Best sellers
Les Années 1967-1984
Big tip! *2025 repress. 250 copies limited edition* Metaphon is thrilled to present this collection of 14 phenomenal electronic and electro-acoustic works by French composer Fernand Vandenbogaerde, realized between 1967 and 1984. After his science studies Fernand Vandenbogaerde (1946) studied at the Conservatoire de Roubaix and did various classes and courses with a.o. Jean-Etienne Marie, Olivier Messiaen, Pierre Schaeffer, György Ligeti, Karlheinz Stockhausen and Bruno Maderna. He wrote analyti…
interius/exterius
*Limited edition of 300 copies.* A striking new addition to the evolving catalog of Berlin-based composer Catherine Lamb, 'interius/exterius' is a long-form chamber nonet developed through a sustained dialogue with the musicians of New York’s Ghost Ensemble. Scored for flute, oboe, accordion, viola, cello, four- and five-string contrabasses, harp, and hammered dulcimer, the work investigates how collective intentions or focal points allow various and sometimes unusual sonic pathways to emerge in…
The Séance At Hobs Lane
The next in an ongoing series of Ghost Box back catalogue re-issues, Séance at Hobs Lane is an overlooked classic of British electronics. Its sinister atmospherics are comprised of VCS3 synthesizer squalls, howling guitar, skronking sax, and oddly haunting keyboard and cello melodies. The album has a similar eccentric and disturbing atmosphere to the work of great mid-century British experimentalists like Desmond Leslie, Daphne Oram or Tristram Carey.
Hobs Lane is the fictional tube station whe…
Eric Dolphy Outward Bound To Out To Lunch Revisited
Temporary Super Offer! In his comprehensive 1966 Jazz Monthly article, “Eric Dolphy,” Jack Cooke reported that the advance buzz aboutduet passages for bass clarinet and bass, “Something Sweet, Something Tender” approximated the hinge-like ballads that were a perennial feature on Blue Note A sides. Given its dedicatee – the flutist renowned for recording works like Varèse’s “Density 21.5,” which Dolphy performed at the Ojai Festival in 1962 – “Gazzelloni” is surprisingly boppish, ending the side w…
Soundscape 1: Surround
"If Surround can be listened to as music that’s as close to air itself, allowing us to enter each listener’s sound scenery, or as something that exists within a new perspective, expanding the middle ground between sound and music, and transforming it into a comfortable space, it would be much appreciated."- Hiroshi Yoshimura
Originally released as an album in January 1986, Surround was recorded by Yoshimura as a commission from home builder Misawa Homes, intended to function as an “amenity” desi…
Relic Radiation
Edition of 300. Of my first visit to Earth in 2024 I have only the fuzziest recollection, for here I must fall back on my own mnemonic resources. My chief impression seems to have been of sunlight, the authentic, inimitable sunlight of Earth. Organs that have evolved under particular conditions will naturally be most comfortable where those conditions obtain, and thus no substitute, however artful, can provide just those balances of colour and intensity, those alterations of night and day, summe…
μP RPF78
Big tip! *2025 repress. 250 copies limited edition* An anthology of the intensely arresting work of Robert Fesler (1936-2023), revealing many of his compositions (1975 -1987) created with his self-built synthesizers, with as pinnacle the μP RPF78. All music composed and recorded by Robert Fesler at his home on rue Cour Boisacq in Bierges, Belgium.With profound simplicity and devotion, Fesler paints a hermetic inner world with strong emotions of confronting solitude, sensual alienation and trauma…
Lacinia
Returning to Die Schachtel with his forth full-length with the label, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, delivers “Lacinia”, a new, immersive cycle of compositions, delving deeper into the realm of metaphysical, spiritual, and divine meaning, weaving astounding arrangements of sonority from a palette of synths, strings, brass, organ, various electroacoustic instruments, and percussion. Resting at a refined intersection of the acoustic and electr…
Turning in Space
*200 copies limited edition* Turning in Space, a new cassette box set by Áine O’Dwyer, compiles a series of sonic choreographies conducted at the artist’s living and studio space in suburban East London. Since summer 2015, O’Dwyer has been a resident of the Lady Helen Seymour House, a former hospital, in a building-wide unit that gives the artist a stereophonic impression of the auditory surround. Inspired by the “natural musics” of the house’s structure (its acoustics, creaks, and room tone) an…
C(or)N(e)T
Enter the hypnotic sound-world of C(or)N(e)T - the new collaboration between cornet players, inventors and virtuoso musical wizards Pierre Bastien & Louis Laurain. Recorded in residence at The Rose Hill studios in 2023 this utterly unique album is a kind of electro-acoustic Fiesta! At times it’s a combination of organic techno and free jazz, like a joyful train ride through a mechanised junglescape.. Their set up is wildly creative and full of modified objects: automaton cornet mutes, underwater…
Kind Regards
Kind Regards is the second duo release from guitarist Oren Ambarchi and drummer Eric Thielemans, out via AD 93 on the 21st February 2025. The record captures an expansive performance in Poitiers, France in November 2023. First working together in an unpredictable trio with minimalist legend and eccentric extraordinaire Charlemagne Palestine, Ambarchi and Thielemans quickly established a remarkable musical chemistry that led to an ongoing series of duo concerts, including the performance document…
Nothing Is...
