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Experimental /

Istruttiva Serie
Istruttiva serie is a non-linear path progressing by attempts. A limited number of non consequential exercises about re-elaboration and evocation. The sound material comes from field recordings (recorded in Italy in 2014) and folk guitar. The main purpose is to investigate the constant encounter and collision between field sounds and melody by developing an acoustic stream which aims a perceptual redefinition. As “not completed” doesn’t mean “lacking” every track is here a personal exercise chal…
Early Works
A selection of the most radical impressive works composed by Wayne Siegel when he was mid-twenties. Moved to Denmark, between 1979 and 1980, he began to investigate possibilities of a very personal language, contributing to mould the heterogeneous kaleidoscope of Post-Minimalism results. The early works are constructed around a relentless musical process that consists of delaying and repeating every element in a certain measure, without intentional alteration. Siegel called this process canon te…
La Vie dans les Airs & dans les Eaux
Drone Records is proud to present the first ever collaboration release of these two cosmopolitan sound artists from France and Japan (residing currently in Taiwan and Belgium), based on a variety of field recordings, ‘concrete’ material improvisations and personal additions done in different parts of the world. We can hear mysterious (micro)-sounds that could come from minerals, stones, plants, or daily objects and instruments - opening up two soundscaping tracks full of wondrous elements, combi…
Custodian
Custodian marks a much grander stylistic experiment in The Cyrillic Typewriter’s discography of cinematic pop enigmaticism. Explained away as a score for an unreleased horror film, Custodian may be a uniquely Ruritarian soundtrack, referencing an origin of unverifiable existence, a plausible, approachable, but ephemeral stranger. Suggesting a Heart of Darkness narrative of doomed exploration and dreaded discovery, the album employs swelling drones and Delphic female vocals to convey an overarchi…
Gegenschein
Small repress. Irish artist Áine O'Dwyer follows her highly acclaimed Music For Church Cleaners vol. I and II double LP (2015) with two LP releases, Gegenschein and Locusts (PP 027LP). While continuing to explore the church organ as the primary instrument, these two releases steer away from Church Cleaners in both sonic content and themes explored. Gegenschein was recorded at the Franciscan Friary in Limerick, Ireland. O'Dwyer gained access to the Friary in 2012 and explored both the pipe organ …
Dada est mort
Legendary French avant-garde innovators DdAa present Dada est Mort. Dada est Mort is a display of harshly beautiful rhythmic convergence. Showing observationally precise commentary while at the same time treading the sea of the obscure. This is somewhere around their 50th release since about 1979 (150+ if you count all of their appearances with other artists).Black vinyl, limited to 150 copies. Hand numbered and come in a 4-way gatefold.
Void Transactions
2017 release ** Void Transactions is the most recent album of Alterations, released in 2017. Recorded at Cafe Oto during the live performance at Alterations Festival 2016. Peter Cusack: acoustic guitar, field recordings. Steve Beresford: piano, electronics, objects; Terry Day: drums, percussion, objects, balloons; David Toop: electric guitars, bass, flutes, objects.
All This I Do For Glory
“All This I Do For Glory” is a reasoning and exploration of the machinations of ambition and legacy, an examination of the concepts of afterlife, and the first half of a doomed love story in the model of the greek tragedies. As a narrative, it exists temporally somewhere between 2015’s “Never were the way she was” (with Sarah Neufeld) and the first volume of the NHW Trilogy.  With this, his first solo outing since 2013’s “To See More Light”, Colin Stetson ventures into territory both famil…
Fresh Air
LP version. Orange vinyl version with bonus 7". Includes CD. Faust's new album Fresh Air differs in several respects from its predecessor, Just Us (BB 182CD/LP, 2014). The recordings were made at Jean-Hervé Péron's rehearsal studio in Schiphorst in northern Germany, hypnotic pieces with the kind of noisemaking the band is known for. For the new album, Péron and Werner "Zappi" Diermaier were looking for communication with musician friends and the audience. The tracks were recorded in changin…
Piano Improvisations
Belgian composer, arranger, pianist and keyboardist Koen De Bruyne (1946-1977), brother of celebrated singer and songwriter Kris De Bruyne, had his own — unfortunately short — stint in the field of pop, jazz, fusion and funk in the 1970ies. He rose to the scene as a wanted session and live musician for local heroes such as Johan Verminnen, Will Tura, Ferre Grignard, Mad Unity, Black Blood and his brother Kris. In 1974, after some years in the trade, Koen De Bruyne debuted as a solo artist. …
ABC 1-6
Score for indeterminate ensemble by Swiss composer Stefan Thut (2012), here realised by Cristián Alvear, Cyril Bondi and D'Incise. The piece is governed by three categories of sonic material - 0 for faintly coloured noise, 1 for amalgam of noise and pitch, 2 for pure pitch - circulated across six pages and as many rounds in an ever-shifting structure of repetition and turn. A rigorous taxonomy of sound material in the lineage of Wandelweiser and post-Cage indeterminacy.
