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"What is Normal Music?” That was the title I chose for an article some years ago and despite the fact that I was searching something else, it was difficult to find anything better to start these lines about “Horizon Capiton”; the new LP by French musician Olivier Brisson. Monsieur Brisson lives in Lille and has been involved not only with sound experimentation but also with psychiatry. The latter is not just a detail but an important fact here: this is a work about frames and boundaries. But who…
Far Out Recordings present the first official vinyl reissue of Edu Passeto and Gui Tavares's Noite Que Brincou De Lua: a super rare and largely unheard masterwork of MPB, originally released in 1981. Disciples of the Clube da Esquina movement, pioneered by Milton Nascimento and Lô Borges, Edu and Gui mixed psychedelic folk, jazz, bossa, and rock for an album of soulful, dreamy Brazilian pop, with stunning arrangements and lush vocal harmonies. Having first met performing on the music festi…
Appeared in 1975 on the legendary Ultima Spiaggia label during the mature stage of the Italian underground scene, the only album of the milanese band led by guitarist Marco Rossi looks like a experiment rather atypical of that period. The typical jazz sound of formations such Perigeo or Napoli Centrale, leave here considerable field for improvisation on suggestions of extra-eurepean ethnic flavor, enhanced by the masterful rhythmic section (without drums) curated by the African percussionists Ni…
5599 is a new duo featuring France's electronic improvisation giant Jean-Marc Foussat on EMS Synthi AKS and current golden boy Augustin Brousseloux on electric guitar and alto saxophone. Heureusement que le sang seche vite features 3 tracks where guitar and saxophone interplay with analog synthesizer to create psychedelic, dense and textured soundscapes of aggressive noise onslaughts and moments of bliss.
Born in Oran (Algeria) in 1955, Jean-Marc Foussat played in several experimental rock g…
Costes has caused me so much trouble. Even today, 25 years after the last time I performed with him, I still have a hard time booking shows because he has not mellowed as I have and the venues are afraid, because of my past association with him, that there will be piss, shit, violence, genitalia, racial tension, cops, etc. Costes has caused himself so much trouble. He's been taken to court five times over his art, received countless death threats. When's the last time you can think of tha…
The inception of an audio trilogy concerning the Darkness of Aegypt: the shadow stuff from whence dark dreams come. The Triad: dark, light and the animating serpent power are delineated by the Egyptian Gods Set, Horus and the Apep serpent. Volume one comprises of three received transmissions from the tunnels of Set via the physical envelopes of Matthew Bower and Samantha Davies operating as the occult cell known as Skullflower. The working, the concept and guiding hand comes from Nashazphone, pu…
Born in Oakland, CA, but raised in New Mexico, Harry Partch learned mandolin, violin, piano, reed organ, and cornet as a child. Clearly a unique talent, even that early on, Partch went to USC Music School but was dissatisfied with his teachers, and instead studied music on his own where he learned to reject many of the Western constructs of music and began experimenting with using scales of unequal intervals in just intonation, and was one of the first Western composers of the 20th century to us…
Felis Catus and Silence is a breakthrough release for Tokyo composer-guitarist Leo Takami, following the milestone albums Children’s Song (2012) and Tree of Life (2017). Takami counterpoints the soothing aesthetics of prime-era Windham Hill New Age guitar-heroism with meditative, intellectual compositions comprised of ambitious, process-oriented arrangements. While Takami largely wears his genre influences on his sleeve -- jazz, classical, Japanese gagaku -- the influence of ambient music is a t…
**600 copies** In essence, the sound of the piano comes in two parts: its attack and its decay. The striking of a hammer is followed by the resonance of a string or strings. (Much the same might be said about the vibraphone, as it happens.) This dual quality of sound comes to mind when listening to Moments by New York-based composer Michael Vincent Waller. Performed by pianist R. Andrew Lee and vibraphonist William Winant, Moments − his third album, following Trajectories (Recital, 2017) and The…
"I have always been searching for a way to articulate the intangible area between the recognizable and the unfathomable, a feeling perhaps informed by some long-abandoned experiments with psychedelics. This has been a continued pursuit starting with my tape experiments in the 1970’s until the present, with technological evolution driving new ways of expression.With the exception of Xé May, which is performed on an Elektron Octatrack, these pieces were constructed for live performance using a lap…
