Music from France

Jonathan Fitoussi is a French composer that explores an electronic music versed in futuristic tones that evokes the vision of the future as it was perceived in the 60s or 70s, mixed with the perception of a unique, utopic world, yet to be reached, yet to be build. After his last album Plein Soleil on the label, he offers here a limited run of 300 copies for his new release, contained in a transparent sleeve with postcard."Rayons" illustrates Les Rayons (Sarus), 2016, a sculpture by Xavier Veilha…

Monster Mélodies presents Concert Théâtral, an unpublished public recording by Brigitte Fontaine and Areski Belkacem dating from 1973. Areski Belkacem and Brigitte Fontaine, major artists of the French counterculture, were often be censored or deliberately ignored by the media due to their libertarian positions. Obtaining success at a late stage, it was not until the album Kékéland in 2001 and Rue Saint Louis en l'Ile in 2004, for Brigitte Fontaine to earn gold records. At the turn of Brigitte F…

Real Real World is the first collaborative effort from Nantes-based Australian drummer/percussionist Will Guthrie and Australian keyboardist/composer James Rushford. Primarily recorded in a fluid, spontaneous studio session in Nantes, with overdubs added later in Melbourne and Nantes, Real Real World presents five spacious, unhurried pieces that inhabit a unique sound world characterised by wheezing, half-voiced organ chords, chiming metal percussion, and eruptions of small sounds. Beginning wit…

Tip! The OCCAM Ocean Issue, focuses on the radical musical eco-system of French composer Éliane Radigue’s OCCAM Ocean project. In a first for the publication, this issue is built solely around interviews with the performers that have collaborated with Radigue to produce this body of work over the last decade. Contributors include Charles Curtis, Carol Robinson, Rhodri Davies, Catherine Lamb, Julia Eckhardt, Silvia Tarozzi, Dafne Vicente-Sandoval, Laetitia Sonami, and Frédéric Blondy. All intervi…

Bisou presents the book La Chute de l'Ange, a 48 pages book with colour photographs of Ghédalia Tazartès' "Cabinet de curiosités". The photos were taken by Ghédalia himself. Foreword by Dominique Abensour. Includes a CD of the only live performance of the trio Ghédalia Tazartès, Jérôme Lorichon and Quentin Rollet: La Chute de l'Ange, recorded live at Eglise St-Merry, Paris, 2019. Livesound by F/Lor.Ghédalia Tazartès: voice, tibetan bowl, bellsJérôme Lorichon: Buchla synth, effects, trumpetQuenti…

First in a series of collaborations between artists already on the label. Bruno Duplant on church organ, Alfredo Costa Monteiro on synthesizer, composing remotely a single long-form piece. The vocabulary moves between mass, flow and slow combustion: tonal accumulation that the artists frame in alchemical terms as an athanor of doubt and dream, a continuous sublimation that renews itself. Slow drone built across the organ-synth axis, mastered by Duplant.

* Edition of 500 * Mark Fell and Will Guthrie join forces for the second time this year with ‘Diffractions’, the 2nd in a two part series released via the new NAKID label set up by Koshiro Hino of Goat / YPY fame. On 'Diffractions' the pair push ever deeper into percussive R&D informed/inspired by Gamelan and Carnatic musics - massively tipped if you’re into anything from Autechre’s Confield-era abstractions to Milford Graves’ fluid drumming or even the insular soundworld of The Necks. Rhythm ha…

* Glass Master CD. Panel Wallet Case. Full Color Artwork by Flesh & Bone Design * Modern life is full of sudden unexpected turns. Quelques Usines Fantômes n°3 both observes and ignores the norms of traditional time signatures by letting in an uncertain between-ness, a quasi-balancing of our immediate surroundings with the inner self. An internal battle or an eternal limbo? On this recording Bruno Duplant seems to further be exploring a slowing of time, almost as if to boundlessly analyze the uns…

This special bundle collects the two latest LPs reissued by Souffle Continu, namely the following:Jef Gilson "Le Massacre Du Printemps" (1971)Sahib Shihab, Jef Gilson "La Marche Dans Le Désert" (1972) Jef Gilson "Le Massacre Du Printemps" (1971) * First ever vinyl reissue of this French free jazz nugget from Sahib Shihab & Jef Gilson Unit Remastered from the master tapes * Paris, February 1972. A few months after having released Le Massacre du Printemps, Jef Gilson was back behind his keyboards …

