Jazz & Improvisation / All styles

All songs written and performed by Erlend Smalås and Trond Wiger. Recorded and mixed in GODSterminalen by Trond Wiger for Alt for Høyt for Langt for Kort Forlag 2023. Mastering by Karl Klaseie, Øra Mastering. Chorus lyrics På gli by Stig Aarskog

*200 copies limited edition.* This release is an orchestral expansion of the vocabulary of The Hatch. The duo work of Desprez and Rasmussen extrapolating into two local scenes in Texas. A co-release with Astral Spirits from Austin, Texas.Pressing off only 200 copies! Beautiful gatefold double LP with artwork by Jaime Zuverza!

Šalter Ensemble operates on the border between free improvisation and composition, focusing on collective processes as a central part of its practice. The project is an international electro-acoustic ensemble initiated in 2017 by Jonas Kocher in collaboration with Zavod Sploh Ljubljana and Izlog Festival Zagreb, and has since performed at numerous venues and festivals in Slovenia, Croatia, Italy, Switzerland and Serbia.The ensemble consists of outstanding personalities from the Swiss music scen…

The Swiss-based trio Koch/Loriot/Kocher formed in the summer of 2020 has kept developing a distinct musical identity ever since. The band makes use of insistently repeated motifs, broken melodic lines and occasional tonal harmonies cohabiting with pure sound production. The three musicians develop their respective materials in tension with each other: they are able to merge their sounds at any moment, but just as well might evolve their individual voices for a long time in parallel, without a pr…

*100 copies limited edition.* Trio existing since 2014, it consists of three major figures of the Swiss improvised music scene. Koch, Kocher & Badrutt brilliantly achieve to play a subtle electro-acoustic improvised music, blending acoustic sources and electronics on a surprising way to create a music full of unpredictable events and of particular beauty. Archytas Curve is their second release."[…] I am stunned by the immediacy of the improvising. They have developed a special way of playing fas…

Outernational Sounds very proudly presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’.  Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long-lost Johanne…

CD Edition. A lost bit of 70s Italian modal jazz, with spiritual overtones and global percussion from drummer extraordinaire Tullio De Piscopo – an incredible set of heavily rhythmic grooves recorded in Milan in 1978 – originally a tiny edition effort on Carosello Records, and the most impressive rediscovery yet from New Platform!  For the occasion, the Tullio De Piscopo Quintet meets Argentine percussionist Luis  Agudo, who played for years alongside Brazilian guitarist Baden Powell and later w…

Acoustic Sounds Series edition  Karma is a jazz recording by the American tenor saxophonist Pharoah Sanders, released in May 1969 on the Impulse! label. A pioneering work of the "spiritual jazz" style, it has become Sanders' most popular and critically acclaimed album. It is among a number of spiritually-themed albums released on the Impulse! label in the late 1960s/early 1970s. The album's main piece is the 32-minute-long "The Creator Has a Master Plan," co-composed by Sanders with vocalist Leo…

Star Quality – Speculations for Guitar and Voice is a highly original album of experimental music that transcends the categories of free improvisation, jazz, electro-acoustic art, and the opera aria

The Derek Bailey transcription were performed at the Holywell music room in October 2005 as part of a concert organised by Fran Ryan, who wanted to hear me playpiano in a more composed setting. I agreed to play music based on Derek Bailey’s early recordings and brilliantly transcribed by Chris Burn, which he had sent me, I was inter-ested in the challenge and the obvious contradiction of performing free improvisationsas compostions, especially Derek’s, knowing his view on the use of transcriptio…

Svensk Jazzhistoria is a unique series about the evolution of jazz in Sweden, published by Caprice Records. While the first ten volumes reflect the years between 1899 and 1969, this red-hot eleventh installment delves deep into the 1970s. On four albums with a total of 62 tracks, and a book of 188 pages, we summarize a vigorous, explosive, and many-sided decade of Swedish jazz. Like with the preceding ten volumes, volume 11 is the masterstroke of jazz archaeologist Jan Bruer. Assisting him this …

The project Swedish Jazz History is a CD series issued by Caprice Records. The research for this is subsidized by the Bank of Sweden Tercentenary Foundation and the production is partly financed by the Swedish Council for Cultural Affairs. Our ambition has been to reflect the development of Swedish jazz up to and including the 1960s, and Volume 10, the final album in the series, covers the latter half of that eventful decade. Like its predecessor, Vol. 9 (“Brand new!”), the box contains 4 CDs an…

South African born and raised pianist/bandleader Chris McGregor formed the racially mixed Blue Notes in the early 1960's, touring and trying to get by in extremely difficult political circumstances as best they could. By 1964, facing continuous government harassment, Chris & the Blue Notes fled their South African homeland, finally settling in London in 1966. They made a huge impact on London's jazz scene and befriended many in London's emerging avant-garde jazz community. By 1969, the Blue Note…

Long awaited, never before published live chronicles of legendary Kondo / Chadbourne / Centazzo 1979 Italian tour. The document of the time, the music, and one of the direction of the improvised art form in late 70s. "We showed up at the train with all the equipment, 50 cases of percussion. The organizer is five hours late to meet. Then we all get searched on highway by the Italian police, looking for terrorists of the Red Brigade…" - Eugene Chadbourne

Mari Nakamoto's third Three Blind Mice (TBM) release showcases her tender vocal style, complemented by the masterful accompaniment of Isao Suzuki on bass and Kazumi Watanabe on guitar.

