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Shri Camel
Terry Riley's place in the minimalism camp of modern classical music has been secured ever since his '60s debut. His career eventually found its zenith with such milestones as 1964's In C and 1969's A Rainbow in Curved Air. Riley's use of cyclical and repetitive patterns brought comparisons to fellow minimalist Steve Reich during this time, too. Having since delved deeply into Indian music by way of several years of study with the master singer Pandit Pran Nath, Riley found a fine middle ground …
Heteronormativ Musik For Att Starka Medelklassens Sjalvbild
If the term "noise" still makes sense in 2016 it is thanks to figures as Tommy Carlsson and his project Treriksröset.Since the beginning of 2000s Tommy had offered some of the most inspired harsh noise ever heard. Simple and complex at the same time the sound of Treriksroset is pushing the boundaries of the genre, and except the pure harsh noise output he can also experiment with low-key electronic or dig with static frequency studies as he did in a series of cassette releases together with Sewe…
Hubris
LP version. "Hubris continues the exploration of relentless, driving rhythms heard on Oren Ambarchi's Sagittarian Domain (EMEGO 144CD/LP, 2012) and Quixotism (EMEGO 202CD/LP, 2014). Where those records looked to krautrock and techno for their starting points, the side-long opening track on Hubris begins from the perhaps unlikely inspirations of disco and new wave, drawing particularly from Ambarchi's love of Wang Chung's soundtrack to William Friedkin's To Live and Die in L.A. (1985). Leaving b…
Let Me Hang You
“Twenty years ago, William S. Burroughs was asked to record an audio version of his favorite parts of Naked Lunch. Longtime associates and producers Hal Willner and James Grauerholz produced several sessions, and they recruited a team of world class musicians to help. Famed for their Naked City involvement, Bill Frisell and Wayne Horvitz contributed their genius, as well as Eyvind Kang, just to name a few. The recordings were then abandoned and collecting dust on a musty shelf, as forgotten as a…
Monism
Finally reissued, this mega rare spiritual jazz by reed player Milton Marsh – one of the harder-to-find albums on Strata East – and one of just a couple incredible records to Marsh's name! Obscurity aside, this is prime Strata East. In 1975, Milton Marsh released his first album Monism for the Strata-East label. Marsh, a composer, arranger, saxophonist and flautist, recorded the album in New York City from 1973-1974. The musicians on Monism represent some of the finest living in NYC at t…
Joy One Mile
Eagerly anticipated full-length on RVNG Intl. from Christelle Gualdi's Stellar Om Source, marking a significant departure from the no-age synthcraft she's long been known for and has showcased on numerous self-released CDRs and sides for the likes of Olde English Spelling Bee and Big Love. Joy One Mile began life when Gualdi acquired a mint Roland TB-303 and began experimenting with it; over the course of a year's gigging, she perfected seven compositions which she then laid down live, without o…
Barons Court
2015 release. "Barons Court" is the debut full length album by Canadian electroacoustic composer Sarah Davachi, following short run releases on Important Records’ Cassauna imprint and Full Spectrum. Trained at Mills College, Davachi’s work marries an academic approach to synthesis and live instrumentation with a preternatural attunement to timbre, pacing, and atmosphere. While the record employs a number of vintage and legendary synthesizers, including Buchla’s 200 and Music Easel, an EMS …
People Pleaser
Nantes, France-based drummer and percussionist Will Guthrie presents People Pleaser. Initially rising to prominence in Australia as a drummer in the fields of jazz and improvised music, Guthrie later turned increasingly toward electronics and amplified percussion, developing an idiosyncratic style of electroacoustic performance characterized by shimmering metallic textures, rapid-fire textural transformations, and aggressively high volume. Guthrie has since returned to the drum kit in both…
Live in Frankfurt 82
Bitter Funeral Beer Band was a unique band with an early world music with an own identity that mixes african funeral music and improvisation with a nordic touch that has not existed before or after the few years in the 80’s that the band was active. Led by Bengt Berger who had studied a couple of years in Ghana, the band based a lot of the music on the funeral music concept of the Lo-Birifor people of northern Ghana.The band did its first cd, Bitter Funeral Beer, on ECM and then one more,…
For Tradition Turn To Nedunuri
Sangeetha Kalanidhi Sri Nedunuri Krishnamurthy, is with his 80+ age one of the very few remaining great vocalists from the golden period of Karnatic music. In 1968 he was at the height of his powers and we managed to capture a full evening concert that lasted nearly four hours in Nagercoil in Tamil Nadu. We are extremely proud to release the complete concert in a 3-cd set. Soundwise this is a high quality release, a unique document from nearly 50 years ago with music that will delight the…
