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HYbr:ID Vol. 2 is the second installment of Alva Noto’s HYbr:ID series initiated in 2021. The new album captures the music commissioned to score Richard Siegal’s Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor.
Building upon the blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into …
The inaugural release on KMRU's own fledgling OFNOT imprint, 'Dissolution Grip' is an ambitious project that emerged from his studies at Berlin's prestigious UDK. The Kenyan composer and sound artist is best known for his field recording work, and as he traveled across Europe and the wider world for regular live performances, he made a point to snapshot each city. But the more he studied and the more he examined his practice, the more KMRU began to wonder what the purpose of these recordings wer…
**300 copies in handmade textiled artwork w/ printed inner** 'Nothing left but silence' is Erik K Skodvin’s third solo album for Sonic Pieces and his most quiet to date. Subtitled as "Musical improvisations and quiet collages from the subconscious”, Skodvin reduces his instruments to guitar, reverb and amp - and creates a skeleton of eight hypnotic ragas that meanders in an eternal loop between ephemeral and singular.
Only on the horizon it’s possible to sense that Skodvin has also touched the …
Crème de la Deutz are a desire freeway and palm lodging. Mousy trees yearning for shell stars. During the release phase Crème de la Deutz will show an exhibition at Matjö, Cologne as well as perform at Kunsthalle Düsseldorf / Salon des Amateurs and at Temporary Gallery, Cologne on the occasion of Düsseldorf Cologne Open Gallery Weekend.
More than a decade after the release of 'Land Lines', the mythical Humboldt County, California based duo of Brian Pyle and Merrick McKinlay reappears seemingly out of nowhere with 'Atheistsaregods'. With past releases on such cult-like labels as Root Strata, Weird Forest, Blackest Rainbow or Digitalis, Starving Weirdos were an indelible part of a sprawling and loose network of artists in Northern America whose DIY work ethic and extreme activity revolved around shoestring-budget constant touring…
ICR is pleased to re-issue this long deleted release, also available as an enhanced & expanded for CD in a gatefold ecopack.
This originally came out in 2005 on CDR, as a limited edition of only 200 copies by ICR and Klanggalerie, only available at the Vienna live shows featuring Steve Stapleton, Colin Potter, Andrew Liles, Matt Waldron and Diana Rogerson. The gigs were held on 6 & 7 May 2005 at The Anatomical Museum / Narrenturm, Vienna (Austria). Each concert was limited to 50 seats. Fun was h…
*100 copies limited edition* An interrogation of identity pervades every corner of Zeynep Ağcabay’s ‘Ancestral Ground’, the debut body of work under her birth name. As someone who has formed their practice creating soundscapes for high fashion labels and runway shows, this is an artist finally being given full carte blanche in creativity. Zeynep’s Turkish ancestry is present through all seven tracks. However, it is not simply a borrowing or a homage. Very much still connected both geographically…
*2023 stock. 300 copies limited edition* "Buyer beware: I am not sure I have fully recovered from listening to Reznick’s latest offering. Felt like some malignant entity was chaperoning me through a madness-inducing mindscape... immersive, confident and consistently surprising.” - Larry Fessenden
*2023 stock* Leadlined is a 35-minute lamentation of the perverse ideology of the English, shaped by sound collage and heavy electronics. Heaving drones of memory churn the decayed hum of modernism and the spiritual bus routes of the past. £40 million of military hardware flying low over the colonial jugular; the knifing wind off the Kentish coast, shearing through the tendons of Roman roads and Saxon shores. Through the record’s mediation of these imagined pasts and displaced futures — the sine…
Free Time/dead Time is the first full-length 12" LP from Robbie Judkins’ long-running experimental sound project Left Hand Cuts Off The Right. The album combines elements of focused minimalism, experimental electronics and twitching musique concrete to create a series of meditative compositions that reflect on the precarious boundaries between labour, leisure, and the quality of lived experience under late-capitalism. Judkins exploratory practice of sonic experimentation invokes the work of Blac…
