Electronic / All styles

Split LP in the Portraits GRM series: Amina Hocine blends sine waves, field recordings and her own foghorn organ in X3, while Espen Sommer Eide revisits his Phonophani years and the Tromsø ambient techno scene of the late 1990s.

Split LP in the Portraits GRM series: Jules Négrier’s two-movement electronic piece An Iris Crackled Like Eyelids meets Maria W Horn’s All Solids Melt Into Aether, organ chords pushed to their limits against computer-generated tones.

Incest Songs is the final chapter of the Murder Ballads trilogy, and its most fully realized expression. Where Drift and Passages explored the post-isolationist frame through voice and single instrument, this third volume dispenses with that approach entirely, opening instead onto a more labyrinthine sonic architecture - one built from overlapping, saturating, blurring voices, all of them Martyn Bates'. The decision feels both inevitable and quietly inspired. Bates' vocalizations unfold as layer…

Electronic Sound issue 142 puts Faust on the cover, with a cover story on the four albums released on the same day by the band's four surviving original members, bundled with an exclusive clear vinyl seven-inch EP, Four From Faust, one track from each album.

Ten tracks of dark, slow-motion dub by Ravenna photographer and field recordist Adriano Zanni, built from delays, reverb and recordings of abandoned places, from Pripyat to Craco. Limited grey vinyl on Bronson Recordings.

XKatedral Anthology Series III is the third installment in a series of archival releases dedicated to presenting music by composers working within the realm of slowly evolving harmonic and timbral music. The pieces presented here focus on the use of synthetic and acoustic sound as well as algorithmic composition as tools for precise work within the realm of spectral exploration. This double-vinyl set is issued in celebration of the label’s decennalia and contains works from 2014 - 2025. It is re…

Tip Tip Tip!  2026 Repress XKatedral Anthology I is the first in a series of archival releases dedicated to presenting music by XKatedral affiliated composers working within the realm of slowly evolving harmonic and timbral music. This double-vinyl set contains an array of pieces dating from 2010 - 2020. Four of the works  included here were originally released on cassette tape early on in the label’s history, while the two remaining pieces are presented by the label for the first time. “The w…

After last year’s Black Clouds Above The Bows, Amsterdam-based collective Wanderwelle presents the second entry of their trilogy for Important Records, which is dedicated to telling the story of the climate crisis and its effects on coastal areas around the globe. For this album the artists incorporated the sound of a dying organ. All Hands Bury The Cliffs At Sea consists of electro-acoustic threnodies for an environment at risk due to the effects caused by receding coastlines around the globe. …

LP version. "Control was created during a phase of Schnitzler's work in which his friendship with Peter Baumann (formerly of Tangerine Dream) allowed him to try out and use new electronic sound generators and peripheral technologies. He never used these innovations merely for their own sake, but always put them at the service of his artistic flair for experimentation. His signature style is clearly recognizable on Control. The album seems to be a kind of compilation of different musical approach…

'Calling': more hushed, luminous keyboard music from the reborn Cluster lineage. Qluster let melodies surface slowly from analogue haze, patient, warm and quietly devotional. Ambient kosmische at its most human.

MKB Fraction Provisoire (Messageros Killers Boys) is the variable-geometry musical project of filmmaker and writer F.J. Ossang, founded in 1980 to feed a need for creativity fueled by the punk movement and the Industrial scene. The band’s music is characterized by a blend of punk rock, blues, and avant-garde influences, with Ossang’s poetic lyrics often addressing themes of alienation, decadence, and despair. After a self-released EP in 1981, Provenance France, M.K.B. released their first LP, Te…

You are in an unknown land. It looks similar to the one you've lived in so far, but everything is weird, out of place, subtly disturbing. How did you get here? You don't remember. You suspect it is a dream, but if it is, your sleep is really heavy, so much so that you cannot wake up. You just have to set out and find the road that leads out of this nightmare. Welcome to the land where nothing is as it seems. The musical team behind the first episode of Dunjon Magik is back to transport you to a …

Throbbing Gristle announce the next phase of their reissues series with the release of ‘Part Two: The Endless Not’ / ‘TG Now’ and ‘A Souvenir Of Camber Sands’.  In 2004 Chris Carter, Peter Christopherson, Genesis P- Orridge and Cosey Fanni Tutti reformed - 23 years after their mission was originally terminated - and between 2004 and 2007 the band released 14 new studio tracks and a live album of their appearance at ATP’s Nightmare Before Christmas in Camber Sands.‘A Souvenir Of Camber Sands’ is …

Telmegiddo, recorded in February 1983 at the Mectpyo Studio, was Maurizio Bianchi's last tape decomposition before his long hiatus. Mercium reissues it on CD, remastered: two parts of about 25 minutes.

