Music from United States

Julius Hemphill was a visionary saxophonist and composer whose music fused avant-garde exploration with deep blues and gospel roots. Marty Ehrlich, one of Hemphill’s close collaborators and protégés, is a multi-reedist and composer known for his lyrical improvisation and commitment to extending Hemphill’s legacy through performance, composition, and curation. This archival release of the duo from Julius Hemphill and Marty Ehrlich offers a rare, deep-listening window into their long-standing crea…

*200 copies limited edition* "Contrary to the implication of the title, Nathan Amundson’s new album "Thing Fall Apart" holds quite tightly at its center. In fact, for a decade-spanning compilation of unrelated 'singles', the collection somehow comes together rather poetically and seamlessly - albeit in some-sort of slow-mo, existential collapse much more in line with the title. By 'singles', please don’t get it twisted with the modern, music parlance - more so indicating pieces made with no orig…

'We Fell In Turn' is the solo debut from Brooklyn-based trombonist, composer, and quartet leader Kalia Vandever. Vandever, who plays with Harry Styles and Japanese Breakfast, “sculpts her trombone’s golden tones into dazzling compositions” (Pitchfork), writing music that tends to “dip you into a feeling or a pattern or a breathing speed, and keep you there” (The New York Times). In 2022, Vandever released Regrowth, an album that “features the ecstatic, brilliant melodies that have become Vandeve…

* Art Edition issued with different art work and sleeve design. * On a Sunday in the early 70s in South LA, you could easily find yourself standing in a high school auditorium, watching Horace Tapscott conduct the Pan Afrikan Peoples Arkestra as they poured out music like a benediction. No tickets, no VIP list—just the community, gathered. This was music as civic duty, as spiritual practice, as revolution by other means. Live at Widney High December 26th, 1971 captures one such afternoon, previo…

* First-time vinyl reissue, gatefold sleeve * Philip Glass, the great American composer, was already in his mid-30s before his first album appeared, and then only because he produced the double LP himself. Music With Changing Parts was the inaugural release on his own Chatham Square imprint in 1971. At this point, Einstein on the Beach, Glass' first opera, was still five years away. Yet in Changing Parts, one can already hear much of his vocabulary in full bloom: the buoyant arpeggios, the meldi…

The revered debut from the genre-spanning guitarist, singer and songwriter, Terry Callier, has returned to vinyl. Originally recorded in 1964 for Prestige Records, the album features Callier’s version of standards such as “Cotton Eyed Joe” and “900 Miles.” AllMusic calls it Callier’s “most timeless and inviting” release.” Pressed on 180-gram vinyl at QRP and newly (AAA) remastered from the original tapes, while a replica tip-on jacket completes the package.

Originally released in 1965, Fuchsia Swing Song marked the powerful debut of saxophonist Sam Rivers on Blue Note Records. Recorded at Van Gelder Studio with a stellar band—Jaki Byard on piano, Ron Carter on bass, and Tony Williams on drums—the album reveals Rivers' innovative take on post-bop and hard bop styles. With its balance of structure and freedom, this session showcases the saxophonist’s adventurous spirit and deep harmonic intelligence. Part of the Blue Note Classic Vinyl Series, this r…

Complete Communion marks the stunning 1965 Blue Note debut of Don Cherry, the visionary cornetist best known for his work alongside Ornette Coleman in the late 1950s. This landmark session captures Cherry at a creative peak, leading a fiery quartet featuring Gato Barbieri on tenor saxophone, Henry Grimes on bass, and Ed Blackwell on drums. Together, they explore the outer edges of post-bop and free jazz, building long-form compositions that seamlessly weave multiple themes into unified, evolving…

Great 1983 LP by Szemző's ensemble with highly-acclaimed (especially by Steve Reich) performances of two American classic minimalist compositions as well as two by Hungarian minimalists, released by Hungaroton.

Excellent second LP by Szemző's ensemble with highly-acclaimed (especially by Steve Reich) performances of one American classic minimalist composition as well as two by Hungarian minimalists, released by Hungaroton in 1986.

