Experimental / All styles

**300 copies** Belgian label Aspes Edities brings us an interesting split album by American multi-instrumentalist Shahzad Ali Ismaily - who has played for Tom Waits, Ceramic Dog and Laurie Anderson - and Belgian euphonium player and improviser Niels Van Heertum, who is having his second release on the label. The deep blue is the common denominator on this LP. On the first side - entitled Sea Legs - Ismaily offers one long and sparse composition that prominently features guitar and banjo, but als…

**200 copies** An evening in 1995. In a quiet house in Dakar, one guitarist pushes an acoustic guitar in the hands of another. It was a small Eastern European instrument with special nylon strings, bought for little money in a Brussels music store. Pierre Van Dormael had purchased several before traveling to Senegal, for his students at the Conservatory of Dakar. The other musician: Karl Van Deun. He spent his vacation in West-Africa, with his comrade and teacher. During one of those clammy Afri…

**999 hand-numbered copies on golden CD** Critically acclaimed as one of the best records ever, 1974 Robert Wyatt’s masterpiece has been re-arranged by Craig Fortnam for his amazing North Sea Radio Orchestra. Featuring long time Wyatt’s collaborator and Henry Cow founder John Greaves on bass guitar and vocals, and the amazing vocalist Annie Barbazza as lead singer, this is an hearfelt, fantastic tribute to Robert Wyatt’s music.  "This concert is a beautiful event, for me. These musicians seem to…

**400 copies** Active in Los Angeles’ 1980-1986 underground music scene, John L. Lafia is best known for the hypnotic album Prayers, released through Barry Craig’s influential, cassette-only label Trance Port Tapes. "Life Is Short", "A Promise", “Dream", “Hidden Things", "Spaghetti Western", and "Escape" come from that release. This compilation also features tracks from subsequent Trance Port releases: LA Mantra 2 ’s "Queen Of The Nile" and Phantom Takes’ "The Moth". John’s “Odyssey Girls” appea…

**250 copies** Discos Transgénero presents the first ever compilation of How To Get Rich In Rotterdam and Geluidshouwerij. These were projects of Chris Lindquist and Paul Stoute with the collaboration of Linda Lindquist, all of whom were based in Rotterdam in the early ‘80s. How To Get Rich In Rotterdam was a group - formed by Chris Lindquist and Paul Stoute - than only released one self-titled 7" record. This single was a very limited edition coming in two different covers. Johan Kugelberg sele…

**500 copies** Discos Transgénero presents the first ever album by The Manchester Mekon, a group of musicians that were active from the end of the '70s to the beginning of the '80s in Manchester. Influenced by Frank Zappa and the Mothers of Invention, Igor Stravinsky, King Crimson, Maurice Revel and Pink Floyd, the Manchester Mekon aimed to integrate composed and improvised music, blending orchestral and electronic sounds with rock, both live and in the studio. Over a period of five years (1977-…

**500 copies** Discos Transgénero presents the first ever reissue of the Domestic Sampler UMYU. Domestic Sampler was a project that Víctor Nubla (former member of Macromassa) recorded for the record label UMYU. It features a host of artists; a synergy of the scene that was happening in Barcelona at the beginning of the eighties. El Grito Acusador, Entr’Acte. Logotipo, Klamm, Secreto Metro, Error Genético, Detra’s Band 10, Boris, Mimi Pimer and Tres reflected the new wave underground scene of Cat…

**200 copies** Unearthed 1993 recordings caught on melting master tapes in the back of a second hand bookshop in Hamilton, New Zealand. A rare and temporary teen heat trio-incarnation of Armpit, which besides Clayton Noone and Jon Arcus also had Gordon/Nodrog joining in on drums. Four or five tracks were apparently recorded with this line up that also performed live once or twice. Some twenty-five years later, the hazy magic that occured in the back of that bookshop falls in somewhere in the mid…

**100 copies** Daksina is a new label rising from the ashes of the glorious Kelippah. Run by Pat Murano a.k.a. Decimus, also member of the No-Neck Blues Band, it presents its first two releases which come as extremely limited vinyl LPs housed in beautiful covers silkscreened by Alan Sherry at Siwa Prints on 12"x24" folded cardstock. On 'Ashwin' Tom Carter and Pat Murano offer two long and mesmerizing suites built on guitars and keyboards in the best experimental tradition that we would expect fr…

