Electronic / All styles

Catalogue of the exhibition "Translations & Articulations" Griffin Contemporary Exhibitions, Los Angeles, CA. published in an edition of 2000 copies. This special edition of 966 copies contain the compact disc of space enclosed by planes or surfaces.

Stage is Steinbrüchel’s second full-length solo release on LINE. The album contains 10 scenes that move between warm organic and melodic digitalised sounds and cold crystalline-like sparks. The sounds and compositions are even more detailed and have a more melodic approach then previous recordings by Steinbrüchel. Single isolated and stretched tones are structured together with smaller loops and particles of clicks and noises into dense atmospheres. Parts of the sounds used in several scenes are…

First time-ever release of 1950s-60s recordings featuring Raymond Scott's performances on his pioneering electronic music inventions (the 'Circle Machine,' the 'Rhythm Modulator,' the 'Bass-Line Generator,' the 'Electronium,' the 'Clavivox,' & other equipment designed & built by Raymond Scott). Identical tracks to the cd-compilation, but now on 3 vinyls, packed in doublefold sleeves. A beautiful collectors item and finally a chance for dj`s to play tracks from vinyl!

Circulations is an impressive hourlong electro-acoustic work by composer Pierre-Yves Macé and his second album (after a lukewarm debut released on Tzadik). Making the best of a residency at Euphonia (Marseille), he first wrote four solo pieces for percussion, electric guitar, harp, and clarinet. At Euphonia, he rehearsed these solos with musicians Frédéric Doumas, Rémy Décrouy, Rafaëlle Rinaudo, and Agathe Fourneau (respectively) and recorded them. Then, Macé composed a tape part for each solo, …

Til odslig horisont evolves slowly and quietly over forty-five minutes and rewards the listener's attention with a great listening experience, manifold soundscapes and atmospheres melting into one another. As often, describing this work will not do it justice, and so I propose that you make yourself comfortable, close your eyes and simply listen. You will enjoy it without an eloquent description.'B. Günter

"The CD "Theology" contains the source recordings used for the LP "The Religious Experience", and is limited to 450 copies. The two albums ­ and their music ­ should be considered as mirror opposites. Where theology is a completely artificial system of belief, a religious experience is the immediate experience of the thing itself. Likewise, the music on "Theology" is complex and elaborate, while "The Religious Experience" is much simpler, going directly to the heart of the material compri…

Original 1967 edition on Adès' "Florilège" series of the soundtrack to the Serge Roullet film with a reading of Jean-Paul Sartre's short story by Michel Del Castillo with music by Edgardo Canton produced at the G.R.M..

Boards of Canada's 1996 Skam EP, the duo's first widely available release, back on vinyl for its 30th anniversary: six tracks including Turquoise Hexagon Sun and Everything You Do Is A Balloon, in a gatefold sleeve with four 12-inch prints.

Six acousmatic works by Julien Guillamat from 2010 to 2026, from Birmingham pieces built on the dismantling of the BEAST loudspeaker system to recent soundscapes of the Aure Valley in the Hautes-Pyrénées, recorded in its ski resorts and mountain villages. CD-R.

Roxanne Turcotte’s “sonic archeology”: electroacoustic works mixing everyday objects, field recordings from Tokyo, the Seychelles and New Zealand, and sounds of Jean-François Laporte’s invented instruments, dedicated to her late colleagues and mentors. CD-R.

Four works by Monique Jean from 2015 to 2024, three built on MissTake, her no-input four-track tape recorder with effects pedals, including Volt_#1 and Volt_#3, plus Tumultes, inspired by novels by Adania Shibli and Antoine Wauters. CD-R.

Debut solo album by Montréal sound artist Diego Bermudez Chamberland: a 44-minute acousmatic work in three movements (2020-23, revised 2025) freely inspired by the Norse cosmos of Snorri Sturluson’s Edda, moving from the scale of Yggdrasil to the microscopic. CD-R.

Armando Balice’s triptych of inner gardens from 2018 to 2021, three acousmatic pieces in eight movements each built from ravens, forest recordings, analogue synthesizers and the cello of Lola Malique, starting with an Ina-GRM commission inspired by Japanese gardens. CD-R.

Three multichannel works by Stéphane Roy from 2022 to 2024: a war piece after poems by Paul-Marie Lapointe, a sound bestiary for Jean-François Laporte’s Babel table, and nine acousmatic miniatures on experiential time. CD-R.

Seven multichannel works by Åke Parmerud from 2019 to 2025 that push guitar, piano, percussion and string quartet into music no player could perform, from the alien metal band of Heavy Metal to a Latin groove for Javier Álvarez.

Annette Vande Gorne’s complete Vox Alia cycle (1992-2024), five multichannel works on the voice without words, from Maria Callas and Pierre Schaeffer in Affetti to sacred chant, a Werner Lambersy poem, crowds and animal calls. CD-R.

Adrian Moore’s works from 2019 to 2024: five wt_ pieces each built from one source (a ceramic pot, a bird whistle, a wine glass, metal sheets, voices) with the same Pure Data toolkit, plus two Sheffield-area site pieces on industrial noise and change. CD-R.

Five stereo acousmatic works by Manuella Blackburn from 2018 to 2023, made from household sounds, plastic waste and microplastics, a rotary landline and the factory samples and fan noise of a Fairlight CMI. CD-R.

