Experimental / All styles

Nine tracks, including covers of a Spiders tune, The Ronettes' "Be My Baby", etc. Most staggering of all is the cover of the Stones' "Satisfaction", which neatly transforms Jagger's baby-in-a-Perspex-box mixture of rage and boredom into truly on-the-edge jumpy paranoia.

Featuring Eric La Casa (processing, contact microphone recording), Eric Cordier (long string recording devices, mixing), and Jean Luc Guionnet (condenser & contact microphone recordings, filtering, processing, mixing). Afflux employs an on-site electroacoustic device in order to work out a set of live interactions with the site. The device connects the three improvisers to the place at the same time. This set of connections creates an infinite interplay of interactions and possibilities. The dev…

Recorded 11th December 2004 (track 2 & 4) and 22nd July 2006 in Roger Smith's kitchen. All instruments used without amplification or other electronics (except for some amplified guitar on track 3).

Å (which is the first and the last letter of some Scandinavian alphabet) is a young trio of musicians on violin, exotic percussions, theremin, guitar, synth and piano, who have created a remarkably original world of sound. Although one can hear occasional influences from kraut rock style and the early minimalism, this sound is uniquely Italian in its sense of sound, space and time. An imaginative, meditative, bizarre, courageous and nostalgic music consisting in spontaneous compositions and impr…

 ** very last copies ** Il Gruppo was a brilliant and prolific composer's collective exploring extended techniques and new sound sources through the medium of improvisation. Although very much a product of its time, their music remains timeless. They were instrumental in founding a radical tradition of western musical improvisation that owed little or nothing to anybody and created some of the strangest music ever made. They were utterly unique. (from John Zorn liner notes, NYC 2006)   This delu…

ASPHODELZEITKRATZER - Reinhold FRIEDL, "Xenakis (A)live!""Equal parts composer, performer and curator, Berlin's Reinhold Friedl is a veritable renaissance man. In conjunction with his highly regarded orchestra Zeitkratzer ("Time scratcher" in German) as well as in collaboration with such artists as Lou Reed, Lee Renaldo and Merzbow, Friedl has helped set new standards for Europe's new music scene, crossing every conceivable line that separates chamber from computer music, and piano from st…

"On Monochrome Otomo presents 18 pieces that illustrate the entire range of his solo work from pieces constructed entirely of feedback, static and randomly generated radio noise, to sine wave experiments that bring to mind the humming of the solar wind as it wafts through intergalactic space. There are also rhythmic bursts of feedback and percussion that are almost danceable and subtle Zen like meditations full of slow sustained notes that fill the air with otherworldly overtones. The Mult…

+ Zbigniew KARKOWSKIReleased : September 2007. Co-release together with a carrier (San Francisco). Antimatter (Xopher Davidson) from San Francisco and Zbigniew Karkowski from Tokyo have joined their forces once again to present a third part in a trilogy that started in 2002 with their release "function generator" on sirr  and "KHz" on auscultare-ground fault 2 years later. Now they show "Divide by Zero" on Antifrost with collaboration of a carrier  The thick - more analogue than digital -…

3/4's new album, A Year Of The Aural Gauge Operation, was recorded in their own studio in Bologna along 2004. It features nine songs composed after live improvisations, all of them quite different in genre, but again 3/4's aim is to create a psychedelic musical flow, one in which new elements and different styles can be superimposed to enrich and develop the peculiar narrative of the album. We generally think of it as a opera. "A collection of off-centre songs verging on…

Bachi da Pietra (The stone worms) is a two-men band whose dark and resonating music wraps around tunes of desolate candour and lyrics (in Italian) as dark and imaginative as broken love can be. A relentless drumming hovers over a huge wash of ride cymbal and a deep, plaintive voice, which is able to capture sadness, anger and yearning. The entire album is a visceral emotional journey: the dissonant blues-based songs develop around the steady drone of the singer's voice, a trance-inducing vocal p…