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The Bob Lens Archives vol. 2
* Edition of 60 * Tracks from Bob Lens's rare album Geluiden (Sounds), the follow-up to the Woorden album he made with Simon Vinkenoog and Hans Wesseling. Music and sounds for his expo's provided by friends Rolf Julius and Henning Christiansen
Whirled Music
Black Truffle present a reissue of a landmark UK release, Max Eastley, Steve Beresford, Paul Burwell, and David Toop's Whirled Music, originally released on Quartz in 1980. Remastered and cut at 45RPM by Rashad Becker at Dubplates & Mastering Berlin. Includes a 24-page booklet with archival materials and notes from David Toop, alongside contemporary reviews, flyers, notes on the instruments and performance documentation; Gatefold sleeve."[Whirled Music is] one of the key documents of the inventi…
She's More Wild...
Unreleased album from 1981, a collaborative project by David Behrman, Paul DeMarinis, Fern Friedman, Terri Hanlon and Anne Klingensmith recorded at Mills College in 1981.
Anabasi
* Edition of 200 * In what might appear to be a paradox of logic, much of the history of avant-garde music - from Eric Satie, John Cage, and Morton Feldman, through the minimalists, post-minimalists, and beyond - has presented new forms radicalism through remarkable, self-imposed constraint. Sometimes structural, others tonal, temporal, or a combination of any of the three, these limitations and focus not only place demands of focus and attentiveness on the listeners, drawing the ear toward subt…
Utopic Cities : Progressive Jazz In Belgium 1968-1
Sdban Records presents Utopic Cities: Progressive Jazz in Belgium 1968-1979 featuring twelve essential compositions from a highly creative period in Belgian jazz. The release follows Sdban's critically acclaimed Let's Get Swinging: Modern Jazz in Belgium 1950-1970, released back in 2017. Utopic Cities is an eclectic selection of forward-thinking jazz from the Belgian underground, including the left-field fusion of Marc Moulin's Placebo, Koen De Bruyne and Solis Lacus; the intense post-bop of Jac…
Rejoice
Reissue. Originally released in 1981. "A two-LP set on Theresa, Rejoice features Pharoah Sanders in excellent form in 1981. Sanders sounds much more mellow than he had a decade earlier, often improvising in a style similar to late-'50s John Coltrane, particularly on 'When Lights Are Low,' 'Moments Notice,' and 'Central Park West.' The personnel changes on many of the selections and includes such top players as pianists Joe Bonner and John Hicks, bassist Art Davis, drummers Elvin Jones and Billy …
Revisiting Tanglewood 63: The Early Tapes
** Beautifully packaged 180g vinyl. Gatefold sleeve with extensive liner notes by Duncan Heining. Strictly limited pressing run of 500 copies worldwide. ** Jazz In Britain presents Revisiting Tanglewood 63: The Early Tapes by Mike Gibbs, entirely recorded in two sessions, back in 1970. Brit-jazz composer and arranger Michael Gibbs was born in 1937 in Zimbabwe. Starting in 1959, he studied in Boston at the Berklee College of Music, the Boston Conservatory , Tanglewood and the Lenox School of Musi…
Why Is It They Say A City Like Any City?
