Jazz /
One For The Soul
By the time poet, singer-songwriter, and artist Lizzy Mercier Descloux recorded 1984’s Zulu Rock, she’d marked herself out as both a globe trotter with more passport stamps than Tintin and a musical innovator whose loose, arty spirit could be applied to styles as varied as no wave, Bavarian oompa and Soweto jive. She’d also established a tight-knit threesome with muse/former lover Michel Esteban and producer/on-off lover Adam Kidron, who all reunited to follow Zulu Rock – a surprise hit in her n…
(Music From The Film) Lucky Man
'When he performed in Germany, they called him the "black devil violinist," his frenetic playing wrapped in a gyrating, trance-like state. For Billy Bang, who believed he had schizophrenia, the epithet bore a resemblance to his inner turmoil. He was born William Walker in Mobile, Alabama but grew up in the South Bronx. He studied violin and classical music, and his talent earned him a hardship scholarship to the Stockbridge School in Stockbridge, Massachusetts. Bang felt out of place in the pred…
Umakhulu
Born in 1981 in Mdantsane in the Eastern Cape, Ayanda Sikade is one of South African jazz’s most in-demand and respected drummers, a familiar face on the scene for years and a driving force behind its growing prominence on the world stage.
Dedicated to his grandmother who raised him, Sikade’s long-awaited sophomore album as a bandleader, Umakhulu, follows his 2018 debut Movements. Recorded in Johannesburg in early 2021, it features the talents of frequent collaborator Nduduzo Makhathini on piano…
Seven Wisdoms of Plutonia
*300 copies limited edition* Alpacas Collective takes you on a trip from Lagos to Addis Ababa, from Augusta, Georgia to New Orleans, and from Delhi to sci-fi worlds, bringing it all back home in a unique set of original songs featured on its debut album Seven Wisdoms of Plutonia. During the covid 19 pandemic, when everyone was in lockdown the group retreated underground for a quest to soul saving creativeness, to come out again as Alpacas Collective with a first release. 'Seven Wisdoms of Pluton…
Never Never Land
'The British trumpeter and composer Henry Lowther, who first made an impact in the 1960s and released the well received album Can't Believe, Won't Believe (Village Life) in 2018, came to jazz via a circuitous route. After playing cornet in a provincial Salvation Army band, he moved to London around 1960 to study violin at the Royal Academy of Music. While a student, he encountered improvised Indian music and albums by Sonny Rollins, discoveries which encouraged him to commit to jazz, playing tru…
Kraków 2018
Not Two Records proudly present a 5 CD boxset by different constellations led by Barry Guy; recorded in Krakow in 2018 .
Kraków 2020
Fifty years and counting. One of the most important larger bands in European jazz, The London Jazz Composers Orchestra celebrated its golden anniversary over three days in Krakow which culminated in a triumphant performance of "Harmos." Long a staple of the LJCO repertoire, with its beautiful melody, it's one of leader Barry Guy's most approachable works. This rendition was powerful and moving, studded throughout with absolute dynamite individual contributions, and furnished a fitting conclusion…
BeingFive
"A project called ‘BeingFive’ might be motivated by a search to know the nature of being and, by extension, what it means to be together. In this way Montreal clarinettist Lori Freedman set up at once an atelier and a laboratory where both a group music could be made of practically nothing and a social organism could uncover both its organising principles and, perhaps, their limits. Here are exceptionally gifted improvising musicians –– hand-picked by Freedman for a Berlin residency project, a "…
Live (Cookin' with Blue Note at Montreaux)
*Blue vinyl limited edition* In 1973 the Blue Note Records label landed at the Montreux Jazz Festival, showcasing some of the showcasing some of the top artists of those years under the banner of the soulful and muscular jazz of which the blue label was then the standard-bearer. Muscular jazz of which the blue label was then the standard-bearer. This resulted in several albums entitled Live: Cookin' with Blue Note at Montreux (by Bobby Hutcherson, Ronnie Foster, Bobbi Humphrey, Marlena Shaw), bu…
Sleepy
*2022 stock* "Hidehiko Matsumoto Quartet – Sleepy released by Three Blind Mice. Album recorded in 1976 and it was DSD mastering from the original analogue master tapes. This record, made in 1976 in a one-horn quartet setting, showcases Matsumoto’s brilliant playing on both tenor saxophone and flute. He is a true master of both instruments and it is a great pleasure to hear him beautifully recorded by the people of Three Blind Mice. A masterpiece, with great sound." - Audiophile Music
