Back in stock
Yesterday + Today, A Music Of Time
"Vincent Wrenn works with a microtonal system of seven octaves and each octave being divided into 360 notes, with Saturn being the lowest and the sun being the highest octave. That may sound also pretty esoteric, but the six pieces here are excellent studies in what seems to be sine wave like sounds. Each of these pieces appears to have very few variations and when played very loud may burst an eardrum, or destroy your relationship with your neighbour. I would think these pieces are best enjoyed…
Exploratorium
Swedish experimental outfit White Stains created five highly influential albums. Band members Carl Abrahamsson and Thomas Tibert later on went on to form the equally influential act Cotton Ferox. Their improvisational approach and dark musical atmospheres created a following which remains to this day, and which even led to a one-off reunion gig in Gothenburg in 2013 together with long time collaborator Genesis P-Orridge (Throbbing Gristle, Psychic TV). The album Exploratorium is a compilation of…
Defragmental
Cotton Ferox key members Carl Abrahamsson and Thomas Tibert have composed, performed and produced groundbreaking music since the late 1980s. After their time in White Stains and several solo projects, Cotton Ferox have been their main mothership. Always producing cutting edge stuff, they have also always made an issue out of collaborating with other interesting artists. In both White Stains and Cotton Ferox, they’ve worked together with industrial pioneer/legend Genesis Breyer P-Orridge. Some ex…
Solo Etudes I
"We begin with the flickering, fire-like erraticism of the first track. Despite bearing the title of “Snow”, I’m drawn to imagine the very opposite: an intense heat that billows and dwindles across the stereo frame, suddenly erupting from left to right as if devouring an oil slick, promptly receding through oxygen exhaustion. To what extent are these fizzing, crackling chords – presumably electronics, but ultimately too distorted to accurately identify – under Hahn’s control? To what extent does…
Nuclear Family
2016 release. Multi-instrumental master Joe McPheeand his longtime colleague, French saxophonist and clarinetist André Jaume, joined forces for this studio recording in 1979 that was prepared but never released. It is primarily structured around pairs of tunes by Charles Mingus, Thelonious Monk, and Duke Ellington (or Billy Strayhorn), adding Ornette Coleman's "Lonely Woman" for good measure. The results are stunningly intimate and show the twosome's capacity for creative interplay at a fairly e…
King Alcohol
A reissue of King Alcohol, recorded for the German FMP label in 1972. King Alcohol is one of the landmark recordings of free jazz in Europe, a mind-blowing studio session featuring Rüdiger Carl on tenor saxophone, Günter Christmann on trombone, and the astonishing Detlef Schönenberg on drums. Volatile and precise, anticipating much of the future sound of free music in Europe but also paying homage to American antecedents like Roswell Rudd and Archie Shepp, King Alcohol is truly a lost jewel. Fir…
Sounds of Liberation
Hailing from the Germantown section of Philadelphia, well known as the site of the Sun Ra Arkestra communal homestead, Sounds of Liberation were at the forefront of '70s Black liberation music. After a series of gigs in elementary schools, prisons, and community centers, the band travelled along with their manager George Gilmore (father of Linc Gilmore of Breakwater fame) to NYC in 1973 for a recording session at Columbia University. This five-song session has never been heard until now. Had it …
No Time Left for Sadness
Despite having worked together in innumerable settings, including the longstanding Survival Unit III, with drummer Michael Zerang, cellist Fred Lonberg-Holm and multi-instrumentalist Joe McPhee have never released a CD of duets. In an extra intimate studio setting in upstate New York, where both players reside, No Time Left for Sadness demonstrates their incredible musical understanding. Recalling some of McPhee's landmark records with Marseilles musicians in terms of telepathy and trust, it's a…
Distinction Without A Difference
A reissue of the long out-of-print first solo record by American violinist Billy Bang (1947-2011), recorded at Gaku Gallery in New York on August 12, 1979. Originally released on Hat Hut Records in 1980. Distinction Without A Difference features Bang's own compositions, extrapolated at length in an intimate live concert, as well as traditional and improvised material. Remastered from original tapes and augmented by newly discovered recordings from the same concert. Part of the large cache of his…
Brace For Impact
Some recordings, the world is just not ready for them when they're made. In 2008, Swedish born, Austrian resident saxophonist Mats Gustafsson and Poughkeepsie, New York multi-instrumentalist Joe McPhee made a suite of studio recordings, Brace For Impact that they loved so much they immediately culled, mixed, and mastered them. A decade later, when the original label for which they were planned had not yet issued them, Gustafsson and McPhee offered them to Corbett Vs. Dempsey, and when the label …
