Monads
New Jason Kahn double LP for analog electronics, voice, percussion, environmental recordings. "In the field of philosophy monads are often referred to as the elementary particles which combine to create a substance. In the context of this double LP, the title refers to the constituent facets of my musical activity: namely, percussion, electronics, environmental recording and voice. What ties these different pursuits together is my particular approach to composition. No matter what sound material…
Jaap Vink
"The Institute of Sonology in Utrecht has earned its international reputation mostly for pioneering work in the field of computer-assisted algorithmic composition and digital sound synthesis by composers such as Gottfried Michael Koenig, Werner Kaegi, Paul Berg, and Barry Truax. Anyone familiar with the music of these composers would have to admit that even within this 'genre' there were no stylistic dogmas. The stylistic range of the Institute's artistic output becomes even broader when …
S/W
Future music duo Second Woman's sophomore full-length for Spectrum Spools further hones their distinctive fusion of shape-shifting software sculpture and tessellated footwork. Shivering digital textures oscillate with and against algorithmically mapped percussion samples; smeared synthetic chords levitate in the distance; stabs of digital noise punctuate the mix in twitchy, time-distorting patterns. Their anamorphosis verges on ascetic: stark, splintered waveforms rendered into unique fib…
Pythagoron
Bridging the worlds of fine art, drug culture, high New Age thinking, and musical Minimalism, Pythagoron’s sole LP is a near perfect artifact of its era - a mysterious sonic wonder, emerging from the fog of time. Privately issued in 1977 - sold via advertisements in High Times - America's iconic stoner publication, the album is thought to be a product of Usco (The Company Of Us), one of the earliest multimedia art collectives based in New York - pioneers in the field of immersive sound and light…
Invisible(s) Archipelago(s) #1 – Serendib rhythms
"The Unfathomless Series returns with another pair of fine releases, whose moods are polar opposites. Five Elements Music‘s lokrum patterns draws the listener in, while Stéphane Marin’s Invisible(s) Archipelago(s) n°1 – Serendib rhythms contains sounds that many would choose to avoid. Now to Sri Lanka, a land of many islands, whose sounds have been worked into a single composition by Stéphane Marin. The title may be unwieldy (Invisible(s) Archipelago(s) #1 – Serendib rhythms), but the idea is no…
Lokrum Patterns
"The Unfathomless Series returns with another pair of fine releases, whose moods are polar opposites. Five Elements Music‘s lokrum patterns draws the listener in, while Stéphane Marin’s Invisible(s) Archipelago(s) n°1 – Serendib rhythms contains sounds that many would choose to avoid. Croatia’s Lokrum Island is a beautiful paradise of coves, beaches and azure green waters. But there’s a down side as well: it’s awfully close to shore. As such, it’s a wonderful getaway that too many people know ab…
Scare Me Not
Inveterate soundwalker Audrius Simkunas/Sala has revisited familiar places of his childhood where corroded soviet relicsare long asleep…from this winter intense trip reminiscent of Lovecraft’s universe, comes “scare me not“…
Aldaris
Rihards Bražinskis & Raitis Upens are long time associates operating in the sphere of the Baltic experimental music & art scene. They produced already some very fine field recordings/musique concrète under the collective moniker of Phonic Psychomimesis. Here they team up once again for a site-specific unique work around a famous Brewery, witness of Riga’s past industrial greatness…
Everywhere At The End Of Time - Stage 2
The second of six LPs issued under the title Everywhere At The End of Time, cataloguing The Caretaker’s fictional first person account of life with early onset dementia. This second stage takes a more wistful tack as our protagonist gradually realises that all is not well and begins to rummage deeper into the recesses of his mind, masking emotions of grief, loss, fear and uncertainty. As The Caretaker’s short term memory functions begin to more rapidly erode, the loop-based punctuation of the pr…
Eye Chant
Originally issued in 1986. You can see the sounds her voice makes. The literal depiction of this, a photograph of Michele Mercure with an eyeball in her mouth, is removed in the updated album art. The original graphic elements are left to suspend, speak, and sing across time. In the absence of the decade-specific portraits, the redesigned edition is dislocated from a particular or linear history. Our initial point of encounter is artifactual; a trace in place of a scar. Accordingly, Michele’…
The Last Man in Europe
Reality had the honour of working with pioneering electronic composer Zbigniew Karkowski on two occasions. In 2007, as part of the Recording Angel Ensemble’s accompaniment to Wojciech Has’ film “The Saragossa Manuscript” at the National Film Theatre and finally, for the last time on the 31st October 2013 when, already gravely ill after learning that he had advanced pancreatic cancer, Karkowski premiered his music to the BBC 1954 teleplay production of George Orwell’s “1984 - The Last Man in Euro…
At the Salt Museum
In December 2015, these three Melbourne musicians camped at Murray Sunset National Park in northern Victoria, Australia, sounding various sites and performing ritualistic actions. This album documents our interactions with rusted salt harvesting machinery discovered at the outdoor 'salt museum' on the shore of the Lake Crosbie saltpan.
