Black Vomit
'It was the unexpected event of the 2005 FIMAV festival: avant jazz legend Anthony Braxton joining noisy bad boys Wolf Eyes on-stage. But it did not come completely out of left field. A few months earlier at another festival, the 60-year-old saxophonist had attended a performance by the Michigan noise trio and was transformed, buying a copy of everything the band had to sell that night. The man had been hit in the face by noise music. At the 22nd FIMAV, Braxton was scheduled to play a duo concer…
Five Men Singing
'It was a match made in heaven, or rather on earth, at last year's 20th Festival International de Musique Actuelle de Victoriaville. Five vocal artists on one stage—Dutch Jaap Blonk, Japanese Koichi Makigami, Canadian sound poet Paul Dutton, Englishman Phil Minton, and German new music singer David Moss—was indeed one of the highlights of the '03 Victoriaville Festival. Only mad vocalist Mike Patton was missing.
These five men had never performed together on one stage, though they have worked wi…
Hymnes Apophatiques
Tip! *2nd limited edition* During the summer of 2021, Delphine was invited for a residency at the church of St Saphorin (Switzerland), on the occasion of the Jolie Vue Festival. Having the opportunity to fully explore the organ the days before the actual festival, Delphine improvised a long, long series of tracks, of which you’ll find a small selection on ‘hymnes apophatiques’.
She’s definitely full of respect for the organ, at some moments diving deep in the sound traditionally associated with …
Vertical
Tip! Written, performed, and produced by Mats Gustafsson (STIM/N©B) & Tony Lugo.
Mats Gustafsson: Alto, Tenor, Baritone and Bass Saxophones, FluteTony Lugo: Drums, ElectronicsMats Gustafsson & Tony Lugo: Concatenative Synthesis & Machine Listening Algorithms
Recorded May-July 2021 by Olof Madsen at Discaholic Studios, Nickelsdorf, Austria & Craig Bowen at Tempo House, Baltimore, MDMixed by Craig BowenMastered by Lasse MarhaugDesign by Tony LugoPhotography by Mats GustafssonArtwork by Peter Brötz…
Gilbert Artman's Lard Free
** 500 copies ** Recorded in just three days and released in 1973, mixing jazz, kraut and prog rock, Lard Free’s first album is a musical land-mark in the French underground scene. To this day, it still matches the perfection of their English and German fellows like Soft Machine and Amon Düül. A true masterpiece."Lard Free is a French psychedelic band, formed around drummer and keyboards player Gilbert Artman. He was the only constant member of the band on their few next albums. Music on their d…
I'm Around About Midnight
** 500 copies ** Released in 1975 with a slight line-up change, I’m Around About Midnight shifts from rock to a more electronic ap-proach thanks to Richard Pinhas (Heldon) skills with keyboards. More experimental and sophisticated than ever, it shows a band searching for constant musical absoluteness.Lard Free's second album was recorded in Paris in a three day session and released in 1975 on Vamp. The lineup is totally different from the first LP and as mentioned it features long time friend Ri…
Lard Free III
** 500 copies ** Released only one year prior to their split, III digs even deeper into electronic and experimental territories. Lard Free’s music has never sounded more cinematographic and spacey than on this record which perfectly blends the players, their instruments and some kind of dialog with the Universe.This is the most electronic effort of the group and the instruments on this album consists of mostly synths. In addition we have piano, drums, vibes, guitar - and clarinet as the first ti…
Unnamed
** 500 copies ** Never heard before until its release on CD in 1997 (on Spa-lax Records), Unnamed was recorded a year before Lard Free’s first album and shows a band that totally foresaw the Rock In Opposition movement. Aventurous, never afraid to explore unknown musical lands, Lard Free definitely owns its place in the great History of Rock Music.Recorded in 1971/1972, these Lard Free "lost" recordings document an interesting, primitive period of the band and shows Artman and Co. moving freely…
Live In Trentville
Unlike the distant "18/8/81" or the more recent "Wrong Ninna Nanna", this new solo work contains no piano or other instrumental parts. In this release, which occurred like all truly welcome things in an unexpected and unsought way, I have collected some of my own compositions created only from sound material recorded around or taken from other recorded music. Such material has been mutated with various sound processings, and assembled by multiplying layers in both digital and analog environments…
The Imitation Of An Action
These recordings are based on the idea of acoustic instruments imitating electronic sounds created by a live performer. The core, structure, and length of the pieces are defined by a graphic score that leaves room to the musicians for the imitation of those sounds.
This work is a commission by Archipel Festival and Ensemble Contrechamps, with the support of the Nicati-de Luze foundation.
