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On The Smoke, The Smoke condense 1968’s lysergic optimism into a single, ornate LP, fusing sunshine pop hooks, baroque arrangements and studio playfulness into a seamless, dream‑like suite rather than a conventional rock album.
Big tip! Fifty years on, and it still sounds like a secret. Carlos Walker's A Frauta de Pã remains one of those rare Brazilian albums that collectors circle obsessively, its original RCA Victor pressings commanding reverence - and prices - entirely disproportionate to the world's awareness of it. That wait is now over.
Recorded in 1975, when Walker was just 19 years old, A Frauta de Pã arrived at a precise confluence in Brazilian music - that charged mid-decade moment when MPB (Música Popular Br…
*100 copies limited edition* Corum’s Web of Midnight traces an astral cartography and psychic linkage between the psychosexual laboratories of Wilhelm Reich’s Orgonon in Rangely, Maine all the way to the Mount Teide Volcano on the Canary Islands. Different facets of the album were recorded in these charged locations causing the music to erupt with an orgasmic and volcanic force, a subconscious blast and discharge of etheric earth energy channeled through shimmering electronica. Babbling voices t…
In Volcanic Tongue, David Keenan gathers decades of visionary criticism, charting late‑20th‑century underground sound through ecstatic essays, interviews and close‑listening dispatches that treat marginal scenes as the true engines of musical modernity.
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.
Art Edition, 20 copies. Xong collection - artist records, a vinyl-only publishing project initiated by Xing in 2021 with original creations by artists linked to the worlds of live performativity, reaches its final form with a box set of 19 artist records on white vinyl.
Xong collection - artist records was born in 2021, in the shadow of COVID and the restrictions faced by artists and organizations in the live arts. That moment made it even clearer how those working in the field of performance h…
"These powerful performances from Copenhagen and Bordeaux, released officially here for the first time, and the Newport Festival in the U.S., provide further evidence of the music’s collective necessity – the true ensemble coordination which Ayler adopted, elaborated and romanticized, from his awareness of historic New Orleans precedents." - Art Lange
Anichy & Lyemn reduce electronic sound to patient, glowing essentials: slow harmonic rhythm, canons, repetitive phrases and gently shifting layers, across two unreleased remix pieces that treat minimalism less as a genre tag than a way of feeling time stretch and fold.
2026 stock A famous Pink Floyd bootleg is back in circulation as a limited-edition collector's item of just 350 copies, all hand-numbered, containing three 180-gram colored LPs, a 20-page booklet, a poster, and a reproduction of the concert ticket. The tracklist draws from the shows on March 6 and 7, 1972, in Tokyo, the first dates of a Japanese tour during which Roger Waters, David Gilmour, Richard Wright, and Nick Mason performed a live, not-yet-final version of “The Dark Side of the Moon” (wi…
The Outskirts came together as a working band during bassist Ingebrigt Håker Flaten’s three-year stint as a Chicagoan from 2005-2008. They played regularly at all of the working venues for improvised music in Chicago at that time, including The Hungry Brain, The Velvet Lounge, The Hideout, and Elastic. They even made a live recording in April 2009 that they were eager to release. But unfortunately, the multi-track audio files were lost in a hard drive mishap, leaving only a barely usable rough m…
Oidupaa Vladimir Oyun was a Tuvan musician and a man with an amazing, but really heavy destiny, a man of unbending will and divine talent and the creator of a unique style of throat singing, accompanied by playing the button accordion. Researchers described Oidupaa's style as blues and emphasized the complexity of this style of performance, which requires the singer to exert a lot of tension on the vocal cords. This is the author's unique version of the deepest and most powerful type of throat s…
*Limited edition of 100 copies* In 2017, Oli Heffernan took to the stage in Dundee to play bass for Damo Suzuki, the legendary former frontman of Can. Backed by a one-off ensemble featuring Griff (Interrobang / Regular Fries), Harry (Chumbawamba) and E-Da (Boredoms), the group walked on with no rehearsal and no plan. Suzuki offered a single instruction — “start soft” — and the set unfolded from there.
Like all of Suzuki’s performances, the music was entirely improvised: tense yet fluid, explorat…
The performance and recording are one continuous set. Track markers have been added for convenience:. Liner notes: "This project began as Centrifugal Trio, with Bishop, Borghini, and Griener, recorded in the studio zentri-fuge in Berlin in September 2019 and released on the Astral Spirits label. For my visit to Berlin in 2022, I wanted to expand the group, and invited the wonderful Mia Dyberg on alto, who I had played with earlier at Sowieso in Berlin, and whose recording Ticket!
(Clean Fe…
Through the dense blend of Japanese New-Wave, set against a backdrop of moldy kimonos and punctured paper screens, Hip-See-Kid's mini-LP, Romancing The Music, emerges like a sonic bullet train, carving its way through the chaos of sound and emotion. Overflowing with purebred Punk-Funk, shards of Soul, and threads of shredded Jazz, this album is nothing short of a gold nugget in a sea of sadness.
Romancing The Music captures a unique fusion of genres, delivering an audacious auditory experience t…
*150 copies limited edition* Circle Bros emerged during the late‑nineties wave of lo‑fi and dronerock, when Morc Records founder Wim Lecluyse first began shaping hazy, guitar‑driven soundscapes. Over the many years that followed, the project gradually started using a richer soundpallete, and shifted toward semi‑improvised, restrained songs that draw as much from minimal‑leaning songwriters as from artists who fearlessly approach the folk traditions. What has never changed is the core approach — …
*Back in stock* For the first time ever, this book Wolfgang Voigt – Gas presents the visual aspect of the comprehensive gas project. it is not meant to be a monolithic retrospective of his visual work, but it features a broad spectrum of photographic images taken between 1995 and 1998 showing many different moods and perspectives of Wolfgang Voigt’s Cosmos. what they all have in common, however, is the mystical focus and seemingly, the blurring of boundaries between lightness and darkness, happi…
Huge tip! Following her 2025 minimalist/ambient album ‘just like any other day (어느날): background music for your mundane activities’ on Shelter Press, Okkyung Lee moves in another direction with London’s Explore Ensemble. Flung is proud to present Signals, a release that eludes categorisation while shifting between electronics, acoustic composition, and improvisation. It places Lee’s improvisational language in dialogue with the instrumentalists of Explore Ensemble’s sextet, whom together become …
On Through The Billboard Promised Land Without Ever Stopping, Derek Jarman reads his only known work of narrative fiction: a chromatic, psychosexual road‑fable in which a blind young king and his valet traverse a mythical America that feels like the seedbed of Jarman’s later alchemical cinema.
Special discounted Bundle. Two of the greatest free jazz records ever laid to tape, back where they belong. Superior Viaduct reissues Noah Howard's The Black Ark and Julius Hemphill's Dogon A.D. — both from 1972, both inexplicably scarce for decades, both essential.
The Black Ark finds Howard backed by a towering ensemble — Norris Jones (Sirone), Arthur Doyle, Leslie Waldron, Earl Cross, Juma Sultan, Mohammed Ali — in four tracks that move from hard-blown spiritual fire to lyrical catharsis. Des…
Savvas Christodoulou was born in Cyprus in 1949 and moved to Melbourne in 1950 as part of the great wave of Greek immigration following WW2. His story is long, involved and fascinating, and the liner notes and interview contained within the LP's 4-page insert tells the whole story.
Perhaps more briefly, what you need to know is that he released the Savvas studio LP in 1974 in an edition of 300 copies, and enjoyed such a strong local following that he sold out the 2,000-seat-capacity Dallas Brook…