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Originally composed by Maggi Payne between 1984-1987 for the performance group Technological Feets. Formed by video artist Ed Tennenbaum in the San Francisco Bay Area in 1981, the group combines dance, live video processing and music. Ahh-Ahh was first released in 2012 on Root Strata. Composed on an Apple II computer and various early sampling devices, Payne's compositions are a vibrant response to the call from the moving body. Populated with buoyant pulses, graceful analogue swells, dense fog-…
** LP + 8-page booklet. Edition of 400 ** INFO is pleased to announce Remain Calm, an LP and booklet cataloguing Nile Koetting’s performative installation and its immersive soundtrack produced in collaboration with Nozomu Matsumoto and Miriam Stoney. In Remain Calm, Koetting draws inspiration from the earthquake and tsunami drills he experienced as a young student growing up in Japan. Through blending sci-fi narratives with ready-made technologies, Koetting creates scenographic performance envir…
** Edition of 300. Sold out at the label ** INFO is pleased to announce Night Run, the first collection of early sound works of Kristin Oppenheim. This 2LP release features eight pieces recorded between 1992 and 1995 in her Brooklyn studio. In each recording, Oppenheim’s voice is the sole medium, forming repetitious phrases half-sung and half-spoken to compose disciplined but haunting environments that drift back and forth, panning across the stereo field. Over the last three decades, Kristin Op…
Recorded in 1961 and released on Prestige records in the same year, this was Brother Jack McDuff's fourth studio effort and the first featuring his regular partners Harold Vick on tenor saxophone, Grant Green on guitar and Joe Dukes on drums. Vick and Green would soon become two prominent figures in soul jazz while McDuff stands as one of the key organ players in the genre. This is an absolute soul-jazz gem!"This 1961 date was organist Jack McDuff's first with his regular working band. That grou…
Esoteric Recordings is pleased to announce the vinyl re-release of McGear by Mike McGear. Originally released in 1974, McGear was the second solo album by Mike McGear (younger brother of Paul McCartney) and was a more “serious” record than his work with the Liverpool satirical trio Scaffold, or his work with Roger McGough on the McGough & McGear album. Recorded at Strawberry studios in Stockport, (the musical home of the band 10cc), the album was produced by Paul McCartney (who also played on th…
**500 copies** Discos Transgénero presents the first ever album by The Manchester Mekon, a group of musicians that were active from the end of the '70s to the beginning of the '80s in Manchester. Influenced by Frank Zappa and the Mothers of Invention, Igor Stravinsky, King Crimson, Maurice Revel and Pink Floyd, the Manchester Mekon aimed to integrate composed and improvised music, blending orchestral and electronic sounds with rock, both live and in the studio. Over a period of five years (1977-…
"In the mid '70s, Mariangela Celeste signed to a major label (Polygram) at the age of 13. She would then go on to record her self-titled album with rising European superstar Vangelis. Though tragically overlooked upon its release, Mariangela is a gem of early electronic pop with sparkling synths, drums machines, and lush arrangements, propelling the songs of an unapologetically strong-willed adolescent.By 1972, Vangelis’ band Aphrodite’s Child had earned widespread acclaim for their lavish psych…
Mohammad are back!! Finally here, the third and final installment of a trilogy that explores the sounds of the geographical area between 34°Ν - 42°Ν & 19°Ε – 29°Ε. Segondè Saleco is the final catharsis which signals a dramatic change of atmosphere in the trio’s signature sound. "Greek chamber doom trio Mohammad have been operating since 2009, releasing albums on their own Antifrost imprint and brought to a wider audience in 2013 with their excellent ‘Som Sakrifis’ LP on PAN. Here they complete t…
"Probably best known as the writer of the Les McCann/Eddie Harris 1969 hit 'Compared To What', Daniels continues that song's groove-based political message on the Outlaw album. Produced by Joel Dorn and directed by William S. Fischer (1960's sideman for Eddie Harris, Joe Zawinul, Fathead Newman, Herbie Mann), Outlaw hits hard with late 60's black power messages and anti-government statements..." Exact repro, manufactured by Rhino. Originally released in 1970.
**LP + 12". Incl. printed inner sleeves, edition of 500 copies** Between Christmas 2000 and New Year 2001 producers Ekkehard Ehlers and Stephan Mathieu recorded an album of warm, soft, delicately crackling electronic music in the space of that week. It was christened with the ambivalent title "Heroin" and was released on CD via the label Brombron in 2001 and later in 2003 re-issued on Kit Clayton's Orthlorng Musork on double-LP with remixes the pair had commissioned as expansions.
