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**Edition of 100 copies** From Sierra Leone via Berlin, Lamin Fofana elusive new work. Steeped in afro-futurist aesthetic, this is the first part in the hyper-conceptual trilogy by global drone and noise artist Lamin Fofana. Not getting a digital release and only 100 copies world wide, we're getting a handful direct from Berlin. From Lamin himself: The West is an insane asylum, a conscious and premeditated receptacle of black magic. – Fred Moten Black Metamorphosis is the first installment in a …
**Reissued for the first time, includes facsimile artwork and extensive liner notes. Remastered from the original tapes and pressed on 180g vinyl. **Munster Records presents a reissue of Batiscafo by Gregorio Paniagua. Immersed in an age of re-releases and the pursuit of rarities, hidden gems and marvels, record labels are constantly rediscovering musical jewels, which previously only collectors have had the chance to own. Batiscafo is one of these elusive treasures. First released in 1980 on th…
**Edition of 200 on 180 g vinyl with a hand-made silkcreened cover** Relict records steps into the game with The Gloaming, the full length debut LP by composer Chris Berkes. The Gloaming is the consequence of intensive reflection on the expressive potential of sound based structures. The result culminates in potent electro-acoustic compositions that form a complex and visceral narrative of arresting nature. relief draws from the tradition of Musique concrète but translates it into a contemporar…
Electricidade Estética documents a vibrant window into the musical landscape of 1980’s counter-culture Portugal. Compiling early un-issued works, Dwart’s organic Ash-Ra Tempel Balearics meld with spikey Iberian electronics, coalescing around the floating beauty of ‘Mate’, reissued for the first time on vinyl. With emergent music technologies of the era enthusiastically adopted by Lisbon’s avante-garde, there was a collective desire by Dwart and their contemporaries to push sonic boundaries. Post…
"In the mid '70s, Mariangela Celeste signed to a major label (Polygram) at the age of 13. She would then go on to record her self-titled album with rising European superstar Vangelis. Though tragically overlooked upon its release, Mariangela is a gem of early electronic pop with sparkling synths, drums machines, and lush arrangements, propelling the songs of an unapologetically strong-willed adolescent.By 1972, Vangelis’ band Aphrodite’s Child had earned widespread acclaim for their lavish psych…
"There is an endless abundance of variations that the clarinet can use in changing the colour of a single note. As a privileged listener - and - experiencer, Ben Bertrand through his favourite instrument shared the musical blueprints with me, which resulted in this album. His music has become a vivid part of my almost daily thoughts - allowing what I hear to clash and sing with the patterns and rhythms already established in my mind. A voluntary trip, an absorbing experience in our Brussels vibr…
**CD version** "Before his prolific activity in the field of music therapy, Agostino Nirodh Fortini also embarked on his own path in electronic music. In the early eighties he was a close collaborator of Walter Maioli and Fred Gales, at the time of the pioneering label Sound Reporters.Suoni Immaginari, released only privately on cassette in 1988, contains a wide range of keyboards and lots of ethnic field recordings assembled with an absolutely modern praxis ahead of its time. Nirodh imagines hi…
"Featuring a wide range of artists (Das Ding, Plus Instruments, and De Fabriek for a start!) from the Amsterdam Fetisj scene and cities such as Rotterdam, Utrecht, The Hague, and Zwolle. It gives 'a glimpse into the artistic DIY music movement that was growing extensively outside of mainstream circles'.The beautifully printed record sleeve was designed by Steele Bonus. It includes liner notes (in English and Dutch) that paint a great picture of the context where these bands and artists lived and…
Bongo Joe Records presents an all new compilation placing the spotlight on the Swiss experimental and electronic scene of the ‘80s and the early ‘90s. The compilation Intenta assembles under-appreciated gems, sought-after titles and newly mixed versions. It places leftfield synth-pop next to otherworldly jazz, and joins the dots between lyrical post-punk excursions and proto-house experimentation.
"New England Digital is proudly digital, containing six very different sound vignettes ranging from ‘style brisé’ FM harpsichord to abstract techno. At times dreamlike and detached but never without solid harmonic or rhythmical interest, New England Digital evokes scenes from New England pastoral life during the early settlement years.Christoph Waelkens is a Brussels based musician with a background in both classical and electronic music. In the early nineties he was involved in many dance relea…
"Sometimes, precarious habitations - those places of freedom stolen from their abandonment and which are less and less commonplace - make you understand more and more the extent to which a growing world can seem more and more unequivocally to be in some of the last inhabited places on earth. Dreams and explorations of worlds, renewed fantasies, air bubbles, washed up beings and the most tenacious music lovers have drawn from the past and demonstrated that the diversity of sound instruments creat…
"In his philosophical ideas, René Descartes supports the concept of automatism, referring to the mechanical reactions generated by stimuli from our friends in the animal kingdom. To illustrate: “If I press a dog’s paw, he systematically barks.” Yes, systematically, yes.Here we are in the presence of another system from outre-Quiévrain named Raymonde (what a strange name for an electronic group - why not Simone or Josiane?) coming from the gastronomic capital of France, Lyon.Ideologically, he doe…
**special bundle, 2020 stock** This offer includes the following Alan Vega albums:- Deuce Avenue (2LP, 1990)- Power On To Zero Hour (2LP, 1991)- New Raceion (2LP, 1993)- Dujang Prang (2LP, 1995)- 2007 (2LP, 1999)- Station (2LP, 2007)"Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New Yor…
Originally released in 1982, Pascal Comelade's Sentimientos is one of the most elusive and sought after LPs in the French composer's vast catalogue. Recorded on a two-track Revox machine, the album is an eclectic series of brief pieces -- only two of the twenty tracks exceed four minutes -- showcasing his poetic imagination and impressive range. While much of Comelade's early work hints at many of the major electronic movements to come, Sentimientos remains earthbound and organic. Melodic fragme…
ISAN’s Robin Saville speaks to the salubrious qualities of a good mooch in a very sweet album inspired by what he sees and feels during his daily perambulations and incorporating field recordings, drones and acoustic instrumentation.
Slow Reels combines Ian Hawgood's love of reel-to-reel tape machines and vintage synthesizers with James Murray's melodicism and richly textured digital sound design. Their Morr Music debut, "Farewell Islands", is an arresting, fluorescing album that blends full-frequency dronescaping with a slow-burning ambient minimalism.
**60 copies** "Despite working often alone, Savvas Metaxas is someone who rather thinks in terms of community and connectivity, who prefers alliances over ego, who is a sound artist as well as a musical activist. Coming from Thessaloniki, Greece, he co-founded Granny Records, puts up local shows, worked with the Goethe Institute, did site-specific sound installations in London, collaborates with other experimentalists like Spyros Emmanouilidis and released brilliant albums on fellow tape travell…
Born in Milan, Fabio Selvafiorita is a composer of instrumental and electro-acoustic music. "The Fall" is his first full-length solo release. Selvafiorita’s acousmatic music investigates the complexities between in-formal abstractions and Pathos in sound manifestations.
For Hyperdelia’s newest release, Andreas Dzialocha has created an enchanting ghost music. Animated by his solo bass playing and haunted by aleatoric acoustics, the record unearthes the instrument’s low end harmonics. A spectral music that sits somewhere between the timbral finesse of Julia Reidy, Tim Hecker’s noise gestures and the spaced out reclusivess à la Arthur Russell.