Moondog
Manhattan in the Sixties. Every day, at the corner of 54th and Sixth, stood an imposing blind man with a druidic beard, dressed and helmeted like a Viking. Every day, he played music with home-made percussion instruments and declaimed poems. A simple eccentric or picturesque figure? No. Louis Thomas Hardin, called 'Moondog', was one of the true geniuses of his time. And even one of the geniuses of all time, prolific and visionary, capable of linking Bach, jazz and Amerindian rhythms, writing min…
Chronos
On C.h.r.o.n.o.s., their third album on Karlrecords, Arovane and Porya Hatami deliver five delicate ambient pieces, rich in textures and Zen-like atmospheres. After Organism (2017) and the musique concrete influenced Organism_evolution (2018), Uwe Zahn alias Arovane and Porya Hatami continue their sonic explorations with C.h.r.o.n.o.s, the fifth collaboration album by the German electronic producer and the Iranian sound artist. While the duo's last album was a collection of 23 mostly short track…
Cod War Kids
A deep and delicate dive into the psyche of an unusual duo, British-born ex-pat North Carolinian guitarist Dan Melchior & Icelandic-born Hanover-based experimentalist Sigtryggur Berg Sigmarsson. Each quite unique on their own accord, but in combination bring a sound reminiscent of some odd combination of church music, the Deep South, some kind of swampy bluegrass, the Phantom of the Opera — really it’s hard to pinpoint where they might go. But through the whispering murmurs, the twang and fleet…
Nakara Percussions
Killer! Within the history of efforts dedicated to percussion, Nakara Percussions’s 1984 lost marvel LP stands apart. A singular work, made remarkable by the
diversity and range of its sonorities and structures. From
the delicate pulse of nature, deep resonances and carefully placed tone,
intricate structures and tempos as slow as they go, across its movements
the album rewrites how composition for percussion should be understood,
before giving way to consuming and ecstatic rhythms which referen…
Resolutionary (Songs 1979-1982)
There's a myth about music critics according to which they are frustrated wannabe performers. Evidence to the contrary: Vivien Goldman. The London-born, New York-based Goldman is one of the foremost chroniclers of the perfect storm of reggae, punk, hip hop, and Afrobeat, but between 1979 and 1982, she was also a working musician, creating songs that, years later, would be sampled by The Roots and Madlib. These rare girl grooves are now collected for the first time onResolutionary, covering Goldm…
Bern · Melbourne · Milan
Killer! 300 copies packaged in a double gatefold ruby recycled cardboard sleeve with silver embossed text on front, including a 32-page booklet. Archival and live recordings from Australia’s premiere prepared acoustic improvising trio. Formed in 2002, Melbourne’s Pateras/Baxter/Brown toured heavily between 2004 and 2008, playing a regular residency at the Empress in North Fitzroy in between extensive European tours. They performed multiple concerts in classical, electronic, jazz, grindcore and a…
Collected Works Vol. II (2005-2018) 5CD Box
A 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various po tential in teractions between instrument and tape. Anthony Pateras is an Australian composer, pianist and electronic musician whose current work focuses on electro-acoustic orchestration, temporal hallucination and sound phenomena. Pateras has created over 75 works, receiving performances from the Los Ange…
Afraid of Modern Living: World Imitation & Monitor, 1977-198
Available now is the authorized history of the obscure and influential Los Angeles art and music collective World Imitation Productions (WImP).
