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Syzygy
Tip! Upon introducing her Guest Mix, “en medio,” Lucrecia Dalt left a number of clues concerning the role of film in her music. Through describing its placement in the mix and the impact certain classics had on her third album, Syzygy, she explained that “these movies became the external shifter elements, the vectors of disorientation, guides to other moods.” As opposed to subjective depictions of scenes or images that the Colombian musician may have found affecting, their association had more t…
Calling The New Gods
The film "Calling The New Gods", by Vincent Moon, is the document of musicians Rully Shabara & Wukir Suryadi of the group Senyawa playing & being filmed on location, outside, tracing a path from the outskirts of Yogyakarta, Java (on the border of a rice field, on the edge of a garbage dump, etc.) until the center of the city (in the middle of a market, in a fair). In a sort of mandala, of centripetal spiral, during an entire day, from dawn until dusk, the film - with soundscapes shared b…
Last Year's Man / After Vermeer
"My first deep exposure to Leonard Cohen was the Bird on a Wire documentary by Tony Palmer, which was, against the odds, broadcast on public television in New Zealand around 1974 or 1975. At age 15 or 16 I thought it was too dark. A few years later, in the late '70s, I wanted things darker. The first Cohen LP was very clever but a little too "up." The second was too public and political for me. Songs of Love and Hate seemed more honest, more about personal failure. I liked it, although Cohen ten…
Petrichor
Tip! Max Loderbauer’s career in music spans the last 3 decades, yet he’s still managed to keep his listeners hungry by releasing only 3 solo albums to date. Two of those releases (Transparenz, 2013 and Donnerwetter, 2020) were on Tobias Freund’s label Non Standard Productions - his long time collaborator and Templehof studio mate. In between those releases, Loderbauer graced Marionette with Greyland in 2016, revealing a previously unheard youthful and sentimental side. Now in 2022, the seasoned …
The Clouds Know
Cryptic, twilight emissions from Ricardo Villalobos and Max Loderbauer; their synthetic compound of electronics and ouroboros jazz has walked from ECM and Perlon over to Mana.Developing a sound that tends to drift along as otherworldly atmospheres and strange fusion, Vilod evade easy categorisation, even compared to Villalobos’ already experimental and genre-twisting solo minimal offerings. He and Loderbauer pull away the backbone inherent to the structure of that dance music, and The Clouds Kno…
Homenagem
"Lugar Alto presents their very first release: the incredibly rare and absolutely stunning Homenagem, by Leonardo V. Boccia. This is a forgotten gem from the '80s that examines traditional Brazilian themes such as choro, northeastern folk, and capoeira with touches of eighties electronics and new age.Leonardo Boccia is a musician, multi-instrumentalist, composer, researcher and university professor of Culture and Society at the Federal University of Bahia, whose interests include sound studies, …
Habiba
Never released outside South Africa, and out of print even there since its original release in 1974, Outernational Sounds presents one of the most sought-after international jazz exclusives ever to appear on South Africa’s famous Gallo imprint – the funky, spiritual and outward bound Habiba.
As the archives of South Africa’s premier record labels steadily give up the treasures that were hidden in the darkness of the apartheid era, the incredible heritage of South African jazz is gradually findin…
qXn948s
SoiSong is the stunning but short-lived partnership of Coil co-founder Peter “Sleazy” Christopherson and veteran Russian electronic experimentalist Ivan Pavlov. Though friends since 1997, the project birthed roughly a decade later in Bangkok, where Christopherson relocated following the death of his Coil collaborator John Balance in 2004. Named after the Thai word for ‘two’ along with a notorious red-light district street nearby, the duo dialed into a cryptic language of lurching synthetics, Eas…
From Industry Home
An elegant decay amassed from the sounds of detritus. That may be an apt introduction to the work of Jo Montgomerie. Of course, The Helen Scarsdale Agency has a long standing infatuation with disintegrated sound in various forms. So, it makes perfect sense we should publish her work! That said, Montgomerie has a fascinating strategy to her long-form smears of blackened mascara ambient and smoldered noise. As a teenager she was a classically trained musician with an eye towards a career as a conc…
Real
Italian sound artist Giulio Aldinucci returns with his 4th album on Karl: "Real" is again a truly masterfully composed and sound-designed ambient masterpiece and a more than worthy follow-up to the critically acclaimed "Borders And Ruins" (2017), "Disappearing In A Mirror" (2018) and "Shards Of Distant Times" which all made it onto several year's best lists.