Summertime
*2022 stock* "This is a live recording of "5 Days in Jazz 1976". The album features the seventh release of TBM's "5 Days in Jazz 1976," which concentrates the charm of Tsuyoshi Yamamoto, including his signature tune "Misty," "Summertime," featuring Oyui, and "Cookin' the Blues", which shows off his signature blues feeling to the fullest." - Koki Hanawa
Black Orpheus
*2022 stock* "A beautifully spare session from the mid 70s – one that features bass and cello from Isao Suzuki – stretching out here in a sound that's totally unique! The trio's a great one – with Donald Bailey on drums and Tsuyoshi Yamamoto on both acoustic piano and Fender Rhodes – the latter of which sounds amazing next to Suzuki mellow-stepping lines. If you've heard any of Suzuki's other albums from the period, the style is somewhat similar – quite soulful throughout, but with an easygoing,…
Cool Jojo +4
*2022 stock* Masayuki Takayanagi, who has a free jazz pioneer, gives his answer to the turbulent 1970s. His homage to Tristano-Konitz, a return to his roots, is a ritual to reach new heights for a new era." - Koki Hanawa
Sunrise/Sunset
*2022 stock* "Mindblowing sounds from Japanese bassist Isoo Fukui – one of a handful of 70s players on that scene who really helped reinvent the sound of his instrument in jazz! Isoo really drives the group here up from the bottom – by playing both bass and cello with these well-inflected notes that are heavy on soul and rhythm, and which often enforce a modal sensibility that's carried out perfectly by the vibes of Kazuhiro Matsuishi and piano of Hideo Ichikawa! A few numbers feature guitar fro…
Physical Structure
*2022 stock* Amazing 1976 record by drummer George Otsuka, Physical Structure is an amazing jazz-fusion record featuring Fumio Karashima on piano and Fender Rhodes and Shozo Sasaki on tenor sax. Check the surprising and sublime cover of Naima which alone justifies to get this record! Personell list: George Ostuka (drums), Shozo Sasaki (tenor and soprano sax), Fumio Karashima (piano, electric piano and synthesizer), Mitsuako Furuno (bass), Norio Ohno (percussion).
Step!
*2022 stock* Naosuke Miyamoto Sextet's Step!, originally released in 1973. A fantastic modal jazz album, led by Naosuke Myamoto on bass, with Masayoshi Yoneda on the piano and Takashi Goto on saxophone. On One For Trane, the group delivers a strong and amazing moment of spiritual jazz. Also features Kunji Shigi (trumpet), Takashi Furuya and Shoji Nakayama (drums). Produced by Takeshi Jujii. Recorded on August 25, 1973.
Cheval Rodéo
*Limited edition of 200* Cheval Rodéo by Trombe, Thomas Beaudelin (sax) and Erwan Cornic (drums), a really jazz-like energy album, with low dynamic sensibility and great interaction between the two musicians.
Less Action, Less Excitement, Less Everything
The International Nothing is a Berlin-based psycho-acoustic clarinet duo formed by Michael Thieke and Kai Fagaschinski in 2000. They collectively compose multilayered sound sculptures using multiphonics, beat frequencies and difference tones as an integral part of their language. Both musicians might be known as improvisers but in this project they develop and perform exclusively their own compositions crafted with an extreme care for detail and precision. The duo's works have been released on f…
The Dark Side Of Success
The International Nothing is a Berlin-based psycho-acoustic clarinet duo formed by Michael Thieke and Kai Fagaschinski in 2000. They collectively compose multilayered sound sculptures using multiphonics, beat frequencies and difference tones as an integral part of their language. Both musicians are well known as improvisers but in this project they develop and perform exclusively their own compositions.
The duo’s progression from release to release is subtle, but with "The Dark Side Of Success t…
In Doubt We Trust
The International Nothing is a Berlin-based psycho-acoustic clarinet duo formed by Michael Thieke and Kai Fagaschinski in 2000. They collectively compose multilayered sound sculptures using multiphonics, beat frequencies and difference tones as an integral part of their language. Both musicians are well known as improvisers but in this project they develop and perform exclusively their own compositions.Every four years the duo releases an album on the Japanese Ftarri Label. In 2018 they are pres…