We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
A side each of fertile noise-rot from Montreal's Cousins of Reggae and Brooklyn's Mouthus. Soundly rejected by Discovery Channel, the Cousins' five-track suite about the Hudson Bay follows up their limited and hard-to-find debut LP (on Ohnonoise) and a recent CD-R on Mouthus's Our Mouth imprint. They set sail with some hyperactive stompers and narcoleptic stumblers intent on capsizing all vessels in their path before coming under attack by a squadron of pissed off jet-skiers. On the flip are two…
Australian Charles Curse's music is one of the weirdest things I've come across all year. On Rain In Skull, fragments of disjointed folk melodies move across a plain of wheezing chords, tape hiss, children's voices, ambient washes, amp hum, electronic glitch and bits of buzz in general. The contrast between downcast guitar playing and the physical claustrophobia-inducing weight of sound is equally perplexing and intriguing. It's all presented in a decidedly lo-fi environment but the sound constr…
A series of 7” records of 1 minute tracks and lock grooves. Focus of each volume is on one particular instrument and on the ways in which invited artists address the specifics of duration as defined by the given format. Duration here is not considered as a mere quantity of time, but as the subjective relations that we establish within time’s dimension. Twelve participants to the first two releases contribute one minute-long track and two locked grooves (of 1.8 seconds at 33.1/3 rpm). Each record…
A series of 7” records of 1 minute tracks and lock grooves. Focus of each volume is on one particular instrument and on the ways in which invited artists address the specifics of duration as defined by the given format. Duration here is not considered as a mere quantity of time, but as the subjective relations that we establish within time’s dimension. Twelve participants to the first two releases contribute one minute-long track and two locked grooves (of 1.8 seconds at 33.1/3 rpm). Each record…
An unreleased live by this legendary cult no-wave NY band from 1979. In around fifteen years exitence since their formation in 1978, the history of Circle X can be divided in two parts and for each, with few but always powerful releases : the late 70s-early 80s with two singles + one vinyl LP, and for the second one : four singles, one CD and one miniCD for the early until mid-90s. Today, its a great delight to see the first official Circle X live album. And what a document ! The Circle X 'Histo…
A veritable tour de force of 'inside' prepared piano playing - preppiano extensif. The whole of a solo set performed at Les Instants Chavirés near Paris. Sophie Agnel's preparations, neither static nor fixed, evolve during the course of her playing as she adds, moves or removes an object, or replaces one artefact with another. These preparations include disposable water cups, nylon fishing-line, bouncing balls, aluminium ashtrays, aluminium foil, industrial nylon, inner-tube rubber and polished …
Taku Sugimoto : metronomes, mandolin... Taku Unami: computer, mandolin... Recorded live by Taku Unami at Loop-Line on May 2 and October 16, 2008. Mastered by Taku Unami.
An unusual, very nice release for Maurizio Bianchi/M. B. playing a decadent piano using sostenuto and damper pedals effects. Ultra limited edition of 100 copies
Debut collaboration of Richard Garet (who has recent releases on winds measure recordings, Non-visual Objects, and/OAR), and Brendan Murray (23five, Intransitive, Sedimental among others). Garet and Murray are both known for their carefully measured compositions, in which wide droning expanses are organized into articulated, endlessly engaging structures. Next to the timbral complexity and fine detail that comes through their layering of textures, Of Distance also shows well the painstaking atte…
There is no CD sleeve... only disc in the ordinary jewel case. Limited edition of 300 copies. “Luke Fowler is an experimental filmmaker. His work is a kind of anti-documental work. We are working together, recently. He asked his family and close friend by telephone. He says “Just read a paragraph that you reading book right now.” He collects 8 readings. Luke and I made an installation together in Yokohama. We used 16mm film with no sound. I recorded the blank soundtrack of it. (you can hear at t…
a great album pulled out of the stream of time (1983-1985). They have never been on record or on air (nevertheless, some have been released on international cassette-compilations in the '80s). Back then they called it "primal industrial-punk".
Sylvia Hallett (violin & electronics, voice), Danny Kingshill (cello, voice), Gus Garside (double bass & electronics). First formed in 1988, arc have developed, through improvisation, a collective language that draws on the European textures of the violin family (with a little bit of voice added). This is their first album to use live electronics, at times effectively increasing the group to a quintet. They previously released two albums of acoustic improvisations in 1992-3 on Uneasy Listening a…
These recordings were made as part of a proposed file-sharing collaboration with Austrian sound artist Helmut Schfer. The recordings were abandoned after Schfer's death in April 2007 but largely due to his original interest and enthusiasm, newly-recorded sections were added, with the final edits and mix completed later that year. Schfer does not appear on these recordings, but the final tracks have been completed with the initial discussions for the collaboration very much in mind. Improvised an…
Chamber Works 1973-2001. Frank Denyer's (b.1943, London) music is the work of a truly original mind, one that sees and hears the world just a little differently. The six pieces on this CD are unlike the music of any other composer working today, celebrating the richness of acoustic sound in all its inexhaustible variety. The composer supervised performances by The Barton Workshop, which Denyer co-founded in 1990.
Incredible italian avant/free progressive album from the historic early Seventies finally rediscovered and dusted off the vaults !!! After a very long time, BTF distributes one of the rarest italian progressive albums of all time: Cincinnato, a masterwork recording originally released back in 1974 and never before reissued on LP! Featuring some great progressive and jazz-rock tracks and an incredible 20-minutes long suite. This is a superb release and the ultimate collector's item of the italian…
2006 remaster, originally issued in 1983. Climate of Hunter was Scott Walker's only album of the 1980s. It drew critical raves for a minimalist, trancelike ambience that showed him keeping abreast of cutting-edge trends. This version of the album is digitally remastered for the first time and has the addition of sleevenotes by music journo and St. Etienne member Bob Stanley. Guest musicians include Evan Parker and Ray Russell.
'And Who Shall Go To The Ball And What Shall Go To The Ball' is the second release on 4AD for legendary artist and composer Scott Walker. The album, originally commissioned as a contemporary dance piece for disabled and non-disabled dance company CandoCo, is a twenty five minute instrumental work split into four movements.
Having already left a strong mark on their two revolutionary double albums on End All Life Productions, which carry the rare honour of warranting the term avant-garde without regard of following any blueprints, here are the first two demo's by this obscure and controversial French outlaw Black Metal band known for their decadent activities. Pacta Daemoniarum was originally released in 1999 and Crasse released in 2001 and exhibited twisted, vociferous manic vocals spit on top of complex orchestra…