Best sellers
Open Vocal Phrases, Where Songs Come In And Out
Double LP version. "Open Vocal Phrases, Where Songs Come in And Out and Sketches For World of Echo (AU 1029CD) offer two intimate unedited Arthur Russell solo live performances recorded at Phill Niblock's Experimental Intermedia Foundation in Downtown NYC on 12/20/85 and 06/25/84. Phill curated and produced with Arthur both concerts at EI that would become part of the foundation for the World of Echo album. These extraordinary performances were recorded 18 months apart between 1984/85 by Steve C…
Aspects Of Memory
Aspects of Memory is the first meeting between Lawrence Casserley (signal-processing instrument) and Emil Karlsen (percussion). Casserley has devoted his professional career to the creation and performance of real-time electroacoustic music, culminating in the development of his own unique device—The Signal Processing Instrument. This instrument allows him to use physical gestures to control the processing and to direct the morphology of the sounds.
Casserley writes: “A key element of the Signal…
Eyre
For their fourth album, and second release on Bead, light.box augments the duo of Alex Bonney (trumpet, electronics) and Pierre Alexandre Tremblay (bass guitar, electronics) with a special guest, Tom Challenger on tenor saxophone.The album explores a vast range of textures and dynamics from cinematic ambient drones to delicate timbral and microtonal explorations, from fast-paced dialogues to invasive waves of distortion. The rapport between the musicians has developed over years of playing toget…
Quartetics
"Quartetics" captures a unique encounter between four seasoned improvisers, who first came together in this quartet formation on May 15, 2019. Although new in this configuration, these musicians share extensive collaborative histories: Lash has longstanding collaborations with Reuben and Hanslip, while Hession, Reuben, and Hanslip had already performed and recorded as a trio. The album explores the idea of "The Quartet"—specifically, this configuration of tenor saxophone, laptop, double bass, an…
Na-Gi 1997
A CD of minimalist environmental sounds by this Japanese sound-artist Akio Suzuki. This music was recorded in Takano, Tango-cho, the northern-most coast of Kyoto, where I live. The bay surrounded by volcanic rock caves is the place where the mighty sounds of waves of the open sea have their muffled echo. Seawater flows into the hollows in the rock again and again like breathing in and breathing out. Spring water constantly drips in the cave, and now and then the wind from the meadow above the ch…
Processing Music
Casimir Geelhoed’s Processing Music is a probing exploration into the subtle, elusive boundaries between software-driven sonics and fragile acoustic realities. This album intensifies recurring themes of transiency and overstimulation, inviting listeners into a shifting landscape where memory and perception interact with innovative digital processing techniques.
Last Night I Heard the Dog Star Bark
Last Night I Heard the Dog Star Bark, the third full-length from Gwenifer Raymond, finds the Welsh guitarist deepening her American primitive explorations with a turbulent, spectral intensity. Across ten instrumental tracks for solo guitar and banjo, Raymond braids the darkness of Appalachian nights with the cosmic anxieties of science fiction, displaying fierce dexterity and meditative nuance.
