Donnerstag Aus Licht
Karlheinz Stockhausen – “Donnerstag aus Licht” (“Thursday from Light”); opera in three acts, a greeting and a farewell for 15 musical interpreters (4 solo voices, 8 instrumental soloists, 3 solo dancers), chorus, orchestra and magnetic tapes (1978 – 1980) " It arises in a silvery, calm motion of wind instruments – obviously preparing us for something of importance and vast durations. It is “Donnerstag-Gruss” (“Thursday Greeting”); the start of “Donnerstag aus Licht” (“Thursday from Light”); the …
Sirius
*2022 Stock.* Karlheinz Stockhausen – “Sirius” eight-channel electronic music and trumpet, soprano, bass clarinet, and bass is a music-theatre composition by Karlheinz Stockhausen, composed between 1975 and 1977. "It begins with a slowly emerging hum - like a disturbance in the wiring of your sound equipment -; then evolves into a murmur of great timbral depths, finally releasing itself into a spinning, swooshing, disturbing sound of higher frequencies in the foreground, panning between the spea…
Tierkreis / Musik Im Bauch
*2022 Stock.* Karlheinz Stockhausen – “Musik im Bauch (Music in the Belly) ” is a piece of scenic music for six percussionists and music boxes composed by Karlheinz Stockhausen in 1975. "The origin of “Musik im Bauch” and “Tierkreis”, as far as can be traced, goes back to 1967, when Stockhausen’s daughter Julika was around two years old. Stockhausen explains that all kinds of minute sounds were coming from the little girl’s insides, and Stockhausen joked with her and said: “Julika, you really ha…
Mantra
*2022 Stock.* Karlheinz Stockhausen – “Mantra” was composed in 1970 and premiered in autumn of the same year at the Donaueschingen Festival. The work is scored for two ring-modulated pianos; each player is also equipped with a chromatic set of crotales (antique cymbals) and a wood block, and one player is equipped with a short-wave radio producing morse code or a magnetic tape recording of morse code. "The real basis for “Mantra” is a thirteen-note motif; formula, allotting each note specific ch…
Spiral - Pole
Karlheinz Stockhausen – “Kurzwellen” for six players (1968). Spiral for a soloist with a shortwave receiver together with Pole (Poles), for two performers with shortwave radio receivers and a sound projectionist, is one of a series of works dating from the 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary con…
Aus Den Sieben Tagen
Packaged in two Multiboxes, with a 124 page booklet (in English language), in a 2" thick slip box. Karlheinz Stockhausen – “Aus den sieben Tagen” for six players (1968) (From the Seven Days) is a collection of 15 text compositions by Karlheinz Stockhausen, composed in May 1968, in reaction to a personal crisis, and characterized as "Intuitive music"—music produced primarily from the intuition rather than the intellect of the performer(s).." This type of composition or instruction or whatever on…
In Memoriam Paul Zukofsky
** 2021 Stock ** CP² Recordings presents In Memoriam Paul Zukofsky. This album presents the last music program designed by the late violinist/conductor Paul Zukofsky. Both Monkeys At Play and Josef Hauer’s Zwölftonspiel are first recordings. The program served as his New York memorial concert in 2017 played by pianists Aaron Likness and Andrew Zhou. All recordings were made at Oktaven Audio in Mount Vernon, NY on August 22-24, 2019, recorded and edited by Ryan Streber, mastered by Ian Turner.
Ch…
Syzygia, Snow's Falling / Pine Cones Fall
** 2021 Stock ** CP² Recordings presents Syzygia and Snow's Falling by Jo Kondo; Pine Cones Fall by Craig Pepples. Performed by Ensemble Nomad; Tokyo Philharmonic Chorus, Satoko Inoue, piano; Paul Zukofsky, conductor. All recordings were made at Avaco Creative Studio, Tokyo, Japan; 'Syzygia' and 'Pine Cones Fall' were recorded on June 9, 2016 and 'Snow's Falling' on June 15, 2016. Recording Engineer: Yukio Kojima; Mastering Engineer and Editing: Jun Kawanami.
