Diversions 1994-1996
2015 repress, originally released in 2012. The 30-minute Diversions 1994-1996 EP is made up entirely from samples from the collection of Lee Gamble's jungle cassette mix-tapes. The audio has been subjected to analog and digital deformations, while trying to extract, expand upon, and convey particular qualities emblematic of the original music. The effect is that of a musical body scan, all that is solid melts into air. Sounds are unearthed, dissected on the operating table, melted and unloc…
Unseen Worlds
1994 release, Late-eighties works re-released by Spiegel's own label, after the demise of the original imprint Scarlet Records"I had started as an improviser, largely self-taught and playing by ear on "folk" plucked instruments. Once I began a formal study of music, only after college studies apart from music, I had to learn to adjust to writing silent notes on paper with a dim hope of possibly eventually hearing them played by others, though my lack of keyboard skills with which to compose and …
Obsolete systems
finally restocked: 2001 release. An overview of Laurie Spiegel's electronics works, ranging from 1970 to 1983. Utilizing analog synthesizers (Buchla 100, Electrcomp 100), tape, digital synthesis, Echoplex, Bell Labs' GROOVE Hybrid system, etc. Comparable to classic 70s-era Schnitzler streaming, this is a very memorable document of this obscure composer's best works. "Laurie Spiegel, electronic music pioneer, has been working with cutting-edge electronic instruments since the 1970s. She has…
The Temple Recording
I am currently making recordings like this: I go to a certain place and choose an object Ð mainly it is a landscape, which is interesting to me. I fix a stethoscope with a small built-in air mike onto my temples. The position of the air microphone can be set anywhere near the ears, but I feel that our temples are the best and only place for that. The stethoscope captures vibrations of my muscles and blood flows. Because of the nature of the air microphone, environmental noises are recorded, t…
O kokos tis anixis (Grains of spring)
The ancient Greek philosophers thought that the world is constituted of a series of grains of space and time. When I walked around Miura Peninsula in the springtime, I felt the same way - the quality of the space and the time seemed to be formed by a series of grains of sounds. Each place has its own unique character. You could label it as a particular quality of the place. The quality of the sound.'-'This is one of my trials to present a 'subject' as a piece of work - which can be called…
Cry
Cry was recorded in a shed at Taieri Mouth between 1998 and 2000 and then released by Emperor Jones on CD in 2000. Alastair has always been one of the most admired yet paradoxically ignored musicians from the New Zealand underground since he first started out in The Rip on Flying Nun Records in the early 1980s. Having already worked with the incredibly talented New Zealander otherwise known as Michael Morley, it seemed natural for MIE’s next step to go on to work with Alastair on getting …
The Mineral Victim
After a lengthy silence, Chora’s Ben Nash came back recently with an album made entirely on his computer, and now here’s another one which seems to have been made with a combination of computer and guitar, carving out slow melodic soundscapes with glassy, patient drones, disembodied voices and a whole variety of tones which swell and recede for quite an ominous, organic-sounding psychedelic thrum.There are two lengthy pieces on here, on the first side there’s ‘From 80 Fathoms’, which is quite sp…
Lonely women's club
Beautiful new work from Lawrence English. Pressed in an edition of 500 copies. Somewhere after dark, before dawn, in a place where natural light is shunned and organ is singing. It's voice is that of an arcing clouds of tone, emerging and falling with an uneasy sense of pace and direction. The voice warbles, a vibrato of shifting pulse and subtle variation. The room around it is filled with a dusty ash; smoke in haze like proportions. Eyes are blood shot, sunken below the rim of a glass. …
White Shadows in the South Seas
It's difficult to know how to summurise the meandering journey that has been the life and times of Mike Cooper. Having just celebrated his 70th year of mischief making here's what we can tell you... A young Mike Cooper can be spotted playing a beatnik guitarist on an anti-nuclear march in London beat cult film 'That Kind Of Girl'. His first band The Blues Committee played with and supported blues legends such John Lee Hooker, Howlin Wolf and Jimmy Reed. Cooper was central in launching several o…
Crushed Interior
Jim Donadio's debut Psychedelic Black album as Prostitutes came out in 2012 and ended up on many year-end lists, fitting in somewhere between the post-noise abrasive techno of Pete Swanson, Container, Nate Young, etc., the roughened post-punk hues of Powell and the more precision-built constructions of the Raster-Noton label. Donadio's follow-up, Crushed Interior, arrives via Digitalis and picks up where he last left us, taking us through to the next, blackened layer of re-formulated techno te…