The new album by the Peruvian-born / Berlin-based experimental artist Ale Hop was conceived in a context of immobility and provides six sonic vignettes that wonder about location, circularity, rootedness and experience. Following her explorations on music's inherent fixation to geographic space and time, be it through the longing of home ("Apophenia" 2019) or scientific magnification of invisible worlds ("The Life of Insects" 2020), Berlin-based Peruvian-born experimental composer Ale Hop's four…
Stones of Precious Water
The title of guitarist Barry Cleveland’s 1986 album - Stones of Precious Water - conjures images of incandescent gems, harvested from hallowed streams and held aloft to glimmer and catch the light in their many facets. And perhaps this is the truest analogue for the music contained therein. Recorded between 1981 and 1983, in mostly improvised recording sessions, the disparate nature of Stones’ creation is alluded to only by the breadth and variety of sounds it encompasses. Stones of Precious Wat…
The Electric Lucifer
* 2020 Repress * Bruce Haack's The Electric Lucifer is rightly considered one of the masterworks of 20th century electronic music. Originally recorded in 1968-69 (released in 1970), it's an eminently listenable work where pop-psychedelia and Moog/musique concrete sounds coalesce. Acclaimed upon its original release (one of Rolling Stone's favorite albums of 1970) yet unavailable for over three decades, The Electric Lucifer is presented here for the first time on LP. Remastered and restored from …
Deep Listening Anthology, Volume Two: Scores from the Community of Deep Listeners
The Deep Listening Anthologies are collections of work by musicians and artists from around the world who have embraced the ideas of Deep Listening in their own ways. Inspired by DL's tenets of listening, openness and play, these volumes contain a wonderful variety of interpretations and integrations of global ideas into individual practices. This volume is the second Deep Listening Anthology, containing mostly instructional scores by composers, along with scores in traditional notation, poetry,…
Live
"Devoting more than forty years to the painstaking development of an individual style doesn’t mean that British tenor saxophonist Evan Parker eschews new challenges and collaborations. Live is notable, however, because Parker manages, without altering his distinctive reed patterns, to seamlessly match his contributions to those of the Paris-based trio Marteau Rouge. And Parker does so without upsetting the perceptive strategies that members of the trio have developed during their years together.…
New Decade
The renowned avant-garde artist Phew has returned to Mute for her forthcoming album New Decade. Working with voice and electronics, New Decade’s six new tracks define her as a master of her craft. Described by pitchfork as ‘a Japanese underground legend’, she was a founding member of Osaka punk band Aunt Sally, who broke up in 1980. Since then she has worked solo and collaborated with musical luminaries including as Ryuichi Sakamoto, Jim O’Rourke, Ana da Silva (The Raincoats), Seiichi Yamamoto (…
Stalk
Paal Nilssen-Love with Lasse Marhaug, recorded and edited by Fe-mail/Spunk Hild Sofie Tafjord to create 6 fascinating free-form compositions of sound and texture. "Marhaug and drummer/percussionist Paal Nilssen Love have worked together in Vandermark's groups, as well as being co-producers of the annual All Ears improvised music festival in Oslo. Their first recorded duet, Personal Hygiene (Utech, 2005), captured their live duet at the Nu-Music festival in Stavanger and featured their shared aff…
Nature Still
An immersive record of free improvisation from the French trio of analog synth player Jean-Marc Foussat, trombonist Christiane Bopp, and vocalist Emmanuelle Parrenin, 4 works inspired by a still life painting by Duane Keiser, each an impressive evolution and transmutation of sound in dream-like environments that envelop then surprise its listeners.
Café Oto, London, The 22th Of January 2020
A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.
The Expanded Body
This CD by Alessandro Perini combines electronic sound manipulation with the creation of electromechanical and electroacoustic instruments and a reflection on sound environment, tending toward the exploration of unusual compositional solution. In short, it is experimental music and as such, it deserves to be listened to and commented upon. A few words about the composer. Alessandro Perini is a young musician: he studied composition (with Luca Francesconi and Ivan Fedele among others), electroni…
All Words Are Sacred
A collection of spoken recordings made by Aleister Crowley, captured on wax cylinders between 1910 and 1914.
Music For Violin Alone
"Music for Violin Alone" was recorded in a makeshift studio in an empty house in Le Poujol sur Orb during the first two weeks of the French lockdown. Recorded both as a response to all loss of work due to COVID-19 and a way to be heard again. The pieces on the album are the pieces I’ve come to discover and learn during the two years of maternity leave. Two years of maternity leave have also been two years of creative silence, a search for new approaches, repertoire and ways of playing.
Only afte…
Sauter, Dietrich, Miller, Doherty
Expanded reissue of the debut Borbetomagus album from 1980 with the trio of Sauter, Dietrich and Miller further bolstered by Brian Doherty on electronics. These early recordings have a beautifully corrosive classical avant garde/Industrial edge that is as bluntly beguiling as low-grade splatter. Also features a winning shot of Donald Miller's legendary mullet on the back as well as the previously unreleased "Last Concordat" - bonus! The trio of Jim Sauter (reeds), Don Dietrich (reeds) and Donald…