Jazz & Improvisation / All styles

"Unique voicing through the orchestration of saxophones, basset horn, glissotar (a modern continuous pitch wind instrument) and vibraphone, heard in this recording at the international artist house Villa Waldberta, in Feldafing-Munich, Germany, for seven recordings that blend free jazz forms with chamber jazz approaches with remarkable sophistication and composure." - SquidCo.com

"The quartet of Udo Schindler on reeds, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Nuno Torres on saxophone are heard in Munich, first in a wildly interactive live performance at Schindler's Salon successor: BASIS_Soundscape at MUCCA; then live in the studio for 7 improvisations with track titles borrowed from and under the influence of the poetry of Allen Ginsberg." - SquidCo.com

"Reedist Udo Schindler continues his exploration into the double bass and low-tone reed instruments, here on bass & contrabass clarinets contrasted only with his soprano saxophone, in a 2022 live recording from MUCCA_Kommandozentrate in Munich of the five-part improvisation "Hybride Synergetic" in a trio with double bassists Peter Jacquemyn and Georg Karger."  SquidCo.com

"Quoting Danish painter & sculptor Asgar Jorn - "To get anywhere, one must choose one's mistakes. I chose experimental acts." - the quartet of Udo Schindler on alto sax, bass & double bass clarinets & cornet, Eric Zwang Eriksson on drums, Ardhi Engl on self-invented instruments and Nikolaus Neuser on trumpet, are heard live at Munich's FMZ for 3 masterfully risk-taking sound poems." - SquidCo.com

*Limited to 50 copies* Four tone studies - each an individual note for trombone, finding (un)resonant locations of unique tonal and physical resistance.

"Repress of Johnny Dyani's 1979 LP Song for Biko, recorded in the summer of 1978 with the powerful front line-up of Don Cherry and Dudu Pukwana, the album was dedicated to the martyred South African activist against apartheid Steve Biko (1946-1977). Johnny Mbizo Dyani (bassist/composer) was born in East London, South Africa in 1945 and became one of South Africa's most internationally acknowledged musicians. Since his arrival in England in 1965 as a member of South African jazz group called The …

*Limited to 50 copies* "Eighth release in the Solo Horn series. Andrew Weathers works with the resonance of a movie theater lobby in Santa Fe, NM." - Sound Holes

Deluxe reissue edition. Restoration and digital transfer from original analogue tapes. 2LP - gatefold sleeve with LP size insert - 180g premium vinyl cut and pressed at Pallas in Germany. In recent times, a search of the Red Records archive led to the discovery of two quarter-inch tapes, believed to be blank. Upon closer examination, a single Sphere track was discovered on each of the reels. A remarkable discovery since, incredibly for such an important jazz group, the official recording legacy …

*Limited to 50 copies* Debut release by Omaha, NE based free improvising duo, Smith & Jessen.

William Parker - double bassHugo Costa - alto saxophone Philipp Ernsting - drums Recorded at Codarts, Rotterdam, October 11th, 2023 by Philipp ErnstingMixed and mastered by Arūnas Zujus at MAMAstudiosCover art by Martynas IvinskasPhoto of Hugo Costa by Rui SilvaPhoto of William Parker by Peter Gannushkin / downtownmusic.netPhoto of Philipp Ernsting by Florian CramerDesign by Danas Mikailionis

The Miles Davis historical second quintet with Wayne Shorter - tenor sax, Herbie Hancock - piano Ron Carter, bass and Tony Williams - drums. A perfect coalition of young, creative individuals under Miles' direction. A turning point in the whole history of American Jazz. Recorded live in Germany in October 1964 this double album features hiper- adventurous renditions of classic tunes including Davis originals like "All Blues". "Milestones" and "Walking" and standards like Rollins' "Oleo" and Cole…

