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Music from United Kingdom

I Am the Last of All the Field That Fell: A Channel
"I Am the Last of All the Field That Fell: A Channel" is perhaps the most uncategorizable album in Current 93's catalog. Though it employs a vast array of musics, it strategically integrates them in new ways and dynamically adds elements of improvisational jazz to the mix. Founder and frontman David Tibet's present lineup includes regular collaborators -- James Blackshaw, Andrew Liles, Ossian Brown, Antony Hegarty, and Nick Cave -- as well as new ones: Comus' vocalist Bobbie Watson, the Groundho…
Rarities (Volumes 1 & 2)
Lindsay Cooper was a rare and extraordinary woman; at home in rock bands (Henry Cow, National Health), Jazz ensembles (Mike Westbrook Orchestra, Maarten Altena Octet) Concert Halls (Concerto for Sopranino Saxophone and Orchestra, Songs for bassoon and Orchestra); she also founded the Feminist Improvising Group, scored feature films and wrote for television, dance, radio, theatre, contemporary ensembles and orchestras - as well as being highly respected as a virtuoso performer on several instrume…
Patina Pooling
**2x180g vinyl wrapped in weathered and laser-etched reclaimed steel sleeve. Packaged with artefacts salvaged from a burnt-out American warehouse in the '80s. Weighs a ton and looks incredible - but be warned the rust does spread. Edition of 350 copies** 'Patina Pooling' is a haunting "call and response of residue and hybrid" between Newcastle's industrial pioneers, :zoviet*france: and like-minded, Illinois, USA-based sound scavengers, Fossil Aerosol Mining Project. It marks F.A.M.P.'s fi…
Either Or And
A powerful duo recorded in the studio after their 2013 performance at The Stone in NYC from NY pianist Sylvie Courvoisier and UK saxophonist Evan Parker, with extraordinary playing over eight pieces presenting an inspired range of technical and impressionistic styles.
The Natural Order
Guitarist Fred Frith and saxophonist John Butcher are titans within the world of improvised music. Over the last four decades, each of these two men has permanently altered the way in which his instrument is heard: Frith with his (at times literal) deconstruction of the electric guitar, and Butcher with his exploration of the physical properties of sound and extended playing techniques. Though they’ve played live together a few times, The Natural Order, recorded in 2009 and mixed in 2012, …
Fourth World Music Vol. I: Possible Musics
on 180 gram vinyl with CD. Originally released in 1980, Jon Hassell and Brian Eno's collaborative album Fourth World Music Vol. I: Possible Musics is a sound document whose ongoing influence seems beyond dispute. Not only is the album a defining moment in the development of what Eno coined as "ambient music" but it also facilitated the introduction of Hassell's "future primitive" trumpet stylings and visionary "Fourth World" musical theories to the broader public. These vectors continue to …
What/If/They Both Could Fly
LP and CD oncluded. On a sultry July evening on an intimate stage at Kongsberg Jazz Festival, Norway, two elder statesmen of improvised music -- one wearing a grey shirt, the other sporting a Thunder Pussy T-shirt -- stepped up to the platform. What followed resembled an in-depth conversation between two old friends and sparring partners -- one that ranged from the amicable to the argumentative, from hush to harmony. Now, Norway's adventurous Rune Grammofon label is releasing a 40-minute …
Live in Paris 28.05.1975
The subject of many poor quality bootlegs, this concert - one of only a handful undertaken by Fripp & Eno - is routinely described as legendary. Hearing the tapes in fully restored audio quality, it's easy to understand why it attracts such reverence now and perhaps, why the shows attracted such hostility then. No Roxy Music hits, No King Crimson riffs, just a duo sitting in near darkness with a reel to reel tape recorder, improvising over the pre-recorded loops with a filmed background projecti…
28 rue Dunois, juillet 1982
Awesome collective improvisation. "The fundamental tension between freely improvised music’s momentary existence in performance and the monumentalizing impact of media becomes more nuanced with each new delivery system. While MP3 files lack the totemic mass of box sets of discs, they nevertheless have a compensating spectral power. The rise of the archival recording compounds this tension, particularly when one is proffered to be the long-missing puzzle piece that completes the picture of how an…
Fantomas: Le Faux Magistrat
"In celebration of the centenary of Louis Feuillade's Fantomassilent film series, James Blackshaw was invited by Yann Tiersen to perform a live score to the fifth and final film, Le Faux Magistrat, at the beautiful and prestigious surroundings of the Theatre de Chatelet, Paris on October 31, 2013. Fantomas -- a master of disguise and symbol of terror -- is one of the most popular characters in French crime fiction, as well as a favorite with the avant-garde, particularly the surrealists. Tim Hec…
Fade Out
