Music from Canada

An essential jazz masterpiece from celebrated Canadian pianist Paul Bley, presented in a deluxe edition. Originally released in 1969 as part of the iconic Actuel series, this definitive remastered edition of Ramblin' invites listeners to experience the artistry of Paul Bley’s 1966 Rome session in unprecedented clarity. Recorded at Studio RCA in the Eternal City on July 1, 1966, Ramblin’ captures Paul Bley alongside the formidable rhythm section of double bassist Mark Levinson and drummer Barry A…

After Chick Corea’s Piano Improvisations, and Keith Jarrett’s Facing You, Paul Bley’s Open, To Love was the third fabulous chapter in ECM’s quietly revolutionary solo piano manifesto, whose impact endures and continues to influence improvisers today.  In the liner notes to this Luminessence vinyl edition, Bley biographer Greg Buium writes, “After more than fifty years, Open, To Love remains an imperishable gem, lodged forever in the present tense, and among the great masterpieces in ECM’s vast c…

1998 release ** "This Piano Thing is, in some ways, an answer to questions and problems raised by my composition Piano Mechanics . These problems deal both with an evolution of piano technique and a redefinition of the piano as a machine for the ‘synthesis’ of ‘new’ sounds. When Piano Mechanics is performed live in concert, the unusual acoustical effects emerging from a solo unamplified and unaltered piano form an impression to the audience that some trickery is taking place. In almost every per…

1994 release ** "For this recording of nine improvised compositions by CCMC, the group has culled the best of a series of recording sessions of "spontaneous music". Snow likens this type of music to photographer Cartier-Bresson." Paul Dutton, John Oswald, Michael Snow, Al Mattes, John Kamevaar, Jack Vorvis."

*140 copies limited edition* Fragile nostalgia, immersive drone, and magnetic tape. Recorded March/June 2024 between Montreal and Paris. Music by Pier-Luc Tremblay & Théo Martin.

Mark Templeton is a Canadian media artist and the founder of Graphical, an audiovisual label dedicated to publishing his own musical and image based experiments. Mark’s audio compositions are constructed from reel-to-reel tape loops and sampled cassettes that are contrasted with contemporary sound techniques. In his published photobooks, he incorporates his own 35mm pictures and found images, focusing on intangible fantasies and realities. During his audiovisual performances, he utilizes digital…

Here's the reissue of Annette Peacock and Paul Bley's "Dual Unity" album, originally released in 1972 on Freedom Records. Hailed as a pioneer and artistic genius by many, this album captures Peacock in her element alongside husband, Canadian jazz genius Paul Bley. Dual Unity is a landscape of aural vision captured on tape in 1970, during their first European tour. For 33 minutes and 21 seconds, the listener is absorbed by other spirits. Using Robert Moog's earliest synthesizers, Bley and Peacock…

New opus from the ever enigmatic ritual act Undirheimar. Ginnungagaldr is the result of over 3 years of contemplative, ritual and shamanic based work centered on the uncreated primordial nothingness of pre-creational chaos. Not inspired by the lore, but through personal experience, which, in fact, differs in certain aspects from the already established and published work. There is not one unique path. There are countless streams flowing toward the vast black ocean, the source. Just as there are …

** 180g opaque blue/pink vinyl record. Edition of 200. ** That liminal moment, when the phosphorescence behind the window shade first disrupts your eyelids, is a difficult one to pinpoint. Sometimes the earliest thought in your mind is a long-tail partial memory of those last few moments of a thousand-yard dream, sometimes it’s an irrepressible descending sigh as you anticipate what’s to follow, whether with apprehension or ardor. Centuries have passed in your unconscious absence; every frequenc…

This record marks a turning point in jazz history. It may be the earliest recorded example of what Ornette Coleman later called "free jazz," and it represents the first rumblings of the revolutionary movement which eventually shifted jazz thinking away from bebop. This double LP includes the complete show recorded live at The Hillcrest Club of Los Angeles in 1958.

