Best sellers
In A Quiet Of A Short Winter, Every Hidden Thing Finds A Voice Sharper Than Memory
*100 copies limited edition* Six touching tracks that, starting from quiet ambient atmospheres, initially soft, tenuous, and crepuscular, gradually seem to soar... ascending towards celestial spaces, revealing ever-wider and brighter landscapes below, ever-more distant horizons, ever-more infinite spaces...
Highly evocative progressions, guided by sober and delicate melodies and driving, pulsating bass lines, wonderfully deep (best enjoyed with a good stereo system to truly appreciate them), the…
Basra
By the time drummer Pete La Roca recorded his debut album Basra in 1965 he had already appeared on 9 Blue Note sessions as a sideman and spent time in bands led by Sonny Rollins and John Coltrane. But it was another tenor titan, Joe Henderson, that La Roca brought in as the sole horn voice to front a dynamic quartet that was completed by what liner note writer Ira Gitler called “one of the most attuned rhythm sections in jazz” featuring bassist Steve Swallow and pianist Steve Kuhn. The resulting…
Sama'a - Audition
** Repress soon in stock ** Known for their exhilarating live-to-record albums such as last year's critically acclaimed Wood Blues and Giant Beauty, سماع [Sama'a] (Audition) is the first of two releases that will surface after [Ahmed]’s first studio recording sessions at North London’s The Fish Factory in early 2025. Since 2014, [Ahmed] أحمد have excavated and re-imagined the music of Ahmed Abdul-Malik, in an ever ongoing search for future music. Over a decade on, the group were given the opport…
John Cage memorial
Big tip! The Kiyosato Museum of Contemporary Art was located in Kiyosato, Yamanashi prefecture from 1990 to 2014. It was a private art museum with a permanent exhibit based on a collection of unrivalled scale. The museum also collected and mounted exhibitions on the work of radical contemporary composers, including John Cage. The museum’s primary informant on music was sound designer Yutaka Hirose, one of the pioneers of Japan’s environmental music (kankyō ongaku) movement in the 1980s. In 1992,…
Two Daughters
Two Daughters marks a turning point. After several notable releases, Méryll has clearly taken a step forward with an album that finally captures the hypnotic madness of his live performances. His earth-shattering concerts, during which the artist physically engages with the sound material in an instinctive and radical way, finally have their counterpart in the artist's recording career.
Armed with a production that does justice to his fine and expert mastery of the Hertzian spectrum, this dou…
The Complete Liuto and Sound Work Shop Heritage
For the first time ever, the whole Piero Umiliani’s production on his Liuto and Sound Work Shop record labels is collected in a two sensational box sets.
Gjerhan
III (pronounced /el/) is Daichi Yoshikawa, Paul Abbott and Seymour Wright. This recording includes two bare 20-minute excerpts from separate performances at Café OTO. Daichi Yoshikawa (feedback); Paul Abbott (drums); Seymour Wright (alto saxophone). gjerhan began from subterranea, sweat, haze and dedication emerging out of intimate and intense weekly meetings begun in 2009 -- their first, 2012 public performance, squeezed into a London basement was a sheer, vexed and exhilarating smack of organi…
Bluedelic+
The playful title suggests psychedelic blue - chromatic synesthesia rendered in noise. Akita has always been interested in the intersection of sound and color, titles throughout his catalog evoking visual qualities. These 1992 sessions capture Merzbow in experimental mode, the psychedelic reference connecting to traditions of consciousness expansion through intense sensory experience.
Blue carries particular associations: melancholy, depth, the infinite sky and sea. "Bluedelic" suggests psychede…
Tapestry Of Noise
** 2026 Stock ** If Laptop Noise looks forward into the blinding glare of the digital, Tapestry of Noise looks outward and backward, unspooling an expansive grid of analogue and hybrid recordings that show how Merzbow’s classic language was woven together in the first place. Slowdown’s 6CD expansion assembles long, previously scattered or hard‑to‑access works into a single, overwhelming fabric that moves from twitching tape‑loop delirium to fully seared harsh‑noise architectures.
Early discs re…
Tentacle (1st Mix)
Tentacle suggests oceanic creatures, reaching appendages, multiple simultaneous touches - apt imagery for Merzbow's newly expanded digital toolkit. Where analog equipment imposed physical limits on simultaneous operations, computers enabled unprecedented complexity. Tentacles reach in all directions at once, grasping multiple objects simultaneously.
This "1st Mix" preserves initial instincts before subsequent revision, documenting Akita's first responses to new capabilities. The cephalopod image…
Spring Harp-O
The evocative title conjures resonant strings and seasonal renewal - unexpected associations for harsh noise, yet characteristic of Akita's poetic sensibility. The harp represents ethereal beauty and delicate tones; by invoking it in a noise context, Merzbow performs characteristic subversion, finding harshness in beauty and beauty in harshness.
