Music from Japan

**In process of stocking. Limited edition of 300 copies with A2 poster.** Active for nearly 40 years, Incapacitants are without a doubt one of the best noise groups of all-time. The duo of T. Mikawa and F. Kosakai are legendary for their chaotic recordings and over the top live performances. Onomatopée Suicida is the first new Incapacitants vinyl LP in more than 10 years, and follows their now classic format of a mix of studio pieces with a live performance on the B-side. This group should need …

Official reissue of Takashi Kokubo essential ambient/minimal/environmental album: "A musical expressions that shatters the old values". Originally released on King Records in 1985, composed and written by Takashi Kokubo. Includes liner notes of an interview made with the artist. Remastered by Music Matters Mastering from source material. Pressed by Pallas.Takashi Kokubo makes archetypal Japanese ambient, new age and experimental synth sounds. But not only that, he also created the nationally-use…

Temporary Super Offer! "There was a time when the strength of a musician's vision transcended all labels; here is a chance to dip into that pool again, and emerge not just refreshed, but alive again with the sense that we all can live in that world again, but most importantly raise the flag for excellence. Fantastic." --Jim O'RourkeAn unholy grail of near-mythical status is finally now available in the form of this first-ever reissue. Masahiko Sato composed this elusive, sensual, psychedelic fre…

**500 copies only, remastered & the first vinyl reissue EVER of this legendary Japanoise LP. Pressed on 180 gram vinyl. ** Hijokaidan’s “Hijohkaidan Tapes” came out in 1986 on Jojo Hiroshige’s Alchemy Records and is not only a historical collection of material, but also pays homage to their predecessors. The cover art and title are pulled from Krautrock legends Faust’s 1973 collage classic “The Faust Tapes” and the b-side includes a cover of Hawkwind’s “Silver Machine”,  which of course aligns w…

Subtitled' Tribute to Eric and Chris Stern' by the creative pairings of Natsuki Tamura (trumpet) and Satoko Fujii (piano) creating music distinctive in character and surprising in form, at times emerging from raw sounds and cycling assymetrical events. Their two voices contrast and converge over a wide terrain occupied by unusual elements including unorthodox scales and microtones, extreme timbral contrasts and off-balance dialogue.

**199 copies, in process of stocking** "Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters's pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Just as Schwitters attacked the entrenched artistic traditions of his time with his revolutionary avant-garde collages, so too would Akita chall…

**199 copies, in process of stocking** "Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in the “Japanoise” scene. Predating the era of digital domination, there was a time where artist-run labels putting out primarily, if not…

Axis / Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April Is the Cruellest Month, a 1975 studio record by his New Direction Unit.

Axis / Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April Is the Cruellest Month, a 1975 studio record by his New Direction Unit.

Axis / Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April Is the Cruellest Month, a 1975 studio record by his New Direction Unit.

As a drone / ambient duo under the name Celer, Will Long and artist Danielle Baquet self-released 22 albums between 2006 and 2009. Scols was originally part of that bunch, self-released in 2006 along with the album Sunlir in a limited edition 2xCDr set Now, remastered by Stephan Mathieu, we have the first official stand alone CD version, presentedi n a 4-panel, reverse board ecopack CD package adorned with Baquet’s photography. Note: Some skips, noise, clipping, or other artefacts may occur as t…

**Limited edition, custom-made clamshell box, 4xCDs in pocket sleeves, and 16-page booklet** Will Long’s Celer project returns with an expansive 4CD set, a beautiful rendering of field recordings and foley sounds in gaseous suspension, recorded to high quality recycled reel-to-reel tape and providing us with some much needed mental solace right now.  As opposed to the gauzy reflectiveness of last year’s 'Memory Repetitions’ for Smalltown Supersound, 'Future Predictions’ was instead intended as a…

**500 copies** A golden era gem from the master himself, Masahiko Satoh, presented by Mitsuko & Svetlana Records. Archival reissue of long-lost treasure from genius pianist and composer whose resume includes hundreds of legendary albums and collaborations with Midori Takada - Lunar Cruise and Ton-Klami) among many others. Very rare soundtrack of a nine-episode suspense drama that aired on TV in 1969 and 1970. Filled with exquisite jazz, soul-jazz, folk-jazz, and mystery-jazz, plus groovy affairs…

***2019 edition*** Absinthe Records present a reissue of Flower Travellin' Band's Made in Japan - originally released in 1972. Following critical acclaim but meager record sales in their native Japan after their superb debut album, Satori (ASH 3002CD/LP), Yuya Uchida and his Flower Travellin' Band decamped to Canada following an invitation to open for local jazz-rock outfit Lighthouse. While there, Lighthouse leader and keyboard player Paul Hoffert offered to produce the band's next studio album…

Merzbow (メルツバウ) is the main recording name of the Japanese noise musician Masami Akita (秋田 昌美, Akita Masami) Since 1979 he has released in excess of 350 recordings.  The name "Merzbow" comes from German artist Kurt Schwitters' artwork, "Merzbau". This was chosen to reflect Akita's dada influence and junk art aesthetic. In addition to this, Akita has cited a wide range of influences from progressive rock, free jazz, modern classical and musique concrète to BDSM and Japanese bondage. Recently he h…

**300 copies** "Milanese Bestiality / Drunk On Decay first came out in 1997 as a vinyl-only release limited to 470 copies. This long time sold-out album is now re-released for the very first time into digital format with the addition of 2 unreleased bonus tracks (one for each artist). Those two exclusive additional tracks was recorded back in 1997, in same recording sessions done for the release of the album. A tribute album by those 2 primer world famous noise artists to the Italian first "Indu…

"Third collaborative album by the Japanese and Italian grand-masters of Industrial and Noise. This time all tracks are collaborations by the two artists. Only analogue sounds used, a true return to the old roots of Industrial music.Digipack with a great and futuristic space-design and a psychedelic touch made by Tex Tescari using images supplied by MB.

"After two vinyl releases finally a digital album by the master of Japan-Noise on OEC. This album is entitled Marmo (Marble for Italian) and is devoted to the Italian and particularly the Venetian marble. Masami was visiting and playing in this magic Italian city several times and was impressed by all the marbles used in the Venetian buildings and paintings... The 3 tracks composing this album are entitled Merzbotanica-parallela. "Botanica parallela" is a book written by the Italian author Leo L…

An unusual Merzbow double CD album, in lovely (digipak) packaging! Two very different CDs bounded in one unique release. While on one disc the sounds are more "ambient style", with a free piano, many field recordings, far and rumbling rhythms and noises (The Piano Lento Ma Non Troppo Madness), the other disc's sounds are diving deep into "poly-rhythmics", continously beating and popping plus additional sequencing and 'exploding' sounds (The Pop-Corn Psychedelia). The soundtrack for a new psyched…

A corrosive and psychedelic-noise album by this primal duo of the Japanese industrial-noise culture! Three devastating Incapacitants tracks to listen at maximum volume for high hearing damage. Two studio tracks and one live recording.