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Akio Suzuki has always been an artist in search of unexpected sound, and curiosity has been his guiding principle. Whether that be curiosity for objects, spaces or places, his work has been guided by a porousness and pliability which has allowed him to explore an enormous sonic terrain. This freedom has also allowed him to develop a language in sound that remains utterly his own. Nowhere is this more evident than in his approach to instrument creation. During the 1970s Akio Suzuki devised a seri…
Companion to Various Weights, pursued through an inverted method. De Waard prepares two empty acoustic containers of predefined length with his own sonic brushstrokes, then sends them to Comes, who completes the 'paintings' by filling in the blanks - the two artists collaborate without ever directly responding. The electroacoustic timbres triggered a sentimental mood in Comes, and the two long-form tracks develop themes of memory, grief and longing. CD with an A5 eco-printed book.
Tip! Our first personal contact with Bryn Jones was in 1995 when the Muslimgauze album "Silknoose" came out on my Daft Records label and the contact was always excellent. He knew that Eric, who did the mastering, and I loved his music since the beginning. Later on we planned a mini CD with 4 Muslimgauze / Sonar and 4 Sonar / Muslimgauze remixes so we exchanged some audio pieces to work with and to our great surprise Bryn sent us two DAT tapes with 16 remixes in total with the message "Any plans …
Composition trio between Jos Smolders (electronics), Guido Nijs (saxophone) and painter Koen Delaere, whose abstract pigment surfaces serve as compositional model. Five tracks named after pigments (Aureolin, Barium, Diarylide, Bianco di Titanio, Indigofera Suffruticosa) translate Delaere's clashing, superimposed colour material into sonic canvases. The work grew out of two years of free improvisation; on Diarylide, the duo is extended with Eric Van Der Westen on bass and Aron Raams on guitar.
Second collaboration between Anla Courtis and Daniel Menche, recorded across Portland and Buenos Aires. Two side-long pieces traverse a kaleidoscopic sound labyrinth: Side A moves through metallic, multi-layered corridors in constant mutation, Side B opens outdoors and gradually visits a sequence of interior regions toward a final climax. The sound material is treated as living, vibrating matter rather than inert sample, a study in frequency-as-organism on the drone-noise threshold.
On Vulcanalia, AX - the solo vehicle of Anthony Di Franco - returns after nearly three decades to his original mandate: vast, beatless torrents of guitar, feedback and electronics, now scaled up into a molten, myth‑drunk monument to Roman fire and stone.
Anonymous transmissions from a spectral, dead-of-night mystery zone. Recorded in 1996 and originally release by Japan's enigmatic La Musica Records label on limited cassette. A group that deconstructs and liberates the chance nature of contemporary classical and noise music enough so that their boundaries blur. Available for the first time on vinyl and digital. Recorded in 1996 and released without any identifying credits in an essentially private cassette edition, Bibiotheca Hermetica's sole re…
Polack returns to the park in south Haarlem made famous by Nicolaas Beets's Romantic 1839 novel Camera Obscura, and uses it as the field for an exercise in urban escapism. Local recordings (pigs from the petting zoo, birds migrating north from Africa) are torn apart and rebuilt with layers of synthesis and electronics, blurring the line between unprocessed source and synthetic counterpart. Field-recording ambient in the lineage of Chris Watson, but tilted toward romantic synthesis.
The premiere vinyl release of Giovanni Fusco's 1968 score for Ugo Liberatore's Il Sesso degli Angeli, prepared in full stereo as it was meant to appear in 1968 but never did.
Originally released in 1973, Fuente y Caudal is widely regarded as one of the most important recordings in the history of flamenco guitar. The album captures Paco de Lucía at the height of his early creative period, combining traditional flamenco forms with his own modern harmonic ideas and dazzling virtuosity.
The album includes the legendary rumba “Entre Dos Aguas,” a groundbreaking instrumental that became Paco de Lucía’s signature piece and helped introduce flamenco guitar to a global audien…
BJ Nilsen's first LP for the label, departing from his field-recording practice. Recorded during a Fall 2017 residency at Willem Twee Electronic Music Studio in Den Bosch, the five pieces document improvised sessions on modular synthesizers, tone generators and laboratory test instruments. The flâneur's ear, normally trained on wind or city traffic, is here turned on machine-generated material: analogue pulse, droning waves and subtle noise arranged with the same patient sense of texture.
Second volume in the IT DEEL project. The Kleefstra Bros invited Norwegian duo Streifenjunko (Eivind Lønning on trumpet/electronics, Espen Reinertsen on sax/electronics) into the Thomaskerk in Katlijk, composing between improv, jazz and sound art. Streifenjunko brought field recordings from the forests around Oslo, brought into dialogue with the Frisian forests around the church and Jan Kleefstra's Frisian-language spoken word. A meditation on how we treat our local forests.
Sold out at the label. Sparkling or Silent finds crys cole and Oren Ambarchi pausing their restless, always‑on‑the-move discographies at a curious angle, as if turning the light slightly to see what has been glinting at the edges all along. Both artists have long carried an electroacoustic sensibility in their work - in cole’s hyper‑attentive treatment of small sounds and negative space, in Ambarchi’s use of guitar and electronics as malleable matter rather than fixed instruments - but here that…
300 copies. Three years after his debut Miniaturen, the Berlin-based composer and producer Konrad Sprenger - real name Jörg Hiller - returned in 2009 with Versprochen, his second solo album and first for the Italian imprint Schoolmap. Where the earlier record traded in short, clipped statements, this one stretches out into a longer, more spatial scale, twelve pieces with evocative German titles given room to unfold across darker emotional registers. The word Versprochen itself sits somewhere bet…
Ryoji Ikeda - Japan’s leading electronic composer and visual artist Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and mathematical aesthetics. Ikeda has gained a reputation as one of the few international artists working convincingly across both visual and sonic media. He elaborately orchestrates sound, visuals, materials, physical phenomena and mathematical notions into immersive live performances and in…
Quartet Records, in collaboration with GDM and EMI General Music, presents a reissue of Ennio Morricone’s iconic album Colori, celebrating its 55th anniversary. In the summer of 1971, Morricone entered the legendary Orthophonic Studios in Rome alongside his longtime collaborators Bruno Nicolai, Alessandro Alessandroni and Edda Dell’Orso, and recorded a selection of ten tracks drawn from some of his recent film scores, many of which had not yet been released. He remixed some cues and re-recorded …
First album in IT DEEL, a multi-year project by the Kleefstra Bros (Jan Kleefstra on poetry, Romke Kleefstra on guitar) with Popfabryk, addressing the ecological degradation of Frisian nature. Each volume is composed in residency at the Thomaskerk in Katlijk and presented live before pressing. Volume I is built with Polish composer Michał Jacaszek, whose electro-acoustic vocabulary surrounds Jan Kleefstra's Frisian-language spoken word with ambient and drone landscapes.
We are pleased to announce the upcoming reissue of “Min Bul”, a milestone of Norwegian rock and jazz, included in the renowned Nurse With Wound list, from the band whose leader was a young Terje Rypdal. Recorded in the Rosenborg studio in September 1970, with Egil Eide as engineer, “Min Bul” is a highly experimental work for its time that grew out of the Samklang projects at the Henie-Onstad Art Center, where director Ole Henrik Moe encouraged adventurous composers and improvising musicians to j…
On The Habit, Go Hirano gathers decades of home and studio recordings into a single, slow‑glowing arc: spare piano, pianica and small percussion drifting through room tone and outdoor air, turning everyday imperfections into a warmly enchanted, lifelong diary.