With now his 4thalbum for Karl, the sound artist from Siena has proved a steady and prolific artist on the label roster. And each time, Giu…
Don't Just Sing - An Anthology: 1963-1999
Outstanding reissue. CD version. House in deluxe gatefold Stoughton tip-on jacket. Newly remastered audio. Includes rare archive photos and liner notes Q&A with Krog. The work of Karin Krog may be unfamiliar to much of the world, but in her native Norway and Scandinavia at large, she's practically a household name. This says much about the local enthusiasm for post-bop jazz but also about the tyranny of distribution: until 1994, Karin Krog's albums weren't available in the USA or UK, meaning thr…
Fire Without Bricks
The duo of saxophonist Larry Stabbins and percussionist Roy Ashbury was a mainstay of the London improvised music scene in the early 1970s. They recorded their lone LP, Fire Without Bricks, in 1976, and issued it in a tiny edition on the cooperatively run Bead label. Stabbins has toggled between more pop-oriented projects like Working Week and Jerry Dammers Spatial AKA Orchestra and adventurous free music in bands led by Peter Brötzmann and Tony Oxley. Born in Wolverhampton and based initially i…
The Shithole Country & Boogie Band
In 2018, Mats Gustafsson provided raw saxophonic material for the elusive Wendy Gondeln, who sometimes applied a scalpel, sometimes a pneumatic drill, to rework, remix, reimagine all the Swede's squeaks, pops, blats, and tones. In some places, Gondeln adds violent violin to thicken the roux, making Ornette's fiddling seem like Yehudi Menuhin. Uncommon bedfellows: disjunct techno and improvised music. But the Shitholes make it work brilliantly, even inviting minimal techno pioneer and co-founder …
Bonobo Beach: Some More Guitar Solos
*Limited edition of 500 copies.* Subtitled “some more guitar solos,” Bonobo Beach was German guitarist and instrument inventor Hans Reichel’s fourth and final record of solo guitar works. After this record, Reichel would turn much of his attention to the bowed wooden-tongued instrument he created called the daxophone. Reichel recorded the six tracks at his home in Wuppertal in April, 1981, and in the process made what might be his masterpiece. These are not just some more guitar solos. Concentra…
Lettres et Replis
**500 copies** This album contains six pieces written by French composer / artist Bruno Duplant, all composed and realized by Dutch pianist / composer Reinier van Houdt. Duplant's scores Lettres (pour Reinier van Houdt) (2017) are three letter-form scores personally addressed to van Houdt containing letter sequences distributed across the page. Trois replis d'incertitude (2018) are also three letter-form scores but with the notion of 'repli' (meaning 'fold' in a Deleuzian postmodern baroque sens…
About
Swiss composer and cellist Stefan Thut composed ‘about’ in 2017 for the sextet of Ryoko Akama (electronics), Stephen Chase (guitar), Eleanor Cully (piano), Patrick Farmer (metal percussion), lo wie (tingsha), and Thut (cello). The six musicians have diverse backgrounds in music, poetry, and literature, as well as comprising a multilingual group. Thut integrated both musical elements and non-musical elements in his piece. His score instructs three performers to make percussive, ringing, and elect…
Night Blossoms
'Night Blossoms' is French composer/pianist Melaine Dalibert’s sixth solo album, consisting of new compositions from 2019-2021. Of the six pieces on this album, 'A Rebours', 'Windmill', 'Eolian Scape', and 'Sisters' were written around the same time as most of the pieces for his 2020 album 'Infinite Ascent'. While 'Infinite Ascent' featured his intuitive compositions in a pop style, 'Night Blossoms' features works further developed with his algorithmic approach, which has been his long-term purs…
Neuschnee
The five tracks on neuschnee form an ambitious meta-song suite, with the various lyrics and musical styles combining to create a whole greater than the sum of its parts. The design is again from Berlin designer Marion Gerth, previously responsible for The Magic ID-till my breath gives out on ErstPop. The front cover juxtaposes a satellite picture of snow with the Mao Zedong poem 'Snow', which the musicians discovered in a book bought while on tour in Beijing. "After a long phase of experimental…
S'approcher s'eloigner s'absenter
In September 2011, Erstwhile producer Jon Abbey was invited to curate two weeks of shows at John Zorn's legendary Manhattan venue The Stone, which he used as an opportunity to invite many of his favorite musicians from Japan, Europe and the US to perform. A second three night festival at Issue Project Room was later appended onto the end, making the AMPLIFY 2011: stones festival a 35 set, 17 night extravaganza in all. Four of those thirty-five sets will now be available in the ErstLive se…
Schnee live
ErstLive 003 is from the duo of Burkhard Stangl and Christof Kurzmann, titled 'schnee_live', the final show on the last night of AMPLIFY 2004: addition. Stangl and Kurzmann began working as a duo in late 1999, releasing Schnee in 2000, and playing numerous concerts over the past four years throughout Europe, the US, and Asia. schnee_live documents how much their duo has changed since the initial recording of Schnee, which was the first time they ever played together as a duo.