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Electronic /

Redemption Suite I-IX: For Piano & Textures
Tip! *Edition 100 copies* A daily ritual turned into a suite. Written in the wake of Ryuichi Sakamoto's passing in early 2023, Redemption Suite I-IX: For Piano & Textures finds Richard Pike - once of the Warp-affiliated band PVT, now among the most quietly compelling figures working between the piano and the machine - returning to the instrument each afternoon as an act of what he calls "real-time composition". Issued by Salmon Universe, it is his first record centered on the piano, and among th…
1982-1986 (Expanded)
Even with just basic knowledge of the conditions of the totalitarian regime in the former Czechoslovak Socialist Republic (ČSSR), it is not difficult to understand why the project Maťkovia was never allowed to release anything officially during its existence from 1982 to 1987. The ironic, nihilistic lyrics full of dark humor, describing the despair and greyness of the normalization era in Bratislava in the 1980s simply had no chance of passing through the censorship at the time. The work of the …
Clairvoyant Dimensions
Clairvoyant Dimensions is the first album by Mei Honeycomb, a new duo of Jordan Czamanski, renowned as a member of the acclaimed Juju & Jordash and the Magic Mountain High project, with solo work released as Jordan GCZ, and legendary saxophonist Jeff Hollie, known mostly for his work with Frank Zappa and Ike Willis. An explorative ambient album, Clairvoyant Dimensions is an exercise in distance and contemplation, and the exhilarating feeling of insight, however fleeting, like staring at the midn…
Resonance
"Japanese pianist Yumiko Morioka initially released Resonance, her first and only solo recording, on Akira Ito's Green & Water imprint in 1987. Whilst by no means a commercial failure, the album was mostly found in the background of Japanese TV documentaries, maternity clinics and healing shops before drifting into relative obscurity. By 1994, Morioka had relocated to America and her solo music career had given way to the joys of starting a family and her new life in California. It was, and stil…
Magia Láctea
Milk magic, cheesy rhythms, preset delirium. Magia Láctea departs from a simple setup: a Solton arranger keyboard, used not for accompaniment but as a central sequencer. Its built-in presets - Latin, Italo, and other cheesy standardised patterns - form the starting point. Two long-form improvisations unfold from this set-up. The Solton acts as both driver and instigator, pushing and entangling the Future Retro Vectra and BARP 2600 into a dense, slightly deranged ecosystem of dairy delirium. Side…
Fictions
Lamasz and Grandbruit return to Past Inside the Present for the first time in more than five years with Fictions, the first collaborative recording from brothers Pier-Luc and Francis Tremblay. Following four acclaimed solo releases across the label, Fictions brings together the defining elements of both artists into a single body of work. Drawing from the tape loop driven structures of Nature Morte (PITP-C016, 2020) and Broderie (PITP-C021, 2021), alongside the layered guitar compositions and en…
8 breaths
Tape loops and noises from our friend dolphin hospital, initially they were performed live this spring in Paris, being overwhelmed during the shows, we just asked for the live recordings and decided to release them, voila!!!
Olùsìn [Worshippers]
Nigerian ambient producer Ibukun Sunday returns with new full length Olúsín [Worshippers], combining West African rhythmic sensibility with deep ambient sonics for a study of faith and reverence that explores the inherent stillness in worship. The record, writes Sunday, “draws inspiration from African devotional traditions, blending percussion, vocal harmony, and ambient soundscapes to create ‘a soundtrack of praise,’ centering on the idea that faith has its own music: the drumbeat of hearts, th…
November 89
The album ‘November 89’ comprises a selection of very early GAS tracks, some of which date back to the late 1980s. They were first released in 2008 as a CD insert in the art book ‘Wolfgang Voigt GAS’, published on Raster-Noton. Just like the photographs in the book, these pieces are early precursors that would evolve in the ensuing years with the albums ‘Zauberberg’ and ‘Königsforst’ into a style-defining, audiovisual “Gesamtkunstwerk” (total work of art) comprising hypnotically focused forest i…
M.U.U.N.H. 31.04.1982 + A Journey Through Sound, Silence and Return
Bringing page and tape into the same charged zone, this bundle pairs A Journey Through Sound, Silence and Return with M.U.U.N.H. 31.04.1982, uniting Maurizio Bianchi’s most ascetic industrial vortex with Raffaele Pezzella’s definitive monograph. Together they form a single, immersive dossier on sound as extremity, withdrawal and unresolved return.
