Best sellers
The Book of Job
The Book of Job is a boundary-pushing work by Super Grupa Bez Fałszywej Skromności, merging avant-garde jazz, spiritual recitation, and sound experiments. Conceived in martial-law Poland, the album is both requiem and protest—an immersive journey through collective struggle, transcendence, and artistic resilience.
Sargassum aeterna
Sometimes the most essential albums emerge from the most unexpected places. Serbian electroacoustic composer Manja Ristić, whose work has graced labels from LINE to mappa, has created something genuinely startling with “Sargassum aeterna” – a haunting four-track meditation on ecological collapse that reads like a transmission from the year 2221. Issued by Athens-based Rekem Records in a meticulously crafted limited edition of 200 copies, this isn't just another ambient release, it's prophecy ren…
Angel Tears in Sunlight
Angel Tears in Sunlight is Pauline Anna Strom’s first album in over thirty years; an assemblage of music that refracts the expansiveness, and minutiae, of imagined realms while embracing the kaleidoscopic echoes of our distant epochs.
The capacity to collapse time might elucidate the enigma of Pauline Anna Strom. A mystic force in music, emerging during the dawn of new age as the Trans-Millenia Consort, the pioneering synthesist channelled primordial energies into future-facing sound through a s…
Konstellaatio
"Finnish experimental veteran Mika Vainio has kept up a brisk output of new music as of late. In the second half of last year, he put out collaborative albums with Joachim Nordwall and Stephen O'Malley, and on the solo front came Kilo, an arresting set of fierce, heavy rhythms reminiscent of his work in Pan Sonic. Vainio's latest solo effort is Konstellaatio, an atmospheric and often-poignant journey from his legendary Ø project.
Konstellaatio is Ø's first proper full-length since 2008's Oleva, …
Kiteet
The second in a series of posthumous Mika Vainio releases on Säkhö, celebrating the work of a true, electronic music visionary. The tracks on Kiteet, released under Vainio’s Ø alias, were initially written for the 1997 Snow-Crash exhibition in Milan but never used. Five of the eight tracks found their way onto later albums, three have never been released anywhere. As you would expect from an artist with Vainio’s immense stature and pioneering legacy, Kiteet is a mesmerising listen, built from so…
Muzan No Bi (Beauty Without Mercy)
40th Anniversary Release!! Recorded in 1985 and released by Polydor in 1986, Kazuki Tomokawa's seminal 1980s album “Beauty Without Mercy”. To mark its 40th anniversary, this long-awaited reissue arrives on vinyl! This defining album of the 80s features tracks including “He Was There” about his friend Takohachirō, “Beauty in Tragedy” about his brother's death, “God Was Crying in the Well”, and his signature song “Waltz”. Nakahara Chūya penned the lyrics for “A Fairy Tale” and “Boy”. Numerous dist…
Rex
Rex is a solo cello record written and recorded while I’ve been living in the former home of Rex Brasher, a self-taught painter who created over 1,200 watercolors of North American birds. Composed for acoustic and electric cello, the record reflects the solitude and intensity that shaped both Brasher’s vision and my own process. Rex is not a portrait, but an echo—of a person, a place, and a way of seeing the world. Thank you to Matthew, Munawar, Cynthia & the RBA for the place, support, and gene…
Tercer Milenio
*100 copies limited edition* We are repentlessly thrilled to bring you the first reissue of Tercer Milenio, probably the best hard rock/heavy prog album released in the prolific Argentina 70’s scene. This is a more mature and tighter effort compared to Orion’s Beethoven’s debut Superangel that places them in the spotlight of heavy prog/proto metal. The album’s opening blaster Amistades Desparejas establishes very clear expectations about what is to follow: a tapestry of scorching riffs and acid-…
Sound Paintings
Joan La Barbara begins Sound Paintings with a scream that pushes you into an unusual world of vocal sound. Her virtuoso singing style, developed over a 20-year period, can be heard on this disc, which combines some of her earlier works with more recent compositions. She takes her extended techniques, which include multiphonics, overtone singing, and glottal clicks, and orchestrates them in layered soundscape compositions using from 8 to 16 tracks of material.