Deluxe reissue, on Audiophile Vinyl Reissue Series, roduced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging."A brilliant statement of modernist jazz from Sam Rivers – one of his groundbreaking early albums for Blue Note, and one of the most challenging sessions issued by the label during the 60s! The record's a real departure from Rivers' already-great Fuscia Swing Song – with tunes that go farther outside,…

**280 copies** Debut full-length from London-based three-piece originally hailing from New Zealand (Matthew Hyland), Germany (Anja Büchele), and Romania (Dennis Debitsev). Precious Waste In Our Wake (full title written nowhere: "The Fucking Terrible Receding Shapes, We Shed Precious Waste In Our Wake") is an endlessly beautiful, dense, and chaotic crawl through so many forms it can be difficult to ascertain what is actually at play here. Ostensibly a "rock" band carved from the same plank as pre…

2019 repress on CD; 1990 release. Commissioned by Mabou Mines, the experimental theater group from New York, for their interpretation of King Lear, Pauline Oliveros's Crone Music is a subtle and haunting electronic music endeavor. Interfacing an abundance of digital delay processors, reverb effects, and foot pedals to bend pitches from piercing to twisted, sonorous tones, with her one-of-a-kind expanded accordion, Oliveros produces rich, eerie textures. Personnel: Pauline Oliveros -solo accordio…

**300 copies** A new work by David Jackman (Organum), Herbstsonne consists of a single 47 minutes long track which is the result of recording sessions at RMS Studios South London in 2018. Using the sounds of tanpura, piano, organ and bells the music perfectly captures the title of the piece which translates to Autumn Sun. Precision editing by Alan Jones. Excellent artwork by Jonathan Coleclough. "It is very easy to misunderstand David Jackman. Well, also to understand him, really. I don't ‘get’ …

A meeting of generations! The mighty Johansson paired with British artist Phillips for a collection of songs from... elsewhere. Johansson's unmistakable sensibility filtered through collaboration. Another essential chapter in an unparalleled discography

**200 copies** Speleocombo was a casual collective of Dutch art students that convened in the Antwerp Academy in the late ’80s. The core of this group consisted of Hewald Jongenelis and Egbert Aerts, sporadically joined by Fons Debaedts and several others, all of whom are still active in the fields of painting and drawing. During their time in Antwerp they hosted a show on Radio Centraal, Het Universeel Programma, and released several scarcely distributed cassettes and one single. This single’s …

**300 copies** Astral Colonels are Anthony Pateras and Valerio Tricoli and this is their second album. On Side A ("The Difference of Similarity") the formidable use of a sound arsenal based primarly on prepared piano and tapes and a bright use of echo and repetition create winding tensions grafted into harmonics, irregular spiral-shaped non-progressions intertwining costantly on the ridge between the familiar and the unknown, a recurring alternation of stasis and fibrillation that delivers liste…

With This Kind Of Punishment, Graeme Jefferies and Peter Jefferies produced some of most adept DIY sounds to emerge from New Zealand's 1980s post-punk scene. After their phenomenal self-titled debut and classic A Beard Of Bees, the brothers would make one last album together, In The Same Room.  Originally released in 1987 on Flying Nun, In The Same Room is perhaps the straightest rock offering in TKP's esteemed catalogue. Opening track "Immigration Song" expertly pairs jagged guitars with wrathf…

Outrageous. Rabid. Explosive. #Wtf? Whatever words you throw at Borbetomagus saxophonist Jim Sauter and Oneida / Man Forever drummer Kid Millions, they’ll chomp ‘em up and respond with a gargantuan roar to erase all notions of what a horn and skins can do. The duo’s prior albums were built of tightly, clustered bursts and barbed assaults. On Safe & Sane, Sauter and Millions eschew brevity for ultra-endurance. The opening “Chrysanthemum,” clocks in at 32 minutes and continues on Side B before a f…

** 250 copies ** "In 2017 we released the "Possession Sessions" LP (FTR 325LP) by this extraordinary Columbus, Ohio outfit. And while we wait for them to conjure up new fields of beautiful spew, we thought it might be a public service to make their first two EPs available as a single LP. "Flash Fuck" was released in 2013 by Tony Proccacino's visionary grunt-punk concern, A Wicked Company. "Vernacular Splatter" came out two years later on the great Columbus label, Superdreamer. Both of these reco…

** 500 copies ** "Barring some miraculous discovery (never out of the question!), "Mars Archives Volume Three: N.N. End" is the final LP in our series of LPs documenting the music of New York's most amazing combo of the No Wave era, Mars. From their more-quotidian beginnings as China, whose sound was influenced by The Velvet Underground and Television, Mars mutated and grew in a variety of nearly unchartable directions. "N.N. End" documents the latter, immaculate stages of the band's destruction…

