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Electronic /

Why Is The Sea So Blue
In Why Is The Sea So Blue Margareth Kammerer continues to explore songs in experimental music contexts, elaborately interweaving lyrics into nine wistful soundscapes. Originally recorded in 2006, with the band consisting of Christof Kurzmann (voice, saxophone), Axel Dörner (trumpet), Burkhard Stangl (vibraphone), Werner Dafeldecker (double bass), Big Daddy Mugglestone (percussion) and Marcello Silvio Busato (drums), the album’s final shape emerged with the production of Valerio Tricoli in 2011, …
Vtoroi
The first Mikroton release featuring Russian musicians Ilia Belorukov, a saxophonist from Saint-Petersburg, and Kurt Liedwart, an electronic and computer musician from Moscow who also runs the label. It’s their second longplaying work following Obwod which was released on Copy For Your Records. On the new CD the duo goes even further into the realm of unknown contriving to work with silence, space and chance with their traditional means like sinewaves and saxophone’s long tones. Saxophone prepar…
Shifting Currents
The recordings for the piece were gathered over the course of a year from Huddersfield, Stirling, Aberdeen (United Kingdom), and s’Hertogenbosch (The Netherlands). These were used to create an installation consisting of over 100 tracks that were remixed in real time during each performance. The set up varied from show to show, sometimes playing through 6 speakers and 3 subs, and at other times, through 12 speakers etc. The performers were positioned at the centre of the audience, who in turn, we…
Bloody Imagination
Ten years ago, a week before Christmas in 2002, Teruto Soejima, a Japanese experimental/avant-garde music critic, organized a festival at a small live venue called Knuttel House, located in the east side of Tokyo. Named as “Independent Underground Music Festival”, it was held with the following message by Mr. Soejima: “Today in the advanced improvised music scene, new artists keep coming up one after another. In there, free jazz, contemporary music, techno, prog, traditional music, experimental …
Stodgy
eRikm first met Norbert Möslang in December 1998 at the festival More Scratch in Nantes when they first played together as part of ad-lib quartet gig which later became known as poire_z, a prominent electroacoustic improvisation quartet which existed until the split of Voice Crack in 2002. Norbert Möslang has been playing in Voice Crack duo with Andy Guhl since 1972, they’ve been working with “cracked everyday-electronics”, modifying and recontextualising the use of home electronics. After the s…
Banc d’Essai 2011-2019
INA grm is pleased to present its new record release, a two CD compilation of 18 electroacoustic works selected amongst the laureates of GRM Banc d’essai composition contest. The composers and their work are presented throughout a 24-page booklet.
A Floating World
The French WPB3 trio explores areas between abstract minimalist contemporary concrete instrumental improvised music and energetic noisy free jazz with an uncompromisingly totally free approach. Nusch Werchowska has been involved in improvised music since she met Barre Philips in 1993. A pianist who is able to translate a conversation between Debussy and Cecil Taylor as well as John Cage using all kinds of prepared techniques. She played with numerous musicians in the field of improvised music su…
Limmat
Limmat is the second CD from Günter Müller, Jason Kahn and Christian Wolfarth, following their first album Drumming released in 2005 on Creative Sources. Recorded during one afternoon in Kahn’s Zürich studio, “Limmat” features three unedited improvisations melding microsounds, percussive mastery and swaths of noise and static into a mesmerizing whole. Originally from Los Angeles, Jason Kahn has lived in Europe since 1990. He has performed or recorded with musicians such as Günter Müller, Norbert…
Klingt​.​org: 10 Jahre Bessere Farben
The ever progressing sophistication of the Internet brings with it not only many positive aspects but also a more and more tangled convolution of data threads, a twisted web that can, like bundles of tangled fishing net, make trawling for and distributing useful and meaningful information difficult or even impossible. Good thing there’s klingt.org, a clear, straightforward forum that for the past ten years has provided a community of musicians and artists with an Internet platform free of charge…
Angel Tears in Sunlight
Angel Tears in Sunlight is Pauline Anna Strom’s first album in over thirty years; an assemblage of music that refracts the expansiveness, and minutiae, of imagined realms while embracing the kaleidoscopic echoes of our distant epochs. The capacity to collapse time might elucidate the enigma of Pauline Anna Strom. A mystic force in music, emerging during the dawn of new age as the Trans-Millenia Consort, the pioneering synthesist channelled primordial energies into future-facing sound through a s…
Planes
Over three decades Jason Kahn developed his unique sonic language, now exploring the interaction between sound and space using a compact setup of percussion and analog synthesizer. He has performed and recorded albums with Günter Müller, Norbert Möslang, Kim Cascone, Arnold Dreyblatt, Steve Roden, Dieb13, Richard Francis, Ryu Hankil, Jon Mueller and many others. He ran his own Cut label from 1997 to 2008, releasing 25 albums. Asher is one the most interesting new composers in the United States, …
Palmar Zahler
It is now 5 years that I travel to Latin America. My home base in Buenos Aires; and from there to almost all the other countries. When I arrived there first, I did not know much about the music scene, especially about any scene committed to “New Music” or “Improvisation”, but with the time i encountered a lot of movement, a lot of interesting music (of any form or genre) and I encountered musicians, that if they had been born in the so called “civilized West” would be within the most important p…
Cym_Bowl
Cym_bowl is Günter Müller’s fourth solo CD. On cym_bowl he follows even more consequently the idea he already realized on his last album reframed; focused on the sound of one cymbal and one singing bowl; he feeded his iPods with dozens of variations of processed sounds. Afterwards he conceived with recorded material from sessions he improvised with processed cymbal and bowl sounds only the 4 pieces for his new album. cym_bowl could easily go as a symbol of getting lost in time.
