Stone and Worship
“Instructed by the chasm between pulseless discorporeality of elemental mass and a meditation on its reflection in human reproach” – unknown
Reverb
Kari Takemoto, who performs improvised live collaborations with various artists using sumi ink, flowers, painting, recitation, and dance, releases a solo guitar album. The album was mastered by Chihei Hatakeyama, a leading figure in the Japanese ambient scene. The album contains 10 tracks, including a song for the introduction video for the solo exhibition held at Ginza six by Chima, the ink painter in charge of the ink on the jacket of the album, as well as a song for the art event gallery.
Meido
This 2025 album by sound artist Yengo is a haunting exploration of sonic landscapes. Oscillators rise as if drawing curses from the depths of the underworld, surrounded by collage noise that drifts, vanishes, and gradually intensifies in ferocity. The album weaves a chilling atmosphere reminiscent of Japanese horror films with an experimental and avant-garde auditory sensibility, converging towards a sonic catastrophe. The cassette tape edition is uniquely packaged in a sleeve wrapped in bamboo …
Campanelli
Valentina Goncharova's work encapsulates a unique blend of innovation and tradition, providing audiences with an enthralling exploration of the vast possibilities within musical expression. Drawing upon her compositional skills honed during her academic studies, Valentina expertly manipulates the violin, seamlessly integrating it with synthesizers and drum machines. The result is a mesmerizing fusion of organic and electronic elements, characterized by slow, pulsating drone soundscapes.
Liber Lelle (CDr)
2008 release ** "Here’s a beautifully delicate arrangement of ritualistic ambient sounds – I believe from Italy? – released on Russian label Abgvrd. The basic drawn artwork doesn’t really compare to the subtle and atmospheric sounds represented here which are quite distinct. Among the instruments listed in use on Liber Lelle are bells, cymbals, mandolin, balalaika, zither, accordion, and flutes. These instruments do not generally make a presence through traditional means but instead they are use…
Destino Scifosi
Power trio brought together by Yann Gourdon on hurdy gurdy, Jérémie Sauvage on bass and Mathieu Tilly on drums, France take drone and minimalism at their most ecstatic and massive
The Wrong Cage
2008 release ** "Although this collaboration between Italian psych-pop band Jennifer Gentle and mercurial, collabo-prone Acid Mothers Temple guitarist Kawabata Makoto sounds pretty much like you’d expect, the The Wrong Cage can’t quite be reduced to the sum of its parts. It can be a rich, rewarding document for listeners on either side of the pop/free psych divide represented by the two groups. Separating Makoto’s and Marco Fasolo’s guitar (the latter being the sole JG member to carry over into …
Euterpe Sequence
1998 release ** "Second release by Wales based duo. 17th century inspired ambient sound that varies from droning transcendental stillness to guitar and effects noisescapes bordering on the works of Merzbow and Total."
Sum Sum
2009 release ** "Matija Schellander is an Austrian composer and improvising musician currently based in Vienna, mostly using double bass, modular synthesizer, and speakers: processing input, moving air output. In 2012 his solo CD sum šum with 7 electroacoustic composition will be released by the small publishing office The Manual (Seoul).jump rope / data mining / dystopia / science fiction / electroacoustic / stalker / rust / ping-pong / air-raid shelter / industry / toxic wastelands / totalitar…
Whiskey Mute-Down
2005 release ** "The Nether Dawn is the ambient noise project of Anthony Milton. Whiskey Mute-Down first came out as a private CD-R on Milton's own Pseudo Arcana imprint, and here it is given its first official pressing (Last Visible Dog had already reissued two albums of Milton's avant folk songs as a single-CD two-fer a few months before). The music of the Nether Dawn relies mostly on noisy guitar soundscapes, with occasional bits of percussion and other instruments, plus vocals in "If We Left…
Komu Mam To Powiedzieć?
2006 release ** "The Krakow band Bordo, celebrating their tenth anniversary, has given us the album 'Komu mam to pomaga?'. Post-rock, psychedelic, sometimes dark - this is the music of the Bordo group. The term space-rock fits it perfectly. When recording the album 'Komu mam to pomaga?', the artists chose twelve songs from the fifty prepared ones, which gave an hour of material. The crazy music is accompanied by equally psychedelic lyrics, or rather phrases repeated over and over again, such as …
The Haunting Triptych
2010 release ** "Truly intriguing is the fusion of intent between Pietro Riparbelli (K11, Radical Matters) and Philippe Petit (Bip_HOp, Strings of Consciousness) who develop three pieces of menacing and dense dark ambient that bring to mind the best releases by Lustmord and Nurse With Wound. As mentioned, "The Haunting Triptych" is divided into three parts and each of them appears as a work plan interlocked with the others but arranged on a different angle. "Residual Spookiness" has the merit of…
Chroma
2007 release ** "Split over seven tracks 'chroma' is a beautiful swarming forty five-minute suite of pieces. A warm, almost angelic hue of sound radiates from 'chroma' giving it a pure, optimistic feeling that only fades with the last dying notes. Weightless and saturated in it's waves of sound, all you have to do is listen.."
This Piano Thing
1998 release ** "This Piano Thing is, in some ways, an answer to questions and problems raised by my composition Piano Mechanics . These problems deal both with an evolution of piano technique and a redefinition of the piano as a machine for the ‘synthesis’ of ‘new’ sounds. When Piano Mechanics is performed live in concert, the unusual acoustical effects emerging from a solo unamplified and unaltered piano form an impression to the audience that some trickery is taking place. In almost every per…
Music For Stanford
2004 release ** "Dexter George Morrill (1938-2019) was a composer, trumpet player, and professor of music best known for his collaboration with jazz saxophonist, Stan Getz during the premiere of 'Getz Variations for tenor saxophone and tape' (1984); a Morrill composition which merged jazz improvisation with computer-generated sounds. In his early years, he studied trumpet with Dizzy Gillespie at the Lenox School of Jazz, and later composition with Leonard Ratner and orchestration with Leland Smi…
#freakinmeout
2025 stock "Strange music by Clubsoundwitches, but there is something in there that I found very captivating. Maybe this is the new dance music?" – Vital Weekly #1237
The Interstices Of These Epidemics
2025 stock In April 2017, Barnaby Oliver and I started recording with the aim of improvising long-form pieces made up of a restricted palette of gestures and sound sources. Throughout the next two years we came together sporadically as we continued this quest, working through various ideas and changing instrumentation. Our work was gradually refined done to what you hear on this album: a combination of harmonics arising from bowed metal bowls and violin (or piano), coalescing into other-worldly …
A Short Apnea
1999 release - cardboard box ** "Hard to explain the birth of a band like A Short Apnea, ahead in the conception and in the sound, if you don’t browse the curriculum of the musicians, devoted to experimentation with other genres of music since the 80′s. Always in search of a music in which barriers between progressive, post-rock, free jazz, avantgarde, A Short Apnea became soon a cult and a reference for who attends from years to find in a band ahead as well as deeply italian."
Tetra Summer
2005 release ** Hand-made cover with collage mini-poster sleeve.
Composition No. 12.5 (Compilation II For Improvisers, Jazz Ensemble And Electronics)
1999 release ** "An outstanding record that demands a place in any comprehensive collection... some of the most vivid and creative improvisation/composition fusions in recent times... wholly individual mixtures of realtime improvisation and writing that cheerfully filches from all post-bop and compositional areas, yet which depends as much on the colour and intensity of the individual improvisations"