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*2023 stock* Playful reverence acts as the adhesive in this recording. The muse is filled with chromatic color and interlocking light and shadows. This release celebrates a life of music-making from John Heward and Barre Philips, both whom were eighty-years young at the time of this concert. Other members of the quintet include: Lori Freedman, Joe McPhee and Dana Reason. Positive and negative space is the organizing principle of this improvised concert. Heward, a well-respected Canadian musician…
*2023 stock* "Railing backstage at his musicians between sets, drummer and big band leader Buddy Rich once declared, “There’s no sound in flutes. All I hear is noise!” It’s unclear if Alex Riva ever listened to these covertly made recordings of Rich chewing out his band. But if he had, Rich’s words certainly could have been the rallying cry on Riva’s new solo CD, Solos and More, recorded in Bangalore, India in 2019. Riva plays a wide variety of plastic recorders, the bane of many parents worldwi…
Outstanding violinist and improviser from Serbia Szilard Mezei in his latest studio recording! Alongside him on double bass are Zoltan Zoltán Csányi and percussion painter from Catalonia Vasco Trilla.
August 15th is Boring Machines’s Onga birthday and we decided to release a record as a self-present. The format is the good ol’ 7 inches and it sees My Dear Killer, our first release ever, on one side and Rella the Woodcutter, our latest addition to the roster, on the flipside. The artwork is made by BeInvisibleNow! and it‘s screenprinted in different coloured papers by (vita di)Legno .
“Sidiroun Parapetasma” is MMMΔ’s 14th release to date. The band is leaving -temporarily- behind the slow hypnotic beat experimentation of Nomenklatura and releases a powerful, majestic album of four tracks, a “clin d'œil” at the bootlegging practices of copying music to analogue tape and discarded X-rays in the Soviet era.
The music is heavy, monolithic and massive, filled with rhythmic explosions, repetitive motifs, ethereal synths and harsh atmospheric vocals or hidden screams that harmonize…
Riccardo Dillon Wanke (b. Genova, Italy 1977) established in Milan from 1982 until 2005, lives and works in Lisbon. Multi-instrumentalist and composer. From 1995 active in arts (music, installations), his interest includes classical, improvised and exploratory music and it is focused on the diffusion of contemporary art. He is particularly interested in digital and analog manipulation of sound and its use into musical compositions. His work with guitars, keyboards (piano and rhodes) and electron…
* Edition of 70 copies. In process of stocking * Serbian dystopian bedroom psychedelia from the one man band Alek Novak that fits these gnarly times very well. Poetic lyrics (so i've been told, I don't speak Serbian) over a psychedelic rock/noise sauce makes perfect listening while walking through shady corners of Belgrade, tasting the last drops of your bottle rakia.
* Edition of 70 copies. In process of stocking * Gintas K, once part of the first Lithuanian industrial band Modus but since over two decades he dedicates himself to electronic music, more specific granular synths and live electronics where he takes fractions of notes and moulds the sounds through speeding/slowing down and other obscure alchemical processes into new abstract configurations of space debris with remnants of drones, hums and bleeps.
* Edition of 70 copies. In process of stocking * Late night atmospheric soundtracks for two short movies. 'Aea' is an acoustic improvisation with tons of illustrious instruments and contributions on shamisen and shakuhachi by Lydia Schneider and slide guitar by Mohonbeena Soumalaya Mukherjee. 'Antroposcene' is a meditation of floating electronics on our disastrous pollution of the world. Mike Hovancsek is a former member of Pointless Orchestra and collaborated with Egyptian composer Halim El-Dab…
*300 copies limited edition* Well this is a dream, Ukrainian experimental composer Natalia Beylis put together "Love-In-A-Mist, Edible" over the course of three years, recording pianos she would find at other people's houses or on holiday, in Ireland, Amsterdam and Morocco. Ghostly and emotional musical polaroids - it draws immediate parallels with Dominique Lawalrée’s 'First Meeting’ which - you prob know by now - is all the comparison it needs to have our ears fully pricked.
Presented “like ho…
Tip! Following on from their critically acclaimed first release 'Whose Woods These Are,' NYAHH Records and Eiderdown Records are thrilled to announce the second album by cellist Eimear Reidy and keys player Natalia Beylis.The album was recorded at St Georges Church, Carrick On Shannon, Leitrim in a cold early January with a William Telford Organ. Built in 1846, it is reputed to be the second oldest organ in Ireland.
'Cellist Reidy and experimental all-rounder Beylis conjure the otherworldly wond…
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…
»Triangular Progressions« can be considered a perfect synthesis of Petersson’s academic interests and aesthetic ideas, combining a mathematical approach with artistic rigour. The magic number triangle highlights the beauty of symmetrical properties.
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…
Economy Of Meaning is a project from Danish sound artist Kristoffer Kjærskov. Based around field recordings captured during a 2021 residency at Sharjah Art Foundation in the U.A.E., ‘Site Seeing’ is a hypnagogic collage of gentle ambience, fragments of acoustic instrumentation and found sound.
*300 copies limited edition* Timo Van Luijk with percussionist Kris Vanderstraeten, together for an enchanting exploration of liminal psychoacoustic space. "Playing with Kris always reminds me of doing expeditions in a lake. Some kind of under water sound fiction observing sonic creatures. This album is a live recording (28-01-2012, Kunstencentrum Belgie, Hasselt,Belgium) which to me always felt like one of the best concerts we did. As with our previous album Arrêt au Lac Chimère Vincent de Rogu…
Thrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A sl…
An absolutely stunning effort from one of the great journeymen of Italian experimentalism, Riccardo Sinigaglia here with painter Mario De Leo in the early '80s. This is electroacoustic music at its absolute, vibrant best.
'I'm sure we're gonna make it' is the first time English edition of the 1996 book 'Het gejuich was massaal', detailing punk in the Netherlands from 1976 to 1982 from Jeroen Vedder and Jerry Goossens. It is also the first time, as far as I know, that there is an English language book on the subject. There is a foreword by Richard Forster, and Hubert van Hoof updated his 1996 intro to a 2021 version. This book is 184 pages, with full-colour photos, record covers, a fanzine section, and all of this…
Edition of 100 copies In 2012 Frans de Waard started yet another new music project, Modelbau. It took another two years before he really started, but he has since then released a long string of releases, many of which are on very limited cassettes. Over the intervening ten years, he played various European concerts and collaborated with musicians such as Orphax, MvK, and Scanner. Meeuw designed the original logo, which graced almost all of the releases, giving it a distinct look. Meeuw also crea…