Slaughter In A Tiny Place
Pseudocode was a Belgian electronic improvised music band, active from 1980 to 1982, featuring Xavier S (Thrills), Guy-Marc Hinant (Sub Rosa co-founder) and Alain Neffe (Insane Music, Bene Geserit). While Xavier S contributed most of the lyrics and vocals, it was Guy-Marc Hinant who often played the core melody on his Pianet electric piano. Neffe's contributions are particularly noteworthy throughout, as he weaves together the bulk of the sonic cloth through overdubbing and mixing. None of …
Molto Bene
In Summer 2015 A L’ARME! Festival invited Konstrukt to perform with William Parker so we teamed up with Matt Bordin of Outside Inside Studio and invited the quartet to play two shows in Italy on their way to Berlin. Plans overlapped leaving two days off which were spent playing with no interruption at Matt's studio in Montebelluna and capturing four incredible tracks.Now, Konstrukt are well known for their many collaborations with key players and real giants of worldwide jazz scene, but -…
Programme Commun
Red vinyl edition, limited 250 copies. to Sub Rosa presents two substantial pieces from electro-acoustic musique concrete innovator Luc Ferrari: "Programme commun pour clavecin et bande magnetique" (1972), performed by Elisabeth Chojnacka, and another previously-unreleased piece that he held dear: "Les emois d'Aphrodite" (1986/1998), performed by San Francisco's MC Band under his direction. "'Programme commun...': Although cheerful, this piece of music asks a serious question: can one separate …
Rags To Riches
An edited and remastered issue of a tape by the IFCO quartet - Scott Foust, Karla Borecky, Jessi Swenson & Meara O'Reilly. Rags To Riches is a live record documenting pieces from 2003 through 2005. Showcasing some top-shelf unreleased works; "The Whole World," "Metropolis," & "The Bitter End." Older material is also included, a fierce version of "Artificial" from 2005's Stranded, as well as the notorious "Cycle-19." Additionally, there is a beautiful voice-based rendition of "Some Of Us" …
Les Nouvelles Musiques De Chambre Volume 2
LP version. Housed in a Stoughton, "tip-on" jacket; First ever vinyl reissue. "Following the reissue of the entire recorded output of South London-based experimental act This Heat and its successor, Camberwell Now, Modern Classics Recordings holds the lens up to a special split album created by one of the driving forces behind those groups - drummer Charles Hayward - in collaboration with Italian musician Gigi Masin, whose looping, rhythmic, electronic compositions have seen his cult foll…
Devil's Music
EM Records presents the CD and vinyl reissue of U.S. experimental electro-acoustic artist/circuit bender Nicolas Collins' live radio sampling masterpiece, Devil's Music, originally released on vinyl in 1986. Born and raised in New York City, Nicolas Collins has been hugely influential in contemporary electronic music, having performed world-wide for many years, collaborating with Christian Marclay, Elliot Sharp, David Shea, David Tudor and John Zorn, composing, recording, modifying circuits a…
Mekanik Destruktiw Kommandoh
180-gram vinyl. The only survivors of the former line-up, Christian Vander and Klaus Blasquiz, with a new team of supporting musicians, recorded Mekanik Destruktiw Kommandoh at the Manor Studios in Oxford in 1973. Many people consider this album to be Magma's masterpiece. From then on, Vander was definitively confirmed as the group's artistic director. If the instrumental performance gains more power, notably with the arrival of Jannick Top on bass, the most striking feature of MëkanÄÂk …
Mannerlaatta
Mannerlaatta (Tectonic Plate) is Mika Vainio’s incredible soundtrack for a “74 minute lettrist film made entirely without a camera” by Finnish film maker Mika Taanila; his 3rd following their previous collaborations, A Physical Ring (2002) and Return of the Atom (2015). The music was written very early on in the film’s two and a half year development, and subsequently held a strong sway over the rhythm of the film's editing and visual narration - which takes place as a series of black and white …
Larva Lumps and Baby Bumps
Gatefold sleeve. Controlled Bleeding announces its first proper studio album since 2002. Larva Lumps And Baby Bumps is a startling record: it somehow flawlessly mixes industrial noise and prog rock into a beautifully stream-of-conscious work that is at once fairly brutal and lovingly serene. The opening piece, Driving Through Darkness, could be the title of a pop-ballad, until you realize the actual meaning of the word 'driving'; jumping out at you seemingly in medias res, the album and tra…
Di Tresette ce n'è uno, tutti gli altri son nessuno
Available for the first time ever on vinyl is the 1974 soundtrack by Alessandro Alessandroni for the Giuliano Carmineo (as Anthony Ascott) directed Di Tresette ce n'è uno, tutti gli altri son nessuno, known in English as The Crazy Bunch. The sequel to Lo chiamavano Tresette... giocava sempre col morto (Man Called Invincible), the film is a goofy, slapstick comedy spaghetti-western, but the Maestro’s soundtrack is anything but goofy. Haunting, sparse, and riveting, the soundtrack is easily t…