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3eem started in 2003 trying to research the point of equilibrium and interaction between traditional instrumentation (electric guitar and tenor saxophone) and techniques of digital processing of audio signals.
In "RHYTHMAJIK", Z'EV has radically reformulated the mystical tradition commonly known as the Qabalha from an Astral/Cosmological focus, to an Earth-based paradigm, in harmony with the needs of our current time. It requires no knowledge of the Qabalha, nor does it assume or call for a prior knowledge of any of the traditional literatures. Stripping away the mysticism surrounding these teachings, Z'EV elucidates the principles behind the theories and transmits the results in as neutral a form as …
"Waiting for the Twilight" announces the return of T.A.C. after five years from their previous release "Apotropaismo". After a long time of hibernating sleep, this unforgetted experienced italian band is back in a magnificent body-form, with a new upsetting sonic paradox... T.A.C. has created a virtual drome where never heard acoustic waves collapse into boundless technoid cages, wrapping dehumanized scared voices from the atavistic twilight of dying future! Combining sick chants with electronic…
Maurizio Bianchi is back on vinyl! A new special limited edition from SmallVoices and the father of Italian industrial music, together with Land Use in this new chapter of his legendary career. An oppressive meditative obscure early-industrial symphony based on two monolithic pieces of thick throbbing stuff. A long deep trip into the darker meanderings of the human mind... good luck! From the liner-notes "Electro-neural mitosis for hypochondriac neurotronic waves and farraginous tone emissions, …
Much more than a simple record label, the TRAX experience coordinated from 1981 to 1987 by Vittore Baroni and Piermario Ciani represented a very original contribution to the "networking culture" that, making its first steps with Fluxus, Mail Art and other avantgarde circuits of the Sixties and Seventies, largely anticipated the advent of Internet and its interactive modalities. Twenty years after the end of a project that involved over 500 international artists and musicians in the creation of p…
Black Magic Disco is the new all-star band featuring Tom Greenwood (Jackie-O Motherfucker), Maurizio & Roberto Opalio (My Cat Is An Alien) and Ramona Ponzini (Painting Petals On Planet Ghost, Praxinoscope). The project was born out of an idea from Tom Greenwood, founder leader of the avant-folk-blues ensemble Jackie-O Motherfucker, who invited Maurizio and Roberto Opalio, aka the Italian improv duo My Cat Is An Alien (MCIAA), and their close collaborator Ramona Ponzini (also involved with the tw…
Muddy Speaking Ghosts Through My Machines' is the brand new album released together by Fabio Orsi and Gianluca Becuzzi. This album will be certainly followed by other cooperations, considering the big friendly artistic sodality between them. Fabio e Gianluca are a strange duo, considering the big differences of their artistic back-ground. Fabio Orsi is a young and unexpected talent. After his first album, "Osci" (LP, SmallVoices 2005), produced by Gianluca Becuzzi, he got a lot of positive feedb…
Double CD set reissuing the acclaimed "The last night of the Angel of Glass, Vol.I", original soundtrack to the omonimous film by Roberto Opalio (released on the long-out-of-print DVD-R/CD-R set by Foxglove, USA), plus the totally previously unreleased "Vol.II" (entire disc 2), representing the second half of a unique recording session. The work here available for the first time in its entire and remastered version was recorded by the artist himself at home in Torino, Italy, on November 1st 2005…
This release is the reissue of the original one, once released in different form, as a limited edition cd-r on Tom Greenwood's U-Sound Archive (Vol. 19). Improvisation recorded on February 12th, 2004 at MCIAA's Space Room, Torino, Italy (no overdubs/ no outtakes). This new vinyl edition is a different version, remastered and re-edited of "Different shades of Blue". Furthermore, this special edition will include also the un-edited artwork originally made by Roberto Opalio and completely inspired …
My Cat Is An Alien also share a split CD with Turntable-manipulator Christian Marclay and cellist Okkyung Lee, and it is their live collaboration “Rubbing” that opens the album. Full of disjointed sounds, scratches and stabs of cello, the piece is a rollercoaster of sonic experimentation, the two players complementing each other to create a wonderfully playful piece of music. After A tentative sounding opening “Beyond The Limit Of The Stars/Beyond The Limit Of The Grooves” Slowly begins to becom…