Maurizio Bianchi with P.U.M.A. (Luca Valisi and Monica Calanni Rindina): ten pieces of drones, synths, field recordings and voice titled after THX 1138, Eraserhead, Stalker and other dystopian films. CDr, 100 copies.

Sacher-Pelz, the 1979 solo project that preceded M.B., in a CDr reissue of L.E. Cherz Pas, first out on TIBProd. in 2010: four long pieces, about an hour of music. 30 copies in a black envelope.

Maurizio Bianchi's Carcimetrio, first issued by Simple Logic in 2006, back on CDr: four long pieces named after tumours and growths, over seventy minutes, mastered by Siegmar Fricke. 30 copies.

Maurizio Bianchi's Kathamenja, first issued by Lona Records in 2011, back on CDr from BeTon Raw: five tracks, close to seventy minutes, with the original preface printed in the package. 30 copies.

Two sixteen-minute pieces of anenoises and choictronics recorded by Maurizio Bianchi as M.B. in 2017 at the Emoptyc studio in Opera, with artwork built on photos of anechoic chambers. 30 copies on BeTon Raw.

Maurizio Bianchi's March-Ex, first issued by Lona Records in 2009, back on CDr from BeTon Raw: five tracks, about an hour, with the voice of Yoko Ishimoto Kamimura and mastering by Siegmar Fricke. 30 copies.

Maurizio Bianchi's Erthion, first issued by Young Girls Records in 2010, back on CDr: eight tracks titled after verses of the biblical Lamentations, about an hour, mastered by Pharmakustik. 30 copies with mini poster.

Maurizio Bianchi's N.E.S.W. (Negativity-Enmity-Spurn-Worse), first issued by Lona Records in 2014, back on CDr: four long tracks that rotate the points of the compass, almost seventy minutes. 30 copies.

Split in two doses: Uncodified (Corrado Altieri) and Mademoiselle Bistouri (Claudio Frassine) spank each other across two mini CDrs of noise and power electronics. 48 handmade copies, each with a coloured paddle.

Two-Piers' Psychédélique series lands in Kosmische Musik: La Düsseldorf, Neu!, Harmonia, Cluster, Schulze, Faust, Guru Guru, Tangerine Dream and Cosmic Jokers, then the heirs, from Boards of Canada and Tortoise to Beak>.

Richard D James' classic album from 1992, re-pressed countless times but still sounding as vital as it did way back when. Still probably the most uplifting and nostalgic thing in the AFX catalogue...Best electronic music album of the late 20th century. A proper gateway drug to the myriad microcosms of Richard D. James a.k.a. Aphex Twin. 100% essential in any collection. Selected Ambient Works 85-92 is a desperately sparse album: thin percussion and several haunted-synth lines are the only compon…

300 copies, deluxe box set. Australian experimental industrial and ambient music band from the early 1980s Laughing Hands complete discography with several bonus.  Laughing Hands worked in the experimental music scene in Melbourne in the very early 1980s. They were an improvisation group using tapes, synthesizers, guitar and hand percussion much of which was then treated through machines, producing their soft, insistent and rhythmic sound. The members of seminal Melbourne-based improvising exper…

*300 copies limited edition* Nam-Khar and Vortex, two of the most prolific bands in the German occult underground, have joined forces to create their latest album, "The Sarajevo Spiral." Both bands have developed their respective ritualistic styles over numerous concept albums, making this collaboration a natural progression amidst the rising global conflicts of the current 'new 1920s.' The result is a martial and meditative album, unfolding eleven complex compositions that reflect on the human …

The starting point is E. T. A. Hoffmann's The Sandman: a world where perception and reality drift apart, and the question of identity remains unresolved. Recognition, in Hoffmann, is never quite secure. The doppelgänger is less a figure than a condition, the point at which the self can no longer vouch for itself.The first record, Lichtstimme begins in an open, almost weightless sonic world. Something still appears untouched. The music carries a sense of proximity, clarity and trust. But this sen…

Emerging anonymously from Bristol's legendary electronic music scene, Capper Pass materializes on Indefinite Boundary with Bayhead – six tracks of smoldering neo-industrial textures, fractured southern rap rhythms and experimental sound design. Drawing inspiration from the ghosts of deindustrialization and the landscapes left behind, the name holds personal significance for one half of the project, who grew up near the former Capper Pass metal refinery in East Yorkshire, a site infamous for its …