The ECM folks do much better by Wadada Leo Smith than ever before with this solo recording, a true masterwork of its kind and one of the purest, most enlightening demonstrations of the connected natures of folk, blues, jazz, and creative music. That Smith is the man to do this is certainly no surprise; he laid it all down in print years before this release in his self-published books and liner notes. But the way he does it, with so much grace and style (and with the excellent production by Steve…

"I believe that the destructive element in art is neglected too much." - Piet Mondrian

"Drawing on a sound poem from French poet Stéphane Malarmé published in 1875, pianist Michel Wintsch and multi-reedist Udo Schindler on bass clarinet and alto saxophone tubax (a modified contrabass saxophone) perform five expressive and assertive improvisations with titles "borrowed from Stéphane Malarmé, who sees his texts as instruments." - SquidCo.com

"Confidently forceful German free improvisation with an eccentric approach, from multi-instrumentalist Udo Schindler on clarinets, cornet & tuba and artist & improviser Etienne Rolin on basset horn, Glissotar (a continuous wind instrument) & a Bansuri flute, as they improvise over Schindler's poem (jetzt/now) from his cycle frequenz schaukelt / frequency swings." - SquidCo.com

"Lately I’m seeing that it would be nice to turn one’s thoughts inside-out, which is possible for me, because I don’t compose in a straight line. I always compose around the periphery, you know." - David TudorUdo Schindler, b-flat, bass & double bass clarinets, cornet. Werner Dafeldecker, double bass.Udo Schindler plays a bflat-clarinet mod.3000 by Seggelke Klarinetten, a Leblanc metal doublebass clarinet modified till low C by Bruno Waltersbacher (& Benedikt Eppelsheim†) with a mouthpiece by Ma…

Audio & video live recordings November 26th, 2023 at BASIS_Klangraum at MUCCA & dasvinzenz (Munich) by Udo Schindler (arch-musik). Mix & editing by Thoma Lehn. Music by Schindler & Lehn (GEMA). Cover photo by Udo Schindler. Gaphic design by Udo Schindler. Produced by Udo Schindler/arch-musik & Thomas Lehn. Udo Schindler plays a bflat-clarinet mod.3000 by Seggelke Klarinetten, a Leblanc metal doublebass clarinet modified till low C by Bruno Waltersbacher (& Benedikt Eppelsheim†) with a mouthpiece…

Live rec. at April 18th, 2024 by Udo Schindler at StudioUS / Krailling-Munich. Mix by Wolfgang Obrecht / Tonstudio RichArt. Cover photo by Udo Schindler. All compositions by Udo Schindler (GEMA), NOID (SKM). Udo Schindler plays a bflat-clarinet mod.3000 by Seggelke Klarinetten, a Leblanc metal doublebass clarinet modified till low C by Bruno Waltersbacher (& Benedikt Eppelsheim†) with a mouthpiece by Max Geller & use a bass clarinet heavy neck by Martin Suter (Blashaus Luzern)

"... it's not about cleaning the music from the non-music or trying to destroy all disturbing noises, but to perceive the music as such, which exists in the midst of the noise of life. The more open the ear is to everything audible, the more strongly the music radiates its speciality. Because a musical instrument has a material body, its sound cannot be frictionless and clean. ..." - From Portrait of a Spinning Top / Portrait eines Kreisels by Yoku Tawada (Berlin) Udo Schindler plays a bflat-cla…

Manoel, the fourth LP by the Sensible Soccers, recorded at Arda Recorders and co-produced by the band and João Brandão, is the result of the creation of two new soundtracks for two films by Manoel de Oliveira: “Douro, Faina Fluvial” (1931) and “O Pintor e a Cidade” (1956). The Oliverian Universe and the way the director looked at Porto - his city, so well portrayed in these works - acted as a framework for the rhythm and atmosphere of a series of compositions that will be presented in cine-conce…

Back in print with new artwork !

