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From Lawrence English: "I like to think that sound haunts architecture. It's one of the truly magical interactions afforded by sound's immateriality. It's also something that has captivated us from the earliest times. It's not difficult to imagine the exhilaration of our early ancestors calling to one another in the dark cathedral like caves which held wonder, and security, for them. Today the ways in which sound occupies space, the so-called liquid architecture, holds just as much wonder, albei…
The inspiration for these pieces comes from the Chinese folklore of Guanyin, a deity whose name translates to ‘the one who perceives all the sounds, or cries, of the world’. Also known as Guanshiyin 觀世音, she is the embodiment of infinite compassion. I grew up knowing of Guanyin as a female deity, but recently discovered that she had transformed through the centuries from the male Hindu bodhisattva, Avalokiteśvara. I instantly found an affinity for this gender-fluid figure, who was said to have a…
I Know the Number of the Sand and the Measure of the Sea is the first collaboration of Lea Bertucci and Olivia Block. This collaboration was set into slow motion some years ago, in 2017, when Lea and Olivia connected through an interview facilitated by writer Steve Smith. In 2022, the artists finally had a chance to collaborate, performing an improvised set at Pioneer Works in New York City. Since then, the New York based Bertucci and Chicago based Block remotely built out ideas stemming from th…
*100 copies limited edition* Bernd Boehm’s life and work still remains a mystery to most. Having engaged in several disciplines like painting, film and sculpture, towards the end of 1980’s Bernd produced a series of experimental film soundtracks along with a modest amount of new wave tracks which we now present under this edition. Having initially self-released some of these soundtracks, to be latter on published by Matthias Lang on Irre Tapes, “Look under this” reunites now all of his film soun…
*2025 repress* Able Noise are a cross-continent duo based between The Hague (NL) and Athens (GR), built around the experimental baritone guitar and drum playing of George Knegtel and Alex Andropoulos. After a few formative attempts at collaboration, they officially came together as the Able Noise we see now in 2017, uniting over shared thoughts on art and performance encountered while studying at The Royal Academy of Arts in The Hague. Their first recorded work, a seamless 30 minutes of glisteni…
This "cinematic poetry" dual film by Roberto Opalio was shot in January 2005 in a remote location of Italy's Western Alps, using a 8mm cassette handheld cine camera. In April 2005 a first version was premiered at The Sage Gateshead (Newcastle) and at CCA: Centre for Contemporary Arts (Glasgow) during My Cat Is An Alien's live performances. The final editing was made in 2008, adding an original soundtrack by My Cat Is An Alien. This version has been published in a DVD+CD set in 2009 by American l…
Crucible by Loren Mazzacane Connors & Suzanne Langille is a profound exploration of the raw emotional landscapes that can be sculpted through minimalistic yet deeply evocative sounds. The album resides at the intersection of experimental blues and avant-garde, creating a sound that is both hauntingly intimate and expansively atmospheric.
Each track seems to dwell in a space where the boundaries of music blur into a meditative state, driven by Loren's sparse guitar work and Suzanne's ethereal voc…
*Limited Edition of 100 copies!* Commissioned by 180 Studios as part of the UVA exhibition Synchronicity, Chromatic is a software-driven optical instrument that explores the harmony of form and the interaction of colour and sound. Each line, shape, and colour plays a role in constructing this generative audio-visual installation. A computationally programmed, rule-based system endlessly assembles and re-assembles abstract formations and harmonic sequences, producing geometric compositions that p…
'Echolocation' is the astonishing debut album from Mendoza Hoff Revels, a formidable new unit led by Ava Mendoza & Devin Hoff and featuring James Brandon Lewis & Ches Smith. While Mendoza and Hoff have floated around each other's musical orbits for decades, and have been friends for some time, this is their first work together on record. It is an electric & holy harmonic fusion of highly estimable musical forces; wholly rendered. The original impetus of this group was Mendoza’s, based on the lov…
Solo instrumentalists navigate a free and rambling road through an imaginative, oneiric wilderness. So much expressed without singing/words, a direct power line to the psyche, open for interpretation and brimming with melancholy, joy, and somber reflection. The annals of solo guitar music, much like solo piano, can tap into these almost subliminal lines of communication. The new album/debut LP from Los Angeles by way of Ohio guitarist/flautist/songwriter Barry Archie Johnson sings out as a start…
David Sylvian’s ‘The Good Son vs The Only Daughter - The Blemish Remixes’ will be released on vinyl for the first time in January 2025. Initially released on Sylvian’s samadhisound label in 2005, it was only available on CD and digitally. 'The Good Son Vs The Only Daughter' is the nine-track companion to David's 2003 solo album, Blemish. The record features remixes by Burnt Friedman, Sweet Billy Pilgrim, Ryoji Ikeda, Readymade FC, Yoshihiro Hanno, Tatsuhiko Asano, Akira Rabelais, Jan Bang, and E…
CD Edition. Sonic Youth on Superior Viaduct!!! In October 1987, four months after the release of their critically acclaimed Sister LP, Sonic Youth showcased their latest work in a blistering set at Cabaret Metro, Chicago. The concert was introduced by Big Black's Steve Albini (who at the time was banned from the venue) and subsequently released as a semi-official bootleg under the title Hold That Tiger on writer/provocateur Byron Coley's impishly Geffen-baiting label Goofin' (years later the ban…
2025 repress, LP version. "Sometimes it's like an overstuffed musical armchair -- quite comfy, even when lumpy. The contribution of Markus Popp, whose style of digital scratching has made Oval an experimental household name, adds to the density and often provides an echo of Gastr past while the rest of Camoufleur paints the future." Jim O'Rourke's last album with Gastr del Sol is a subdued, meditative affair, bringing together elements of folk, jazz, film music, and the avant-garde. "The Seasons…
This composition is a kind of false diary of the year 2015, or rather a real concentration of that year’s memories with very little rationality in its hierarchies, its ordering, or in the connections it makes. The narrative, if one wants to hear any, comes from the meeting between chronologies, the shape of the snippets, the fortuitous accidents and such, yet all in the absence of any sequential logic. The idea of building a form of sound by gambling with memories had been turning and returning …
'Dog FM is the debut release by the London-based duo of field recordist Oliver Chapman and poet Phoebe Eccles. Combining Chapman’s seemingly banal snapshots of a family car journey with Eccles’ fantastic, reflective spoken verse, Dog FM deftly transports the listener through a series of uncanny and oft-times bizarre audio travelogs where tension and expanse alternate to disorientating effect. By exploring the dynamics of a typical close-quarters family exchange, and with repeated use of ‘canine’…
New On CTR ! Compiled by Jason Boardman ( Before I Die Records) Celebrated Manchester club-night/record Label Owner , DJ & digger - supreme. An album of early 1980s Post-Punk era musical bedroom & small studio innovations & DIY Inspirations - Featuring rarely / never heard cuts from that period. Including tracks sampled by DJ Shadow & a singular Post-Punk era diss-track :-) From Coventrys 2-Tone associated Skeet to Surface Mutants Cabaret Voltaire facilitated Dub ..A rich previously untapped vei…
*2025 stock* L'Era del Cinghiale Bianco (The White Boar Era) marks the clamorous Pop turning point of Franco Battiato. Created with the fundamental help of violinist Giusto Pio, this work is widely considered a masterpiece, and in 1979 it changed the destiny of Italian music forever.Essentially, it is an album of transition: between past and future, between Prog experimentalism and a new intellectual form of Pop influenced by the New Wave.
The title of the album draws inspiration from a Celtic m…