*Expanded gatefold reissue of Loop's head-burning 2nd album* The band's 1989 LP was their second album proper, following on from their 1987 debut Heaven's End and The World In Your Eyes compilation released in 1988. By this point the band's line-up was all-but unrecognisable from its original roster, with both bassist Glen Ray and drummer Bex having been replaced, and yet the music policy remained very much on course for Fade Out. A variety of studio tricks heighten the sense of experimentation …
Evening Star
**200g super-heavyweight vinyl and presented in a re-print of the original sleeve** In 1975 with King Crimson on hiatus (as it would remain until 1980), Robert Fripp's appearances on album or on stage were rare. When he did appear, it was with Brian Eno. Circumstances following an accident in January 1975 led to Eno formulating the idea of ambient music as detailed in the notes to Discreet Music - released in December 1975. The title track of Discreet Music was initially conceived as a backing l…
No Pussyfooting
2023 Reissue. Fripp & Eno's timeless electronic music classic No Pussyfooting on vinyl for the first time in nearly 30 years. The album's return to the 12" format is cut from masters approved by the artists, manufactured on 200g super-heavyweight vinyl and presented in a re-worked version of the original gatefold sleeve, using variant photos from the original photo shoot by Willie Christie.On September 8th 1972, Robert Fripp brought his guitar and pedal board to Brian Eno's home studio. Using En…
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White String's Attached (1979)
Violinist Coombes explains things perfectly in his hilarious liner notes. Beethoven, he says, realized that the piano and violin sound horrible together, the instruments literally hate each other, and gave up after ten sonatas. "For us to try and surmount Beethoven's problems, for example, in the heat of trying to make the music up as we go along is almost laughable." Nonetheless, a blindfold test of this record to a knowledgeable listener often results in the music being misidentified as…
Chasing The Shadow of Bryn Jones
*The 208 page book by Ibrahim Khider and accompanying 15-Track CD - edition of 400 copies* Those of you who don't want to fork out on the mammoth vinyl box set, the 208 page book plus CD are now available to purchase separately, packaged in a gorgeous spot-gloss and foil-blocked hardcover and limited to 400 copies. The book is divided into three sections; biography, posthumous narrative, and discography analysis. The biography of the late Bryn Jones is comprised of a quilt of narratives …
Tales of the Algonquin
Originally released in 1971, 'Tales Of The Algonquin', is one of the finest artifacts of the British modal and free jazz scene of the 1960s/1970s. Johns Surman and Warren, like their contemporary Mike Westbrook, take the big band form and flip it on its head by incorporating elements of modal, free, and progressive jazz. The results are powerful and this album is perhaps the greatest example of that quintessentially British jazz style. Long sought after by jazz collectors across the globe, this …
Chasing the Shadow of Bryn Jones 1983-88
Milestone!!!! Price include worldwide delivery - pre-orders, already few remaining at the label: of all the incredible releases compiled by Vinyl On Demand in the last few years, this one is by some distance their biggest coup. This epic 10 LP box set compiles the earliest material from Bryn Jones aka Muslimgauze dating back to 1983 and upto 1988. It includes a whole raft of mindblowing productions that will surprise and inspire anyone with even just a vague notion of what the sound of Muslimgau…
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Place Sub. V.
Active since the mid-1960s, England's AMM have become an icon of the free improvisational movement. In the spring of 2004, due to personal and philosophical disagreements, Keith Rowe suspended his involvement with AMM, an association that went back to his role as founding member in 1965 (albeit with an almost decade-long disenfranchisement through the '70s). The remaining members, percussionist Eddie Prévost and pianist John Tilbury, elected to continue on as AMM, and this their latest effort. T…
Ear of Beholder
Coxhill was a noted figure on the UK underground jazz and rock scene, his saxophone playing gracing recordings by Kevin Ayers (with Coxhill being a member of Ayers group The Whole World) and later on acts such as Caravan. Recorded between July 1970 and January 1971, the double LP Ear of the Beholder gave Lol Coxhill the chance to produce a unique solo work which saw him touch various musical areas, including the Avant Garde, Jazz, Rock and more. Coxhill was assisted in the recording sessions by …
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A finger in the fishes mouth - Poetry book
A facsimile edition of Derek Jarman’s only poetry collection, A Finger in the Fishes Mouth, originally published by Bettiscombe Press, Bridport, Dorset in 1972, is due to be published by Test Centre, with a new Foreword by Sophie Mayer and Afterwords by Keith Collins, Jarman’s partner, and Tony Peake, his biographer.Postcards from Jarman’s own collection, here gorgeously reproduced in an evocative green, preface each of the 32 numbered poems, written when he was in his early twenties. The impact…