The "Spring" element suggests rebirth, new beginnings - perhaps reflecting Akita's sense that the late 90s represented a transitional moment, the end of…
Medamaya-O
Medamaya-O extends late-90s documentation with 1997-1998 recordings. "Medamaya" evokes eye imagery (目玉屋) - the eye shop or eye house. Akita's engagement with visual perception themes runs throughout his work; despite creating purely sonic art, he frequently invokes seeing and looking. The eye watches, judges, reflects - and can be overwhelmed by excessive input.
These recordings capture Merzbow at the end of the analog era, before digital tools transformed everything. There's a tactile quality t…
Tauro-O2
The "Tauro" albums contain outtakes from the 1998 masterpiece Tauromachine (Relapse/Release) and unused material from the same period - the "O" in the title standing for "Outtakes." While the 10CD box Merzmorphosis (Youth Inc., 2012) previously compiled much unreleased 1996-97 material, it excluded recordings related to 1930 and Tauromachine. This "Tauro" material appears here for the first time.
The equipment list reveals Akita's expanding palette: Moog Rogue, Theremin, Novation Bass Station, T…
Tauro-O1
The "Tauro" albums contain outtakes from the 1998 masterpiece Tauromachine (Relapse/Release) and unused material from the same period - the "O" in the title standing for "Outtakes." While the 10CD box Merzmorphosis (Youth Inc., 2012) previously compiled much unreleased 1996-97 material, it excluded recordings related to 1930 and Tauromachine. This "Tauro" material appears here for the first time.
The equipment list reveals Akita's expanding palette: Moog Rogue, Theremin, Novation Bass Station, T…
Cat Of Shell Vol.2
Volume 2. Cat Of Shell was recorded in 1996 and originally intended for release under the same title, but remained unreleased until now. According to Akita's notes, the DAT master index lists both "Cat Of Shell" and "1930" - indicating these recordings relate to the celebrated 1930 album (Tzadik). The repetitive sounds playing in clever, ear-catching balance suggest techno influences, while cracked sounds reminiscent of metal pronunciation and tremendous sonic depth characterize the sessions.
At…
Cat Of Shell Vol.1
Cat Of Shell was recorded in 1996 and originally intended for release under the same title, but remained unreleased until now. According to Akita's notes, the DAT master index lists both "Cat Of Shell" and "1930" - indicating these recordings relate to the celebrated 1930 album (Tzadik). The repetitive sounds playing in clever, ear-catching balance suggest techno influences, while cracked sounds reminiscent of metal pronunciation and tremendous sonic depth characterize the sessions.
At the time,…
Phillo Jazz
Phillo Jazz winks at improvisational traditions Akita has always both honored and subverted. Jazz's spontaneity finds its noise equivalent - though the relationship is more conceptual than sonic. Where jazz improvisation operates within harmonic frameworks, Merzbow improvisation occurs in texture and density, shape and duration.
The "Phillo" prefix remains mysterious - perhaps referencing philosophy, philology, or simply playing with sounds. These recordings demonstrate fluidity at its best: not…
Raiser
Raiser captures a 2013 Bronson session of Sissy Spacek—Phil Blankenship, Charlie Mumma, and John Wiese—in Los Angeles, channeling an intense fusion of harsh noise and noisecore. The album is a relentless, cathartic experience: shriek-laced blasts, searing electronics, and disintegrating metal fragments, all reassembled into monstrous, meticulously pieced sound collages. The result is sonic destruction made compositional, a full-spectrum assault that melts into jittery static and transformed debr…
Salon De Sachiko
2007 release ** "Since the late '90s Sachiko M has been stirring up the improvised music scenes in Japan and the west--and gaining an enthusiastic following--with her unique sound, consisting entirely of sine waves. This is Sachiko M's first solo album since "Bar Sachiko" (Improvised Music from Japan, IMJ-517), released three and a half years ago. "Bar Sachiko" was a work made up exclusively of sustained sine wave tones. In contrast, "Salon de Sachiko" is comprised throughout of short, very thin…
Music For Two Exits
*200 copies limited edition* Jun-Y Ciao (born in 1978 in Shanghai) is a musician whose main instruments are sax and clarinet. Having studied in Dusseldorf and Mainz, Germany, in the second half of the 2000s, he is currently based in Shanghai and Dusseldorf. He has numerous releases on Zhu Wenbo's cassette label Zoomin' Night. Beijing-based Zhu Wenbo is known both for his own performance activities and for running Zoomin' Night, which plans events and releases cassettes. A musician with many conn…