Quintets and Voices
Elliott Carter's Quintet for Piano and Strings, Quintet for Piano and Winds, Syringa, Tempo e Tempi and two miniatures, recorded under his supervision for his 95th birthday with Ursula Oppens, the Arditti Quartet and Ensemble Sospeso.
90% post consumer sound
From the liner notes by Tim Perkis: "Ellen Band's work... lies in the path it takes, leading one from listening to recordings of natural sounds to, before one knows it, being immersed in a dense and complex field of sound which, though built completely from natural elements, is something quite transcendent and otherworldly. Band's music seduces us into perceiving the sensuous properties of familiar sounds by building dense and complex sound environments out of these elements. By sheer sensory de…
Ruins and Remains
Suite for piano, string quartet and percussion composed in 2018 by Wolfert Brederode for the centenary of the end of World War I, played by Brederode (piano), the Matangi Quartet and Joost Lijbaart (drums, percussion). Recorded August 2021 at Sendesaal Bremen.
Music for piano
Douvle CD set with recordings by the legendary 20th century avantgarde pianist performing compositions by (and with) John Cage, Sylvano Bussotti, Morton Feldman, Christian Wolff.
In between -the viola in my life IV
"Two first recordings of Morton Feldman's music in themselves make this CD a notable event. And then, David Felder's music puts it over the line. The music bridges two generations and two distinct personalities. Feldman, with John Cage, Earle Brown, David Tudor, and Christian Wolff, was a seminal member of the New York School in the 1950s, and his work is known for the beauty and delicacy of its orchestral colors, its 'painterly' surface, its static and quiet structure, its contemplative charact…
Unforeseen Events
Among the most remarkable documents to emerge from the early 1990s convergence of acoustic performance and computer music, David Behrman's Unforeseen Events stands as a testament to the profound possibilities unlocked when human creativity collaborates with artificial intelligence. Originally released in 1991 on XI Records, this stunning album represents the culmination of decades of pioneering work by one of America's most visionary experimental composers - a figure whose influence extends far …
Resonances
First album by Marco Ambrosini's Ensemble Supersonus (nyckelharpa, kannel, overtone voice and harp, jew's harp, harpsichord and square piano): early music, folk, Ottoman and original pieces. Recorded November 2015, Auditorio Stelio Molo RSI, Lugano; produced by Manfred Eicher.
Narrante
ECM debut of the Naqsh Duo, guitarist Golfam Khayam and clarinettist Mona Matbou Riahi from Tehran, nine joint compositions drawing on Persian tradition. Recorded July 2015 at Auditorio Stelio Molo RSI, Lugano; produced by Manfred Eicher and Ramin Sadighi.
Clarinet songs
Daniel Goode's Clarinet Songs has long been a favorite on the new music concert circuit. It is a 75-minute suite for solo clarinet which Goode began writing for himself in 1979, and reached its current form in 1991. It uses all of Goode's virtuosic techniques distilled into sixteen "Songs without Words," a poetics of the new clarinet. It is made up of a series of individual pieces, each a sound world of its own, based on some unique material, perhaps a specific technical, poetic, or sonic idea, …
Piano Music 1959-70
‘Piano Music 1959-70’ is a reissue of an album that enjoys cult status
among Cardew aficionados. The standout piece remains Volo solo (1965),
conceived originally for Tilbury as an attempt to coin a new type of
virtuosity. Cornelius Cardew expected it to be taken at a reckless tempo so that,
as he wrote, ‘the piano should seem to be breaking apart’. But the
material he gives the pianist – 60 inchoate fragments interlinked by
pauses – trips impetus up, the structure left with a hiccuping
s…
Chamber Music 1955-64
Restocked, reduced price. The works on this CD represent arguably the most experimental and radical works to come out of Britain in the past 40 years. Cornelius Cardew's scores from the early 1960's are notable for their elegant, original and precise notational scores, labyrinthine blueprints for realisation as totally new and original compositions. They are open to ever new interpretations whose possibilities are restricted only by the creativity of the performer. It is this responsibility laid…
Sunrise - A cantata on texts by Edvard Munch
Ketil Bjørnstad's cantata on prose by Edvard Munch, sung in Norwegian by Kari Bremnes and the Oslo Chamber Choir under Egil Fossum, with Bjørnstad on piano, Aage Kvalbein on cello, saxophone, bass and percussion. Recorded April 2012 at Rainbow Studio, Oslo.
Ten Exercises
This marvelous recording of these elusive works features composer-supervised performances by a hand-picked group of renowned new-music exponents. "Your first encounter with the music of Christian Wolff leaves you with the impression you've just heard (or played, or read) something totally strange, unlike anything else you know. And yet, upon reflection, you realize it is at the same time something completely ordinary and normal, as familiar in its way as any number of repetitive actions …
(Re):Making music, works 1962-99
Two CDs covering 37 years of Christian Wolff's music, mostly first recordings including the graphic score For 5 or 10 People and Schoenen met veters, played by The Barton Workshop with James Fulkerson.
Stones
2009 release **
The score of "Stones" consists of just a few lines of text:Make sounds with stones, draw sounds out of stones, using a number of sizes and kinds (and colours); for the most part discretely; sometimes in rapid sequences. For the most part striking stones wfth stones, but also stones on other surfaces (inside the open head of a drum, for instance) or other than struck (bowed, for instance, or amplified). Do not break anything. Christian Wolff, STONES, (from: Prose Collection, 1968…
El Encuentro
Four works by Dino Saluzzi for bandoneon, cello and string orchestra, with Anja Lechner (cello), Felix Saluzzi (tenor saxophone) and the Metropole Orchestra strings under Jules Buckley. Recorded live on 13 February 2009 at the Muziekgebouw aan 't IJ, Amsterdam; released 2010.
Complete Works for Violin & Piano
All of Christian Wolff's works for violin and piano: the first recording of Pebbles (1999) and two performances of Duo for Violinist and Pianist (1961), played by the Canadian duo Sabat/Clarke with the composer present.
Early Piano Music (1951-1961)
Early Christian Wolf piano music (written 1951-61), performed by: John Tilbury & Christian Wolff (pianos), Eddie Prevost (percussion). Studio recordings from 2001/2. "During the period when these works were composed (1951-61), Christian Wolff was closely associated with John Cage. Morton Feldmon, Earle Brown and David Tudor (they are sometimes referred to together as the New York School'). Feldman later remarked that he was profoundly indebted to Christian Wolff ('I think of him as my artistic c…
Six Primes
Thirteen-limit just intonation, with the primes 2, 3, 5, 7, 11 and 13 governing the tuning, the harmony, the rhythm and the form all at once. The twelve retuned notes yield seventy-five different intervals where equal temperament gives twelve. Brown was a piano tuner for fifteen years and tuned it himself.
Melos
Trio album by Vassilis Tsabropoulos (piano), Anja Lechner (cello) and U.T. Gandhi (percussion): twelve Tsabropoulos compositions and three Gurdjieff/de Hartmann pieces. Recorded June 2007 at Auditorio Radio Svizzera, Lugano, produced by Manfred Eicher.