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No Hay Banda teams up with composer Zihua Tan to release his debut album of two stunning works composed for the group's musicians: the percussion solo 'remnants present', and the quintet 'what came before me is going after me' featuring violin, cello, voice, percussion and ondes Martenot.
'What came before me is going after me', lantern consciousness heightened, delicate hums were all that I could discern. They were loud, the hums, more deafening than inner dialogues trapped in a jar. For a mom…
*Comes in a digipack with a stunning poster booklet and sticker, all beautifully designed by Juliette Moal.* "A stunning and singular collaboration between the fearless Montréal ensemble and the innovative American composer Steven Kazuo Takasugi. Dizzying chamber music writing intertwines with trompe l'oreille electronic hyperrealism produce a set of feverish music that embraces both playfulness and unsettling surrealism." - Nick Storring
*2025 stock* In „The Garden of a Former House Turned Museum”, Chloë Lum and Yannick Desranleau feature a sung correspondence between an anonymous contemporary interlocutor and the Brazilian author Clarice Lispector (1920–77), an important 20th-century literary figure. Epistolary “Dear Clarice” prose poems guide us through Rio de Janeiro, here covered with lush nature as if human activity had simply ceased. Played by four different performers (all sung by Sarah Albu), the protagonist addresses Li…
*2025 stock* I had a dream about this place, No Hay Banda's debut album, brings together four long-form works for chamber ensemble and electronics by four of Canada's most fascinating composers. No Hay Banda has developed deep collaborative relationships with all four composers over the years, and is thrilled to feature their work on this special release.
Contemporary music for string trio and quartet performed by the Arditti Quartet and released on Harmonia Mundi's "Evénement / Musique française d'aujourd'hui" series in 1984.
Choral music by Xenakis and Messiaen composed between 1938 and 1969, performed by the Groupe Vocal De France and released on Arion's "Musique française d'aujourd'hui" series in 1984
1976 LP on Radio Canada's "Transcription" contemporary and electronic music series performed by the Ensemble De La Société De Musique Contemporaine De Québec.
Italian edition of 1960's contemporary music compilation on the "Modern Classics" series presenting pieces for string trio and soprano, percussion and piano and pian solo.
For Chantal Michelle, composing music is a form of choreography. Within surreal sonic environments, distinct sounds form relationships—moving together, then drifting apart—in a process of continuous reemergence across the auditory field. This ever-shifting constellation gestures toward the fragility and mutability of perception, a recurring focus in Michelle’s work. Trained as a dancer from an early age, Michelle brings a heightened spatial sensitivity to her practice: an intuitive understanding…
In the final decade of his life, Morton Feldman turned his attention to the trio format with an intensity that would yield some of the most profound and uncompromising music of the twentieth century. Between 1978 and 1984, he composed three monumental works for flute, piano and percussion that together constitute an immense meditation on time, memory and the irreducible strangeness of sound itself. This landmark 6CD box set from Another Timbre presents all three pieces — totalling six and a half…
Huge tip! Following her 2025 minimalist/ambient album ‘just like any other day (어느날): background music for your mundane activities’ on Shelter Press, Okkyung Lee moves in another direction with London’s Explore Ensemble. Flung is proud to present Signals, a release that eludes categorisation while shifting between electronics, acoustic composition, and improvisation. It places Lee’s improvisational language in dialogue with the instrumentalists of Explore Ensemble’s sextet, whom together become …
Other Minds is pleased to present Ratchet Attach It by the Bay Area composer and impresario Charles Amirkhanian. Commissioned by Errollyn Wallen, the UK’s Royal Composer, for the 2021 Spitalfields Festival in London, Ratchet Attach It continues—and crowns—Amirkhanian's career-long fascination with the noisiest of percussion instruments: the ratchet. "The sound up close of a concert orchestral ratchet can be hair-raising," Amirkhanian writes in his composer's notes. "Also, full of bird-chirping-l…
Two works by Netherlands-based Argentine composer Claudio F Baroni where recorded speech is set against acoustic and electronic pitched sounds. The instrumental material emerges entirely from digitally aided speech analysis, which identifies occurrences of Western scale pitches within the natural intonations of speech.From these pitches, Baroni selects and assigns certain tones to instruments and electronics. The scores consist of the written speech text paired with musical notes, precisely alig…