Emerging as creators of collaged and photocopied mail art and
publications in the late 1970s, World Imitation is perhaps best known in
its musical incarnation, the band Monitor, which was active
between 1978 and 1982, with live performances as well as two
self-produced 7" singles and one LP. (The LP was reissued by Superior
Viaduct in 2013.) Afraid…
The Body's Night
Black Truffle announce the release of Australian composer-performer James Rushford's The Body's Night. Known to many through his collaborative works with Oren Ambarchi, crys cole, Kassel Jaeger, Klaus Lang, Joe Talia, and many others, this LP is Rushford's first solo release in a decade and the very first he has composed, performed, and recorded entirely alone. Primarily recorded in Los Angeles in 2017, The Body's Night is a single electro-acoustic suite stretching over thirty minutes, utilizing…
Erwartung 1 und 2
Edition of 300. Second Editions present Erwartung 1 und 2 by Eva-Maria Houben. Eva-Maria Houben's music has somehow always been about perspective. These two new pieces, one for piano and one for organ, are once again prime examples. The title is borrowed from Arnold Schönberg's one-act monodrama Erwartung Op.17, in which a woman wanders through the night in search of her (dead) lover. According to Schönberg, his work aims "to represent in slow motion everything that occurs during a single second…
Duos
Duos is a 10" EP of short, explosive improv pieces by FAT bassist Jeff Noble and guitarist Eric Rosenzveig. Recording took place in Ostrava, Czechoslovakia, in 1990, around the period of FAT's stay in Prague after the group's most intense period of touring. Recorded straight to tape with no overdubs, the EP is pure improv but creates a world of sound outside of normal musical experiment. The instrumentation is unadorned, with no effects beyond overdrive pedals on both bass and guitar; both inst…
Citron
Reissue of an obscure Early 90s album, Citron is a complete remix of the Czech heavy metal band Citron's 1990 release Vypustte psy!, or Release the Dogs. While spending an extended period in the Ostrava studio of Citron's leader Radim Parízek, FAT found itself with access to the original 24-track tapes of Citron's then-most-recent album. Working at night, FAT discreetly remixed the entire album to create Citron. Citron is a far cry from the original record's heavy metal sound, as FAT creates a b…
Untitled (N°7) - LP
After more then 20 years on the Viennese music map, Polwechsel could be easily considered as legendary, no matter of which constellation of the band the word is. Currently consisting of Werner Dafeldecker (Double-Bass), Michael Moser (Cello), Martin Brandlmayr and Burkhard Beins (Percussion), hey always explored the borders between structured compositions and their improvisational aspects. Hectic nature of their recent pieces, amplified through overall brilliant dynamic range, shows further st…
Meaning Turns To Whispers
"I realized at the end of the album that I didn’t want to express, I just wanted to explore.” Ian Wiliam Craig is a trained opera singer and painter out of Vancouver, Canada. Over the last few years he has proved to be one of the most original artists active in the ambient / experimental genre. His debut "A Turn Of Breath" (2014) and the follow-up album “Cradle For The Wanting” (2015) received high acclaim across the globe. Meaning Turns to Whispers is a combination of piano improvisations and F…
On Your Body’s Landscape
Thierry Müller, known for his albums under the name of Ilitch, and his hit “Polaroid/Roman/Photo” under the name of Ruth, creates music mixing, among others, synthesizers and guitar since the late 70s.Quentin Rollet is best known for his sax playing very free and its participation in groups like Nurse With Wound, The Red Krayola, Mendelson, Prohibition, David Grubbs …After meeting on many occasions and at the invitation of Thierry Müller to play in the first part of Ilitch, they decided to work …
They Sweetheartstammers
Pigeons have shifted into more dense, heady modes for their new record, They Sweetheartstammers. Heavy doses of melody and dissonance dip into Broadcast & Meddle-era Pink Floyd territory, as well as more straightforward nods to Opal's Happy Nightmare Baby, Galaxie 500 and Brigitte Fontaine. Pigeons are also now a four piece featuring Jason Meagher (No Neck Blues Band) on bass and Nathan Bowles (Black Twig Pickers, Pelt) on drums
The Vitamin B12
More catchy than Dlin Dlon Cowboy. The Vitamin B12's music maintains an ingenious home-made sound in a refined bric-a-brac of experimental sound explorations, adventurous and successful juxtapositions and playful melodies and structures. This set presents 24 kaleidoscopic miniatures, like the images which adorn the cover, assembled with amazingly gracious do-it-yourself pop sensibility, groovy lounge tendencies and a passionate curiosity for noise and sound modification. The history of The Vitam…
Live at the Jolt Festival Basel
- 2014 release - JOLT-Festival Basel is an interdisciplinary art and music festival that took place November 7.-13. 2011 at Galerie Stampa und Gare Du Nord in Basel, Switzerland. The festival was curated by Daniel Buess and James Hullick in the spirit of JOLT Sonic Arts Inc. The non profit organisation JOLT Sonic Arts was founded by James Hullik with the aim to develop and implement soundart-projects in the form of concerts, performances, installations, etc. After its establishment in its home …
Interdimensional Folklore Vol. I
All the artists taking part in this collection come from the italian land and entered the label network thanks to the mind-altering Communion happenings in the freed spaces of Macao, Milan. In this happenings lot of ideas where shown and some new others came to life, both in musical production and life organization processes. A new kind of way of looking at the world seemed to emerge in this gatherings, we can say that it is based on a renewed version of what we usually call "psychedelia". “Psyc…
Arrow
**edition of 300, 180gr. vinyl, hand-assembled** Recorded especially for Preserved Sound in Hebden Bridge, Arrow is sound of Richard Youngs alone at the piano, embellished with sparse drums and an old organ. This collection of solo improvisations is all about capturing the moment – that piano and that afternoon in Hebden Bridge.“I sat down at the piano and just played,” says Richard. “No preconceptions, nothing worked out. I wasn't trying to achieve anything other than to enjoy playing the pia…