Early Sound Installations
* Special Edition is added a CDr consists of two tracks, sound installations at Striped House Museum and his important work in late years Background Music. Special brown box, limited to 60 copies * In the early 1980s, several artists such as Satoshi Ashikawa and Hiroshi Yoshimura, who were pioneers during the early days of Japanese sound art, began to display their works at exhibitions. Ashikawa, who passed away at the young at the age of 30, worked at Art Vivant, a store affiliated with the Sei…
Reflexive Universe
2026 stock, reduced price ** Original Single Sided, Numbered **
Recorded live at Maya in Kobe on 15 September 1991 - with only Mayuko Hino on electronics and voice and Hiroshi Hasegawa on synthesizer and electronics - Reflexive Universe strips C.C.C.C. to its core and finds, in that reduction, something more concentrated and more volatile than the full ensemble.
The choice of John C. Lilly's CCCC as a name pointed toward a practice in which sound was genuinely conceived as a system of feedback …
Chandler and Dickow Play Fisher
On Chandler and Dickow Play Fischer, David Chandler and Paul Dickow treat Marcus Fischer’s graphic scores as a lab problem rather than a script, using tracing paper, chalk, piezo styli, EEG data and a 1970s modular synth to probe what it means to “play” an image without simply projecting themselves onto it.
Mount Mansfield
On Mount Mansfield, Sam Boston and Shawn O’Sullivan turn a Vermont peak into both instrument and score, binding bent lapsteel and analog feedback into a slow‑growing, topographic drone where static contour becomes living, verdant resonance.
Tracing Basalt in the Onsernone Valley
Tracing Basalt in the Onsernone Valley by Pablo Diserens and Ludwig Berger transforms the Swiss valley’s basalt terrain into a living instrument, blending environmental recordings and experimental acoustics into a meditative portrait of place and presence.
La ragazza e il Generale
In La ragazza e il generale, Ennio Morricone threads anti‑war irony through bittersweet melodies and marching figures, mixing folk‑tinged themes, choral snatches and tense orchestration into a score where tenderness and absurdity share the same battlefield.
Lacinia
Returning to Die Schachtel with his fourth full-length with the label, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, delivers “Lacinia”, a new, immersive cycle of compositions, delving deeper into the realm of metaphysical, spiritual, and divine meaning, weaving astounding arrangements of sonority from a palette of synths, strings, brass, organ, various electroacoustic instruments, and percussion. Resting at a refined intersection of the acoustic and elect…
Lukas Ligeti: Notebook
With Notebook, Lukas Ligeti turns a band, a method and a score into the same thing: four pieces where intricate design and on‑the‑spot decision‑making fuse into chamber music that thinks aloud in real time.
Live 1981-1982
Legendary post-punk band The Fall is thrilled to announce the release of their highly anticipated live album, "The Fall - Live 1981-1982," capturing the raw energy and distinctive sound that defined their early career. The album features unforgettable performances from their critically acclaimed concerts during this iconic era. Chronicling the band's relentless spirit and dynamic stage presence, "Live 1981-1982" gives fans a unique opportunity to experience the essence of The Fall in a way that …
A Waiting Room Creation
*300 copies limited edition* Xiang was born in 1984 in Chengdu, Sichuan Province, China. She started her experimental music activities in earnest in Chengdu in 2017. In performances she uses field recordings, violin, noise and body as materials. She listens attentively to subtle changes in sound and space and carries out site-specific performances adapted to each environment. In addition to solo improvisation and composition, Xiang carries out many performances and collaborative projects with ot…
Veins Of Rain
Masayo Koketsu and Nava Dunkelman met for the first time in this studio session. Koketsu’s inventive use of extended techniques and breath-infused wails filled the space with an experimental intensity. Dunkelman responded with a finely woven tapestry of percussive textures, her delicate rhythms binding their sounds together. Her sensitivity to nuance allowed Koketsu’s raw cries to blend effortlessly, as if the two had long shared a musical language. Their exchange was both electric and restraine…