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Born in New Zealand, currently residing in London England, Peter Wright has spent the past decade or more producing limited release recordings of drift-guitar space walks of mesmerising beauty. Desolation Beauty Violence is his third CD release proper, after Distant Bombs (Last Visible Dog, 2004), and Yellow Horizon (Pseudoarcana, 2005). Recorded in London, spring 2003 along with Yellow Horizon, Desolation Beauty Violence is a very personal take on environment and landscape. Peter Wright uses a …
Born on March 5, 1945 in Odessa, Ukraine. Having fled to Austria, he grew up in Ried im Innkreis, Upper Austria. When graduating from school in 1963 he studied French, film and comparative literature for a year in Paris before transferring to medicine in Vienna in 1964, later changing to mathematics specialising in logic. Peter Weibel´s artistic work may be chiefly subsumed under such categories as concept art, performance, experimental film, video art, computer art and generally, so-called “med…
2015 restock. The music of of the Finnish experimental music pioneer Pekka Airaksinen has been far ahead of it's time for most of his 40-year long career. His finest recordings from the 60's are more reminiscent of Industrial Music and Noise (which would emerge ten years later) than of the music of his precursors and contemporaries. Later, in the early 80's, few people, if any, were mixing mechanic beats and free jazz like he did. Favourable conditions for this kind of music didn't really exist …
One of the most unexpected yet fruitful partnerships of recent years: in the mid-1990s, Pauline Oliveros, electronic music pioneer and sage of the environmental drone, began working with Reynols, the prolific and resolutely undefinable Argentinian group. Their first joint effort sent Oliveros' music through the rigours of Reynols' heavily processed studio treatments.
The Minexcio Connection: Live! At The Rosendale Cafe finds them collaborating on-stage in real time. Recorded in August 2000 duri…
"In the summer of 1966 I worked in the classical Electronic Music Studio at the University of Toronto for six weeks. The system I used to create No Mo and Something Else consisted of Layfette tone generators, noise source and tape delay. In the Fall of 1966 I was the newly appointed director of the Mills Tape Music Center formerly the San Francisco Tape Music Center and now the Center for Contemporary Music at Mills College. Bog Road was created at the Mills Tape Music Center in the Summer of 19…
Compositions for Euphonium and Trombone, recorded 1978-80. To make his third solo album, Rutherford went into a studio with both trombone and euphonium and used over-dubbing techniques to create unique pieces involving up to four brass instruments. The only completely solo performance features the euphonium. A couple of short tracks feature the trombone played back at double speed -- one of them accompanied by a howling dog (the only other performer involved). This CD also includes two superb so…
Dunmall and Rogers have performed together for years both as a duo and as part of larger groups, such as the quartet Mujician. The three improvisations feature Dunmall on border bagpipes, tenor and soprano saxophones respectively. This is their earliest duo recording on which Rogers uses his A.L.L. bass. 60 minutes.
Ethnicities is an electro-acoustical scope of unreleased recordings of PACIFIC 231's post-industrial period. Successive and consecutive cuts were made until he put together the concept of the album as: pluri-cultural diversity of the sounds, tropical steams, exotic journeys & electronic man-made build-up manipulations, urban dins and industrial mazes, ' Ethnicities ' is a psychedelic and unexpected patchwork from PACIFIC 231.
Guitar solo performed by otomo Yoshihide. Recorded on12th Octber 2004 @ Shinjuku Pit Inn, Tokyo. First otomo's guitar solo work. This work include beautiful acoustic pieces and intense electric pieces, recorded on 12th Oct, 2004 at Shinjuku Pit Inn and new studio recording piece.
"Orton Socket is mainly comprised of main-man and mouthpiece Rob Mazurek, known for blowing horns (as well as eardrums and minds etcetera) on a variety of efforts by Stereolab, Isotope 217, his own Chicago Underground Duo, and some other folks you probably have’nt heard of. Plus Rob's done a series of records under his own name. See, he's been a spotlight kid for years now. But for 99 Explosions, Rob has reemerged incognito, armed with synthesizer and powerbook, wearing the shimmering cloak of O…
Following their maxi CD »Tinnitus Vu« on Touch in 2004 »Tocsin« is the first full lenght album produced together by these two renowned sound artists. Whereas »Tinnitus VU« was mostly the result of Z'ev reworking material by Jackman, »Tocsin« is the result of the artists agreeing to meet and work together in the studio. They created and recorded sounds from a piano (which can be found at RMS Studios London) and a stainless steel instrument (built by Z'ev circa 1989), over the course of several ho…
Textile is proud to announce the fourth installment in its split 12" series, oren ambarchi / hado ho. oren ambarchi is an electronic guitarist and percussionist with longstanding interests in transcending conventional instrumental approaches. Born in sydney in 1969, he has been performing live since 1986. his recent solo releases triste (southern lord - usa), and grape from the estate (touch uk) have transcended the guitar into a zone of alien beauty and sonic impossibilities to critical acclaim…
Oren Ambarchi (el.guitar) & Keith Rowe (tabletop el.guitar). 'Archival recording of this duo's opening set, recorded live at The Loft in Cologne on March 3, 2002. Lovingly recorded with attention to detail, this release beautifully captures the two guitarists creating their own sonic universe in real-time. Gorgeous audial density to utterly submerge yourself in.
Released in DVD case size super jewel box.
Structures with monochromes on reports of the Golden Number 1,618033989.
Recorded July 23, 2002 at Big Jesus Burger, Sydney.Mixed and mastered October/November 2002.
Oren Ambarchi acts as a good antithesis to that other great Touch luminary - Fennesz.Both artists use the guitar as a starting point for minimalist discovery and post-abstract innovation, though where Fennesz relies heavily on distortion and catharsis, Ambarchi's focus is on a much more refined, clean building of layers and delicate augmentations. For his third outing on Touch, Ambarchi's immense achievement is through his sense of timing, pace and definition - slowly building pieces up to warm,…
Brocoli will release Second Souffle, the second album of the trio ON (distribution : Metamkine, Cod&S, Ear-Rational). ON was born in July 2003 with the meeting of Chicago-based Steven Hess and French musician Sylvain Chauveau when they joined for a lowercase improv session recorded by Jeremy Lemos (member of White-Light, collaborator of Jim O'Rourke, Town and Country, Sonic Youth...). Their first album, 'Your Naked Ghost Comes Back At Night' was mixed by Helge Sten aka Deathprod, the illustrious…
“Block is an electro-acoustic and modern instrumental composer whose recorded compositions combine layered, processed wind and string instruments with processed sounds from sections of field recordings she has collected from various natural landscapes. Her performances include minimalistic scored musical sections played live by a quintet accompanied by taped material , often sounds of field recordings, or the same quintet previously recorded and electronically manipulated. block herself “…
Though Homotopy To Marie is the fifth album by Nurse with Wound, Steve Stapleton has said that he considers it the band's true debut because it's the first one he created by himself. Slowly created over the course of a full year's worth of studio sessions (Stapleton having booked one six-hour block per week for 52 weeks), Homotopy To Marie is no less unnerving and experimental than Nurse with Wound's previous albums, but it's far less chaotic. Stapleton created the album's five songs (four on th…
The final document. Shipwreck Radio is a series of albums by Nurse With Wound documenting their residency in Lofoten, Norway during June and July of 2004. Invited to stay in the unofficial capital, fishing village Svolvær, Steven Stapleton and Colin Potter were commissioned to produce 3 radio broadcasts per week for local station Lofotradioen of music constructed from whatever they heard or could find around the island. The project was instigated by Anne Hilde Neset and Rob Young of The Wire and…