A Journey Through Sound, Silence and Return (Monograph) (Book)
Few figures in experimental music embody rupture as completely as Maurizio Bianchi. A Journey Through Sound, Silence and Return traces his arc from ferocious early industrial extremism to a radical withdrawal and enigmatic comeback, revealing an artistic ethic where creation, renunciation and re-emergence form one continuous, troubling gesture.
M.U.U.N.H. 31.04.1982
Recorded at a pivotal moment in his trajectory, M.U.U.N.H. 31.04.1982 captures Maurizio Bianchi refining sound into a stark environment rather than a composition. Static yet volatile, it strips electronics to bare impulses, anticipating isolationist ambient and dark drone while remaining rooted in the brutal materiality of early industrial experimentation.
Persistent Repetition Of Phrases
*2026 repress* 'Persistent Repetition Of Phrases' success comes from the attention it pays to the function of 'the loop', not only as a narrative ordering system in modern music, but as a means by which the brain itself recalls and interprets information; it's as old as recorded sound itself, but in this context the repetition of small shards of auditory information becomes an elegy to fading memory and the worn-out synapses of old age. The track titles offer signposts through Kirby's labyrinth …
Yura
*100 copies limited edition* Yūra (幽羅) describes a dystopian future where the last monks of humanity seek illumination through the remnants of obsolete technology. Broken circuits, residual memory, ancient intelligence and flesh are sacred instruments within a continuous rite.
Tint
All songs by Felix-Florian Tödtloff. Recorded April 2025 in Berlin, Germany. Field recording on Federaun from Villach, Austria, August 2025.
Feral Grace
Feral Grace was written around old childhood places reclaimed by nature, or replaced by new housing estates. Places long forgotten, their purpose discarded as the world moved on. Yet the memories stay there, caught in the undergrowth, thought of once in a while. We remember gathering leaf moss from the woods for our tomato plants. Building dams in shallow streams. Filling our wellies with frog spawn and carrying it home like treasure. Small acts that felt large at the time. Fishing banks where w…
A State Of Flux
Mystery Hearsay / Mike Honeycutt was a major node of the 80s cassette culture network, his radio program in Memphis TN being a touchstone for home taping artists of a similar caliber to Don Campau‘s “No Pigeonholes”, RRRadio, or Schimpfluch’s “Psychic Rally”, all of which featured MH as an active participant. He also collaborated and traded extensively with the likes of Zan Hoffman (Larb), Minóy (Life Of Work), Swinebolt 45, and Agog. Audio and video works by Mystery Hearsay were distributed pri…
Soundtracks 1970-2014
Stephen Thrower is a British musician, composer and author. In 1984 he appeared as a guest on the first Coil album, Scatology, then joined the group until his departure in 1992, contributing to seven Coil albums in total. Between 1999 and 2015 he worked as Cyclobe, a duo formed with his partner Ossian Brown (also a former Coil member). Cyclobe released four albums – Luminous Darkness, The Visitors, Wounded Galaxies Tap At The Window and Sulphur-Tarot-Garden – on their own record label Phantomcod…
Emergency Broadcasts
Severed Heads are an Australian electronic music group founded in 1979 as Mr. and Mrs. No Smoking Sign. The original members were Richard Fielding and Andrew Wright, who were soon joined by Tom Ellard. Fielding and Wright had both left the band by mid-1981 with Ellard remaining the sole consistent member for the rest of the band's existence. In 1984 the band released Dead Eyes Opened as a single, which was remixed in 1994 and re-released, reaching No. 16 on the ARIA Singles Chart. Two of their s…
Tomoko
Geins't Naït was founded in Nancy, France, in 1986 by Thierry Merigout and Vincent Hachet, both students at the Architecture School of Nancy. A year later Laurent Petitgrand joined the band. Their sound is often described as an equivalent of bands like Einstürzende Neubauten, Coil or Test Dept., but Geins't Naït is not pure classic Industrial. While Geins't Naït offers rough pieces of music as an extension of its punk attitude, Petitgand refines them to create some musicality within the post-ind…