Glasses
2012 release. A reissue of Joe McPhee's Glasses, originally released on Hat Hut Records in 1979. Glasses was recorded in October, 1977, during a highly significant period in McPhee's work, as he was pioneering the transatlantic, collaborative spirit that has helped to define the last three decades of his career. Documented in Tavannes, Switzerland, the set contains sensational tenor work, including the title piece, which finds McPhee ringing out a rhythm on a half-full wine glass, from which he …
Vario 34 3: Free Improvised Music
Since its first iteration in 1979, Vario has appeared in some fifty different versions, with a great variety of musicians, also actors, dancers, and filmmakers. It's the brainchild of Günter Christmann, a powerhouse of improvised music in Germany whose influence is out of scale with his acclaim. Since his emergence on the scene in the early 1970s, including appearances on classic FMP outings such as Rüdiger Carl Inc.'s King Alcohol (CVSD 032CD) and the eponymous Peter Kowald Quintet LP (CF 015LP…
Push Pull
2016 release. A reissue of Jimmy Lyons's Push Pull, originally released on Hat Hut Records in 1979. Long known as Cecil Taylor's most reliable and loyal colleague, alto saxophonist Jimmy Lyons has a select discography as a leader, and among its best entries is Push Pull, originally issued by Hat Hut Records as a massive three LP set. Recorded during a single marathon performance at the Collective for Living Cinema in New York in 1978, Push Pull features five extended pieces, all by Lyons, with h…
Fire of God's Love
Recorded by nuns Sister O’Connor and Sister Marimil Lobregat on electric organ, piano, guitar and heavy doses of reverb in 1973 at the Catholic Radio and Television Centre in Sydney, Australia. Fire of God’s Love is a haunting musical communion teetering somewhere between Hildegard von Bingen and The Space Lady...on the hills of Meggido! Out of print since the 1976 repress, this extremely limited edition lovingly replicates the original album design and has been masterfully restored.
A Poem In Cycles & Bell & Other Music For Tape Recorder
You would never believe this record to be a relic from a past of electronic music that happened before anybody even spoke about rock music. In 1957 this compilation of electronic and orchestral compositions by the three masterminds Otto Luening, Vladimir Ussachevsky and William Bergsma saw the light of the stars for the first time and has become a cult piece among lovers of electronic space music since then, despite the fact that only the first side features the so called tape compositions of Lu…
Fragen
Kluster - Cluster - and now Qluster - an extraordinary shedding of skin of one of the most important german electronic groups. Hans-joachim roedelius was there from the beginning (kluster from 1969 on with conrad schnitzler and dieter moebius; cluster from 1971 on with dieter moebius; qluster with onnen bock since 2010). Little need be said about roedelius, whose collaborations with conrad schnitzler, cluster and harmonia earned him a worldwide reputation as a pioneer of electronic music. Onnen …
Echtzeit
LP version. Includes CD. The third incarnation of the legendary krautrock project Kluster/Cluster expands its audience with the contemplative, mature, and intelligent electronic music of Echtzeit. Hans-Joachim Roedelius, Onnen Bock, and Armin Metz are Qluster, founded under the name of Kluster in 1969 by Roedelius, Dieter Moebius, and Conrad Schnitzler.
Kluster were responsible for two milestones of electronic music.
Schnitzler quit the band two years later, leaving Roedelius and Moebius
to c…
Cheyenne
Bureau B present a reissue of Martin Rev's Cheyenne,
originally released in 1991. The sphere of Martin Rev's influence and
the relevance of his music may well be related to the fact that he was
one of the first artists who succeeded in grasping the abstraction of
electronic music, infusing it with a sense of immediacy built on raw
energy. Whilst the likes of La Monte Young, Terry Riley, Steve Reich, Philip Glass, and Kraftwerk
were busy digging in the electronic music garden, Martin Rev fo…
Wah-Wah Whispers
Ever since he released his music in the early '80s, Michel Banabila has been hard to pinpoint to a specific genre or style. His musical output includes jazz, experimental cut-up electronics, world music (especially influenced by the Fourth World music as developed by Jon Hassell), New Age, eclectic pop tunes, music for dance or other stage projects, and soundtracks for TV productions. Wah-Wah Whispers focuses on Banabila's more recent output. It is a collection of works showcasing many facets of…
Sammlung: Elektronische Kassettenmusik, Dusseldorf 1982-1989
LP version. Post-war apartments dominated the views of Düsseldorf in the early 1980s - cement slabs, the "art bunker" known as the Kunsthalle, and the elevated railway called "The Millipede". Yet reconstruction was in full swing - bank buildings on the "Kö" received postmodern interiors, the old town became stylishly retro-rustic, and advertising agencies displaced industrial companies. Music took all of this on. Punk was finished, but its pathos drifted through pubs and shared flats. At the sam…