13'36 10'42 12'48
*In process of stocking* These live recordings were lost and forgotten in our archives, more than a decade later, they were found on a dusty external hard drive in Meirino’s home studio. Re-discovered, edited, mixed, and mastered in 2021.Artwork and mastering by Francisco MeirinoComes in a digipack with matt printing, features artwork collage by Francisco Meirino and live pictures by Lisa Seitz & Megan Jankowski.
Solo Acoustic Guitar Improvisations II / III
*200 copies limited edition. In process of stocking* "These performances are all about the process, about exploration and they more than once reminded me of a quote by Derek Bailey about the creation process as a kind of jigsaw puzzle: “Emptied out of the box, there’s a heap of pieces, all shapes, sizes and colors, in themselves attractive and could add up to anything— intriguing. Figuring out how to put them together can be interesting, but what you finish up with as often as not is a picture o…
Štiri dela
Roko Crnić (electric bass), Bertrand Denzler (tenor saxophone), Marina Džukljev (piano), Lionel Friedli (percussion), Tomaž Grom (double bass, electronics), Jonas Kocher (accordion and artistic direction), Nenad Kovačić (percussion), Samo Kutin (hurdy-gurdy), Srdjan Muc (electric guitar), Tena Novak Vincek (violin), Robert Roža (electronics), Irena Tomažin Zagoričnik (voice)
Recorded in concert by Radio Slovenia on January 17, 2019, at the culture center Španski borci, Ljubljana.Mix and master b…
Perspectives And Echoes / Tautologos III
-bRt- group for music creationGaudenz Badrutt, live electronics / Estelle Beiner, violin / Jacques Demierre, piano / Jonas Kocher, accordion (Tautologos III) / Stephen Menotti, trombone / Manon Pierrehumbert, harp / Christian Wolfarth, percussion
Artistic direction: Gaudenz Badrutt & Jonas Kocher
Liner notes by Lê Quan Ninh:Free improvisation is defined, among other things, by its practioners' refusal to rely on a form composed by others. Partially, perhaps, from pride, but above all from playfu…
Underground Altena
Alga Marghen returns with an absolute stunner, the LP “Underground Altena”, comprising a never before heard or released series of recordings capturing Anima - the duo of Limpe Fuchs and Paul Fuchs - in 1973. Largely rendered on a striking array of instruments, invented and played by the couple, its otherworldly, visionary sounds upend nearly every perception held about underground music transpiring in Germany during this period. Wild, wonderful, truly free, and inspiring as records come.
Der Verboten
The quartet Der Verboten consists of the following musicians: Frantz Loriot (viola), Antoine Chessex (tenor saxophone), Christian Wolfarth (percussion) and Cédric Piromalli (piano). Der Verboten's music swings between improvised music, contemporary jazz and experimental acoustic music. In the course of their collaboration, the four musicians have developed a resolutely differentiated sound language. Although the ensemble works in a conceptual and highly structured way, the practice of improvisa…
Musiques Vertes
A document of pure sonic magic and stunningly organic creativity, Holidays Records drops the first ever vinyl reissue of Jean-Yves Bosseur's visionary 1982 LP “Musiques Vertes”, recorded by the legendary French ornithologist and wildlife field recordist Jean-Claude Roché. Utilizing handmade instruments constructed from plants and other natural materials, played by collective of children and untrained musicians, its radically experimental sounds build a revelatory bridge between the avant-garde a…
Wat Dong Moon Lek
Carl Stone continues his late career prolific renaissance with a new album of sculpted, tuneful MAX/MSP fantasias. Stone “plays” his source material the way Terry Riley’s In C “plays” an ensemble – with a loose, freewheeling charm connected to the ancient human impulse to make sound, melody, and rhythm from anything. Stone’s unique technique simultaneously focuses and sprays sound like a symphony of uncapped fire hydrants. Is this techno, avant-garde, sound art? It’s simply (or rather fantastica…
Bitter Desert
Tip! *110 copies limieted edition. In process of stocking* 'Bitter Desert ushers in an intensely reflective listening induced by the sounds of clarinets moving restlessly through progressions of granulated tone, soaring harmonic, gnarly growl, and wild fluttering. The ground here is only apparently firm; rather it is sand-like, constantly shifting beneath the feet of our ears as it surveys a vast sonic expanse turned profoundly inward.' – Adam Zuckerman
Fjord
*100 copies limited edition. In process of stocking* Fjord abounds in striking sonic images with a bold poetic sensibility which seems to open a world entirely its own as it deepens our experience of this world as it actually is. Field recordings are layered and blended with those of everyday objects and the occasional instrument in a dynamic assemblage which strips away the familiarity of a sound's source for the richness of its connotative potential. These fragmentary and repetitious sounds ar…