Mulberry / In the Woods / In Summer / Under the Umbrella
** 2021 Stock ** CP² Recordings presents Mulberry / In the Woods / In Summer / Under the Umbrella by Jo Kondo. Performed by Tokyo Metropolitan Symphony Orchestra, Paul Zukofsky, conductor; Nexus. Mulberry, In the Woods, and In Summer are edited versions (also including some rehearsal takes) of the "Jo Kondo Composer's Portrait Concert" of October 7, 2004, held in Suntory Hall, Tokyo, Japan. Recording Engineer: Yukio Kojima. Edited and mastered by Paul Zinman at SoundByte Productions, Inc., NYC. …
Aus Aller Welt Stammende / Transfiguration Of The Moon / Hymnkus
** 2021 Stock ** CP² Recordings presents Zygmunt Krauze: Aus Aller Welt Stammende, Toshi Ichiyanagi: Transfiguration Of The Moon, John Cage: (1912 - 1992) Hymnkus (version for violin). The Krauze was recorded at Hip Pocket Studios, N.Y.C., on Dec. 10 1993. It was mixed in 2005 at SoundByte Productions, Inc., N.Y.C. Produced & Engineered by Paul Zinman. Assistant Engineer: Gerry Volkerz. The Ichiyanagi was recorded at Master Sound, Astoria, N.Y.C., on Feb. 26, 1995. Produced & Engineered by Paul …
Kurzwellen
*2022 Stock.* Karlheinz Stockhausen – “Kurzwellen” for six players (1968). Participants: Aloys Kontarsky (piano & short-wave radio), Harald Bojé (electronium & short-wave radio), Alfred Alings & Rolf Gehlhaar (tam-tam & short-wave radio), Johannes G. Fritsch (electric viola & short-wave radio), Karlheinz Stockhausen (filters & potentiometers). Kurzwellen is one of a series of works dating from the 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "f…
Prozession / Ceylon
Karlheinz Stockhausen – “Prozession” (1967) / “Ceylon” (1970) Prozession is one of a series of works dating from the 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next "Prozession is an ensemble piece that Stockhausen wrote for his ensemble of the time, but it is…
Hymnen
Program notes in German and English in 200-page booklet. Karlheinz Stockhausen personally mixed down and mastered these recordings from the original analogue tapes for this CD edition. Karlheinz Stockhausen –“Mikrophonie I” (1964) for tam-tam, 2 microphones, 2 filters with potentiometers (6 players) / “Mikrophonie II” (1965) for choir, Hammond organ, 4 ring modulators / “Telemusik” (1966) (electronic music). Together with Stockhausen's immediately preceding work Mixtur, for five orchestra grou…
Mikrophonie I / Mikrophonie II / Telemusik
Packaged in a thick 2CD jewel case with 128-page booklet in English. Karlheinz Stockhausen –“Mikrophonie I” (1964) for tam-tam, 2 microphones, 2 filters with potentiometers (6 players) / “Mikrophonie II” (1965) for choir, Hammond organ, 4 ring modulators / “Telemusik” (1966) (electronic music). Together with Stockhausen's immediately preceding work Mixtur, for five orchestra groups, four sine-wave generators, four ring modulators, they form a tryptych of live-electronic works, where electronic …
Mixtur
*2022 Stock.* In short, some of the most breathtaking, intrepidly advanced electronic music ever recorded. A truly precious survey of a lone, pioneering voice in electronic music. Cardboard slipcase housing a CD jewel with 104-page booklet in German and English. Karlheinz Stockhausen – “Mixtur” (1964) is one of the earliest compositions for orchestra with live electronics, and is amongst the first compositions using live-electronic techniques generally. "Orchestral sounds transform into electron…
Momente
Momente (Moments), written between 1962 and 1969, was Stockhausen's first piece composed on principles of modular transposability, and his first musical form to be determined from categories of sensation or perception rather than by numerical units of musical terminology. Comes with a 72-page 4-color big size booklet in German and English, plus a separate 36-page 2-color book with complete sung texts. "Momente for soprano solo, four chorus groups and thirteen instrumentalists” is dominated by th…
String Quartets 1 & 4, Sonata for Cello
** 2021 Stock ** CP² Recordings presents Artur Schnabel: String Quartets 1 & 4; Sonata for Cello. Performed by The Whitman String Quartet, A Freelance String Quartet, Joel Krosnick, Cello. All recordings were made at the Clinton Recording Studios, Inc., Studio A, in New York City. Produced and engineered by Paul Zinman. Edited, mixed and mastered by Paul Zinman at SoundByte Productions, Inc., NYC. All edit choices: Paul Zukofsky. Pre and Post-production supervision: Paul Zukofsky.
Shapey - Riegger - Piston - Crumb - Sollberger - Berger
** 2021 Stock ** CP² Recordings presents Shapey - Riegger - Piston - Crumb - Sollberger - Berger. Ralph Shapey: (1921-2002) Evocation For Violin, Piano, And Percussion; with Raymond Desroches, percussion; Publisher: Theodore Presser Co. Wallingford Riegger: (1885-1961) Sonatina; Publisher: E. B. Marks Music Corporation. Walter Piston: (1894-1976) Sonatina; Publisher: Boosey and Hawkes, Inc. George Crumb: (1929-) Night Music Ii; Publisher: C.F. Peters, Inc. Harvey Sollberger: (1938-) Solos; with …
Duo for Violin and Piano, Sonata for Violin / Sonata Concertante / Second Sonata
** 2021 Stock ** CP² Recordings presents Roger Sessions: Duo for Violin and Piano, Sonata for Violin; Peter Mennin: Sonata Concertante; Easley Blackwood: Second Sonata. Performed by Paul Zukofsky, violin; Gilbert Kalish, Easley Blackwood, pianos. The Sessions Duo for Violin and Piano and the Mennin Sonata Concertante were both recorded at Paul Hall, The Juilliard School, NY in 1971. They were engineered by Horace W. Grenell and originally released as part of the Desto set "Music for a 20th Centu…
Three Extended Pieces for Four Pianos
Building on the back of their stunning release of Ensemble 0’s rendering of "Femenine" issued earlier this year, Sub Rosa returns with "Three Extended Pieces for Four Pianos", featuring brand new recording of three seminal works composed by Julius Eastman between 1970 and 1980 - "Evil N*gger" (1979) "Gay Guerilla" (1980) and "Crazy N*gger" (1980) - realised by Nicolas Horvath, Melaine Dalibert, Stephane Ginsburgh, and Wilhem Latchoumia.
Released as a beautiful double CD with brand new liner not…