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Six songs (1976) for voice, violin, clarinet, piano, cello, harp, and guitar; based on poems by Jean Gebser (1905-1976). The philosopher conveys his core ideas in lyrical language, where form, linguistic rhythm, inflections of speech and mea- ning be…
Microexercises were started when the Miniaturist Ensemble asked for a piece with no more than 100 notes in it. Having enjoyed making one such piece, I went on to make 21 more (and then a second collection, Grete, with an additional 14). Instrumenta…
Three separate recordings where each musician follows hiw own very minimal score. Sound and silence. With Johnny Chang (violin), Sam Sfirri (melodica), Jürg Frey (clarinet).
Thomas Stiegler and Hannes Seidl, 'das wetter in offenbach'(2010), a radiophonic work mixing field recordings in the city of Offenbach with sine waves.
"I have played my friend Peter Streiff’s music for decades, and it has always moved and inspired me with its mindfulness, its spiritual force and daring novelty, where unusual demands and joyfulness are in balance." (Urs Peter Schneider, December 201…
Schneider studied under tutors as diverse as Walter Lang, Frederic Rzewski, Henri Pousseur and Karlheinz Stockhausen, and his compositions range from drone pieces for solo church organ to chamber music, early electronic assemblages and operatic works…
(…) the three pieces presented by Borg (piano) and Norstebo (trombone) are spellbinding explorations of the low tone. Three pieces but they segue into one another effortlessly and, with the possible exception of slight variation in pitch (and I’m not…
song 2 (2008) (bass flute)four piano pieces (2005-2008) I II III IV song 6 (2010) (flute)a phrase a silencea phrase a silence…..more and more anastassis philippakopoulos' monodies reveal their deepl…
2007 release - Luigi Nono No hay caminos, hay que caminar … Andrej Tarkowskij (1987) “Wayfarer, there is no path. Yet you must walk”, in Spanish: “Caminante, no hay caminos. Hay que caminar.” These words are the contents of an inscription, which Luig…
1999 release - For fifty-five minutes the great American composer Morton Feldman weaves his tapestry of sounds, a pattern always the same and yet never the same, an iridescent, thick fabric, full of details, although these never distract the listener…
2000 release - Nostalgic, utopian, future distance\", the title of this piece investigates the possibilities of violin playing, the intimate, physical quality of the sound and the historical dimensions inherent to this instrument.
1998 release - While standing at the waterfall, we become aware of our thoughts, but not the waterfall itself; if we succeed in letting our thoughts stand still, we hear a melody within the turmoil. Everyone his own. (Peter Ablinger)
Avant-primitive improv from the duo of Takehisa Kosugi (Violin, Recorder, Voice) and Takashi Kazamaki (Percussion, Harmonica). Recorded in 1983, Kosugi shows yet another side of himself, trading his drone for a more free-hillbilly style, which meshes…
Composer : Antoine Beuger. Performer: Cristian Alvear Montecino (guitar).It takes waiting. Then another string, another finger. A pass in the middle of an arpeggio: an alvearium must be built, a conduit, an in-between-arpeggios--- (very) slow, ve…
Two ways of hearing these two sets of 9 pieces:first separate, then alternating. And all of a sudden 800 years of temporal distance seem to dissolve and the pieces communicate with each other. Isn’t one even tempted to think, that John Cage wrote his…
This compact disc contains recordings of pieces from the 2005 project On Foot, onwhich Craig Shepard walked 250 miles in 31 days across Switzerland. Every day, he composed a new piece, wrote it down, and performed it outdoors in a public space such a…
'keine fernen mehr I' and 'keine fernen mehr II'. Antoine Beuger, whistling. Recorded Studio von Buktu, Wuppertal, August 2010. Recording, editing, mastering: Tim Buktu. Recommandation: this CD is best played at a very low volume level.'
piano piece (2006)Starting from nothing except the idea of the sound of the instrument, and the possibility of anything.From this starting point, then tracing a path through this limitless field of constant possibility.Focusing on the present. Every …
Since their formation in 1998 at the Darmstadt Summer Courses for New Music, duo Contour have commissioned and performed over 40 new pieces by composers from Asia, Europe, New Zealand, Switzerland and the United States. Their collaborative work has c…