** 250 copies ** "Mette Rasmussen is a Danish saxophonist, based in Norway, who has been recording with some of our favorite players (Chris Corsano, Alan Silva, Mats Gustafsson, Ace Farren Ford, etc.) She has also formed this duo with Asheville-based guitarist, Tashi Dorji (whose combo, Manas, has had two LPs on Feeding Tube this far: FTR 208LP, 2015 and FTR 330LP, 2017). The duo material for this LP was recorded in Montreal, right around the same time Mette and Tashi recorded a trio set for Tro…

Noise Poetry is a beautiful example of a concrete attitude of improvisors more concerned with collectively constructing a sonic complexity than gestural free expression. All three of them plunge into a universe akin to that of a Japanese garden – where the space between the stones is more important than the stones themselves – inventing an acoustic synthesis in a development of stratified objects that act like a giant mobile. David Chiesa: double bassDidier Lasserre: drumsMathias Pontevia: horiz…

** 200 copies** A solo album by guitarist Tetuzi Akiyama, who carries out an energetic performance schedule in and out of Japan. Amazingly, this is his first solo album since the 2008 release of "The Ancient Balance to Control Death" on the U.S. label Western Vinyl. That album included both acoustic guitar and singing, so "Misrepresenting Memory" is actually Akiyama's first instrumental solo album with guitar in 13 years, since the release of the CD-R "Terrifying Street Trees" in January 2006 on…

** 200 copies** Zhao Cong is a Beijing-based experimental and improvisational musician. In addition to performing in live events in Beijing such as Zooming' Night, organized by composer andperformer Zhu Wenbo, she has in recent years been expanding her range of activity, visiting Japan each year and performing in various locations around the country. She has also released solo and duo albums on Zhu Wenbo's cassette label, Zoomin' Night. This CD contains three solo tracks: tracks 1 and 2, each ab…

** 300 copies** This CD documents the complete first and second sets (each a little over 30 minutes) of a concert at Ftarri on September 29, 2018, performed by Yasumune Morishige (cello) Yoko Ikeda (viola), and Takashi Masubuchi (guitar), three improvisers active mainly in Tokyo. The tones produced by the three acoustic stringed instruments are rich and vivid, and the listener can't help but be mesmerized by the interweaving of the sounds. And although the performances are improvised, they're so…

Dead Beats: A new composition by American avant-garde composer Alvin Curran for Dutch pianist Reinier van Houdt, brought together with the first ever recording of Inner Cities No 9 '9-11-01' The piano has always been at the core of Alvin Curran's oeuvre. Granted, you'd expect a statement like that from the liner notes to a collection of his piano pieces. In this case, however, he's said so himself, in a candid interview with sound artist Andrew Liles: "It’s the focal point and kind of a totem fo…

Long-form duo work between Balázs Pándi (percussion) and Jon Wesseltoft (electronics), shaped as an open landscape of contrasts articulating space in both time and depth. The two players alternately trade and merge their instrumental identities, generating zones of improvised openness alongside densely constructed electroacoustic narrative. The vocabulary moves between quiet, ritually framed rhythmic space and saturated information, held as deliberate counterweights.

Two short pieces built from piano recordings made by Orphax at De Ruimte in Amsterdam Noord during summer 2017. The 7-inch marks a deliberate break with his usual drone vocabulary, foregrounding more openly melodic ambient writing and treating the piano as the primary voice rather than as raw material. One of his most personal works to date, dealing in textural terms with closure, regret and the slow effort of moving on.

Previously only available as a vinyl release on John Peel’s and Clive Selwood’s Strange Fruit label during a brief period in 1988, this four track vinyl EP was the first of two sessions Nico performed for John Peel (the second was in 1974), and was recorded live for BBC Radio One’s Top Gear on 2nd February 1971 and broadcast the following week. This haunting session is Nico at the height of her creative powers as testified by those who saw her solo concerts accompanying herself on harmonium arou…

Cyril Lefebvre recorded this remarkable and fanciful album in 1979 with three veterans of the French underground, namely Guigou Chenevier (Etron Fou Leloublan, Les Batteries, Volapük...), Jean-Pierre Grasset (Verto) and Jean-Pierre Arnoux (Mahjun), and the hawaiian guitar virtuoso Harry Hougassian. This reissue comes with no less than six bonus tracks recorded with the help of some of the best names from the free music scene (Mike Cooper, Lol Coxhill, Steve Beresford...) and the rock scene (Elli…

