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Coming From Reality
Back in 1971, Coming From Reality was Rodriguez’s last gasp, the follow-up to Cold Fact and the final album he was allowed to record for the Sussex label. Unearthed, once again, by Light In The Attic Records, it’s another treat for fans new and old, designed – at the time – as Rodriguez’s vision of a perfect pop album.
Coming From Reality found Rodriguez decamping from Detroit to London’s Lansdowne Studios, where the album was recorded with some of the UK’s top talent including Chris Spedding …
Duets 1987
Remastered from the original analog tapes of the duet between Anthony Braxton and Gino Robair from sessions recorded on August 6th and October 9th 1987 at Cal State University, Hayward, California. This release includes all of the music from the original, limited-edition LP as well as extra tracks from the same sessions.
Duo (DCWM) 2013
What becomes quickly apparent when the music ends is that the parts of the brain wired for multi-tasking and instant contextualization have been swamped by Masaoka and Braxton’s palette, their bold strokes and the vaulting arcs they form.
Anaya
Creative music making is a matter of energy, heart, and trust, and when all three are present the music flies. A meeting of three old Chicago friends and collaborators, flutist Nicole Mitchell, drummer Hamid Drake, and bassist Harrison Bankhead, the Indigo Trio soars with the kind of spiritual energy that has inspired Great Black Music from its inception... Building a bridge between composition and improvisation, Bankhead, Drake, and Mitchell have created an inspiring album. With their spirit of…
Rex, Wrecks & XXX
Evan Parker and Matthew Shipp!Two (exceptional) musicians, two backgrounds, two approaches to music, two generations, an ocean between them: at the end, only one music, unique, outstanding, made of listening and respect of each other. The purpose is not to limit themselves to what they might have in common, but to expand the realm of possibility by assimilating in the moment what the other can bring.
The Astral Revelations
Jemeel Moondoc and his bandmates are masters of the terrifying art of communicating how they feel, an art which, of course, takes both great intelligence and great discipline… A fire burns in Jemeel Moondoc’s music and once it was ignited it keeps spreading; it’s the flame you can also feel in the playing of Matthew Shipp, Hilliard Greene, and Newman Taylor Baker. This quartet’s music is never easy, but it’s always truthful. Ed Hazel, excepts from the liner notes
Submission
*2024 stock* 1994 reissue of Submission, the LP originally released United Dairies in 1988 with different artwork. In this release Organum plays with David Jackman, Dinah Jane Rowe, Steven Stapleton and Andrew Chalk.
Bristol Pirates
Death Is Not The End's contribution to the Blowing Up The Workshop mix series, subsequently given a cassette release on the label in 2019, finally receives a limited vinyl LP pressing. "A trip across the frequencies of Bristol's pirate radio stations via cut-ups of broadcasts, taken from the late 1980s to the early 2000s ~ also a love-letter to my childhood, an audio document of the years I spent growing up in the city."
Eleven Live Collaborations
Live collaboration between Japanoise legend Merzbow and german artist Achim Wollscheid. Recorded at Spiral Hall, Tokyo.