*2024 reissue. 300 copies limited edition* In January 1999, after years of continuous daily rehearsals, Zu entered the studio to record Bromio. The album was released in October of the same year to immediate and enthusiastic feedback from the press and the public, and a few months later Zu began to play on stages all over Europe. But the band's inexperience in recording work weighed on them, because the impact they had live was not present in the sound of the CD at all. So it was that during the…

2024 Stock A new collaboration between John Coxon (Spring Heel Jack) and american trumpeter Wadada Leo Smith.

Great seventies club sounds coming from Belgium by El Chicles. Rich in danceable grooves, erotic moods an other funky rhythms, this cd is success guaranteed in any go-go party! Nice new artwork from the Wah Wah Design dept.

The Nu Band featuring: Roy Campbell Jr., Mark Whitecage, Joe Fonda and Lou Grassi "When Roy and I decided to start a project together in 2000 his only stipulation was that it not be another reshuffling of people he was already associated with in other projects.  After some consideration I suggested Mark Whitecage and Joe Fonda. Roy accepted both suggestions immediately. He had great respect for them both and remembered playing with Mark once, many years before. Fourteen years later, after six hi…

** 2024 restock, long out of print - few copies avaialble **  Reissue of the legendary Amalgam recording with Trevor Watts, Jeff Clyne, John Stevens and Barry Guy. This recording received the highest rating by The Penguin Guide to Jazz. It was re-mastered from the original reel to reel tapes. : In the late 60s, British jazz was in a state of flux, pulling itself into strange new shapes influenced by the U.S. avant garde, European improvisation and rock and giving birth to bands such as Keith Tip…

Romanian born trombonist, composer/arranger Peter Herbolzheimer led one of the most hard-swinging, innovative, successful European big bands with a heavy roster onboard, including Art Farmer, Palle Mikkleborg, Herb Geller, Philip Catherine, Tony Inzalaco, Dieter Reith and virtuoso latin jazz percussionist Sabu Martinez. His 1973 MPS album, Wide Open, remained unissued since the '70s – this first ever all-analogue 45 7" single features the two brassy big-band funk highlights from the LP – 'Babo' …

Bora Rokovic's MPS album, Ultra Native, is one of the most elusive titles in the catalogue and, until now, remained unissued since its original release in 1971. Inzalaco's 'J.B.W.' is a hard-grooving fusion piece with dark minor chords, opening with an almighty drum break – found here in a new all-analogue mastertape edit for this 45 release. 'Soft Hands Had the Rain' features Trunk strutting his stuff on Fender bass, as well as cello overdubs, with Rokovic's brooding improvisations on electric …

In process of restock This bundle includes three double LP sets, namely "Erich Kleinschuster 6tet Feat. Clifford Jordan & Charles Tolliver / ORF / 1968-69," "Erich Kleinschuster 6tet Feat. Joe Henderson & Dusko Goykovich / ORF / 1968-70" and "Erich Kleinschuster 6tet Feat. Carmell Jones, Slide Hampton & Art Farmer / ORF / 1968-71".Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 196…

Saba developed ‘world music’ beyond its jazz label remit, the eclectic ‘Jazz Meets The World’ series brought together artists from Japan, India, Tunisia, Indonesia and Brazil. Producer Joachim-Ernst Berendt travelled to Rio in 1966 to create SABA’s first Brazilian release with a giant of the scene, guitarist Baden Powell. The resulting album, one of Baden’s greatest, bore two deeply rhythmic, spiritual titles found on this 45. ‘Sarava’ is a trance-like ritualistic number designed to whip dancers…

Original created by Roland Kovac’s studio band for an industrial commercial, Hans Georg Brunner Schwer, an admirer of Kovac’s work, released the recordings as a full length SABA album in 1968 under the title ‘Trip To The Mars’. The recording has a sound somewhere between atmospheric soundtrack, library and modal jazz. Sort after for the modal waltz dancer ‘Blue Dance’, presented here in it’s ultimate sonic form – AAA analogue mastered and cut to 45rpm. Side 2’s ‘Milky Way’ is a heady trip mixing…