Dead-Wall Reveries
How does a composer who spent years immersed in cultural theory and philosophy return to music-making? For Eldritch Priest - known to many through his provocative book Boring Formless Nonsense - the answer involves cultivating a compositional sensibility that appears offhanded while remaining rigorously structured, music that flirts relentlessly with ideas to blur distinctions between trivial regard and focused attention. This release documents three works spanning more than two decades, tracing…
The Trance of Seven Colors
Big tip! *2024 much needed repress* The Trance of Seven Colors by master Gnawa musician Maleem Mahmoud Ghania and free jazz legend Pharoah Sanders comes in a gatefold sleeve and also include download code. Produced by Bill Laswell and - according to The Attic - "one of the most important albums of Gnawa trance music released in the '90s", The Trance of Seven Colors was originally released in 1994 on Laswell's Axiom imprint and is the magic meeting of two true musical masters. Maleem Mahmoud Ghan…
Return to Archive
In 1948, Moses Asch founded Folkways Records with a self-proclaimed mandate to record the sounds of the entire world. From the Sounds of North American Frogs to Speech After the Removal of the Larynx, Folkways documented the audible nooks and crannies of existence on hundreds of LPs produced by field recordists, scientists, and experimentalists probing the margins of the human soundscape. Seventy-five years later, electronic music duo Matmos have diced, looped, stretched, and recontextualized th…
Blues Para Un Cosmonauta
Fans of Coltrane will certainly dig this historical 1970s spiritual jazz album from Argentina which left an everlasting imprint in the local jazz scene. From the eerie “Blues para un cosmonauta” —which could easily fit in the Twin Peaks soundtrack—, to the majestic “Líneas Torcidas” or the mid-tempo groove of “Mi amigo Tarzán”, new landscapes in jazz are explored without hiding, at moments, the musicians’ bebop pedigree. Venturing into uncharted dimensions, the album breaks with traditionalism a…
Africadeus
Bomb! Spiritual, intimate and revolutionary, yet firmly rooted in Brazil's folklore. Africadeus was the breakthrough album of the mighty Naná Vasconcelos, in which he discovered the berimbau to the world and took the instrument to a universal level. Having played in the shadows for other artists such as Milton Nascimento, Gato Barbieri or Som Imaginario, Naná is here finally in the spotlight. Recorded in 1973 in France for Pierre Barouh's Saravah label, this is the album that definitely imprinte…
Bonobo
A reissue of the second album in the catalog of German guitarist and instrument inventor Hans Reichel (1949-2011), Bonobo, originally released by FMP in 1976. A program of microtonal string investigations that is still beguiling and fresh four decades later. Like Reichel's debut, Wichlinghauser Blues (1973), Bonobo is a super-rare slice of musical otherness. Includes the hilarious cover by Reichel himself. First ever release on CD. Remastered from original tapes; Packaged with gatefold and tip-o…
Miniatures (A Sequence Of Fifty-One Tiny Masterpieces)
Pressed on 180-gram vinyl; includes 23" x 23" foldout poster. Originally issued in 1981, Miniatures is a concept compilation album that is certain to delight the listener on a multitude of fronts simultaneously. Conceived in 1980 by Morgan Fisher (erstwhile keyboardist for Mott the Hoople) as a means of addressing the scope of music and musicians that he loved but lacked time enough to release, Miniatures draws from an array of artists whose submissions exist within the strict framework of a 60-…
or, Urim
Mark Harwood follows up his 2022 offering with the new album, or, Urim.
Infinity
Infinity is the new release by Melbourne-based Leo James, and the second Patience production. Leo scratches a longstanding itch and delivers two sidelong excursions that inhabit a similar sonic space but spin off in opposite directions on the continuum. Desert Nightflower hums with vitality in a seemingly lifeless landscape. Impressionistically tracing the lifecycle of a flower’s bloom in the desert night – from the searing afternoon sun through dusk’s chill, the midnight blossoming and symbioti…
Engravings
Created by electronic producer and composer Matthew Barnes, and originally released via Tri Angle Records, 'Engravings' received instant acclaim from the likes of Resident Advisor, Pitchfork, The Guardian and saw Barnes take his hypnotic live show across festivals like Sonar, Glastonbury, Unsound and Le Guess Who.
While much of British electronica is defined by its inner cities, 'Engravings' was recorded in Barnes' hometown on the banks of an ancient river in Merseyside, the album's earthy, orga…
Rivbea Live! Series, Volume 2
An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…
Rivbea Live! Series, Volume 1
Kalaparusha Maurice McIntyre - tenor saxophone, clarinetMalachi Thompson - trumpetMilton Suggs - electric bassAlvin Fielder - drums
Recorded July 12, 1975 at Studio Rivbea, 24 Bond Street, NYCRemastered by Arūnas Zujus at MAMAstudios, Vilnius, LithuaniaPhotos by Thierry TrombertCover art and design by Jeff DiPernaLiner notes by Ed Hazell
Visitation Of Spirits
Live performance of The Pyramid Trio, Roy Campbell on trumpet and flute, William Parker on bass and Zen Matsuura on drums. Recorded 21 February 1985 at The Joint, Usdan Student Center, Brandeis University, Waltham, MA.
Special thanks to Roy’s sister Valerie Morris, who told us, “Roy spoke to me in a dream years ago and said, “It's all about the music.”