At the turn of the millennium the original „Astral Disaster“ subcription-only vinyl release was somewhat of an Unholy Grail for Coil collectors! Virtually unobtainable in its original fiercely limited format of only 99 copies, it is the only album apart from the original „Musick to play in the Dark“ record to combine the genius of Balance and Sleazy with both Drew McDowall and Thighpaulsandra's talents. Like „Musick“ it is an essentially tidal/lunar record with literal washes of sound enveloping…

Undoubtedly one of the most anticipated events in industrial music. For the first time on vinyl! Infinite Fog Presents the Reissue Series of the Legendary Project In Slaughter Natives Cult!

Peripheral Minimal is proud to present, ‘V/A Prophecy + Progress: UK Electronics 1978 – 1990 LP’, a thirteen-track compilation that represents the burgeoning Electronic music scene in the UK.  This isn’t simply another synthpop compilation, or some nostalgic frippery, but an eclectic mix of acts that were experimenting with newly available technology at a time when the punk scene had imploded and the music press was busy coining new genres as an attempt to continue its legacy, although synth-pop…

** 2026 Stock ** * Silver & Black / White Vinyl. Metallic Gatefold sleeve. 200g 2LP. Augmented album * This 1983 period in which Gyllensköld was recorded was a fantastic time for the evolution of Steven Stapleton’s audio art. His collaborations with Diana Rogerson, Robert Haigh (Sema), David Tibet, and Thirlwell around this time elicited some of the most exciting work Nurse With Wound had yet recorded. Listen to this material and compare it to Chance Meeting and it becomes clear that in just a f…

** 2026 Stock ** * Metallic Gatefold sleeve. 200g 2LP. Black Vinyl, edition of 700 copies * The long-running and infamous project known as Nurse With Wound, essentially Steven Stapleton joined by a rotating cast of characters as Annie Anxiety, Chris Wallis, David Tibet, Diana Rogerson, John Balance (of Coil fame) — mixes the overly serious chin-scratching of the contemporary avant-garde with a healthy dose of absurdist humour and wit. Often unfortunately branded with the industrial’s tag, Staple…

Or (AKA John Talabot) is a Catalan producer, electronic musician & DJ residing in Barcelona. his 2012 debut album ƒIN received critical acclaim from The Guardian (5*), Anthony Fantano, Pitchfork (8.5 BNM) & DJ Mag. Highly anticipated, Talabot's first album in over a decade. A more left-field side of Talabot, with tangle of cartwheeling synth hooks, bursting with colour & looping electronics.

Music From Memory presents ‘Sleep Machines’, a new collaborative album from UK ambient pioneers O Yuki Conjugate and German producer and DJ Philipp Otterbach.

Yekaterinburg-based electronic artist Shine Grooves returns with Pyshma, a hypnotic new release on Gost Zvuk. Blending ambient textures, experimental electronics and subtle rhythmic movement, the record reveals an intimate and immersive side of the Russian producer’s ever-evolving sound. Across eleven tracks, Pyshma unfolds like a collection of half-remembered landscapes: shimmering tones, delicate melodic fragments, lo-fi loops and understated beats drift in and out of focus, creating an atmosp…

Open Universe is a new record label founded in 2025 following an invitation to envision a series of releases for the German production music library Sonoton. Curated by Jon Tye (Lo Recordings, Ocean Moon, Seahawks, MLO) with a remit to explore and create new worlds of sound in which to dwell and discover. Prismatic Fields is a collaboration between Ocean Moon and Silver Ley (Jon Tye & Bethany Ley), together they create metaphysical pop from another dimension where warm oscillations mingle and re…

** 2025 stock ** Thomas Ankersmit's new album for Shelter Press Homage To Dick Raaijmakers is an all-analog electronic music composition inspired by legendary Dutch composer/electronic and tape music pioneer and multimedia artist, Dick Raaijmakers (1930-2013). The work takes inspiration from Raaijmakers's music from the 1960s, his texts on sound composition like "Cahier M", and notes on his own music. On this recording, Ankersmit plays Serge Modular feedback and sine/pulse/random generators, con…

With DronosWalze / Dron, Conrad Schnitzler revisits and redefines the drone form, crafting a dual album that foregrounds his singular approach to electronic minimalism. These expansive pieces radiate immersion and mechanical elegance - each a testament to Schnitzler’s restless exploration and uncompromising sonic vision.