Love Will Make A Better You
*2024 stock* "Number six on the Japrocksampler Top 50, available again for the first time in over a decade!" "Commencing with singer Akira Fuse's goggle-eyed one-day-old-baby innocence, Love Live Life + 1's album opener 'The Question Mark' escorts us through an eighteen-minute free-rock R&B adventure like nothing before or since. Clanking harsher than even the title track of Funkadelic's Free Your Mind & Your Ass Will Follow, and twice as long; cosmic as the Cosmic Joker's Galactic Supermarket, …
OYC25
Soleilmoon Recordings announce the release of “OYC25”, a CD & DVD celebrating a quarter century of UK ambient pioneers O Yuki Conjugate. In October 1982 the youthful O Yuki Conjugate played their first gig at the now-defunct Newshouse pub in Nottingham, England to seven people and a dog. Three incarnations, seven albums and 25 years later all members past and present got together in a West London studio to record an album in an afternoon as a way of marking this unlikely anniversary. The result …
Passages
Lawrence Butch Morris developed the concept of “conduction” to account for a mode of Instant Composition based on the creative freedom of the players stimulated by the gestures of a central conductor. AP/DP, with this cd, invent the practice of musical transduction. Just like the French language is not “translated” but transducted into Kamau Daáood’s unique prosody, DP’s cello does not “translate” the playing of a thumb piano, an oud or a kora: all of these instruments, all of their phrasings el…
A Strange Celestial Road (Book, Hardcover)
In this memoir, Harlem-born trumpeter Ahmed Abdullah recounts decades of national and international touring with the Sun Ra Arkestra and charts the rise of New York loft jazz scene, offering a fascinating portrait of advanced music in Brooklyn and lower Manhattan from the 1970s through the 1990s.
After The Rain
After The Rain the latest offering from Mark Van Hoen and Louis Sherman's Locust project. Following up the 2013 release You'll Be Safe Together (EMEGO 162CD/LP), this new album sees Locust stepping away from the abstracted forms of previous works, presenting a more melodic/harmonic proposition. Bathed in a warm nostalgic memory, After the Rain draws on Mark's formative influences, primarily '70s electronic music. With greater input by Louis Sherman (who, although being born when Mark was origina…
Compathía
While the "acoustic based project[ions]" of Six Organs of Admittance have been pigeonholed by some as a chance-operated celestial jam unit, the group has always been about songs, and nowhere is this more apparent than on their fourth full length album, an eight-song cycle that mixes the strengths of Ben Chasny's acoustic and electric guitar with his knack for placing this on top of disparate and subtle atmospheric backgrounds. The live favorite (and rare single) "Somewhere Between" has been redo…
Jardin Au Fou
Composer/poet Hans-Joachim Roedelius (Kluster, Cluster, Harmonia) is one of the most prolific musicians of the German avant-garde and a key figure in the birth of Krautrock, synthesizer pop and ambient music. Jardin Au Fou is his second solo album, originally issued in 1979 on France's Egg label, and produced by former Tangerine Dream member Peter Baumann. This record was all the more noteworthy as it bore no resemblance whatsoever to what was expected of avant-garde electronica and displayed no…
When Angels Speak of Love
"One of a number of sessions cut at the Choreographers' Workshop, this 1963 set establishes Sun Ra's Arkestra as a New York band, sonically coupled to developments in the decidedly urbane downtown arts underground. The stargazing clamor of the music reflects the intensity of a cultural crossroads where concrete and dust pervade any skyward view, from East 3rd Street to Mars and beyond. One of Sun Ra's rarest releases, it had negligible circulation through shops. While most of the Saturn output c…
You Are Here... I Am There
The overall atmosphere and aura of You Are Here... I Am There points at the influences of American jazz musicians such as John Coltrane, Archie Shepp, and Charles Mingus. The record shows a strong tendency, however, towards a distinctive sound that was, at the time, new, embraced by musicians such as Jan Garbarek and Ian Carr. Above all, Keith Tippett's compositional style bears traces of the artist's classical training, unveiled by his harmonic and dynamic awareness and careful balance between …
Tree
Field recordings, synthesizers and an organ - prepared samples, found objects and a zither - recorded on a rainy winter's day in Berlin. By Chris Abrahams / Burkhard Beins / Andrea Ermke
Hiro Yanagida
*2024 stock* Gatefold cover. Second Yanagida Hiro album, with Kimio Mizutani at the helm, swirling acid leads, heavy psych moves: a fuzzed out guitar record reminding me a little of Human Instinct. Like this guitar was dipped in fuzz! The grooves are great, and there are folky Japanese tunes that are nice. The album stays on the lighter side of groove, even on the uptempo joints, but this album is worth exploring for lovers of that Japanese rock sound in progressive and soloing. The 50's homage…