BM-01
LP version, featuring an exclusive vinyl-only track. Full-color printed innersleeve; limited to 500 copies. The BioMechanica project marks the first collaboration between Francisco López and Arturo Lanz (founder and member of the current Esplendor Geométrico tandem) after thirty years of an ongoing relationship. Their debut album, BM-01, is the outcome of years of intense work in multiple cities across the world, from Beijing to Reykjavik all the way to Johannesburg. Raw power and original rh…
Lux Aeterna
Legit CD reissue, Lux Aeterna, was originally composed to celebrate a friend of William Sheller's wedding, thematically driven by concepts of union and togetherness, and ostensibly based on the Catholic mass, this is far from any sort of religious music you've ever heard. Following in the footsteps of other iconoclastic composers, like Serge Gainsbourg, Jean-Claude Vannier, Lee Hazlewood, David Axelrod, Scott Walker and of course Magma (more on that in a second), Sheller conjured up what i…
Pan
LP version. This is the first solo effort from Jonas Munk released under his own name. Jonas Munk is a musician and producer from Odense, Denmark who has been active in a wide range of musical styles for the past decade. In the European psych-rock community he is mostly known as the guitar player in the respected stoner/jazz/Krautrock-outfit Causa Sui as well as related projects such as Chicago Odense Ensemble, a joint session project featuring members of Causa Sui, Chicago Underground Colle…
Through the Window
Through the Window is the new album by Prurient, his first for Blackest Ever Black. It is, in a sense, both the conclusion and the climax of the journey that Dominick Fernow began with 2011's Many Jewels Surround the Crown 7" and continued with that year's Bermuda Drain LP and Time's Arrow EP. It was recorded before the Hospital Productions founder's move to Los Angeles, but in tone, subject matter, and scale it firmly anticipates his current stint navigating the desert c…
C.O.I.T. - A Collection of Isolated Tracks 1981-1988
**Edition of 300 double CDs and 7" plus 6 offset metallic printed postcards housed in black varnished wooden box with slide close lid** 'This amazing archival collection from Vinyl on Demand brings together 28 tracks of kinetic, dark and unusual French wave and industrial aces by Clair Obscur. Many of them formerly appeared on the 'A Collection Of Isolated Tracks' CD, but this compilation adds 13 previously unpublished gems bundled with the first ever vinyl issue of their 1982 tape, 'La C…
Xenophone International 1979-1985
This lmtd.500 3Lp-Box-Set is compiling the early Stage (1979-85) of the swedish Label Xenophone International founded by Dan Söderqvist and Karl Gasleben in late 70’s and which is well known for their own projects and Tape-releases by Cosmic Overdose (Final Koka, 1980) & Twice a Man (A Goat in a Room, 1983“) as well as the 1983-release „Through“ by the previous Twice a Man-member Lars Falk. Now, and for the first time on Vinyl, all three of those highly collectable and searched-after Tape-…
Tape-Works 1981-1982
Members of Melbourne-based seminal improvising experimental group Laughing Hands and its alter ego Invisible College have been Paul Schütze, Gordon Harvey, Ian Russell and Paul Widdicombe.Their spectrally shaded instrumental post-punk-by-way-of-post-industrial constructs were effectively post rock before the genre existed.The group continued in several permutations until disbanding in 1982. They have released two vinyl albums on their own Adhesive Label (Ledge (1980) and Dog Photos (1981) pl…
Spectroscopic 1979-1982
Ian Boddy is a prolific British electronic musician and composer. He has been active for over 3 decades with numerous releases and contributions to many international labels such as Flowmotion, Mirage, Signal Records, Colin Potters ICR (Integrated Circuit Records), Third Mind, his own label DIN Records (founded in 1999) and many more. His creative output has been influenced from the 70’s German Krautrock/electronica and especially bands like Tangerine Dream and Klaus Schulze. In the late 70’s an…
K.O. City Studio Recordings 1981-85
Data Bank A is most likely the best-known, highly prolific and protagonistic EBM/Dark-Wave/Synth project of Andrew Szava-Kovats, who is also known for his 80/90’s works as and with Dominion, Compound, Parade of Sinners on labels like New Rose/Lively Art (France), Subway (aka Subtronic) Records (Germany), Tragic Figures (Portugal) and KK Records (Belgium). As many artists back in early 80’s, he founded his own label called K.O.City Records (later re-named True Age Records) where he re…
Origin
In the distance, they thought they heard a noise. This sound, that lay upon the hum, that those who lived here incessantly heard, crept into their consciousness as their breath slowed. The search was drawing on, time was becoming physical. The landscape was brown, a reddish brown, dusty and warm, and the smoke that was always somewhere off in the distance was still not far enough away. The noises of everyday always seemed like layers of different lives sounded off by the people. Each voic…