Survivalist Tales!
Emil Amos, world renowned as drummer of the illustrious experimental rock groups Om and Grails, has an increasingly prolific, though relatively unknown, solo career under the moniker Holy Sons. Home recording over 1000 songs since the project's inception in 1992, Amos has spent the better part of the last two decades honing his song writing and production skills over a wide swath of genres in a mission to capture his internal world sonically. Only a handful of shows have ever been played u…
Graduation
The Fugs were wonderfully twisted, but they also sounded like big-city poets merely flirting with that distant concept called rock 'n' roll. Henry Flynt's artsy music, in contrast, is firmly planted in the American roots music of his childhood. On Graduation, recorded between 1975 and '79, the fiddle player and his group get all jam band. They trade their love for repetition and minimalism for open-ended excursions into rural rock that aren't too far removed from vintage Grateful Dead. Groovy.
Late
New York's "...premiere improvisatory, vocal-and-electronics cosmic beat-box band..." return to Woodsist with a brilliant side of loopy hypnotics, including an insert code for free digital download of the 2007 cassette-only release for Tank Tapes redeemable directly from the label. All four tracks are previously unreleased, arms-out eyes-shut wanders through darkly tinted terrain. 'Oboh' opens up with what sounds like reversed field recordings made inside a washing machine at a Native Am…
Standing Still, Facing
The primary step in understanding Standing Still, Facing Forward is to recognize Ensemble Economique is Brian Pyle. Brian Pyle is Ensemble Economique. This is the first LP release from Ensemble Economique. Digitalis issued the At the Foot of Nameless Roads CD in 2008. Ensemble Economique's fantastic earliest recording, entitled No GPS, was bundled as a CDr with a limited initial pressing of At the Foot, but has yet to be properly issued. Both recordings are important primers to Pyle'…
Landscapes
*ONE OF 2009'S MOST ACCLAIMED ALBUMS, FINALLY BACK IN STOCK* Ducktails is the lo-fi bedroom pop pseudonym of New Jersey's Matthew Mondanile, who also goes by the handle of Predator Vision on Not Not Fun. Over the last three years he's dreamt up a steady stream of largely cassette only gems which squarely fall into the Hypnagogic Pop style identified by the Wire magazine in mid-2009. 'Landscapes' is a remarkable collection of raw-finished pop reminisces with a vivid sheen of washed-out summery eu…
Coil Sea
The idea for the Coil Sea record came about after Arbouretum had finished our Summer 2009 European tour. The band had some time off, and I thought it would be interesting to put a session together consisting of musicians that I knew and had played with, but hadn't all played with each other. The goal was to create improvised music without much in the way of set ideas or editorial input from my end, and to hope that we could, over the course of the session, become comfortable enough playing…
Great Explorers
Originally released as a CD on the UK label Pickled Egg in 2009, Great Explorers is the second full-length effort from one-man dynamo The Doozer. Siltbreeze was delightfully chuffed to make its acquaintance (by way of Matt Valentine's suggestion) and agreed to release it unto all the world on the much-sought-after vinyl format. Hailing from Cambridge, England, The Doozer bears an almost uncanny vocal resonance to past legend Syd Barrett, as well as a knack for cobbling together occasional…
Fin Eaves
We don’t write record reviews often these days thanks to the current paradigm of online music journalism. Considering our hyperactivie information age zeitgeist, why do you need some blowhard like myself describing a record to you when you can just pipe in the preview on Last.fm or whatever? With that said, it takes a certain type of album to convince me that I have some serious science to impart on others, and spirit warriors Cloudland Canyon’s latest, Fin Eaves, is just that type of work. Thi…
Auf Wiedersehen
A lasting gravestone release from Philadelphia's Clockcleaner packs in more drama than your mama with enough bad attitude to make the food court cry. Since 2007's release of "Babylon Rules", Clockcleaner have toured the trailer park areas of the United States as well as conquering the scorched earth of Australia. During this time the band recorded this 4 song EP length record that sharpens their midnight howl in a direction only hinted at in previous releases. The band now operates in a d…
For Alto
One of the first solo saxophone recordings of the 60s – recorded as one of the first few sessions by a young Anthony Braxton! As the title implies, the whole album features alto sax – played freely by Braxton with a depth of creativity and sense of humanity to rival any of the previous greatness of his generation from bigger names on labels like Impulse or ESP. There's a great sense of restraint here too – not one that has Braxton on the inside of the jazz spectrum, but which keeps him …
