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Personal correspondence between Genesis P-Orridge and Jean-Pierre Turmel over a fifteen-year period. This book pays tribute to one of counter-culture's single most iconic figures of the past fifty odd years, someone who has over the course of he/r career influenced countless fellow artists and theorists. Comprised of an exclusive unpublished interview with the artist conducted by Nicolas Ballet in 2016, theoretical texts on he/r work, and archival documents from the personal collection of Jean-P…
*200 copies limited edition* "Emmanuelle Bonnet’s second album is an ode to free horizons, insects, and the passing of time. Prérie(s) is an ethereal moment filled with breath. It is a breeze of warm air which blows a shared space much like into a balloon and traces a way made of the constant search for sonic togetherness. Together, the four musicians expand the bounds of spontaneous composition, toying not only with sound, (non)harmony and textures but also, with each other. Working with words,…
Head’s Blackpool Cool was self-released in 1977 on the band’s own Head Records, marking the Scottish group’s third and final album. Long prized by collectors, it stands as a distinctive entry in UK jazz-rock and fusion, driven by an inventive interplay of trumpet and keyboards and a sharp, forward-moving sense of rhythm.
Influenced by the exploratory edge of groups such as Nucleus, the album showcases the band’s creative confidence and the multi-instrumental talents of John Davies. The sound is …
** Edition of 300 copies ** In the late 1980s, Klaus Wiese (Popol Vuh) deepened his connection with Tibetan culture. The result is a series of works solely dedicated to the universal purity of the Singing Bowls. Uranus, perhaps the most rigorous of these, is an intense meditation on the trans-personal sphere of the VI chackra. The music becomes like a single harmonic chant, the reflection of a constant flow of divine light, which transforms the psyche and dilates the secret passages of the hear…
Very rare and much sought-after LP of very beautiful rhythmic electronic music for Pierre Sala's theatre production, released on Schwarz's own Celia Records in 1980.
Editions Mego welcomes KMRU back to the fold. Kin is Kenyan born, Berlin based, sonic wizard Joseph Kamaru’s second release on Editions Mego, following on from the classic 2020 release Peel. Since the release and subsequent praise for Peel, the artist has been a staple on the electronic scene performing on numerous stages and festivals worldwide in tandem with a flood of media recognition. Kin could be construed as the second child following Peel. The project came out of initial discussions with…
*300 copies limited edition* Tremble With Joy is a new collaboration between Cinder (Cindytalk), Michael Anderson (Drekka), Mark Trecka, and Michael Carlson (remst8). Their debut, >Born Trembling<, comprises two longform, complementary experimental compositions. >Born Trembling< is the first in a series of limited edition CD releases from False Walls: 300 copies each, including visual artwork by David Caines and letterpress packaging by Hellbox Letter Foundry (Kent, UK). This is the second relea…
** Edition of 500 ** Pressed on 180 GM Audiophile Black Vinyl. Hard Tip-On Gatefold Sleeve. Official vinyl reissue of the iconic Capitol album remixed from the original multi-tracks masters. Produced, Mixed and Mastered by Chris Malone. Also includes a separate 4-page insert with authoritative in-depth liner notes by Jon BurlingameQuartet Records, in collaboration with Metro-Goldwyn-Mayer, Capitol Records, Universal Music Enterprises and the Phil Ramone estate, present the official LP reissue of…
** Special Time-Limited Offer ** "Wayne Shorter’s Schizophrenia found the legendary saxophonist at the pinnacle of post-bop with a sextet of like-minded musical explorers including James Spaulding, Curtis Fuller, Herbie Hancock, Ron Carter & Joe Chambers performing Shorter originals like ‘Tom Thumb’, ‘Go’, and ‘Miyako’. Recorded on March 10, 1967, at Van Gelder Studios, Englewood Cliffs, New Jersey." - HHV
2xLP Transparent Magenta 180gr + CD | Limited Numbered Edition of 500 copies. April 1969. On screens across Europe, a film opens that looks like an American crime picture but feels like something else entirely. Giuliano Montaldo, the Italian director who would later give us Sacco e Vanzetti and Giordano Bruno, has crossed the Atlantic to shoot a heist thriller in San Francisco and Las Vegas. The cast reads like an inventory of New Hollywood royalty: John Cassavetes, fresh from Rosemary's Baby, a…
Susumu Yokota’s 1994 ‘Acid Mt. Fuji’ is reissued for its label’s 30th anniversary. The album blends ambient acid, techno, and Japanese mysticism, inspired by Hokusai’s ‘Red Fuji’, pioneering Japan’s rave scene and Yokota’s global influence.