Michael Scott Dawson is a Canadian producer and sound artist. Anchored by frayed melodies, tape loops, and pastoral field recordings he has crafted a body of tender and nostalgic ambient work.

WRWTFWW Records is ecstatic to announce the first ever best-of compilation of Soichi Terada’s amazing project OMODAKA. including 14 songs never released on vinyl before. The 18-track ZENTSUU: Collected Works 2001-2019 album is available on double LP in heavy 350gsm sleeve with printed inner sleeves.

Temporary Super Offer! By 1965, Paul Bley had settled on the trio format, and touring Europe revealed a warmer reception for music that employed chordless improvisations, three-way rhythmic counterpoint, unfamiliar melodic constructs, and malleable song form. But there was an equally momentous conceptual change in the group’s material, as the adventurous pieces by Carla Bley were gradually being replaced by those of Paul’s new partner, Annette Peacock. - Art Lange

*Limited edition of 500 copies.* Originally released in 1953 on Charles Mingus's own "Debut" label, this is Paul Bley's historical debut album. Here the young talented and technically strong pianist appears as leader of a super-trio with nothing but Mingus himself on bass and Art Blakey on drums. This is a beautifully varied set including both  renditions of classic standards such as "I can't get Started", and Bley's early originals like "Opus 1" and "Spontaneous Combustion" This is where you ca…

*2022 stock. Edition of 80 copies.* Granny Records presents Office Swan by Mark Templeton. Mastered by Giuseppe Ielasi. Design & Artwork by Yorgos Vourlidas. Written and Produced by Mark Templeton.

*In process of stocking* Music For Listening, the sophomore album by Michael Scott Dawson. The album is comprised of twelve ambient works for guitar. It follows his 2020 debut Nowhere, Middle Of which was built around generative synths. Not wanting to repeat himself, Dawson entirely abandoned the synthesizer, his primary instrument, on Music For Listening. The resulting guitar pieces lean heavily on tape loops and manipulations, and are accompanied by field recordings and spare piano elements. T…

Bamboo present the first ever reissue of Paul Bley's Improvisie, originally released in 1971. Recorded Live March 26th, 1971 at Club B14 in Rotterdam, Netherlands, Improvisie is a part of the 1971 trilogy of Paul Bley and Annette Peacock's combined experimental recorded work. Together with recent reissues of 1971's The Bley Synthesizer Show (BAM 7020CD/LP) and 1972's Dual Unity (BAM 7018CD/LP), Improvisie is taken from a compelling period for two iconic figures of the free jazz movement, and the…

** 2021 Stock ** The young Paul Bley earned his spurs playing with legends including Charles Mingus, Art Blakey, Chet Baker, Jimmy Giuffre, Ornette Coleman and Bill Evans. As the 1960s progressed, he increasingly embraced the avant-garde, with arguably his greatest successes coming in the piano trio format. Originally broadcast on Nordewestradio in the autumn of 1966, and featuring material by Bley and his wife Carla, this fiery set typifies his approach at the time, and is accompanied by backgr…

A magnificent document of the music of the young Paul Bley. Recorded at the end of 1965 with Kent Carter - double bass and Barry Altschul - drums, "Touching" shows the already advanced musical conception of someone who over the years will establish himself as one of the greatest pianists in the history of Jazz. Between original pieces and compositions by Carla Bley and Annette Peacock, Bley's music unfolds with an autonomous step and extreme originality compared to most of the avant-garde pianis…

Paul Bley is a master of the piano trio. He showed new and different ways of exploring the complex triangular geometry of what has arguably become jazz’s signature formation. Bley’s early recording with Charles Mingus and Art Blakey promised great things to come. He emerged more fully as part of Jimmy Giuffre’s innovative trio with Steve Swallow, but it was with his own trios of the mid to late 1960s, with drummer Barry Altschul and bassists Kent Carter and Mark Levinson, that he really began to…