We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Mort à Credit shows Kaoru Abe in a fascinating period of transition, moving forth to something complexly and identifiably new, yet intransigently rooted in what had come before. It consists of two alto improvs from a show on October 18, 1975, and five more (three on alto, two on sopranino) from another performance a couple of days earlier. Released by Kojima on 2LP in 1976, it can be said to mark a significant change in Abe's style. Abe is here a little soften from his usual urgency - this can p…
Ottoman Black is a masterful damn record, an album of midnight drones and true noise, a definitive statement that makes most other noise records of this ilk seem immature, if not outright stillborn. From cover’ s photography , presenting mundane situation with an air of isolated, hysterical desperation, to the track titles, presented in the style of an academic outline (I.,II.,a.,b.,etc.) this is a formally conceived and meticulously crafted 35 minutes, leaving nothing untitled or untidy.…
Kaoru Abe's duo with legendary free bassist Motoharu Yoshizawa, nord, stands as a critical summit between two of the major forces in japanese jazz at the time. recorded in december 1975 and released in 1981 by Kojima, it reveals a different side to Abe.the two had apparently been playing together since the late '60s - Yoshizawa had, for various reasons, and it's probably due to yoshizawa's undeniable heavyweight status that this dialogue is conducted largely on his terms, with abe toning down hi…
In November 17, 2019 a six hour performance was undertaken in the car park of The Box gallery in Los Angeles as a part of the Henning Christiansen / Ursula Reuter Christiansen exhibition They Won’t Survive Without The Bird Songs . Thorbjørn Reuter Christiansen, son of Ursula and Henning, developed a timeline for the performance which was essentially designed to encompass a contemporary community of like minded artists that spans generations and continents harnessing and continuing the work insti…
For its inaugural release of 2025, Past Inside The Present proudly offers a powerful set of new pieces from experimental ambient veteran bvdub (aka Brock Van Wey), simply titled 13. Across its duration, spacious arrangements nest in clouds of reverb, underscored by granular details and entrancing synth arpeggiations. According to Van Wey – a long time scholar of Eastern ideas and literature – every section represents one edict or idea from chapter 13 of the Tao Te Ching, the foundational text of…
*300 copies limited edition* Andrew Tasselmyer is a musician from Baltimore, MD currently living in Philadelphia, PA. He utilizes samplers, field recordings, and lo-fi recording techniques to make textured and tactile sounds. In addition to his solo catalog on labels such as Seil Records, Eilean Recs, Constellation Tatsu, Home Normal, and more, he is a member of Hotel Neon, Gray Acres, and Mordançage.
* Edition of 300. Spectacular four-panel gatefold cover * Since the early 1980s, the Nexus creature has represented one of the most interesting realities of the Italian jazz scene. Daniele Cavallanti (Aktuala) and Tiziano Tononi (Moon On The Water and D.O.M Alia Orchestra) realize a sensational mix of orchestral praxis and impro-free jazz. The strength lies in the ensemble's variety of timbres, in that precise hybrid of styles reminiscent of the cross-sectional experiences of the 1970s of Zappa,…
On Country / The Country, J.WLSN and Liam Keenan pare things back to the bone, using repetition, space and grain to sketch a faint, flickering idea of “country” where landscape, memory and rusted‑out song forms quietly bleed into one another.
Long-form duo work by Jon Wesseltoft and Lasse Marhaug, ongoing since 2008 as an investigation into psycho-acoustics and the phenomenology of sustained sound. The Hex of Light, recorded in 2013, consists of two stringently close-knitted pieces built around microtonal frequency interaction and slowly unsettling shifts; each gradually blooms within its own sonic time, exposing binaural beats, ghost overtones and microscopic tonal motion. Trance-inducing drone in the most rigorous sense.
