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One of the very best ever Tribal Ambient Dub albums, originally released on the famous Australian Extreme label. Brilliantly new mastered, sounds way better than the original recordings. Includes bonus songs from other Extreme releases. For fans of early WARP, Muslimgauze, Future Sound Of London, The Orb, Rapoon and alike.
*2025 repress!!* Essential Italian funk library, a must have for any digger ! Here’s the 1977 collaboration between master composers Remigio Ducros and Luciano Simoncini (Arawak, Jason Black, etc.), a groovy record with killer drum-breaks , dreamy flute harmonies, blazing horns and heavy Fender Rhodes line.
Big Tip! 2024 stock. 200 copies, white vinyl. There’s something familiar in the sounds that harp player Angélica Salvi creates. In her previous record, “Phantone”, it was easy to get lost in the idea of nostalgia / past that could be listened coming from her harp. For “Habitat”, her second record, the approach is tremendously different. She doesn’t linger in the past, she expects you to fulfill the present side-by-side with her. The idea was to create music that could be played and processed in …
LP version. Wewantsounds continues their Ryuichi Sakamoto reissue series with the release of the 1985 album Esperanto, composed for a performance by New York avant-garde choreographer Molissa Fenley. Produced and performed by Sakamoto with contribution by Arto Lindsay and Japanese percussionist Yas-Kaz, Esperanto is a fascinating instrumental work mixing electronica, ambient and synth pop. Released in Japan in 1985 on Midi Inc.s' School label, the album has never been released outside of Japan u…
LP + 7" EP version. Wewantsounds is delighted to announce the release of Ryuichi Sakamoto's classic LP"Ongaku Zukan”, originally issued in Japan on his own School label in 1984. The reissue will replicate the original Japanese release, which offered two versions: a normal edition featuring the LP with a bonus2-track7" EP, and a limited edition which includes a 3-track 12" EP in place of the7". Remastered by Saidera Mastering in Tokyo the reissue boasts the original gatefold artwork plus an extra…
How Many Clouds Can You See? is the second album by English saxophonist John Surman featuring Alto Saxophone – Mike Osborne; Baritone Saxophone, Flute – John Warren; Baritone Saxophone, Soprano Saxophone, Bass Clarinet – John Surman; Bass – Barre Phillips, Harry Miller; Drums – Alan Jackson, Tony Oxley; Piano – John Taylor; Tenor Saxophone, Flute – Alan Skidmore; Trombone – Chris Pyne, Malcolm Griffiths; Trumpet – Dave Holdsworth; Trumpet, Flugelhorn – Harold Beckett; Tuba – George Smith. John …
** Apologies for the high price-we had to pay a truly absurd amount just to secure copies for you. We were as surprised as you, but couldn’t let this masterpiece slip away. ** Deluxe gatefold sleeve. A meditative and boundless free jazz exploration, Orient was a highlight in Don Cherry's extensive discography and is a must-hear document for all lovers of spiritual music and free jazz - Newly restored and remastered from the original tapes for this deluxe Record Store Day 2025 edition, Orient fea…
Another fine out-of-print album from 1984 from the Japanese bassist/keyboardist. This one is mellow and quite easy to get into. All music composed by Yoshio Suzuki. Suzuki plays all the instruments on tracks 3-10. Musicians: Yoshio Suzuki (all tracks): Acoustic & Electric Pianos, Synthesizers, Upright & Electric Bass, (also Linn Drum machine on tracks 3-10) On Tracks 1 & 2 only: Toshihiko Inoue: Soprano Saxophone Kazumasa Akiyama: Electric Guitar Jun Saitoh: Percussion Hideo Yamaki: Simmons Drum…
*2025 LP reissue* Sonor Music Editions is happy to announce the vinyl reissue of Riz Ortolani's iconic soundtrack to the 1969 Giallo thriller "Così Dolce... Così Perversa" (So Sweet, So Perverse). This highly sought-after score composed by the legendary maestro who scored over 200 films, including Paolo Cavara and Gualtiero Jacopetti's 1962 pseudo-documentary "Mondo Cane," perfectly captures the atmosphere of suspense, eroticism, and deception found in this obscure film.