Urge To Kill
Nobody knows what a Brainbomb is, but with the sounds of this record strapped close to your skull you will not need your fancy pants college thesaurus to figure out exactly what the meaning is. This record is maximum, in-the-red and dealing with more issues than a year of after school specials. Sounds like a fried out speaker blowing a mix of Detroit fueled orgy fun and evil bad-assery. Driving around in your car, being tired, picking up hitchhikers and killing them with hammers and scre…
Singles Compilation
THE BRAINBOMBS use a horn, scraping guitars and the mindset of a mentally impaired killer to bring some dark damage to the putrid remains of the corpse of rock music. When the band started, they were much more in line with the European industrial scene of the time. Though they use the tools of the rock trade, Brainbombs instead breath from the fart-helmet of minimal repetitious overload. To this a drugged out horn floats in the mix. The collection of songs on this release documents the ba…
Refuse This Gift
The third album Refuse This Gift from Bear Claw is one of two records that ended up being part of a double whammy of releases from Sickroom Records just recently for me. Paired up, at least in my mind, with the excellent Conformists record (which you can find a couple posts below) Bear Claw gives a bit more of a traditional spin on the Chicago math/noise-rock sound compared to their label mates. With their third album Refuse This Gift the band hasn’t deviated all that much from their pr…
Collected Works 1995-96
This excellent collection of Masaki Batoh's (founding member of Ghost) "A Ghost From The Darkened Sea" and "Kikaokubeshi" brings together two albums recorded and released in 1995 and 1996, during the final period of conceptualization for Ghost's "Lama Rabi Rabi" album. These two solo records allowed Batoh to explore musics and textures in an entirely free space from the already quite free (and rapidly morphing) Ghost. This is a solo record in a very complete sense: aco…
IV
The fourth and final album to be released during Faust's original lifespan, originally released by Virgin Records in 1973. "As an album, IV matches the band's trajectory: Jumbled, fragmented, with random data integrity issues, but seeming more the brainchild of inspired pop anarchists than calculating avant-gardists. Yes, the record sounds more 'professional' than any of their others, but somehow that doesn't actually equate to slick sounds: Opener 'Krautrock' (which Irmler says wa…
Moon Phantoms
Moon Phantoms is a collaboration between the bands Bardo Pond and Suishou No Fune from Japan. This record came about as most of these collaboration records do by two bands doing a tour together, hitting it off and deciding it would be fun to record a session together. Here's a review I'm stealing from Aquarius Records who always seem to sum up the mood of an album perfectly in just a few sentences: "Deep in the forest ethno-drones, drenched in buzz and shimmer. Sitar, guitar, cumbas and all sor…
Onrushing Cloud
Although Onrushing Cloud is the first recording by this trio, Andrea Belfi (drums, percussion, electronics), David Grubbs (electric guitar, voice, piano) and Stefano Pilia (electric guitar) share a common bond in that they’ve all released solo works via the Swedish label, Hapna. On this album Grubbs and Pilia combine instrumental forces while Belfi sets out a backdrop of highly sensitive percussion and electronics. The outcome is a single, half-hour, flowing body of work thatâÂÂ…
Whitehouse
This project involves the unique German avant-garde orchestra performing a selection of tracks from the Whitehouse catalogue. The rehearsals and mixing were done in collaboration with William Bennett but he doesn't actually perform on the recordings. Anyone familiar with Zeitkreitzer's Rendition of Lou Reed classic Metal Machine Music will be fully aware that these guys can magnificently translate noise music and in this case electronic music through acoustic interments. Bennet's compositions h…
Solo Works : The '70s
This historic collection gathers together the four seminal solo albums recorded by Alvin Curran (b. 1938) in the 1970s. Two, Fiori Chiari Fiori Oscuri and The Works, are making their first appearance on CD. Author-critic Tim Page, an early advocate of these works, writes, 'Curran weaves electronic technology, an occasional acoustic instrument, voices and musique concrète ('found' music) into a multi-hued tapestry of sound. He holds these dissimilar elements together with a compelling subliminal …
Natural Information
AMONG THE WIRE'S BEST OF 2010! Joshua Abrams in an infectious groove-based album built around the guimbri, a 3-stringed animal hide bass used by the Gnawa of North Africa. "Bassist & composer Joshua Abrams has been in the thick of Chicago's vibrant music scene for fifteen years, playing & recording as leader & sideman in projects across the genres. He co-founded the 'back porch minimalist' band Town & Country (Thrill Jockey/Box Media), & with Matana Roberts & Chad Taylor, the trio Sticks & Stone…