Featuring Natsuki Tamura on trumpet, Satoko Fujii on piano & compositions, Takeharu Hayakawa on electric bass and Tatsuya Yoshida (from RUINS!) on drums & voice. What I find most fascinating about this quartet is that although Satoko & Natsuki come from a mostly diverse jazz background, those crazed Ruins dudes have created their own progressive/punk world. Quite an odd combination of extremes which grows stronger with each disc by challenging each member and the audience as well. Once more Sato…

The second of two releases of this trio recorded live in Krakow in 2016 finds Chicago reedist Vandermark, German drummer Kugel and Ukranian bassist Tokar blowing holes in walls. There are occasional respites, say when Tokar takes one his fascinating, focused solos. But generally this is tough stuff. Vandermark is a master of taking a phrase and working it repeatedly, wringing out the last drops as he modulates his ideas to the boiling point. His clarinet playing brings to mind what Artie Shaw mi…

This album was inspired by the music coming out of Jamaica in the mid 1970s, in particular the use of drum machines by Lee Perry and Aston Family Man Barrett (and Sly Stone in the USA) but also the instrumentals and dubs by Keith Hudson and Im & Count Ossie etc. Searching out, buying and listening to those records had a deep and profound effect on me and became a big influence on me as a musician, which continues to this day.

A single 35-minute improvisation by Eddie Prévost (drums), Alan Wilkinson (alto and baritone saxophones) and Joe Williamson (double bass), recorded live at the Freedom of the City festival, London, on 1 May 2006.

Followers of our Quarterly will recall, about 6 years back, Woodbury's inspired arrangement of 'Shenandoah', which managed to embrace the whole of America history in under 10 minutes. Since then he has been working on completing this collection, his first full ensemble instrumental CD. The interest starts with the ensemble itself, half as expected for Latin, Jazz and Big band arrangements and half traditional American: pedal steel, banjo, accordion and fiddles. One thinks of Van Dyke Parks', and…

Released on LP in 1987-8 these are composed rock/contemporary/experimental pieces for electric guitar quartet and drums, complex and enegetic. Both LP's are now on one CD, omitting the Fred Frith guitar quartet extracts, which have now been released separately.

Originally issued as El Saturn 101679, recorded on 10/16/79, never reissued before in any form (before Artyard's prior LP edition in 2005). "On Jupiter uses more than the usual amount of post recording processing and mixing, nudging up to the jazz-rock/disco music of its time, but not getting too close. These are still eccentric, expanded, lurching musical beasts. And it's nice to hear the oboe and bassoon -- so often lost on the live concert mixes -- so prominent here. The playing is great, as …

Two gigs by a loose ensemble of nomads, hybrids, tech-heads and agitators gravitating around Porto, Portugal. ANTIFLUFFY is the pop cousin of Autodigest, both dedicated to a critique of the current culture of entertainment and the paradoxical labyrinths of late consumerism. While Autodigest takes the cerebral, strategic route, Antifluffy gets down and dirty, visceral in the face of fluff. Whether disemboweling magnetic tape or analogue photographs, delivering impassioned manifestos or crooning a…

The meeting between Terry Riley the father of American Minimalism and free jazz pioneer Don Cherry. Two contemporary luminaries who always shared an ear for non Western music and philosophies. Joined here by Stein Claeson on violin and el. bass, and Bengt Berger on percussion, these two giants give us an example of deep organic music based on the full integration of various materials. A beautiful example of true extended sonic democracy.

The magical encounter of three skillful players, right before their self titled debut on ECM. On September 1, 1978, the musical trio Codona performed live in Willisau, Switzerland. This Swiss FM broadcast captured Codona in full flight, with Collin Walcott on sitar, Don Cherry on trumpet, and Nana Vasconcelos on percussion. Their performance weaved a magical web of sound. The opening track, “New Light,” is a 16-minute journey of pure joy

Tip! The trio of Japanese Saxophone legend Akira Sakata with the scandinavian rhythm section presents already his fifth album! While the trio was on a Japan tour in 2019, Sakata arranged for a handful of special collaborations, with some of Japan’s most important artistic figures. Featuring the avantgarde dancer Min Tanaka, the pianist Yuji Takahashi and a heavyweight veteran of Japanese experimental music - drummer Takeo Moriyama. Moriyama was playing with Sakata in the Yosuke Yamashita Trio an…

The new ONJQ (Otomo Yoshihide New Jazz Quintet), with new members Shinpei Ruike (Tp) and Osamu Imagome (Tb), will release their first album, "Hat and Beard," featuring a selection of songs and edits from live recordings from their 2018 tour. Mixed & mastered by Soichiro Nakamura (Peace Music). Includes songs by Ornette Coleman, Eric Dolphy, and Wayne Shorter, plus self covers and new originals, for a total of 6 songs over 70 minutes.