Mandatory Reality, the new album by Joshua Abrams and Natural Information Society, is here. Setting aside (for the moment) the electric instrumentation of Simultonality (GB 048CD/MTE 068LP, 2017) and Magnetoception (MTE 063-64LP, 2015), Joshua Abrams conceived Mandatory Reality for an eight-piece acoustic manifestation of NIS, consisting of himself on guimbri, Lisa Alvarado on harmonium and gongs, Mikel Avery on tam-tam and gongs, Ben Boye on autoharp and piano, Hamid Drake on tabla and tar, Ben…

Remastered from the original tapes, here comes a due reissue of Sleep’s iconic second studio album "Holy Mountain", originally released in November 1992 in Europe and March 1993 in the USA through Earache Records. Widely considered as one of the most seminal albums in the evolution of stoner rock, it became a favourite of the heavy metal press and the band was heralded - along with Kyuss - as leaders of the emerging stoner metal scene. The song "Dragonaut" was used in the 1997 Harmony Korine fil…

2018 release ** The volume/CD Petropolis, a publication of the Department of Education and Learning of the University of Applied Sciences and Arts of Southern Switzerland, was born from a project by Xabier Erkizia (sound artist E) with the collaboration of Monica Fantini (radio author, F), Michele Mainardi (psychopedagogist, CH) and with the scientific coordination of Eliana Rela (historian, BR) and Lorena Rocca (geographer, IT). The fieldwork was carried out in October 2017 in the Petropolis ne…

Dark and gloomy string arrangements by Michigan’s Michael Collino (Dog Lady Island, Alien Passengers) on both sides, concluding to an intentional dragged out silence on side B to complete those sounds of loss. “Funeral Zither” at its best.   

Few copies, sold out at source. Additional contribution from Toshimaru Nakamura (no-input mixer) recorded by Steve Bates and David Sylvian, Montreal. Tubular bell and concert bass drum recorded by Matthew Sansom, Surrey University, 2006. Original text by Bernard Marie Koltès. Compositional structure by Mark Wastell. Mixed and mastered by Rupert Clervaux. Personnel: Rhodri Davies - lap harp, table harp, vibraphone, radio; David Sylvian - voice, vocal treatments, electronics; Mark Wastell - tam ta…

James Tenney, for almost the entirety of his career, was one of the great, unsung giants of the American musical avant-garde - an artist’s artist, whose towering contribution and influence was everywhere - equal to Feldman and Cage, but who, like Nancarrow and Partch before him, was a maverick - radical to the core, refusing to play by the rules, and thus suffered at that fate’s all too predictable hand. Since his death in 2006, his legacy in devoted hands, recognition has slowly begun to grow, …

On first hearing, the piano music of Peter Garland (b. 1952) creates a feeling of dislocation, then astonishment: It is so very different from the contemporary concert music we are familiar with. The composer's intent, his emotional directness is immediate -- despite the unusual sound world and different sense of time that these pieces exhibit. The three pieces on this CD, 'The Birthday Party' (2014), 'Blessingway' (2011-12) and 'Amulet' (After Roberto Bolaño) for 4 pianos (2010), are quite diff…

Edition of 500, no repress, no digital. After closing out Smalltown Superjazzz’ run in 2015, Mats Gustafson fires up its new iteration - Actions For Free Jazz - in the lacquer crackling, spittle-riddled investigations of ‘Link’ with avant-turntablist Christian Marclay  Both known for charting paths less travelled, here they point to strange, liminal zones of perception on their first collaboration, with Gustafsson’s electronically processed tenor and baritone sax channelling an ecology of wee be…

Milan, 1979, only two years had passed since the explosion of punk but it seemed like ten years had passed, 1977 had inexorably changed the destiny of a generation of musicians. Milan in those years felt a bit like Manchester, a city in black and white, with monuments grayed by smog, busy and still far from becoming the "Milan to drink" of the mid-80s. The music scene was totally disconnected from the rest of the Italian underground, the bands were born and imploded within a few months. The inpu…

Jac Berrocal, David Fenech, and Vincent Epplay return with Ice Exposure, their second album for Blackest Ever Black. A sequel and companion piece of sorts to 2015's Antigravity, its title couldn't be more apt: sonically it is both colder, and more exposed -- in the sense of rawer, more volatile, more vulnerable -- than its predecessor, capturing the combustible energy and barely suppressed violence of the trio's celebrated live performances with aspects of noir jazz, musique concrète, no wave ar…