Temporary Super Offer! "Attempts to dismiss Sun Ra as an “outsider” artist, an eccentric who made strange claims, are always own goals. Of course he was an outsider. That was precisely his point. And not just an outsider. He came from so far away we could not imagine it. But he also came from right inside American culture and was deeply shaped by it. There is perhaps no more representative an American artist of the modern period. If the Saturn V rocket was the symbol one kind of hegemony, govern…
Bye Bye Bird
"Nina Garcia has been actively moving the art of noise guitar into surprising and intriguing new spaces. She has been at it for some time now, a bit of a secret weapon all the while hiding in plain sight. As I listen to her music and ruminate upon seeing her perform it brings me to a realization which I have with very few musicians: the ego inherent in making art can be transcended through a purity of direct action. At least that’s the feeling I have when experiencing Nina’s music which comes a…
Metri
Mika Vainio's first album that many regard as one of the most essential foundations of electronic music.
The Magic Of Ju-Ju
Opening with the 18+ minute track of the same name, Archie Shepp’s ‘The Magic of Ju-Ju’ takes on a fevered pace as the centrepiece of this date from 1968. Shepp lets loose from the beginning as he’s joined by Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles and Dennis Charles, all on percussion. The initial pace never dissipates throughout the title-track’s run. The additional tracks on Magic of Ju-Ju are a departure from the first, sitting more in a traditional realm. The album is a va…
The Space In Which The Uncontrollable Unknown Resides, Can Be The Place From Which Creation Arises
2025 Stock. A true exploration in spiritual jazz that follows A transcendental journey that takes in meditative musical mantras, sprawling tenor sax improvisation and mesmeric percussion, the new album by Work Money Death (the group that backed ATA artist Tony Burkill on his 2017 debut record of the same name) seeks to reinterpret the sound of artists such as Pharoah Sanders & Alice Coltrane over two tracks: the brooding tension of A-Side “Dusk” and the sanguine & uplifting “Dawn” on the B-Side.…
Play Annette Peacock, Revisited
Temporary Super Offer! By 1965, Paul Bley had settled on the trio format, and touring Europe revealed a warmer reception for music that employed chordless improvisations, three-way rhythmic counterpoint, unfamiliar melodic constructs, and malleable song form. But there was an equally momentous conceptual change in the group’s material, as the adventurous pieces by Carla Bley were gradually being replaced by those of Paul’s new partner, Annette Peacock. - Art Lange
Thelonious Monk With John Coltrane 1957 (Revisited)
Temporary Super Offer! “Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way – through the senses, theoretically, technically. I would talk to Monk about musical problems and he would sit at the piano and show me the answers just by playing them.“ – John Coltrane
Spiritual Jazz 18: Behind the Iron Curtain (Part 2)
"Whether it's by improvisation in the African-American jazz tradition, or by a village kobza player standing on top of a damn hill - he feels connected to the stars."