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Raising Earthly Spirits is dark electro-tribal minimalism from Robin Storey (aka Rapoon). He builds organic atmospheres from low drones. The music is beatless, but there is a definite rhythm. Storey's drones create the rhythm and set the pace. Experimental sounds create auras of intrigue and mystery. The sound design is intricate and detached; the dark soundscapes are sinister with overtones of an evil existence. This is not a disc for listening alone in the dark.
*2022 repress. It's in my blood edition. With slipmat. Picture LPs. Unique limited edition!!* "The New Backwards" was conceived by Peter "Sleazy" Christopherson in 2007, revisiting stray tracks which hadn't seemed to gel with the material he had chosen for the more somber "Ape of Naples" from 2005, Coil's initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance. Significantly different to its sister release, this album collects the brill…
*2022 black vinyl repress with insert* In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedelic masterpiece unrivalled in…
** 2022 repress, with poster ** Muslimgauze's gem from the late 80s. Cinematic, minimal, noisy, hypnotic, and gloomy. Probably not so overtly Middle Eastern as his later works, though definitely bearing an influence. Backed by electric drones percussion forms a living, breathing atmosphere of impending menace. For a strange reason, this album was missed in VOD's Chasing The Shadow Of Bryn Jones 10xLP Box-set. Now you have a chance to complete your Muslimgauze discography! All Tracks Written and …
Electronic Jugoton part 1 is officially opened by the band Laboratorija with the song Devica 69, which opens a window to a completely new and experimental world in former Yugoslavia. Laboš and Luketić have boldly chosen the material without reservations, suggesting that for the first time in one place we have a section of forgotten, unique underground bands like Beograd, Data, Brazil, The Master Scratch band, DU DU A and beyond. Besides the excellent underground bands, we find popular performers…
*In process of stocking. 300 copies limited edition* Alpine Drone from the very depths of misty forests and snowy mountains. A mystic journey through Alpine nature appearing in front of your inner eyes. Winterstille is a unique conceptual album, Rauhnåcht will not become an ambient act, no worries Black Metal folks!
Bitchin Bajas' second, self-titled album finds the experimental trio blending musicial personalities of the past to create their own sonic identity. There are no forced attempts at edginess, even though their simple techniques keep the music loose and live-sounding.
LED and Love Sounds (2015) is Forsberg’s first sound-and-light piece. The piece is made of frozen and processed violin sounds. The drones are slowly changing, providing minimal repetitions that never stay the same. ”A slow transition from playing on my instrument, to play only my electronics. Letting the violin hang there with me on stage, listening to itself. Following how the drones slowly change, minimal repetitions that never stay the same. And you can hear the gallery clearly, it moves some…
Artist's notes: "Originally disseminated as a digital-only release on my now dormant label Pink Pamphlet in 2014, ‘Fly By Night’ now gets a proper release via the Stockholm label Thanatosis Produktion. Since my early 20s the electric guitar has been a constant companion and assistant in my compositional work. Although I'm a much better pianist than guitarist, I've often found my relatively poor “fretboard awareness” to be a valuable asset in terms of focussing my intuitive hearing away from my m…
Joakim Forsgren and Andreas Hiroui Larsson come from diametrically different perspectives on music. Hiroui Larsson has a background in acoustic jazz and non-idiomatic improvisation, while Forsgren has played electric bass in punk and rock groups since his early teenage years. The two being friends since several years, making music gradually became a way of spending more time together. Their way of collaborating began after several years of talking about doing so and sharing and discussing music …
*In process of stocking* An experiment in collective noise making, the Kingston University Stylophone Orchestra was created by Dr Leah Kardos in early 2019. Through legendary producer Tony Visconti, Leah was introduced to Stylophone manufacturer Dubreq, who donated a collection of new and vintage instruments to Visconti Studio's analogue instrument archive, based at the University. At the sight of a car boot full of Stylophones, Leah found herself wondering aloud if a musical ensemble using the …
*In process of stocking* Imagine waking up and discovering everyone you thought you knew was someone else all along, and they have all deceived you and stabbed you in the back. The world now begins to melt around you and you start to convince yourself that it's still a dream, but in reality your life has become a living nightmare.
You are now standing by yourself, alone, looking out over the nothing that was once your home town. The only place to run and hide is inside your own mind. So you make…
*4 CD box, includes a 24-page booklet and four gatefold cardboard sleeves * Chris Carter from Throbbing Gristle releases a new box set of his early work, collating remastered (and mastered for the first time) solo albums alongside a disc of unreleased archival recordings from 1973-1977. As a founding member of Throbbing Gristle alongside Cosey Fanni Tutti, Peter ‘Sleazy’ Christopherson and Genesis Breyer P-Orridge, Chris Carter has had a significant role in the development of electronic music - …
Recorded during an evening organized by the Die Stadt label on the 28th of March 1997 at the Lagerhaus in Bremen (Germany). Originally released as limited and numbered edition of 222 copies.
**300 copies** Stanislav is a well-known techno musician and a passionate analogue photo and synth enthusiast constantly experimenting with his visual and audio outputs. As a result, Stan brought us three timeless electronic pieces wonderfully fitting and at the same time complementing the Muscut soundscape
Call it favouritism or prejudice or whatever, but groups who claim to be influenced by This Heat are considered a bit of a front for yours truly...and look how predictable we are: Cape Fear belongs in this list. Cape Fear is the brainchild of Laurent Perrier who once played with the band Nox and belongs to one of the better known indus acts from France.In 1997, however, Laurent called it a day and started his solo project of which "Drift towards the heat" was the first egg. Apparently, Laurent w…
A band? An art project? A shadowy cabal of political provocateurs? We are lifting the lid on Laibach for this month's cover feature – and we have a fantastic transparent red vinyl seven-inch featuring two tracks by the idiosyncratic Slovenian collective to accompany the issue as well. Click here to order your magazine and vinyl bundle now Formed at the start of the 1980s in a mining town in what was then Yugoslavia, Laibach's interest in the culture and national identity of Slovenia frequently u…
Michael Valentine West is a composer/decomposer utilising lessons learnt from various musical disciplines such as minimal, ambient, glitch, hip hop, jazz and sound design. He has recorded, produced and remixed using aliases such as Twiggy And The K-Mesons, K-Meson 4, Suck Susan, Lower Third, Mikimo Sosumi, Anal Teens and of course MVW. He has also scored music and contributed songs to soundtracks for several independent films.
Michael Valentine West is a composer/decomposer utilising lessons learnt from various musical disciplines such as minimal, ambient, glitch, hip hop, jazz and sound design. He has recorded, produced and remixed using aliases such as Twiggy And The K-Mesons, K-Meson 4, Suck Susan, Lower Third, Mikimo Sosumi, Anal Teens and of course MVW. He has also scored music and contributed songs to soundtracks for several independent films.