Aidan Baker is one of the most important emergent artist of the last years...! Probably this is the most important "musical" Aidan Baker release..., in fact here the sound is comparable to the best (obscure) psychedelic post-rock releases including great droning, hypnotic and honeiric atmospheres. Spontaneously composed by Aidan, who plays guitar (electric & acoustic), bass, tapeloops, drum machine and percussion in his droning 'fashion soup'. In this album Aidan uses (as usual) his guitar but a…
Ramona Ponzini's personal touch is certainly her own particular Japanese chant, together with the use of traditional percussions, bells and cymbals from Japan. Z'EV has been enchanted by all those elements (listening to Praxinoscope), asking to Ramona for this cooperation. This is the result of this "long-distance encounter". ANKOKU is a Japanese word which means "deep darkness". For this debut Ramona's voice and percussions has been registered by My Cat is an Alien in their mysterious studio, …
"Glassine I" was recorded live at the Ambient Ping in Toronto in 2006 and can be easily described as an organic space ambient, with very strong references to Pink Floyd (Ummagumma), Popol Vuh, Ashra Temple, Jackie-O Motherfucker, O Yuki Conjugate, AMP and Flying Saucer Attack or "Fourth World" ambient music! Four tracks of pure vibrant multi-layered psychedelic drone music from Aidan Baker & Co! Now, close your eyes, listening to "Glassine I" and start for your trip, even without the intake of a…
Streets of Lhasa lifts us to the high plateau of Tibet where anonymous street balladeers sell folk songs for a living and ghostly voices drift in an ambience of time forgotten. Children, birds, trains, prayers and a traditional temple activity called 'bian jing' (where monks discourse about scripture and punctuate their points by clapping loudly) provide the backdrop for this disc with the folk music of the street taking center stage. These enterprising musicians sing passionate songs and play i…
...Cassette Culture D.I.Y.: 1979-1982 (Volume 1). An introduction to the D.I.Y. cassette scene 1979-84. The U.K.'s original cassette-scene hosted some of the most inept shambling in the history of recorded music, but there was no shortage of musical genius, either (be that accidental or otherwise). From endless bedrooms filled with home-made gadgets, Woolworths guitars, Casios and soldering fumes, came sounds both stunningly simple and sophisticated -- and vastly more varied than anything on vin…
Touting the slogan 'Organic free metal from Malaysia' I have to say I was intrigued even before I popped this record on the deck - I mean how can you possibly dislike a record if it lives up to that slogan, and I'm happy to say that it really, truly does. While being more 'free' than 'metal', this Malaysian improvisational five-piece make quite a racket and armed with two saxophones, bass, guitar and drums they're not your traditional rock band. In fact the band have more in common with Kraut ro…
Paul Flaherty has been a direct lifeline to the radical free-reed lineage of Albert Ayler, John Gilmore, Peter Brotzmann and Arthur Doyle since first coming into our vision sometime in the '80s. In the '90s he began woodshedding hard with Northampton, Massachusetts resident spirit-drummer Chris Corsano. As the contemporary free-noise-space-weird underground gathered around, minds were liberated to godhead heights. Also in the '90s a young and beautiful boy-man named Bill Nace was drawn to the re…
A large ensemble improv album, featuring Ken Vandermark, Rob Mazurek, Kevin Drumm, Rick Rizzo, Darin Gray, etc. O'Rourke decided to pair up Loren with Alan Licht. A full day of improvising was recorded, selected, and then arrangements were later added by O'Rourke in a sort of Gil Evans/Miles Davis move, or more appropriately Teo Maceo meets Mazza-Licht. Organized like a continuum of music that brings new meaning to 'suite' (or at the very least, a flexible new spelling), the record is at once a …
In 1987, Loren Mazzacane Connors first played with his future wife, Suzzane Langille. Together they performed Langille-adapted traditional and gospel standards, slowing them 'down to a crawl'. Two albums were released on his own St. Joan label under the moniker Guitar Roberts with Suzanne Langille, entitled Bluesmaster 1 and Bluesmaster 2. This album represents the best of their material as a duo from those two records, plus the one song they performed as a duo from Loren's 1989 In Pittsburgh fu…
An uninterupted half hour of statement, restatement, and versioning of this track from A Spectrum Between that takes as its point of departure a thumping instrumental with the dream group of David Grubbs, Noël Akchotè, John McEntire, Quentin Rollet, & Charlie O.