded live on 25 April 1981 at Takasaki. The album includes 4 tracks performed by Masayuki Takayanagi - Guitar, and Hiroshi Yamazaki on drums.
Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest noise guitar improvisers, and the first (with Keith Rowe) to use the table-top guitar. Was a leading member of every avant-garde move…
Meta Improvisation
Masayuki Takayanagi's live solo performances recorded from 1984 Hokkaido Tour, selected and edited by Otomo Yoshihide; incredible electronics and guitar work from the pre-Action Direct freestyle improviser... "This is Takayanagi's live solo performances recorded from 1984 Hokkaido Tour. tunes were selected and edited by Otomo Yoshihide. those takayanagi solo performances were cued himself to organize "Action Direct" right after. So "Meta Improvisation" is the pre-"Action Direct", that is to say:…
Three Improvised Variations On A Theme Of Qadhafi
Jinya Disc presents Three Improvised Variations On a Theme of Qadhafi. A live recording board that includes live performances of improvisation by Action Direct, which was performed on the theme of "personal image" of Muanmar al-Gaddafi rather than ideology or political position. Jim O'Rourke refers to Three Improvised Variations On a Theme of Qadhafi as "a constellation of moving celestial bodies, expanding gas, exploding stars densely packed" and "a corridor of endless possibilities and discove…
A Crimson Shore
A Crimson Shore is Saåad’s first studio album since Présence/Absente in 2018. In the interim, Toulouse-based composer and producer Romain Barbot has enriched his experience as an artist through multiple collaborations, the composition of soundtracks and commissioned pieces, as well his involvement with the bands Foudre! and Sables Noirs.
This new chapter in the artist’s discography reflects this artistic maturity, evoking the project’s finest ambient recordings while revealing a new, unfiltered …