Together, Samuel Kerridge and Maxim 'Panda' Barron conspire against the living with their electrifying new project, Death Disco. Drawing deeply from the rebellious roots of punk and the DIY ethos, the duo has crafted with their debut album ‘Death Notes’, a sense of urgency and authenticity. Samuel’s fierce vocal work and electronics gives the album an emotional depth that goes beyond its aggressive nature, while Maxim’s pulsating rhythms keeps cutting through the atmosphere with skin-stripping p…
For his third new album release for Drag City, Tashi Dorji turns to the electric guitar. After the furious acoustic improvisations that drove the previous two—"Stateless" and "we will be wherever the fires are lit" — it’s easy to imagine an album of his electric guitar improvisations as an encompassingly incendiary essay. Especially when titled low clouds hang, this land is on fire. After all, this is a man capable of tearing up the place with the tactile musical violence of Bill Orcutt and Dere…
"Maybe I'm like a still life painter," Linda Catlin Smith says, "looking at the same objects again and again over the years." Yet this survey of chamber works—spanning 1986 to 2024—shows a composer whose perspectives continually shift, finding something fresh in each iteration. Hers is "a compositional voice that never shouts, never draws undue attention to itself, yet creates music of compelling beauty." The Guardian awarded five stars, placing it #3 in their Top Classical Releases of 2024.
Apa…
Fourth volume of Library Music miniatures by Daniel O’Sullivan (Ulver, Æthenor, This is Not This Heat, etc) for VHF, this time commissioned by the legendary German Music Library, Sonoton. Another sampling of Dan’s versatility and brilliance as a composer, performer, and sound designer, the focus on The Pastoral Machine is more “electronic” compared to the three previous albums Dan recorded for KPM (also issued on LP by VHF), with simpler arrangements and a focus on gentle and emotive synthesised…
*2024 stock. 250 copies limited edition* In 2023 we wished to properly celebrate the 40th anniversary of ADN’s birth. So, we have contacted groups and musicians that stimulated our curiosity through these 40 years. Some of them are good friends of us, some were already part of our music trajectories; others, never contacted in the past, are near to be seen as our myths. Anyhow to cover our multiple interests we should have brought to your attentionmany more tracks, but we think this is a good sy…
Sergei Tcherepnin's "Quasar <-> Lanterns" was originally produced in 2009 as an 8-channel installation with Ei Arakawa at Künstlerhaus Stuttgart. Remixed to stereo for this release, Tcherepnin's trio of works combine analog synthesizer recordings and other instrumental sources with field recordings captured during the artists' travels to Turkey and Georgia. Each piece introduces a separate facet of Tcherepnin's compositional practice, respectively probing the boundaries between perception/halluc…
"In 2016, I invited Norman Westberg to Australia for his first solo tour. He’d been in Australia a few years before that, touring The Seer with Swans, and it was during this tour that I’d had the fortune to meet him. Since that time Norman and I have worked on a number of projects together. He very kindly played some of the central themes on my Cruel Optimism album and I had the pleasure to produced his After Vacation Album. Last year Norman shared a multichannel live recording with me from a to…
On Exterminating Angel, Dark Day turns their minimalist electronics toward something more sinister and cinematic, fusing icy synth patterns and ritualistic rhythm into a claustrophobic séance on desire, control and self‑erasure.
On The Shout, Rupert Hine turns a psychological horror into a study of sound itself, fusing electroacoustic experiment, synth eeriness and musique concrète into a score that feels as invasive as the film’s infamous, landscape-shattering scream.