Opal X’s Environments is a deep droning meditation on the polar vortex and computer generated environments. Recorded on the Prophet 8 synthesiser in weeks where temperatures dropped to -8° in subzero South London, Opal X conjures a hallucinatory snowstorm where material and augmented realities coalesce. Environments is mastered by the ice cold Amir Shoat. Following previous releases for The Tapeworm and Industrial Coast — and building on the topographical rust of the Nonexistent project — Enviro…
Brachliegen are proud to present Break Down, the first release from Sakostamu, the collaborative project of Vasilis Sakkos (Casual Nun) and Tasos Stamou. The pair layer chanting vocal groans, wandering bells, weaving drones and haunting plucked strings through a four track tape recorder; this ritualised process builds a rich textual palette, burrowing deep to create a den of sonic transcendence, a place where shared cultural histories and individual wounds are broken down and confronted. A work …
Scree is two heaving slabs of feral tone from Heavy Cloud, inspired by the immense natural forces at work on the Cornish coastline. Tidal waves and searing sunlight batter and erode, crack and burn the ever shifting topography of the country’s precarious fringe over 21 minutes of processed heavy electronics. Scree is a pair of noise ‘landscrapes’ in-spirited by the Cornish coastline, formed over time from eroding loops and voices, processed field recordings and found sounds. Heavy Cloud observes…
Concrete Tombs is the second volume in Axebreaker’s Bunker Archaeology dyad of cassettes, following vol. 1: Military Landscapes released on Outsider Art. Concrete Tombs is a work of anti-fascist power-electronics drawing upon cultural theorist Paul Virillio’s “Bunker Archaeology”, in which the architect and aesthetic philosopher writes about the ominous bunkers of the Third Reich which linger on France’s coasts as ruins. Axebreaker melds field recordings of howling winds with a dirge of thick el…
Pearly is a fizzing, hallucinatory noise release from Tom Betteridge, consisting of two oleaginous sound poems, entirely improvised with minimal stitching and post-processing. Phantasmatic vocal improvisations are mulched into something oblique to speech, becoming sharded utterances part-lost in swathes of noise. Working with cassette tape recorders & close miking techniques, Betteridge upends the standard listening hierarchy of aural objects; tipping the scales, the human voice brushes against …
Welsh Noise Vol. II is a collaboration between Megzbow and Vinegar Tom, constructed primarily from field recordings taken in Pembrokeshire during the summers of 2021 and 2022. Fragments of additional audio are lifted from the film work of Margaret Tait. Sounds are processed, stretched and sequenced across nine tracks of droning collage which draw upon the internal rhythms of country life. The yearning growls of Ronnie the cat commingle with the sounds of cowmen at work, crackling log fires, DIY …
This month’s Electronic Sound lifts the lid on the secret world of Modular Synthesis and we’re bundling the issue with a double CD featuring 31 modular tracks, many of which have never been available on a physical release before.
Our cover feature is a pick ’n‘ mix of modular goodness, including an interview with 1960s pioneer Morton Subotnick, who created his legendary ‘Silver Apples Of The Moon’ on a Buchla. We talk to contemporary talents Loula Yorke, Andrew Ostler, Philippe Petit and Vicky …
Habitat (what we might now properly refer to as Habitat I) arrived, fully-formed, in 2021—the product of a conscientious, exploratory, and decidedly Covid-era collaboration between two Berlin-based experimental musicians: the composer N. (Niklas) Kramer, and percussionist, J. (Joda) Foerster. Inspired by the Italian architect, Ettore Sottsass, Habitat’s simple, albeit beguiling conceit (following in the footsteps of canonical ambient releases like Music for Airports and Plantasia) was that each …
The Darkening Scale is the solo project of David Janssen aka Ted The Loaf of Renaldo & The Loaf. A purely digital affair, DS started in 2006 when RATL was on hold. The Entomology of Sound was the first album and came out as digital file and a very limited CDr. David says about it: "Back in 2006, much to my surprise, I found myself making music again after a long gap. Starting at the bottom of a steep learning curve, The Entomology of Sound was the first result". Several albums followed, one of t…