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Lack of musical material, minimalism but not for it's purposes, patterns shifting in themselves...The Art of Living Dies...The piece is performed by Michael Moser, a cult figure in Austrian new music, whose work includes significant collaborations wi…
An accomplished group in the world of chamber music, the Concord String Quartet, active from 1971-1987, gained almost immediate attention from the press as well as a dedicated following, after winning the prestigious Walter W. Naumburg Chamber Music …
Xenakis Edition volume 13: works for soloist and ensemble by Iannis Xenakis, played by members of the International Contemporary Ensemble under Steven Schick, with the first recording of Zythos for trombone and six marimbas.
Five chamber works by Tim Hodgkinson, co-founder of Henry Cow, for ensemble and electronic sound, bass clarinet and strings, and string quartet with harp, trombone and synthesizer, played by Hyperion Ensemble and others.
The three string quartets of Helmut Lachenmann, Gran Torso, Reigen seliger Geister and Grido, played by the JACK Quartet in a recording endorsed by the composer.
Two works from different periods come together in this "case-book": Ora (1997/2001) and Visitazioni (2011/ 2013). Times ... ways ... experiences intersect. Ora is a single stream of sounds and silences of 120 minutes. It can be "healed" (replaced) ac…
Pneuma presents five distinctive pieces by British composer Martin Iddon, performed by specialist new music ensembles. The set includes “pneuma.sarx” for Trio Atem (flute, voice, cello), “pneuma.kharis” (flute, cello, voice), “Danaë” (solo piano, Cat…
Two compositions exploring the decay of the piano from Wandelweiser composer Eva-Maria Houben. Fading sound is the link between life and art; between perception in daily life and perception while performing, while composing.“Fading sound is the link …
"The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD featu…
Works by Matthew Shlomowitz and Peter Ablinger for piano and found sounds. Mark Knoop performs Matthew Shlomowitz's "Popular Contexts", for piano and sampler keyboard and selections from Peter Ablinger's ongoing cycle "Voices and Piano". Both works d…
I put my music into the space. I don’t want to send any messages, I think of nothing and I don’t want to purport any meanings. The listeners hear what they hear and behave to the music as they feel.
Austrian composer, Klaus Lang, describes himself as…
Logical Harmonies assembles seven pieces by UK composer Richard Glover, realized by a mobile ensemble including Philip Thomas (piano), Mark Bradley (clarinet), Mira Benjamin (violin), Andrea Stewart (cello), Bob Gilmore (keyboard), Seth Woods (cello)…
First recordings of two major piano works by John Cage from 1950-51 found at the New York Public Library: Haiku and the solo piano version of Sixteen Dances, played by Jovita Zähl, with Thomas Meixner on percussion in two alternate dances.
First complete recording of John Cage's works for organ, played by Gary Verkade on the organ of Gammelstad Church, Sweden: Some of 'The Harmony of Maine', Souvenir, ASLSP and Organ2/ASLSP, with 4'33'' on the DVD only.
Carolin Widmann’s widely acclaimed ECM recordings have traversed a broad arc of music – from Schubert to Xenakis. Here she turns her attention to one of the pivotal compositions of Morton Feldman. Violin and Orchestra, composed in 1979, marked a n…
How rare, and valuable, it is to be able to experience one composer’s masterwork through the sensibility of another significant, stylistically distinct composer – via a performance that reveals unexpected aspects of both. that is to say, an appro…
The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture—the musical details (pitch, duration, dynamic s, d…
The question of form is key in the music of Earle Brown, one of the foremost American composers of the past fifty years. It was a certain amount of serendipity and a shared interest in the liberation of musical form which brought Brown to gether, cir…