And Who Sees the Mystery
Gilles Aubry, field recordings, electronics.“And who sees the mystery” is a music piece based on sound check situations and rehearsals of Amazigh music recorded by Gilles Aubry between 2013 and 2014 in Morocco. Using his microphone as a sound processing device Aubry has transformed further his field recordings in the studio through performative feedback techniques. Far from an ethnographic account, his composition is an abstract sonic exploration of traditional instruments, rhythms and spaces. I…
Synthesizer Pop for a New Age: 1974-1978
"Flannelgraph Records is very proud to present what we personally consider some of the best synthesizer instrumentals ever created, somehow unreleased for 40 years! A music educator, composer and more, Don Muro is one of the good guys. On this release, Don takes us on a delightful journey through danceable jammers that would not be out of place on a Goodson-Todman production, sparse, contemplative prog and beautiful soothing space music. Imagine your favorite local television station ID bumper f…
Riflesso
Filtro was born in 2016 from the meeting of Angelo Bignamini and Luca De Biasi already active in the Italian psychedelic and noise scene (The Great Sanuites, Sukkia, Satantango, etc). In the grammatic of Riflesso magnetic tapes articulate with modular synthesizers and improvisation that the duo manipulates till they get a canvas of twines and multicolour stitches curves and corners sound scraps calibrated and polished get born again and find new context in the shape of patterns repeated sequence…
New Zealand Electronic Music
Well I’ll be - I went to Auckland in May of this year with the sole intent of finding a copy of the “New Zealand Electronic Music” set - well; and to play a killer show w/ Pumice and Dean Roberts / Guy Treadgold - which naturally was nowhere to be found in any of the George St. shops - although I did find both of the From Scratch LPs and a few copies of the solo Douglas Lilburn LP - and here, not three months later, like a bolt of Viking Thunder from down up over under; the Creel Pone re-product…
Electronic Music
This could very well be the most obscure Creel Pone yet; a reproduction of an uncirculated 1966 10” record prepped by the shadowy Madison Avenue agency "T R F MUSIC, INC." of "Electronic Music" by Czech composer Vaclav Nelhybel, during which the Composer / Performer does ravage dissonant cheap electronic organ & piano clusters through ancient waves of Tape Delay & other Early Electronic modifiers. I assume these were handed out to prospective Documentary Film-makers & Production companies & th…
After Guernica
Once again the “boxes from Reykjavik” have started arriving on Thursday mornings like clockwork; let’s start up again not with an outright explosion of lost Tape-Psych damage - to give us all time to recover - but with a rather remarkable set of subtle, Lo-Fi Electronic compositions composed throughout the 60s & originally released in the early 70s on the private-press “Golden Crest Records, Inc.” label. Of the past Creel Pones, this one has the most in common with the George Engler “Inside of…
La Jolla Good Friday I-II
Reproduction of this 1981 LP featuring two wasted / buzzing / side-long / go-nowhere early Computer-controlled Analogue Synthesizer pieces - rendered via Ed Kobrin's "Hybrid IV" setup - captured on March 28th, 1975 & sounding not unlike an airplane anding / taking off as realized by the programmers of an Atari 2600 console video game. Sigubjörnsson is an interesting character; his "Kisum / Intrada" LP of trio clarinet, viola, & piano pieces was issued by the same pre-Caprice Expo Norr RIKS "Re…
Music To Wash Dishes By
Nice to see this 1982 “Private Press” LP by Chicagoland’s Tom Cameron in the program; I’ve long felt this was one of the better “One Man Against the World ... with Synthesizer” LPs self-financed during the late-70s / early-80s. Each side features an extended, gorgeous take on analogue “Automation” book-ended by two, shorter, more “Accessible” numbers. The A-side’s “Another Question” is an impeccably gaseous, floating void of minimal diminished-minor filigree that rates up there with thebest of…