Tip. Edition of 500. Pascal Comelade and Richard Pinhas met in Paris in 1974, when Pinhas was beginning to go on stage with his group Heldon. With Heldon and, afterwards, solo, Pinhas became the pioneer and accelerator of electronic music in France, and a fundamental reference throughout the world. Comelade’s electronic period was much shorter, from 1974 to 1981. From 1983 on, he developed his policy of instrumental, strictly acoustic music.In 1975, Pinhas recorded the introduction to Comelade’s…

* Edition of 500 * ‘Infoldings’ combines synthesis and sinew in unpredictable, pointillist arrangements where Will Guthrie plays against patterns derived from Max MSP patches by Mark Fell. The album’s two tracks are in this sense different to the man-machine concept of Fell’s acclaimed ‘Intra’ album, where he triggered performances by Portugal’s Drumming Grupo De Percussão to play a metallophone designed by Iannis Xenakis. Here, the pair find common/contrasting purpose in a probing of rhythmic s…

* First ever vinyl reissue of this French free jazz nugget from Sahib Shihab & Jef Gilson Unit Remastered from the master tapes * Paris, February 1972. A few months after having released Le Massacre du Printemps, Jef Gilson was back behind his keyboards for a completely different experience. Heading up his Unit, he was joined by Sahib Shihab, ex- partner to Gillespie, Monk and Coltrane, for a brief stroll in the desert. For three-quarters of an hour, the caravan passes by, evoking, one after the…

* First ever vinyl reissue of highly sought after French experimental jazz from the legendary Jef Gilson Remastered from the master tapes. * In 1971, the day after the death of Igor Stravinsky, Jef Gilson and his Unit (Pierre Moret and Jean-Claude Pourtier) made this curious homage to classical music. It is jazz, contemporary and electroacoustic music that the trio interrogate through a wild ‘noise’ session evoking as much John Cage as Pierre Henry, John Coltrane as the Percussions de Strasbourg…

* Edition of 100. Hand-stamped pro-dubbed C40 NAC super-ferric cassette tape with recto/verso printed golden card. Printed in Indonesia. Including download code of high quality digital version.* Bruno Duplant’s music often explores the memories of things, moments, and spaces. For this volume, he realizes the idea by religiously recording old electronic devices like VHS, old computer, floppy disk while it’s operating, during several months in 2019, and collected it. Per the artist statement, (e)r…

This particular concert stands out as a moment of grace, partly due to its extreme tension and the risks taken collectively, which the audience still reminisces of to this day. While chosen for their rich and original musical content, rather than strictly technical qualities per se, these archives are a testament to the astounding talent of cult band Magma during its 50 years of career. In addition to the remastering, the original tape, which had suffered before being found, has been restored an…

We met Franck Vigroux for the first time years ago at Berlin's Berghain during a soundcheck. At that time he performed with Mika Vainio, with whom Vigroux often worked together. The first track on Ballades sur lac gelé dates back to that time. It was created under the impression of this collaboration and friendship with Mika Vainio. This album is dedicated to him. Vainio's oeuvre is also significant in connection with the history of raster, so it was only logical and our wish to release this alb…

When Acid Mothers Temple and Richard Pinhas visited Lima for the first time, in November 2017, to participate in the experimental music festival "Integraciones", Luis Alvarado, the director of Buh Records and curator of the festival, summoned the Japanese and the French musicians to Manongo Mujica's studio and invited Juan Luis Pereira (El Polen) to join them for a recording session. The result was this album which finally comes to light, and where a variety of instruments and sensibilities are …

Kassel Jaeger’s contribution to Matière Mémoire’s stunning MMXX Series, Vol Sombre (MMXX - 13), is a subtle expanse of delicate ambiences and long tones, meticulously constructed into an immersive sonorous world. Issued in a limited edition of 500 copies, on a single sided crystal-clear vinyl LP with a laser engraved artwork on the other, housed in a transparent sleeve printed with the MMXX logo, and containing an artist print by François Bonnet.

Richard Pinhas's De l'un et du Multiple, originally released in 1996. Richard Pinhas, the founder of '70s legends Heldon, is one of France's best known experimental musicians and is a key figure in development of rock music fusing with electronic music. This solo album was recorded at his home studio in Paris between June and September of 1995. Solo guitar and processing - Drone electronics with use of a Metatronic Loop system. No re-recording.

Collaboration between Richard Pinhas and Tatsuya Yoshida. Richard Pinhas, founder of '70s legends Heldon, is one of France's best known experimental musicians. He is a key figure in development of rock music processing with electronic music. Yoshida Tatsuya is one of the most important musicians of the Japanese experimental music scene, spearheading at least a half dozen of that country's most important groups, including Ruins, Sax Ruins, Koenji Hyakkei, and Korekyojinn. Recorded live at several…