In 1975, the lead album "Fragment" by the acclaimed UK jazz pianist John Taylor, which was previously only released on cassette tape and hailed as a gem of UK jazz.

**50th Anniversary Edition** Quoting Dustygroove, this is an incredibly inventive album from pianist Steve Kuhn – one that takes his earlier modern style, and fuses it with a warmer sort mode for the 70s! The approach is quite unique – in that Kuhn's core trio style is augmented both by additional percussion from Airto, plus occasional string quartet backing – for a sound that's fresh and different on each new tune! Some tracks feature Fender Rhodes, but most are acoustic – and Steve even sings …

"Phil Ranelin was a session trombonist recording with the likes of Steve Wonder before setting up the Tribe label with Wendell Harrison in Detroit. Like other contemporary artist run labels like Strata East and Black Jazz, Tribe releases were characterised by a heady mix of post Coltrane free jazz, soul and funk, all informed by a strong political conscience. Vibes From the Tribe is a fine record. The title track is lusciously, greasily funky and stands in pretty stark contrast to the kind of ai…

Masayuki Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.

Not Blues is a live recording of the contemporary jazz group Masayuki Takayanagi Jazz Contemporary 4, which was formed in February 1969. It was the year when the group New Direction was formed and the first recording "Independence" under the name of New Direction was released in September the following year. In other words, this work is a record of "jazz performance" just before Masayuki Takayanagi moved to free jazz. According to the commentary by guitarist Kazuo Imai (that studied under Masayu…

Akira Sakata is a legendary Japanese jazz musician active since the early 70s (Yosuke Yamashita Trio, Akira Sakata Trio) and also an ocean-biologist. Among others he has toured and recorded with The Thing, Jim O’Rourke, Bill Laswell, Merzbow, Chikamorachi, etc.On this album originally released in 1985 he teamed up with vocalist Akira Emoto to create an incredible record which is rooted in Jazz and explores an entire world of sounds. You got to listen to believe it! 

Tip! *Japan import with Obi Strip* From the opening tune “The Vamp” to the final “Head Rock”, this album is a dazzling jazz rock showcase with dreadnought songs that are filled with ideas and passion. This is a masterpiece that has an overwhelming presence in the history of jazz in Japan, as an heresy left on the prestigious jazz label Takt.

Tip! *Japan import with Obi Strip* Hiromasa Suzuki is a legendary composer and arranger, and a key player who has been active in the Japanese music world, including jazz as well as movies, television and commercials. In the late ‘60s and mid-’70s, he was deeply involved in the works of Terumasa Hino, Akira Ishikawa and Jiro Inagaki in their most radical times. The album “High-Flying,” recorded in 1976, showed his innovativeness, which was always one step ahead of the times. This is an essential …

"In the spirit of expansive expression; deep connection to the Sea as it furthers the Sound. The rumination of consideration put forth thru a profound triumvirate of Beings, Fathers, Sons, Family Members, Loved Ones. The Most Powerful Movements of Love are Subtle. They are sublime. They are felt before and after any note  is played by the three of us. We are supportive of each other as people, in the true spirit of a Trio. Equilateral in the degrees of consideration towards each portion of our h…

Big Tip! Originally released in 1983 through Apollon Music industrial corp’s alty sublabel, Mule Musiq sub-label Studio Mule presents the first official digital reissue of Shinsuke Honda 本多信介’s rare Silence = サイレンス (夕映え) album. recorded as part of alty’s resort mind music series, Honda-san’s contemplative guitar instrumentals tint the air with nostalgia, longing and a gentle sadness at the impermanence of all things, transporting the listener to an eternal sunset of the mind. A masterful guitari…

Rob Franken was a talented Dutch, journeyman keyboardist of the 70s. Among other things, he is considered the first Dutch jazzman to make ‘good use’ of the Fender Rhodes and synthesizer.These 3 CDs compile a full six vinyl lps worth of previously unreleased commercially music. Much of the music is electric trio, but some sessions use extra percussion and even sax or trumpet. The description below explains what this music is, but it’s much better than simply ‘music for elevators’ and it certainly…

Black vinyl / 505mcn paper / Hand Plasticization / PVC outers / original artwork / 250 copies edition. 1970 freeform jazz rarity. Noah Howard was born in 1943 in New Orleans and, like many of his contemporaries, first played music in church as a child. In his 2010 book, 'Music in My Soul', Howard reflected upon his childhood in New Orleans and the influence the city had on him: “Growing up in New Orleans was like receiving a steady diet of music, and my taste in music became increasingly more so…

In the early seventies, pianist Frans Elsen (1934-2011) and alto saxophonist Piet Noordijk (1932-2011) formed a unique septet to play funk jazz. Their material was never released and is now available on a double LP. In 1970, pianist Frans Elsen spent part of the summer in Norway. Inspired by the desolate surroundings and the small towns, he wrote and arranged a 'Norwegian cycle' that he performed with his brand new electric septet. A star-studded line-up: altoist Piet Noordijk, trumpeter Eddie E…