17 years l…
That Alexandre Manuel Thiago de Mello (aka Manduka), born in Petrópolis, a city in the south-east Brazil, isn’t a bigger name in the annals of Brazilian music is surely largely down to the unforgiving vagaries of politics rather than talent. This debut album, originally released in 1972, is up there with anything recorded contemporaneously by the big name post-tropicalistas. In figuring out its relative obscurity you have to factor in the unusual and febrile context in which it was composed, ami…
There are constellations within the grooves of Cymbalom Solos. Innumerable points of light, rendered audible in glowing, radiant sound. There are entire worlds too - undiscovered, yet familiar -- both terrestrial and celestial. There are moments of quiet comfort and exultant discovery. And all of it conjured by one man with a handful of ancient and invented instruments, recorded mostly-live, with precious few overdubs. Michael Masley has been a fixture of Berkley, California, since he arrived fr…
Stephan Mathieu's FrequencyLib was originally released in 2001 on Mille Plateaux's Ritornell sublabel. A quintessential document of the late 1990s/early 2000s Pismo PowerBook era of digitally manipulated audio, FrequencyLib is an adept meditation on the entropic possibilities inherent in popular music. Included with this reissue is the complementary Sad Mac Studies EP - first issued in a run of 100 on Robert Meijer's boutique En/Of label. Exploring similar themes/processes as FrequencyLib, Sad M…
Impressive session led jointly by Herbie Mann and John Rae. On side A, the group incessantly shifts from soft vibes-and-flute jazz to percussion-heavy Afro-Cuban rhythms to classic "Blue-Note" hard bop. Side B is the African Suite, a percussive trip across the Sahara.
In the early 1980s, Ahmed Malek was already in his 50s, when he discovered synthesizers and electronic music for himself and started to experiment with sounds. None of it was ever released but we got a huge box of master tapes from his family and we're happy to present this different side of Ahmed Malek's music. It was compiled and co-produced by Flako, a fan of early electronic and synth music. This is not a remix album though, Flako's aim was to create an album out of 2 hours of materia…
**2018 HQ remastering. Presented in the original gatefold sleeve on 180gram vinyl, this is the first time that the album has been available on vinyl for over 20 years** John and Beverley Martyn’s 2nd album, also released in 1970, was Produced by Joe Boyd and engineered by John Wood at Sound Techniques, the Island Records studio. This album is John and Beverly's follow up to Stormbringer. In much of the same manner as that album, here Martyn recruited Pentangle member Danny Thompson on bass (who …
John Martyn's follow-up to 1973's Inside Out is a much more song-oriented, less experimental effort which concentrates on the joys of home and family. Sunday's Child skillfully blends the sensual ("You Can Discover") with the sweet ("My Baby Girl"), the modern ("Root Love") with the traditional ("Spencer the Rover"), and the tormented ("Sunday's Child") with the satisfied ("Satisfied Mind," "Call Me Crazy") while retaining its cohesiveness. The record, his sixth on his own, shows the many facets…
**2018 HQ remastering** Originally released in February 1970 by Island Records this is the first and classic album by John and Beverley Martyn. After being rehearsed in Woodstock, NY Stormbringer! was recorded and mixed in only 8 days with engineer John Wood and producer Joe Boyd. John Martyn, inspired by the Band's Music from Big Pink, worked hard to find a distinctive guitar sound and in two tracks (Would You Believe Me? and The Ocean) introduced his pioneering guitar technique. Levon Helm gue…
Released in February 1973 and regarded by many as the John Martyn album. The title track was written for friend and peer Nick Drake and concerned Drake's mental strife at the time. (Drake took his own life the following year, a great loss to John personally, and to music generally). Adventurous, dynamic, with a rare depth and power, the album demonstrated John's slurred vocal style, reaching the state where it became fully integrated into the overall sound as an improvisational instrument used …
»Herbstlaub,« the third album by Marsen Jules, was both introspective and visionary, modest and ground-breaking. Blending elements of classical music with electronic textures, the German artist created six pieces that draw on the power of repetition, yet are full of internal tensions and sweeping dynamics. Now, Keplar makes it available again on vinyl for the first time since its original release in 2005. This version, remastered by Stephan Mathieu and with a new artwork by Umor Rex’s Daniel Cas…