2.20
Inspired explicitly by Eliane Radigue's Vice Versa..., Orphax records two source pieces in AudioMulch using nearly identical virtual modular settings, varying only a single parameter, and then sculpts the resulting material in Reaper into two strict twenty-minute compositions. The two pieces are conceived to be played independently or simultaneously, the listener encouraged to build their own mix; the album includes a download with both tracks plus a guide mix made with Jos Smolders.
Interventions In A Landscape
Cinema Perdu is Martijn Pieck's solo vehicle for what he calls 'soundtracks without movies': field recording as compositional starting point, layered with synthesizers, contact-microphone material and other electronic sources to reconstitute the feeling of a place at a moment. Interventions in a Landscape unfolds across four pieces drawn from coastal sites where human modification of the terrain sharpens existing contrasts. Place-based composition on the musique concrète-ambient threshold.
Trübhand
Recorded in Bad Zwischenahn in early 2016 as two live performances captured to a Zoom H4 - small Eurorack case, mixer, a couple of guitar pedals - Trübhand is built around long, slow modulations and resonant structures that rise and fall trying to find definition within the flat north-German landscape Fyans was living in. The methodology is patient sculptural patching, allowing time to do the structural work; the affect runs to the muted, modular drone shaped by its making.
Koura
Two pieces of multitrack composition built from sustained tones on solo acoustic instruments - a 'Jubel Töne' zither in the first, a 'Hohner Organetta' chord organ in the second - each extended through real-time electronic processing (feedback looping, downsampling, pitch-shifting, reverberation, oscillator interaction) and extended playing techniques. Part of an ongoing series on layered acoustic-tone composition. The title refers to a sheep-shearing ceremony still observed in rural Crete.
Biotische Verwitterung
A disquieting record to accompany the nightmare of now. Baldruin documents this darkness, finding some hope in the helplessness. Buried within these grooves, lies a dizzying array of crepuscular sonics. Barely alive, it drips with dread. Rachitic loops return to us, like traumas. A sticky submission. My goodness, these earworms are infectious. 
Music from Saharan Cellphones Vol.2
2017 repress. "Contemporary pop music from the Sahara desert, where songs are stored on cellphones. Collected in Northern Mali in 2010 (since taken over by extremists who've banned music on cellphones) the second volume expands into new sonic territory - from dreamy Niger guitar ballads, Bamako club juke, and hi energy Moroccan child Raï - with a focus on the Autotuned DIY creations circulating the desert." Includes insert with liner notes.
Grey Mornings
Two years after the release of the critically acclaimed, Pondfire, Paul Beauchamp returns with his second solo album, Grey Mornings. Once again tapping into geographical influence for inspiration, the nine tracks of ambient drones reflect the feelings and emotions experienced during the early hours of grey, foggy mornings in both the Piedmont region of Beauchamp’s birthplace in North Carolina and the Piemonte region of Northern Italy where he now resides. Beauchamp continues his research into ex…
One Single Sound
Bored of working for years on microsounds, crick & crocks, drones and field recordings, Matteo Uggeri launches a new project based on field recordings, drones, crick and crocks, microsounds and ignorant beats. Each of these four tracks is then built using only 1 drone, 1 field recording, 1 sampled drumbeat. Then a lot of effects. Inspired by the letters of Charles Robert Darwin to William Darwin Fox. "I am at work on the second vol. of the Cirripedia, of which creatures I am wonderfully tired: I…
Space Text Sound
Space Text Sound documents text material used in three of my recent installations: An Attempt at Exhausting a Place in Hong Kong (After Perec) (2016), Drifting (2016) and Other Ghosts (2015). All three of these works investigate the nexus points between the production of space through sound and how text can be used to reflect on this process. I’m interested in how words can convey the sense of place sounds can and, beyond this, how these words impart a feeling for inner spaces, often more common…