Themes For Dreams marks another left turn, finding Chicago-born and based musician, composer, and producer Will Miller at his most meditative, patient, and intentional. Across 13 gorgeous and strikingly cohesive tracks, the album eschews drums in favor of immersive melodies that float, dissipate, and linger. It's an album meant for rest, with arrangements so welcomely enveloping they feel like a warm blanket. While it's Miller's sparsest record yet, it still keeps his wildly collaborative ethos,…

"The shock and awe that Bitches Brew produced within and without the jazz world on its release in March 1970 was largely unexpected, the result of the music’s uncompromising power and what many felt to be its perplexing, eccentric sound and structure. In retrospect, we know how Miles’ unconventional studio methodology and Teo Macero’s subsequent compositional editing of the voluminous taped material innovated the remarkable finished product. But what has only marginally been discussed is the ext…

'rustlings' is an album of two pieces written by Stockholm-based violinist and composer Maya Bennardo. One of the pieces, 'dormant gardens i' (2022), was written for and performed by andPlay, a duo of Bennardo on violin and Hannah Levinson on viola. The other, 'summer rustlings' (2024), is a solo violin piece performed by Bennardo. Both pieces were inspired by Bennardo's move to Sweden from New York City, where she developed a new relationship with nature through walking. Her solo and compositio…

*2026 repress* Alice Coltrane had an enormous legacy to overcome in her late husband- her debut album, "A Monastic Trio" stuck pretty close to what John Coltrane's last bands were doing the studio, "Huntington Ashram Monastary" finds her branching out. Recorded in mid-1969, a year after her debut and two years after the death of her husband, Coltrane performs on piano and harp and is backed by bassist Ron Carter and drummer Rashied Ali.Musically, it's a bit more relaxed than before, with Coltran…

The music on this record is a reflection of journeys and travel. The real world kind and the metaphorical ones as well. Having experienced the arrival of my children, the decline and departure of my parents, and the many years of venturing out and returning home in my own life, travel feels like the perfect tropology to consider the mysteries we inhabit. Travel and Its impressions, rituals, superstitions-the possibilities and risk-all open up onto the landscape of our biggest questions, fear and…

"I first came across Jeff's mysterious "Reggae Foes" 45 in the mid-2000s at the legendary Logos book/record store in Santa Cruz, California (RIP) - the kind of generic sleeve and label that gives you nothing more than a font and some scant shards of text to go by (luckily this text was "A Flying Saucer Came Down and Burnt My Baby's Neck"). What I heard upon bringing it home felt like some kind of alternate-timeline post punk calypso, unknowingly adjacent to the deconstructions occurring at the B…

First ever vinyl reissue of "Postones", an astounding body of recordings by Vito Ricci with Rashied Ali and Byard Lancaster, originally issued as a tiny cassette on Ricci's own Creation imprint in 1984. Moving between free jazz fire and percussion-driven theatre scores, this document of downtown New York in the early 1980s pulls the rug from beneath the expected historical narratives. One of the most revelatory releases of 2026.

2026 stock Limited 2x FAN CD EP of Airborne Electronics for the 75th anniversary of Screaming Eagles Radio and 82nd Neptune Death Row. Adrenaline drones, memorial distortion, windy feedback, loud speaker vocals with a heavy influence from the naked and neither fact-nor-fiction black humor drama forgotten style of Aquifer Sodality and Slaughter Productions.

On L’oreille Voleuse, Brunhild Ferrari opens her archive of “ear memories” to Eiko Ishibashi and Jim O’Rourke, who treat her magnetic-tape recollections as a living landscape, improvising a drifting, prismatic electroacoustic Hörspiel about time, listening, and theft as tender attention.

2026 stock Condor, Autumn Wind is a live album released in 1998 by American jazz trumpeter Wadada Leo Smith in collaboration with his wife, poet Harumi Makino Smith. Recorded in Durham, it showcases Smith's avant-garde improvisation style through mostly solo trumpet performances enriched by mbira, percussion, wood flute, siren, and vocals.​ The album blends Smith's episodic trumpet solos—boldly shaped phrases that evolve piece by piece—with Harumi Makino Smith's evocative poetry recited in Engli…