Nathan Davis recorded ‘The Hip Walk’ in 1965 alongside his school mate, trumpeter Carmell Jones (who a month later went on to record the Song for My Father album with Horace Silver). The quintet is backed by the tightest of rhythm sections: Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums. One of the most beautiful, swinging jazz pieces ever captured on tape, ‘Carmell’s Black Forest Waltz’ is presented in all-analogue richness on 45 single format for the first time. On side …

Although considered to be the greatest jazz singer the world has ever known, Mark Murphy remained underground with a cult status. Perhaps the pinnacle of his recording career was Midnight Mood released by SABA in 1968, aligning his unique vocal skills with the Clarke-Boland Octet. With the arrangements of Francy Boland, Kenny Clarke playing offbeats and between-beats, and individualists like Sahib Shihab and Ake Persson, the backing on this date provided a unique dialogue for Murphy. After the l…

Recorded in 1966, Fats Sadi’s ‘Ensadinado’ was his second recording as leader, his first album had been an early Blue Note 10”. Essentially comprising the Clarke-Boland rhythm section, with Sadi on vibes, Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums, this 45 features the two standout tracks from this rare SABA LP, which remains unissued on vinyl since its release in 1966. ‘Ensadinado’ finds the quartet playing a latin oriented title penned by Jimmy Woode. Boland’s ‘Night…

** First unedited MPS release on 7” 45 single. AAA Transfers from analogue mastertapes. Audiophile-grade vinyl – single one-off batch limited-edition pressing. New artwork authentically recreated on heavyweight gloss sleeves. Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee. Manufactured at Pallas Group GmbH, Germany. Metallic hype sticker ** For this 1969 recording Wolfgang Dauner expands beyond his more typical jazz settings, introducing psych and eastern raga touches wit…

** First ever release on 7” 45 single. AAA Transfers from analogue mastertapes. Audiophile-grade vinyl – single one-off batch limited-edition pressing. New artwork authentically recreated on heavyweight gloss sleeves. Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee. Manufactured at Pallas Group GmbH, Germany. Metallic hype sticker ** Wallen Bink presents My Soul / Au Right by George Duke. In 1971, following his tenure with Frank Zappa’s Mothers of Invention, George Duke to…

Andreas Trobollowitsch, an Austrian sound artist, explores various rotating mechanical systems to create sound-emitting objects. His work focuses primarily on conceptual compositions, self-developed musical instruments, sound and drawing installations. Thomas Rohrer, a Swiss musician, plays the rabeca, (a Brazilian fiddle), and soprano saxophone. His work is largely based on free improvisation, but also engages in a dialogue with traditional Brazilian music. The collaboration between Trobollowit…

Souffle Continu Records present the first ever vinyl reissue of Perception & Friends, originally released in 1973. After their first album which came out in 1971 on Futura Records (FFL 051LP), Perception wanted to rapidly record a second, but Gérard Terronès did not want to produce another, especially so soon after the first. Therefore, the only solution was to produce it themselves. It is thus completely logical that it came out on the label of the Association for the Development of Improvised …

*Edition of 300 glass-mastered CDs in wallet with spine.* "Releasing their first album in 2017, the collective trio of Chicago improvisers Bill Harris on drums, Gerrit Hatcher on tenor saxophone and Eli Namay on bass (now based in Pittsburgh), this third release is their first studio album, in two long-form improvisations that work on a spontaneous canvas of edgy contemplation and assertive conversation." - squidco.comKettle Hole Records is a Chicago-based independent record label, which special…

*Edition of 300 glass-mastered CDs in wallet with spine.* "An often raucous and always informed debut from the dual reed & drums Chicago trio Near Miss of Rob Magill on tenor & soprano sax and bass clarinet, Gerrit Hatcher on tenor sax and Bill Harris on drums, Magill and Hatcher having collaborated previously on Triplet Fawns with Patrick Shiroishi, and Whole Abandoned Star, while Hatcher & Harris are a part of Devouring the Guilt." - squidco.comKettle Hole Records is a Chicago-based independen…