Obscene data and expressive concepts: while being sober all the time, Kashual Plastik launches the “Ministry of excess”. A 21-track strong tape compilation of unrestricted musical memoirs, created by individuals with no memory. Transportive noise, catching sounds from all hums. Experimental sculptures, fractured in research. Hunting the sub-consciousness of things. Instinct acting from an inner necessity. Making familiar objects be as if they were not familiar - and vice versa. On the bill KP ac…
**2025 Stock** Who still needs an introduction to the Italian living legend Bad Sector? Hardly anyone. Since 1995, every new album by this project has been an event — eagerly awaited by almost every devotee of the industrial scene. Now, at last, comes the long-awaited CD edition of one of the most intriguing albums by Italian master Massimo Magrini. Originally released in 1999 as a limited CDR on Blade Records, Transponder returns — newly presented, expanded with two exclusive compositions from…
Black Tape II is only the second widely available release by Ohkami No Jikan (The Time of the Wolf), one of the more esoteric groups of the 1990’s Tokyo underground. Recorded in 1992, it illuminates a largely undocumented facet of Nanjo Asahito’s psychedelic cosmology, distinct form his better known work with High Rise, Musica Transonic and Toho Sara. Aside from a handful of limited, handmade cassettes and CD-Rs on his La Musica label, there’s only been one Ohkami No Jikan album, Mort Nuit, that…
*200 copies limited edition* All tracks previously unreleased from projects currently active in the United States. Featuring Pain Appendix, Dead Door Unit, Confounder, Ineffable Slime, Gates Of Janus, Max Julian Eastman, Lidless Eye, Infibulation, Mallard Theory, Hand & Knee, Spykes, and Cost.
Mastered by Grant Richardson at Hex Audio Labs
With the LP Dregs in 2018, the Capers sound palette was expanded considerably. On Lungs, recorded not long after Dregs, the sound palette was instead kept at a minimum, and the composition simple, restrained and monotonous. Sparse, ever-sinking, rough, repetitive and patterned noise. For heads into early Zone Nord and Vårtgård. Previously released as a C30 in 2019 by Canadian label Freedom Club, with one of the tracks omitted to better fit the cassette format. Lungs is now available in its origi…
John Cage's importance for a comprehensive aesthetic reorientation of New Music after the Second World War can hardly be overestimated. His self-discovery and compositional articulation took place particularly in the field of piano music: in the art-merging experimental laboratory of New York around the dancer Merce Cunningham, the painter Robert Rauschenberg and the congenial performer and pianist David Tudor.
It is good fortune that Sabine Liebner, who has already released several internationa…
Continuation of the same piano source material used on the Piano Music 7-inch, here developed into a long-form work. Orphax takes a postcard he bought in a Spanish village in 2001, while studying geology, as imaginative axis: the tranquillity of small houses, church and sand road as a place where time appears to stand still. The album builds organ-like, slightly dissonant tonal fields whose slow evolution renders that frozen-time atmosphere as patient, quiet, nostalgia-saturated ambient drone.
*100 copies limited edition* Notes from the nave is the debut album by 𝗟𝗶𝗻𝗱𝗲𝗻 𝗦. - Michiel Dondeyne’s alter ego. It’s a musical correspondence from the refuge of an introvert: the ‘nave’ - or the middle part - of a church in Antwerp, Belgium. It’s there, where he established the improvisations on piano that sprouted this album. Loose ideas became the blueprint of extended collages, wherein piano, subtle loops and samples conflate with the cello of Clémence Clarysse and the tenor saxophone…
On Flood Coil, Norwegian artist Kjell Bjorgeengen and noise architect Lasse Marhaug collide flickering electronics and dense signal storms, turning sound into a volatile field of interference where image, electricity and feedback are felt rather than merely perceived.
Frantx is a glit-noise band based in Paris that creates music in a dimension of hyper-speed where individualities get blurred, immersed in post-internet sonic drifts. The four members of Frantx explore the limits of their instruments and new modes of interaction through extended techniques, heterodox amplifications and electronic extensions. Frantx was born to question our roles as musicians and target the political dimension in which we are supposed to exist in this contemporary context. Music …