A decade has now gone by since Mattias Gustafsson released his first recording under the name of Altar of Flies. Since then, he has carved out his very own unique approach to experimental music, with an unmistakable artisic expression. The new Lp, "Rörelsen mellan rummen", is no exception to this claim. With an astonishing precision and sensibility for details, "Rörelsen mellan rummen" is definately one of his finest moments so far. We are invited to the inner corners of a musical univers…
Alva Noto and Ryuichi Sakamoto present Two, which captures the esteemed duo’s 2018 performance at Sydney Opera House. The concert saw the pair performing new improvised work and key collaborative compositions from their joint catalogue, which has now reached five albums, one major film score and an EP.Last year the duo undertook a series of live events entitled Two at Berlin’s Funkhaus, Barcelona’s Theatre Grec (closing Sonar Festival’s 25th Anniversary), London’s Barbican Centre and Melbourne’s…
The sounds on this record have been created with feedback, by having a signal circle around a previously set route again and again. What seems empty at first draws a line as it moves, starts playing around and becomes something completely different. The nature of the sound changes in unexpected ways when one alters the parameters at different points of the loop. On this record the individual sounds play at different time scales and different speeds, which are defined according to the ratios of w…
Limited to 150 copies. Comes with download code and two-sided insert. The quality of Olli Aarni’s music has remained remarkably high given his consistent output over the last five years for labels like Preservation, Cotton Goods, and Dauw. Often working in the cassette format and primarily composing extended, gorgeously textured drones, Aarni’s new album, Nielu, is one of his first releases on vinyl and a kind of culmination of the sound he has crafted for years. Even in the context of suc…
Edition of 400 copies.
Hex Vex And The Lavender Mink compiles the group's musical obsessions at the turn of the century, droll Brit drone, the magnificent Arthur Doyle, extremely dangerous onstage pyrotechnics, the fabulous Raymond Scott, cheesy electro dub effects and, most of all, competitive and confusing American free improvisation. David Cross and Tim Poland with their friends Arthur Doyle, Nuuj (of Hilkka and Sheet), Neil Campbell (of Vibracathedral Ochestra), Phil Marshall (o…
Exceptional recordings by Randall McClellan, a founding member of the electronic music studio at the Eastman School of Music in 1967 where he later received a Ph.D. in Composition, Theory and Musicology. A growing interest inesoteric mystical traditions and personal practice of North Indian music - between the years 1966 to the early 80s - prompted him to develop his personal compositional practice into an active platform for inducing altered states of mind. He constructed his concerts to be s…
Walter & Sabrina were responsible for one of the greatest musical cycles of the last decade, a mind-boggling masterpiece ofexquisite and eccentric composition, outstanding lyrical concept and depth, and startling orchestration, whose scale can only compare with the musical and conceptual intricacy of classic masterworks such as Parks' Song Cycle, Battisti's Anima Latina, Gainsbourg's L'Homme a la Tete de Chou, Perfect Vacuum's A Guide to the Music of the 21st Century and a very few others.A proj…
Peter Frohmader, also active with his alias Nekropolis, is a German artist known for his distinct and very dark athmospheric electronic compositions as well as his extreme visual art-projects leading to many exhibitions, films, multi-media events and collaborations in the field of art and music, including H.R. Giger and Chris Karrer. In 1981, at age of 23 Frohmader released the album Musik aus dem Schattenreich, the first in a long series of productions. Italian label Orbeatize presents his late…
Conrad Praetzel is a California-based electronic keyboardist and percussionist who concocts impressionistic vignettes, developing his knack for mixing electronic and ethnic instruments, with haunting short tracks wherev electronic sounds and Indian and folk traditions gather together in a multicultural fusion.
Joel Horwitz was one of those synthed-out figures in and around Oregon's iconic hippie stronghold during the 1980s. Recorded at Studio E Redlands, Ca. USA, 1978, using a large array of electronic devices, such as ML 101, Carlos Robelli String Machine, Voice, Kalimba, Drumset Percussion w/Gong, Dual Phase Shifters along with a heavy battery of phasing and time-based effects-lands somewhere between a ‘library music’-styled mood excursion and a genuinely transformative mind melter