Eleven fixed-media works by Elsa Justel from 1995 to 2021, several of them homages built from the sounds of Ferrari, Parmegiani, Bayle, Dhomont, Ferreyra and Vande Gorne, alongside a COVID divertimento and a dialogue with pianist Ana Foutel. CD-R.

Seven works by Gilles Gobeil from 1990 to 2020 on the theme of the stroll, from Chris Marker's La Jetée and Kubrick's 2001 with Yves Charuest's saxophone to Folkmar Hein's Berlin forest walks and the trio Déviation(s). CD-R.

Six 7.1-channel acousmatic pieces made by Dominique Bassal between 2018 and 2021, each tied to a historical episode of persecution, from Saint Bartholomew's Day to Deir Yassin, and built with production techniques borrowed from commercial music. CD-R.

An eight-part cycle by Ana Dall’Ara-Majek built entirely from Buchla 200 improvisations recorded at EMS Stockholm in 2022, each piece giving a sound colour to one species of plankton, from radiolarian skeletons to diatom blooms seen from space. CD-R.

Emma Margetson's Contemplations: nine acousmatic works from 2014 to 2022 on the passing of time, from a ticking metronome and a suspended cymbal to a bicycle in Hamburg’s Elbe tunnel and chalk on paper after a Wyndham Lewis sketch. CD-R.

Four acousmatic works by the Belgian composer Ingrid Drese from 2013 to 2020, after Henri Michaux, Rilke and Jung, including Treize virgule huit, a history of the universe made with the astrophysicist Marc Moniez for Ina-GRM. CD-R.

Two documentary works by John Young built on soldiers' voices: a First World War veteran recalling the angel at Mons at 101, and the composer's father, a New Zealand gunner, on his war in Italy, where he met Young's mother. CD-R.

Six works by John Young from 2017 to 2023, from New York subway preachers and Oberlin crickets to Mahler’s composing hut and a setting of Simon Perril’s poem after Lévi-Strauss, including the Klang ! and Akousmatique prize winners. CD-R.

Christian Bouchard’s fourth album, five works from 2013 to 2022 that alternate abstract pieces with Montréal soundscapes: eight-track recordings from his car with police radio, a collective 15-minute recording, Canadian bird songs and a bank of oscillators.

Five works by Léa Boudreau from 2017 to 2022: a sonic portrait of Alzheimer's, a bestiary of species adapted to life after the Anthropocene, and four machines to save the world imagined by Montréal schoolchildren.

Six acousmatic works by Adam Stanović from 2017 to 2022, from the Ohio wind whistling through a studio window to midnight recordings in Hong Kong for the GRM commission Goodnight, Tin Hau, and a homage to Dale Jonathan Perkins.

Yves Daoust's documentary fictions from 1995 to 2021: Lily, built on a courtesan's confidences, in acousmatic and violin-accordion versions, a Chopin-based Impromptu 2, and Calme chaos, recorded at its 2012 premiere by the Nouvel ensemble moderne.

Six works by the Montréal composer Vanessa Massera from 2015 to 2018, made in Sheffield, Estonia and Sweden: English bonfire nights, an abandoned factory with accordionist Tuulikki Bartosik, the Stockholms Saxofonkvartett, and her grandmother’s memories of the Resistance.

Hans Tutschku’s hour-long five-part cycle from 2016-22, built from recordings of daily life, ceremonies, nature and improvisations gathered during three months in Japan in 2014, composed for 16 channels and heard here in stereo.

Three works by Åke Parmerud from 2013 to 2021: Louder Than Life, a five-movement memorial to composer Anders Blomqvist, Raw, made only from the unprocessed output of one unruly software synth, and Dark Matter, built from the electromagnetic fields of household devices.

Four works from 2012 to 2021 by Martin Bédard, two of them co-written with the flutist Marie-Hélène Breault, from the honey metaphor of Honey to a recomposed flute warm-up and Replica, built from her old recordings.

Sophie Delafontaine’s second album, a triptych from 2020 to 2026 on matrescence: waiting to conceive, childbirth rendered through Jean-François Laporte’s air-driven Babel Table, and the split self of the months after birth. CD-R.

Seven electroacoustic pieces curated by Michael Hoeldke for Edition DEGEM, with Robert Henke, Ralf Hoyer, Julia Mihály, Denise Ritter, Stefan Schulzki and Brian Smith. CD, 2014.

A record-shop memoir in sound from Two-Piers, moving between ambient, balearic and dub: Brian Eno with Moebius and Roedelius, Kuniyuki Takahashi, The Durutti Column, Meat Beat Manifesto, Daniel Avery and Spectrum.

F.J. Ossang's MKB Fraction Provisoire, recorded in ten days in 1993 with Jac Berrocal: machine loops, typewriter-speed poetry and noise'n'roll. Remastered 2023, deluxe CD with lyrics booklet.

Roberto Musci and Giovanni Venosta's Urban And Tribal Portraits, back in a new pressing from Soave: LP on clear vinyl, edition of 200 copies. At the beginning of the 1980s the composer Roberto Musci returned to Italy after a decade wandering the globe - drifting between Africa, India, and the Near and Far East, studying music, making field recordings, and collecting instruments. In 1984 this journey culminated in the release of his first album, The Loa Of Music, a sonic distillation and near per…