Horizontology
New school kosmiche style guitar and synth studies by Baltimore native and veteran underground music figure Tarotplane (PJ Dorsey). Across four cold, motorik movements Dorsey builds upon previous outings for Aguirre, Lullabies For Insomniacs and VG+ on the discs A side, combining trademark lysergic keyboard swirls with a heavier rhythmic approach than usual. On the B, he delivers an extended swan song for 12th Isle's single figure catalog and aims his guitar towards the heart of the sun, kick-st…
Absolute Body Control - 1980​/​2020
* Absolute Body Control "1980/2020" Ltd. Edition 3x12" Vinyl + Poster presented in ultra-deluxe triple jacket One-off truly limited edition of 400 copies lacquered pressed on 180 gr. High quality solid Black vinyl. All tracks have been specially remastered for Long Cut vinyl by Daniel Hallhuber at Young & Cold Studios * Influenced from bands such as Suicide, D.A.F and the early UK electronic scene, Absolute Body Control was formed in belgium back in 1980, influencing and inventing genres ever si…
Istantanee vol​.​1
* Limited Edition 300 copies High Quality 180gr Black Vinyl * These musical compositions – which I called Istantanee (snapshots) – were realized with sonic materials issued from experimental studies on the expressive capabilities of the instrument arranged in such a way as to take account of the rhythmic and harmonic peculiarities of the material itself. To maintain the spontaneity of the original musical idea, each snapshot was recorded three or four times on different kinds of tape – the timbr…
Boundary Scan
How secluded can contemporaneity be? Is every art aimed at an inherent center? Are sound waves soft boundaries? Pack a bag, a sky and a bonfire log to join six exceptional musicians on their expedition to the rough and mellow edges of electronic sound. Periferiya is a Russian-swiss collaboration between Boris Shershenkov (St. Petersburg), Kurt Liedwart and Mikhail Myasoedov (Moscow), Thomas Korber (Zürich), Christian Kobi (Berne) and Christian Müller (Biel) which took place in the remote Vallée …
French Archives Vol. II 1974-1985
An absolutely astounding accomplishment, Black Sweat's second 4 LP Box set of previously unreleased material by Ariel Kalma - French Archives Vol. II - is a mind-melting immersion into the composer and saxophonist's radical experiments and stunning ambient harmonics made between 1974 and 1985. Venturing far beyond the territories for which he is most well-known, the collection takes great strides to accurately framing ambient and New Age musics as rightful extensions of the avant-garde, and is e…
Domestic Exile
Mental Experience present the first ever reissue of Steve Piccolo's debut album from 1982, Domestic Exile. A hidden gem of minimalist beauty, mixing a post-punk/DIY/lo-fi aesthetic with art-rock and spoken poetry. Steve Piccolo has been active since the mid-1970s in music, theater, performance art, sound installations, video and film soundtracks. In 1979, he started with the Lurie brothers the "fake jazz"/no wave band, Lounge Lizards. Domestic Exile was recorded one year after the seminal Lounge…
Skagafjörður
* LP in black vinyl, includes a duotone printed insert and set of three postcards * Faraway Press, presents Skagafjörður by Andrew Chalk & Timo Van Luijk. Soundtrack to the silent film ‘Skagafjörður’ by Peter Hutton. Originally released on cassette by B.A.A.D.M. Recorded as part of ‘Night of Experimental Film’ event in Ghent, Belgium, 2018 that also saw screenings of Derek Jarman’s ‘The Angelic Conversation’ and performance by Tom James Scott, the recording captures the quintessence of Chalk and…