Directed by Umberto Lenz…
Le Très Jazz Club keeps on exploring Japanese jazz and the Three Blind Mice catalog with the reissue of this amazing 1976 record by drummer George Otsuka. Unavailable for more than forty years, the album is released for the first time outside of Japan. Physical Structure is an amazing jazz-fusion record featuring Fumio Karashima on piano and Fender Rhodes and Shozo Sasaki on tenor sax. Check the surprising and sublime cover of Naima which alone justifies to get this record! Personell list: Georg…
Wewantsounds is delighted to reissue for the first time Harold Land's classic LP 'Damisi,' recorded in Los Angeles for Bob Shad's Mainstream Records and released in 1972. Featuring Buster Williams (b), Ndugu (ds), Bill Henderson (keys) and Oscar Breashear (tp) the album was recorded at a crucial time when Land was shifting to a more spiritual sound. The session is a superb mix of Funk and modal Jazz and feature the monster groove "In The Back, In The Corner, In The Dark" as well as the deep, med…
Wewantsounds is delighted to reissue Harold Land's 1971 Mainstream Records LP 'Choma (Burn),' recorded in Los Angeles with Bobby Hutcherson and featuring Reggie Johnson on bass, Ndugu and Woody Theus on drums, Bill Henderson & Harold Land Jr. on piano/Fender Rhodes. Together the musicians create a superb spiritual mix of funky and modal Jazz that was the trademark of the Harold Land-Bobby Hutcherson quintet between 1968 and 72. Choma (Burn) is reissued here in its original gatefold artwork with …
LP version. Wewantsounds continues its extensive Meiko Kaji reissue program in partnership with Teichiku Records and Meiko Kaji herself, with the release of Gincho Wataridori, her debut album from 1972. This is the first time the album is reissued since release and it comes with its original Japanese artwork and newly remastered audio. Famous for her '70s exploitation movies, Meiko Kaji also released a string of great albums on Teichiku mixing Japanese pop and cinematic grooves. This reissue com…
An acid-folk masterpiece finally revealed! When two worlds collide here's where the legacy of Tim Hollier begins, his first album was released on United Artists in 1968 and this long overdue reissue is a definitive statement of the master genius. Guest on the opening night of a Beckenham folk club run by his friend David Bowie, Hollier recorded 'Message To A Harlequin' with the assistance of Donovan arranger John Cameron. Hollier was also a regular on London's folk club circuit for several years…
Wewantsounds is delighted to announce the vinyl reissue of Ramuntcho Matta's rare first self titled album from 1985, mixing funk, no wave and ambient soundscapes. The album released on tiny French label Mosquito was conceived as the soundtrack for French choreographer Regine Chopinot's play "VIA" with costumes by fashion rising star Jean-Paul Gaultier. It was recorded at a buoyant time in Paris when Matta - who had just spent a few years in New York following the death of his brother Gordon Matt…
Trumpeter Francesco "Cicci" Santucci and saxophonist Enzo Scoppa got their start in the late '50s with the Italian group Italian group Modern Jazz Gang, along with other Italian jazz greats such as Sandro Brugnolini and Amadeo Tommasi. In June 1971, "il maestro" Piero Umiliani offered them his Sound Workshop recording studio located in the heart of Rome, to create an album to create an album under his supervision.
The result was Olimpiade, a jazz-funk album driven by the electric piano of Franc…
"Wewantsounds is delighted to reissue Brion Gysin's cult avant funk album produced in Paris by Ramuntcho Matta in the early '80s. The hugely influential Brion Gysin who, with his friend William Burroughs, was revered by the likes of David Bowie, Brian Jones, Laurie Anderson, Genesis P-Orridge, is accompanied here by Matta and French post punk stalwarts Yann Le Ker on bass (from the group Modern Guy) and Frederic Cousseau on drums (from Suicide Romeo) plus special guests including Don Cherry, Ell…
Surface noise is the inspiration for this recording by Anri Sala. “I wanted to compose a soundtrack that mostly sounds, when played on the vinyl, like one is only listening to the physical attributes of the medium itself: the sound of the static crackling of the vinyl played by the stylus. As if it was contact music. However, in the course of the composition…the crackling starts to evolve, gradually taking the shape of other sounds. One hears hints of percussion and sometimes even distant sounds…
This audio recording is a new experiment, and simultaneously recalls a line of inquiry from the early practice of Christine Sun Kim. By inviting her to make a record, the curators proposed a return to her work with audio—to a series of artworks that were characterized by the sensorial vibrations and bodily experience of sound, for which she often employed voice. “I can feel [my voice] inside of my body, and in this way it is accessible to me.” Alongside an embodied connection to Deaf culture, th…
Repressed for the first time on LP by Le Très Jazz Club, this fantastic album comes with an insert documenting the story of The Elysian Spring and the recording of this true masterpiece. « Glass flowers », recorded in 1969, and only pressed by 500 copies at the time, is an unclassifiable album, overtaking the jazz outlines. Can words really describe music? It may be hard when music is as fantastic as on this LP. « Glass flowers » is an unclassifiable album, overtaking the jazz outlines, recorded…